History Main / CensoredEleven

14th Apr '13 5:47:39 AM Brainiac0982
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In the history of media, there are works that may not seem overtly controversial at the time of their creation, but later come to be regarded as such as time passes and perceptions of morals, beliefs, and societial issues change. Animation is no different, and there is no better example of this within the medium than the '''Censored Eleven'''.

The "Censored Eleven" are a collection of eleven different animated shorts -- ten released under the [[WesternAnimation/LooneyTunes Merrie Melodies]] label, one released under the WesternAnimation/LooneyTunes label -- created between the years of [[TheGoldenAgeOfAnimation 1931 and 1944]]. The full list is as follows:

* ''[[PublicDomainAnimation Hittin' the Trail for Hallelujah Land]]'' -- 1931, directed by [[HarmanAndIsing Rudolf Ising]]
* ''Sunday Go to Meetin' Time'' -- 1936, directed by FrizFreleng
* ''Clean Pastures'' -- 1937, directed by Friz Freleng
* ''Uncle Tom's Bungalow'' -- 1937, directed by TexAvery
* ''[[PublicDomainAnimation Jungle Jitters]]'' -- 1938, directed by Friz Freleng -- [[http://www.youtube.com/watch?v=Im27FD077zk Watch]]
* ''The Isle of Pingo Pongo'' -- 1938, directed by Tex Avery
* ''[[PublicDomainAnimation All This and Rabbit Stew]]'' -- 1941, directed by Tex Avery -- [[http://www.youtube.com/watch?v=kk36qmiVBWw Watch]]
* ''CoalBlackAndDeSebbenDwarfs'' -- 1943, directed by BobClampett. One of The50GreatestCartoons, and one of The100GreatestLooneyTunes.
* ''Tin Pan Alley Cats'' -- 1943, directed by Bob Clampett. One of The100GreatestLooneyTunes.
* ''Angel Puss'' -- 1944, directed by ChuckJones (the only short released under the Looney Tunes label ''and'' the only ChuckJones-directed Censored Eleven short)
* ''Goldilocks and the Jivin' Bears'' -- 1944, directed by Friz Freleng

The "Censored Eleven" are called so because in 1968, Associated Artists Productions rightsowner United Artists deemed all eleven of the short films -- which contained numerous depictions of black people that are considered offensive -- to be ''too'' offensive for contemporary audiences (especially in light of the civil rights movement) and pulled them all from distribution. Unlike other shorts released at the time that were later edited to remove any racially-themed jokes (such as those found in various ''WesternAnimation/TomAndJerry'' and ''WesternAnimation/LooneyTunes'' shorts), the racial themes in the Censored Eleven are so pervasive and thoroughly central to the plot of each of the shorts that editing them would essentially render the shorts into nothingness. Since 1968, the owners of the rights to these shorts -- including the current rightsholders, Time Warner -- have refused to show any one of them on television or (with a single exception) in theaters.

At the turn of the century, several animation historians began to publicize the existence of the Eleven, which led to an article about the shorts in the New York Times which discussed how they could all be found on Website/YouTube (or bootleg home video releases). This heightened public awareness led to a special theatrical airing of remastered editions of eight of the eleven shorts (''Jungle Jitters'', ''Rabbit Stew'', and ''Angel Puss'' being the three left out) at the TCM Classic Film Festival in 2010. In October 2010, Warner Bros. announced that the first legitimate home video release of the entire Censored Eleven would happen in 2011. While the release was initially pegged to be part of the Warner Archives "DVD-on-demand" program, it was later confirmed that the release would be a traditional retail release; along with the promise that the release will be "high class", the collection will also include several other rare cartoons from the time period of the Eleven and a number of bonus features.

Several other racially-themed shorts -- including ''Confederate Honey'', ''Fresh Hare'', ''Which Is Witch'', and MGM's ''Uncle Tom's Cabana'' and ''Half-Pint Pygmy'' -- and numerous [[WartimeCartoon World War II-era cartoons featuring unflattering depictions of the Japanese]] are often associated with the Censored Eleven due to their racist content and how most of them haven't been seen on television because of it, though ''Fresh Hare'' has been seen on TV (albeit [[EditedForSyndication with the ending cut]]) and ''Which Is Witch'' ''was'' shown on TV up until the 1990s (Nickelodeon was the last channel to air it, again with a scene involving black savage stereotypes cut. It also aired on CBS Saturday morning TV with a scene of Bugs trapped in the pressure cooker cut). These racially-themed cartoons aren't associated with The Censored Eleven and are in a class by itself (''Which Is Witch'' is part of a group of 12 Bugs Bunny cartoons -- including the Censored Eleven's ''All This And Rabbit's Stew'' -- that have been pulled by Creator/CartoonNetwork due to the cartoons featuring Bugs facing off against a villain who happens to be an [[UnacceptableTargets unacceptable racial target]]).
-----
!! Tropes associated with the Censored Eleven (in general) include:

* TheGoldenAgeOfAnimation: All eleven of the shorts were produced during this era.
* KeepCirculatingTheTapes: While the Eleven have never had an official home video release, they have showed up on bootleg home video releases, and all eleven shorts can be found on Internet video sites (as the links above can attest to). The first official release of the Eleven is said to happen in 2011, though no word of a release has cropped up yet.
* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.

to:

In the history of media, there are works that may not seem overtly controversial at the time of their creation, but later come to be regarded as such as time passes and perceptions of morals, beliefs, and societial issues change. Animation is no different, and there is no better example of this within the medium than the '''Censored Eleven'''.

The "Censored Eleven" are a collection of eleven different animated shorts -- ten released under the [[WesternAnimation/LooneyTunes Merrie Melodies]] label, one released under the WesternAnimation/LooneyTunes label -- created between the years of [[TheGoldenAgeOfAnimation 1931 and 1944]]. The full list is as follows:

* ''[[PublicDomainAnimation Hittin' the Trail for Hallelujah Land]]'' -- 1931, directed by [[HarmanAndIsing Rudolf Ising]]
* ''Sunday Go to Meetin' Time'' -- 1936, directed by FrizFreleng
* ''Clean Pastures'' -- 1937, directed by Friz Freleng
* ''Uncle Tom's Bungalow'' -- 1937, directed by TexAvery
* ''[[PublicDomainAnimation Jungle Jitters]]'' -- 1938, directed by Friz Freleng -- [[http://www.youtube.com/watch?v=Im27FD077zk Watch]]
* ''The Isle of Pingo Pongo'' -- 1938, directed by Tex Avery
* ''[[PublicDomainAnimation All This and Rabbit Stew]]'' -- 1941, directed by Tex Avery -- [[http://www.youtube.com/watch?v=kk36qmiVBWw Watch]]
* ''CoalBlackAndDeSebbenDwarfs'' -- 1943, directed by BobClampett. One of The50GreatestCartoons, and one of The100GreatestLooneyTunes.
* ''Tin Pan Alley Cats'' -- 1943, directed by Bob Clampett. One of The100GreatestLooneyTunes.
* ''Angel Puss'' -- 1944, directed by ChuckJones (the only short released under the Looney Tunes label ''and'' the only ChuckJones-directed Censored Eleven short)
* ''Goldilocks and the Jivin' Bears'' -- 1944, directed by Friz Freleng

The "Censored Eleven" are called so because in 1968, Associated Artists Productions rightsowner United Artists deemed all eleven of the short films -- which contained numerous depictions of black people that are considered offensive -- to be ''too'' offensive for contemporary audiences (especially in light of the civil rights movement) and pulled them all from distribution. Unlike other shorts released at the time that were later edited to remove any racially-themed jokes (such as those found in various ''WesternAnimation/TomAndJerry'' and ''WesternAnimation/LooneyTunes'' shorts), the racial themes in the Censored Eleven are so pervasive and thoroughly central to the plot of each of the shorts that editing them would essentially render the shorts into nothingness. Since 1968, the owners of the rights to these shorts -- including the current rightsholders, Time Warner -- have refused to show any one of them on television or (with a single exception) in theaters.

At the turn of the century, several animation historians began to publicize the existence of the Eleven, which led to an article about the shorts in the New York Times which discussed how they could all be found on Website/YouTube (or bootleg home video releases). This heightened public awareness led to a special theatrical airing of remastered editions of eight of the eleven shorts (''Jungle Jitters'', ''Rabbit Stew'', and ''Angel Puss'' being the three left out) at the TCM Classic Film Festival in 2010. In October 2010, Warner Bros. announced that the first legitimate home video release of the entire Censored Eleven would happen in 2011. While the release was initially pegged to be part of the Warner Archives "DVD-on-demand" program, it was later confirmed that the release would be a traditional retail release; along with the promise that the release will be "high class", the collection will also include several other rare cartoons from the time period of the Eleven and a number of bonus features.

Several other racially-themed shorts -- including ''Confederate Honey'', ''Fresh Hare'', ''Which Is Witch'', and MGM's ''Uncle Tom's Cabana'' and ''Half-Pint Pygmy'' -- and numerous [[WartimeCartoon World War II-era cartoons featuring unflattering depictions of the Japanese]] are often associated with the Censored Eleven due to their racist content and how most of them haven't been seen on television because of it, though ''Fresh Hare'' has been seen on TV (albeit [[EditedForSyndication with the ending cut]]) and ''Which Is Witch'' ''was'' shown on TV up until the 1990s (Nickelodeon was the last channel to air it, again with a scene involving black savage stereotypes cut. It also aired on CBS Saturday morning TV with a scene of Bugs trapped in the pressure cooker cut). These racially-themed cartoons aren't associated with The Censored Eleven and are in a class by itself (''Which Is Witch'' is part of a group of 12 Bugs Bunny cartoons -- including the Censored Eleven's ''All This And Rabbit's Stew'' -- that have been pulled by Creator/CartoonNetwork due to the cartoons featuring Bugs facing off against a villain who happens to be an [[UnacceptableTargets unacceptable racial target]]).
-----
!! Tropes associated with the Censored Eleven (in general) include:

* TheGoldenAgeOfAnimation: All eleven of the shorts were produced during this era.
* KeepCirculatingTheTapes: While the Eleven have never had an official home video release, they have showed up on bootleg home video releases, and all eleven shorts can be found on Internet video sites (as the links above can attest to). The first official release of the Eleven is said to happen in 2011, though no word of a release has cropped up yet.
* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.
[[redirect:WesternAnimation/CensoredEleven]]
3rd Mar '13 5:12:27 PM JIKTV
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* AcceptableTargets: At the time, yes. Nowadays, not as such.

to:

* AcceptableTargets: At the time, yes. Nowadays, not as such.



* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.
* ValuesDissonance: Back then most of these ethnic jokes were seen as funny.

to:

* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.
* ValuesDissonance: Back then most of these ethnic jokes were seen as funny.
PublicDomain.
28th Nov '12 6:42:19 AM Patachou
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to:

* AcceptableTargets: At the time, yes. Nowadays, not as such.



* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.

to:

* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.PublicDomain.
* ValuesDissonance: Back then most of these ethnic jokes were seen as funny.
1st Sep '12 12:56:33 PM FELH2
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Several other racially-themed shorts -- including ''Confederate Honey'', ''Fresh Hare'', ''Which Is Witch'', and MGM's ''Uncle Tom's Cabana'' and ''Half-Pint Pygmy'' -- and numerous [[WartimeCartoon World War II-era cartoons featuring unflattering depictions of the Japanese]] are often associated with the Censored Eleven due to their racist content and how most of them haven't been seen on television because of it, though ''Fresh Hare'' has been seen on TV (albeit [[EditedForSyndication with the ending cut]]) and ''Which Is Witch'' ''was'' shown on TV up until the 1990s (Nickelodeon was the last channel to air it, again with a scene involving black savage stereotypes cut. It also aired on CBS Saturday morning TV with a scene of Bugs trapped in the pressure cooker cut). These racially-themed cartoons aren't associated with The Censored Eleven and are in a class by itself (''Which Is Witch'' is part of a group of 12 Bugs Bunny cartoons -- including the Censored Eleven's ''All This And Rabbit's Stew'' -- that have been pulled by CartoonNetwork due to the cartoons featuring Bugs facing off against a villain who happens to be an [[UnacceptableTargets unacceptable racial target]]).

to:

Several other racially-themed shorts -- including ''Confederate Honey'', ''Fresh Hare'', ''Which Is Witch'', and MGM's ''Uncle Tom's Cabana'' and ''Half-Pint Pygmy'' -- and numerous [[WartimeCartoon World War II-era cartoons featuring unflattering depictions of the Japanese]] are often associated with the Censored Eleven due to their racist content and how most of them haven't been seen on television because of it, though ''Fresh Hare'' has been seen on TV (albeit [[EditedForSyndication with the ending cut]]) and ''Which Is Witch'' ''was'' shown on TV up until the 1990s (Nickelodeon was the last channel to air it, again with a scene involving black savage stereotypes cut. It also aired on CBS Saturday morning TV with a scene of Bugs trapped in the pressure cooker cut). These racially-themed cartoons aren't associated with The Censored Eleven and are in a class by itself (''Which Is Witch'' is part of a group of 12 Bugs Bunny cartoons -- including the Censored Eleven's ''All This And Rabbit's Stew'' -- that have been pulled by CartoonNetwork Creator/CartoonNetwork due to the cartoons featuring Bugs facing off against a villain who happens to be an [[UnacceptableTargets unacceptable racial target]]).
1st Aug '12 4:20:38 AM FELH2
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At the turn of the century, several animation historians began to publicize the existence of the Eleven, which led to an article about the shorts in the New York Times which discussed how they could all be found on YouTube (or bootleg home video releases). This heightened public awareness led to a special theatrical airing of remastered editions of eight of the eleven shorts (''Jungle Jitters'', ''Rabbit Stew'', and ''Angel Puss'' being the three left out) at the TCM Classic Film Festival in 2010. In October 2010, Warner Bros. announced that the first legitimate home video release of the entire Censored Eleven would happen in 2011. While the release was initially pegged to be part of the Warner Archives "DVD-on-demand" program, it was later confirmed that the release would be a traditional retail release; along with the promise that the release will be "high class", the collection will also include several other rare cartoons from the time period of the Eleven and a number of bonus features.

to:

At the turn of the century, several animation historians began to publicize the existence of the Eleven, which led to an article about the shorts in the New York Times which discussed how they could all be found on YouTube Website/YouTube (or bootleg home video releases). This heightened public awareness led to a special theatrical airing of remastered editions of eight of the eleven shorts (''Jungle Jitters'', ''Rabbit Stew'', and ''Angel Puss'' being the three left out) at the TCM Classic Film Festival in 2010. In October 2010, Warner Bros. announced that the first legitimate home video release of the entire Censored Eleven would happen in 2011. While the release was initially pegged to be part of the Warner Archives "DVD-on-demand" program, it was later confirmed that the release would be a traditional retail release; along with the promise that the release will be "high class", the collection will also include several other rare cartoons from the time period of the Eleven and a number of bonus features.
29th Jul '12 1:58:54 PM FELH2
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The "Censored Eleven" are a collection of eleven different animated shorts -- ten released under the MerrieMelodies label, one released under the WesternAnimation/LooneyTunes label -- created between the years of [[TheGoldenAgeOfAnimation 1931 and 1944]]. The full list is as follows:

to:

The "Censored Eleven" are a collection of eleven different animated shorts -- ten released under the MerrieMelodies [[WesternAnimation/LooneyTunes Merrie Melodies]] label, one released under the WesternAnimation/LooneyTunes label -- created between the years of [[TheGoldenAgeOfAnimation 1931 and 1944]]. The full list is as follows:
20th Jul '12 1:03:15 PM FELH2
Is there an issue? Send a Message


The "Censored Eleven" are a collection of eleven different animated shorts -- ten released under the MerrieMelodies label, one released under the LooneyTunes label -- created between the years of [[TheGoldenAgeOfAnimation 1931 and 1944]]. The full list is as follows:

to:

The "Censored Eleven" are a collection of eleven different animated shorts -- ten released under the MerrieMelodies label, one released under the LooneyTunes WesternAnimation/LooneyTunes label -- created between the years of [[TheGoldenAgeOfAnimation 1931 and 1944]]. The full list is as follows:



* ''Goldilocks and the Jivin' Bears'' -- 1944, directed by Friz Freleng

The "Censored Eleven" are called so because in 1968, Associated Artists Productions rightsowner United Artists deemed all eleven of the short films -- which contained numerous depictions of black people that are considered offensive -- to be ''too'' offensive for contemporary audiences (especially in light of the civil rights movement) and pulled them all from distribution. Unlike other shorts released at the time that were later edited to remove any racially-themed jokes (such as those found in various ''WesternAnimation/TomAndJerry'' and ''LooneyTunes'' shorts), the racial themes in the Censored Eleven are so pervasive and thoroughly central to the plot of each of the shorts that editing them would essentially render the shorts into nothingness. Since 1968, the owners of the rights to these shorts -- including the current rightsholders, Time Warner -- have refused to show any one of them on television or (with a single exception) in theaters.

At the turn of the century, several animation historians began to publicize the existence of the Eleven, which led to an article about the shorts in the New York Times which discussed how they could all be found on {{YouTube}} (or bootleg home video releases). This heightened public awareness led to a special theatrical airing of remastered editions of eight of the eleven shorts (''Jungle Jitters'', ''Rabbit Stew'', and ''Angel Puss'' being the three left out) at the TCM Classic Film Festival in 2010. In October 2010, Warner Bros. announced that the first legitimate home video release of the entire Censored Eleven would happen in 2011. While the release was initially pegged to be part of the Warner Archives "DVD-on-demand" program, it was later confirmed that the release would be a traditional retail release; along with the promise that the release will be "high class", the collection will also include several other rare cartoons from the time period of the Eleven and a number of bonus features.

to:

* ''Goldilocks and the Jivin' Bears'' -- 1944, directed by Friz Freleng

Freleng

The "Censored Eleven" are called so because in 1968, Associated Artists Productions rightsowner United Artists deemed all eleven of the short films -- which contained numerous depictions of black people that are considered offensive -- to be ''too'' offensive for contemporary audiences (especially in light of the civil rights movement) and pulled them all from distribution. Unlike other shorts released at the time that were later edited to remove any racially-themed jokes (such as those found in various ''WesternAnimation/TomAndJerry'' and ''LooneyTunes'' ''WesternAnimation/LooneyTunes'' shorts), the racial themes in the Censored Eleven are so pervasive and thoroughly central to the plot of each of the shorts that editing them would essentially render the shorts into nothingness. Since 1968, the owners of the rights to these shorts -- including the current rightsholders, Time Warner -- have refused to show any one of them on television or (with a single exception) in theaters.

At the turn of the century, several animation historians began to publicize the existence of the Eleven, which led to an article about the shorts in the New York Times which discussed how they could all be found on {{YouTube}} YouTube (or bootleg home video releases). This heightened public awareness led to a special theatrical airing of remastered editions of eight of the eleven shorts (''Jungle Jitters'', ''Rabbit Stew'', and ''Angel Puss'' being the three left out) at the TCM Classic Film Festival in 2010. In October 2010, Warner Bros. announced that the first legitimate home video release of the entire Censored Eleven would happen in 2011. While the release was initially pegged to be part of the Warner Archives "DVD-on-demand" program, it was later confirmed that the release would be a traditional retail release; along with the promise that the release will be "high class", the collection will also include several other rare cartoons from the time period of the Eleven and a number of bonus features.
7th Jun '12 10:34:13 AM Prinzenick
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* OnceAcceptableTargets: Black people, primarily.
* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.
* ValuesDissonance: The whole point.

to:

* OnceAcceptableTargets: Black people, primarily.
* PublicDomainAnimation: Several of the shorts on the list are in the PublicDomain.
* ValuesDissonance: The whole point.
PublicDomain.
7th Jun '12 10:33:44 AM Prinzenick
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* ''[[PublicDomainAnimation Hittin' the Trail for Hallelujah Land]]'' -- 1931, directed by [[HarmanAndIsing Rudolf Ising]] -- [[http://www.youtube.com/watch?v=Q6vEScLXEjQ Watch]]

to:

* ''[[PublicDomainAnimation Hittin' the Trail for Hallelujah Land]]'' -- 1931, directed by [[HarmanAndIsing Rudolf Ising]] -- [[http://www.youtube.com/watch?v=Q6vEScLXEjQ Watch]]Ising]]
3rd Jun '12 11:14:22 AM FELH2
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The "Censored Eleven" are called so because in 1968, Associated Artists Productions rightsowner United Artists deemed all eleven of the short films -- which contained numerous depictions of black people that are considered offensive -- to be ''too'' offensive for contemporary audiences (especially in light of the civil rights movement) and pulled them all from distribution. Unlike other shorts released at the time that were later edited to remove any racially-themed jokes (such as those found in various ''TomAndJerry'' and ''LooneyTunes'' shorts), the racial themes in the Censored Eleven are so pervasive and thoroughly central to the plot of each of the shorts that editing them would essentially render the shorts into nothingness. Since 1968, the owners of the rights to these shorts -- including the current rightsholders, Time Warner -- have refused to show any one of them on television or (with a single exception) in theaters.

to:

The "Censored Eleven" are called so because in 1968, Associated Artists Productions rightsowner United Artists deemed all eleven of the short films -- which contained numerous depictions of black people that are considered offensive -- to be ''too'' offensive for contemporary audiences (especially in light of the civil rights movement) and pulled them all from distribution. Unlike other shorts released at the time that were later edited to remove any racially-themed jokes (such as those found in various ''TomAndJerry'' ''WesternAnimation/TomAndJerry'' and ''LooneyTunes'' shorts), the racial themes in the Censored Eleven are so pervasive and thoroughly central to the plot of each of the shorts that editing them would essentially render the shorts into nothingness. Since 1968, the owners of the rights to these shorts -- including the current rightsholders, Time Warner -- have refused to show any one of them on television or (with a single exception) in theaters.



* ValuesDissonance: The whole point.

to:

* ValuesDissonance: The whole point.
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http://tvtropes.org/pmwiki/article_history.php?article=Main.CensoredEleven