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* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, and an expanded budget to match, with much more elaborate cinematography and production numbers that wouldn’t be out of place in a Broadway megamusical.

to:

* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, and give it an expanded budget to match, with much more elaborate cinematography and production numbers that wouldn’t be out of place in a Broadway megamusical.
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* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, with an expanded budget to match, with superior cinematography and much more elaborate production numbers that wouldn’t be out of place in a Broadway megamusical.

to:

* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, with and an expanded budget to match, with superior cinematography and much more elaborate cinematography and production numbers that wouldn’t be out of place in a Broadway megamusical.
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Renamed


* ''WebVideo/JonTron'' has also received a significant budget boost. Unlike the Critic, there isn't much of a difference in terms of content. He just has more money to indulge in all the [[WidgetSeries batshit insanity]] that goes down.

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* ''WebVideo/JonTron'' has also received a significant budget boost. Unlike the Critic, there isn't much of a difference in terms of content. He just has more money to indulge in all the [[WidgetSeries [[QuirkyWork batshit insanity]] that goes down.
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* Happened between the first ''Film/{{Transformers|2007}}'' movie and [[Film/TransformersRevengeOfTheFallen its first sequel]], which allowed for bigger action scenes and more complexity on the robots. Inverted a bit with ''[[Film/TransformersDarkOfTheMoon Dark of the Moon]]'', as while it ''was'' more expensive than the first film ($195 million to the $150 million of the first), it still manged to be less expensive[[note]] by about $5 million[[/note]] than ''Revenge of the Fallen'', yet look like a film '''''twice''''' its size.

to:

* Happened between the first ''Film/{{Transformers|2007}}'' movie ''Film/Transformers2007'' and [[Film/TransformersRevengeOfTheFallen its first sequel]], sequel ''Film/TransformersRevengeOfTheFallen'', which allowed for bigger action scenes and more complexity on the robots. Inverted a bit with ''[[Film/TransformersDarkOfTheMoon Dark of the Moon]]'', third film ''Film/TransformersDarkOfTheMoon'', as while it ''was'' more expensive than the first film ($195 million to the $150 million of the first), it still manged to be less expensive[[note]] by about $5 million[[/note]] than ''Revenge of the Fallen'', yet look like a film '''''twice''''' its size.

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Changed: 519

Removed: 1975

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* ''Film/{{Gamera}}'':
** ''Film/GameraVsBarugon'', the second film of the series has noticeably scaled up, well, everything. Bigger sets, better monster suits, better music, better actors, and a more solid over directing style.
** ''Film/GameraGuardianOfTheUniverse'', coming after the near franchise killer, ''Film/GameraSuperMonster'', featured a DarkerAndEdgier version of the character with suitmation and model effects and cinematography that put even his corporate rival, ''Franchise/{{Godzilla}}'', to shame at the time. Along with a much tighter direction, [[GrowingTheBeard it led to a trilogy widely heralded as a high-water mark]] of the {{Kaiju}} genre.



* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, with an expanded budget to match, with superior cinematography and much more elaborate production numbers that wouldn’t be out of place in a Broadway megamusical.
* While ''Series/MysteryScienceTheater3000'' had always had a pretty small budget, TheMovie had a larger budget, thanks to being backed by Universal Studios. However, the only thing really different is that everything seemed bigger (including an incredibly expanded set showing other areas of the SOL).
* ''Film/{{Serenity}}'' is basically a much more expensive, better-looking episode of [[Series/{{Firefly}} the series it's spun off from]]. And it is ''awesome!''



* While ''Series/MysteryScienceTheater3000'' had always had a pretty small budget, TheMovie had a larger budget, thanks to being backed by Universal Studios. However, the only thing really different is that everything seemed bigger (including an incredibly expanded set showing other areas of the SOL).
* ''Film/{{Serenity}}'' is basically a much more expensive, better-looking episode of [[Series/{{Firefly}} the series it's spun off from]]. And it is ''awesome!''



* ''Film/{{Gamera}}'':
** ''Film/GameraVsBarugon'', the second film of the series has noticeably scaled up, well, everything. Bigger sets, better monster suits, better music, better actors, and a more solid over directing style.
** ''Film/GameraGuardianOfTheUniverse'', coming after the near franchise killer, ''Film/GameraSuperMonster'', featured a DarkerAndEdgier version of the character with suitmation and model effects and cinematography that put even his corporate rival, ''Franchise/{{Godzilla}}'', to shame at the time. Along with a much tighter direction, [[GrowingTheBeard it led to a trilogy widely heralded as a high-water mark]] of the {{Kaiju}} genre.
* Happened between the first ''Film/{{Transformers}}'' movie and [[Film/TransformersRevengeOfTheFallen its first sequel]], which allowed for bigger action scenes and more complexity on the robots. Inverted a bit with ''[[Film/TransformersDarkOfTheMoon Dark of the Moon]]'', as while it ''was'' more expensive than the first film ($195 million to the $150 million of the first). It still manged to be less expensive[[note]] by about $5 million[[/note]] than ''Revenge of the Fallen'', yet look like a film '''''twice''''' its size.
* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, with an expanded budget to match, with superior cinematography and much more elaborate production numbers that wouldn’t be out of place in a Broadway megamusical.

to:

* ''Film/{{Gamera}}'':
** ''Film/GameraVsBarugon'', the second film of the series has noticeably scaled up, well, everything. Bigger sets, better monster suits, better music, better actors, and a more solid over directing style.
** ''Film/GameraGuardianOfTheUniverse'', coming after the near franchise killer, ''Film/GameraSuperMonster'', featured a DarkerAndEdgier version of the character with suitmation and model effects and cinematography that put even his corporate rival, ''Franchise/{{Godzilla}}'', to shame at the time. Along with a much tighter direction, [[GrowingTheBeard it led to a trilogy widely heralded as a high-water mark]] of the {{Kaiju}} genre.
* Happened between the first ''Film/{{Transformers}}'' ''Film/{{Transformers|2007}}'' movie and [[Film/TransformersRevengeOfTheFallen its first sequel]], which allowed for bigger action scenes and more complexity on the robots. Inverted a bit with ''[[Film/TransformersDarkOfTheMoon Dark of the Moon]]'', as while it ''was'' more expensive than the first film ($195 million to the $150 million of the first). It first), it still manged to be less expensive[[note]] by about $5 million[[/note]] than ''Revenge of the Fallen'', yet look like a film '''''twice''''' its size.
* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, with an expanded budget to match, with superior cinematography and much more elaborate production numbers that wouldn’t be out of place in a Broadway megamusical.
size.
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* When making the first film in ''LiteratureTheTwilightSaga'', the effects were low budget, they went with then-largely unknown actors, heck, the film was produced by then-independent studio Creator/SummitEentertainment. Nobody involved realized how huge the books' fanbase was until late in production, which led to a weird event where a small indie film was treated like a blockbuster. Once it turned out to be a huge hit, the sequels were given larger budgets, with better special effects, and bigger name actors for roles that weren't already cast in the first film.

to:

* When making the first film in ''LiteratureTheTwilightSaga'', ''Literature/TheTwilightSaga'', the effects were low budget, they went with then-largely unknown actors, heck, the film was produced by then-independent studio Creator/SummitEentertainment.Creator/SummitEntertainment. Nobody involved realized how huge the books' fanbase was until late in production, which led to a weird event where a small indie film was treated like a blockbuster. Once it turned out to be a huge hit, the sequels were given larger budgets, with better special effects, and bigger name actors for roles that weren't already cast in the first film.

Added: 572

Removed: 571

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* When making the first film in ''LiteratureTheTwilightSaga'', the effects were low budget, they went with then-largely unknown actors, heck, the film was produced by then-independent studio Creator/SummitEentertainment. Nobody involved realized how huge the books' fanbase was until late in production, which led to a weird event where a small indie film was treated like a blockbuster. Once it turned out to be a huge hit, the sequels were given larger budgets, with better special effects, and bigger name actors for roles that weren't already cast in the first film.



* When making the first film in ''LiteratureTheTwilightSaga'', the effects were low budget, they went with then-largely unknown actors, heck, the film was produced by then-independent studio Creator/SummitEentertainment. Nobody involved realized how huge the books' fanbase was until late in production, which led to a weird event where a small indie film was treated like a blockbuster. Once it turned out to be a huge hit, the sequels were given larger budgets, with better special effects, and bigger name actors for roles that weren't already cast in the first film.
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None

Added DiffLines:

* When making the first film in ''LiteratureTheTwilightSaga'', the effects were low budget, they went with then-largely unknown actors, heck, the film was produced by then-independent studio Creator/SummitEentertainment. Nobody involved realized how huge the books' fanbase was until late in production, which led to a weird event where a small indie film was treated like a blockbuster. Once it turned out to be a huge hit, the sequels were given larger budgets, with better special effects, and bigger name actors for roles that weren't already cast in the first film.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


* ''WesternAnimation/ThomasAndTheMagicRailroad'' recreated the series' model train set at double the size on a Toronto sound stage. [[UncannyValley Still couldn't get the faces to move, though.]]

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* ''WesternAnimation/ThomasAndTheMagicRailroad'' recreated the series' model train set at double the size on a Toronto sound stage. [[UncannyValley Still couldn't get the faces to move, though.]]
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None

Added DiffLines:

* Canadian television shows often have limited budgets, and ''Series/TheRedGreenShow'' was no exception for its first six seasons. It received a NetworkToTheRescue from the {{Creator/CBC}} which included a much bigger budget. As [[WordOfGod Steve Smith]] put it, they "could really afford to go nuts", particularly with the various Handyman Corner segments.
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** ''Film/GameraGuardianOfTheUniverse'', coming after the near franchise killer, ''Film/GameraSuperMonster'', featured a DarkerAndEdgier version of the character with suitmation and model effects and cinematography that put even his corporate rival, ''Franchise/{{Godzilla}}'', to shame at the time. Along with a much tighter direction, it led to a trilogy widely heralded as a high-water mark of the {{Kaiju}} genre.

to:

** ''Film/GameraGuardianOfTheUniverse'', coming after the near franchise killer, ''Film/GameraSuperMonster'', featured a DarkerAndEdgier version of the character with suitmation and model effects and cinematography that put even his corporate rival, ''Franchise/{{Godzilla}}'', to shame at the time. Along with a much tighter direction, [[GrowingTheBeard it led to a trilogy widely heralded as a high-water mark mark]] of the {{Kaiju}} genre.

Added: 622

Changed: 189

Is there an issue? Send a MessageReason:
None


* The second ''Film/{{Gamera}}'' film ''Film/GameraVsBarugon'' has noticeably scaled up, well, everything. Bigger sets, better monster suits, better music, better actors, and a more solid over directing style.

to:

* The ''Film/{{Gamera}}'':
** ''Film/GameraVsBarugon'', the
second ''Film/{{Gamera}}'' film ''Film/GameraVsBarugon'' of the series has noticeably scaled up, well, everything. Bigger sets, better monster suits, better music, better actors, and a more solid over directing style.style.
** ''Film/GameraGuardianOfTheUniverse'', coming after the near franchise killer, ''Film/GameraSuperMonster'', featured a DarkerAndEdgier version of the character with suitmation and model effects and cinematography that put even his corporate rival, ''Franchise/{{Godzilla}}'', to shame at the time. Along with a much tighter direction, it led to a trilogy widely heralded as a high-water mark of the {{Kaiju}} genre.
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Related to the Law Of ConservationOfNinjitsu. Contrast SoLastSeason. See also SpecialEffectsEvolution.

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Related to the Law Of ConservationOfNinjitsu.of ConservationOfNinjutsu. Contrast SoLastSeason. See also SpecialEffectsEvolution.
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* ''{{Manga/Bleach}}'' anime. In early seasons a single normal Hollow was a major threat. During the Hueco Mundo arc the Soul Reapers on the team (Ichigo, Rukia and Renji) were slicing through Menos Grande Gillians as though they were nothing, and other characters with lesser power destroyed hordes of regular Hollows without blinking.

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* ''{{Manga/Bleach}}'' ''Manga/{{Bleach}}'' anime. In early seasons a single normal Hollow was a major threat. During the Hueco Mundo arc the Soul Reapers on the team (Ichigo, Rukia and Renji) were slicing through Menos Grande Gillians as though they were nothing, and other characters with lesser power destroyed hordes of regular Hollows without blinking.



** The [[Film/{{Godzilla 2014}} 2014 reboot]] features Godzilla in his biggest incarnation yet, bigger than every other incarnation of the character in terms of both height and length.

to:

** The [[Film/{{Godzilla 2014}} [[Film/Godzilla2014 2014 reboot]] features Godzilla in his biggest incarnation yet, bigger than every other incarnation of the character in terms of both height and length.



* ''{{Film/Serenity}}'' is basically a much more expensive, better-looking episode of [[{{Series/Firefly}} the series it's spun off from]]. And it is ''awesome!''

to:

* ''{{Film/Serenity}}'' ''Film/{{Serenity}}'' is basically a much more expensive, better-looking episode of [[{{Series/Firefly}} [[Series/{{Firefly}} the series it's spun off from]]. And it is ''awesome!''



* Happened between [[Film/{{Transformers}} the first Transformers movie]] and [[Film/TransformersRevengeOfTheFallen its first sequel]], which allowed for bigger action scenes and more complexity on the robots. Inverted a bit with ''[[Film/TransformersDarkOfTheMoon Dark of the Moon]]'', as while it ''was'' more expensive than the first film ($195 million to the $150 million of the first). It still manged to be less expensive[[note]] by about $5 million[[/note]] than ''Revenge of the Fallen'', yet look like a film '''''twice''''' its size.

to:

* Happened between [[Film/{{Transformers}} the first Transformers movie]] ''Film/{{Transformers}}'' movie and [[Film/TransformersRevengeOfTheFallen its first sequel]], which allowed for bigger action scenes and more complexity on the robots. Inverted a bit with ''[[Film/TransformersDarkOfTheMoon Dark of the Moon]]'', as while it ''was'' more expensive than the first film ($195 million to the $150 million of the first). It still manged to be less expensive[[note]] by about $5 million[[/note]] than ''Revenge of the Fallen'', yet look like a film '''''twice''''' its size.



* In TabletopGame/{{Exalted}}, mooks like these are classified as Extras. A ton of powers have effects that basically says 'extras are fucked, only people with Essence-control may avoid'.

to:

* In TabletopGame/{{Exalted}}, ''TabletopGame/{{Exalted}}'', mooks like these are classified as Extras. A ton of powers have effects that basically says 'extras are fucked, only people with Essence-control may avoid'.



* Episodes of ''{{WesternAnimation/Animaniacs}}'', ''WesternAnimation/TinyToonAdventures'' and ''WesternAnimation/BatmanTheAnimatedSeries'' that were animated by Creator/TMSEntertainment cost more to produce than most of the other studios Creator/WarnerBros was using at the time.
** Episodes from Creator/SpectrumAnimation and {{Creator/Startoons}} also tended to cost more to produce. The latter being being demestic-based rather then Asian meant a higher cost than its counterparts in [[{{Creator/Akom}} South]] [[Creator/KokoEnterprises Korea]], [[Creator/WangFilmProductions Taiwan]] or [[Creator/StudioJunio Japan]].

to:

* Episodes of ''{{WesternAnimation/Animaniacs}}'', ''WesternAnimation/{{Animaniacs}}'', ''WesternAnimation/TinyToonAdventures'' and ''WesternAnimation/BatmanTheAnimatedSeries'' that were animated by Creator/TMSEntertainment cost more to produce than most of the other studios Creator/WarnerBros was using at the time.
** Episodes from Creator/SpectrumAnimation and {{Creator/Startoons}} Creator/{{Startoons}} also tended to cost more to produce. The latter being being demestic-based rather then Asian meant a higher cost than its counterparts in [[{{Creator/Akom}} [[Creator/{{Akom}} South]] [[Creator/KokoEnterprises Korea]], [[Creator/WangFilmProductions Taiwan]] or [[Creator/StudioJunio Japan]].



* Despite being Creator/{{Nickelodeon}}'s most popular and successful show, ''WesternAnimation/SpongebobSquarepants'' has always hid its modest budget with [[LimitedAnimation sparse movement]] made up of strong drawings. When it came time to make ''WesternAnimation/TheSpongebobSquarepantsMovie'', the crew went all-out with Creator/JohnKricfalusi-[[DerangedAnimation inspired animation]], expansive use of [[RogerRabbitEffect mixed-media]] and a [[SugarWiki/AwesomeMusic lush orchestral score]] in place of the series' library of stock music.

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* Despite being Creator/{{Nickelodeon}}'s most popular and successful show, ''WesternAnimation/SpongebobSquarepants'' ''WesternAnimation/SpongeBobSquarePants'' has always hid its modest budget with [[LimitedAnimation sparse movement]] made up of strong drawings. When it came time to make ''WesternAnimation/TheSpongebobSquarepantsMovie'', the crew went all-out with Creator/JohnKricfalusi-[[DerangedAnimation inspired animation]], expansive use of [[RogerRabbitEffect mixed-media]] and a [[SugarWiki/AwesomeMusic lush orchestral score]] in place of the series' library of stock music.
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* ''WesternAnimation/StarWarsTheCloneWars'' had a major shift from the first season to the second season. Compare the Ryloth campaign from season one to the Geonosis Campaign of season two. And then compare THAT to the Kamino battle of season three, and then Umbara from season four. Even those pale to the depictions of Mandalore in the final arc of season seven.

to:

* ''WesternAnimation/StarWarsTheCloneWars'' had a major shift from the first season to the second season. Compare the Ryloth campaign from season one to the Geonosis Campaign of season two. And then compare THAT to the Kamino battle of season three, and then Umbara from season four. Even those pale to the depictions Siege of Mandalore in the final arc of season seven.
Is there an issue? Send a MessageReason:
None


* ''WesternAnimation/StarWarsTheCloneWars'' had a major shift from the first season to the second season. Compare the Ryloth campaign from season one to the Geonosis Campaign of season two. And then compare THAT to the Kamino battle of season three, and then Umbara from season four. Even those pale to the depictions of Mandalore in the final arc of season seven

to:

* ''WesternAnimation/StarWarsTheCloneWars'' had a major shift from the first season to the second season. Compare the Ryloth campaign from season one to the Geonosis Campaign of season two. And then compare THAT to the Kamino battle of season three, and then Umbara from season four. Even those pale to the depictions of Mandalore in the final arc of season sevenseven.
Is there an issue? Send a MessageReason:
None


* ''WesternAnimation/StarWarsTheCloneWars'' had a major shift from the first season to the second season. Compare the Ryloth campaign from season one to the Geonosis Campaign of season two. And then compare THAT to the Kamino battle of season three, and then Umbara from season four.

to:

* ''WesternAnimation/StarWarsTheCloneWars'' had a major shift from the first season to the second season. Compare the Ryloth campaign from season one to the Geonosis Campaign of season two. And then compare THAT to the Kamino battle of season three, and then Umbara from season four. Even those pale to the depictions of Mandalore in the final arc of season seven
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ''Film/HighSchoolMusical3SeniorYear'': After the first two made-for-TV movies were such enormous successes, Disney decided to make the third movie a fully theatrical release, with an expanded budget to match, with superior cinematography and much more elaborate production numbers that wouldn’t be out of place in a Broadway megamusical.
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hahahahahahahahahahahahahahahahahahahahahaha


* Prior to ''WebVideo/DemoReel'', Creator/DougWalker purchased an actual studio space for it and other Chicago-based Channel Awesome productions. When he had to bring the Critic back, the bigger budget went toward a green screen, more sketches with an expanded cast, and amazing props/costumes. Quite an upgrade from being filmed in Doug's parents' basement. This makes the episodes that return to the primary original format of "Critic just sits and reviews a movie" jarringly different from the sketch-based reviews.

to:

* Prior to ''WebVideo/DemoReel'', Creator/DougWalker purchased an actual studio space for it and other Chicago-based Channel Awesome productions. When he had to bring the Critic back, the bigger budget went toward a green screen, more sketches with an expanded cast, and amazing props/costumes. Quite an upgrade from being filmed in Doug's parents' basement. This makes the episodes that return to the primary original format of "Critic just sits and reviews a movie" jarringly different from the sketch-based reviews.
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Added DiffLines:

* ''Series/BarneyAndFriends'' had a pretty modest budget, as with many other Creator/PBSKids shows. The show's BigDamnMovie ''Film/BarneysGreatAdventure'' had a larger budget, which allowed for a new Barney costume with remote-controlled eyes to make him more expressive. The film also traded the show's synthesizer score for a nice orchestral score provided by the Northwest Sinfonia.
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* ''Franchise/PowerRangers'' occasionally had the bad guys animate a whole bunch of monsters at once, only for them to fall to this trope.
** TheMovie has three main monsters and countless creatures springing from Ivan Ooze. It should be noted also that the rest of the budget was used for the Rangers' suits (they all get breastplates, while some of them gain special abilities) and the special effects, which step up from PeopleInRubberSuits to ConspicuousCG.
** ''[[Series/PowerRangersTurbo Turbo: A Power Rangers Movie]]'' had a bunch of new stuff (most of which carried over into the ''Turbo'' series), including a new "comet" teleportation effect, a CGI-laden morphing sequence, a new set for the Power Chamber, the Turbo Megazords' formation, and Maligore's elaborate costume (later recycled as [[Series/PowerRangersInSpace Dark Specter]] due to how expensive it was to be used only once).

to:

* ''Franchise/PowerRangers'' occasionally had the bad guys animate a whole bunch of previously formidable monsters at once, only for them to fall like dominos to this trope.
the Power Rangers:
** TheMovie has three main monsters and countless creatures springing from Ivan Ooze. It should be noted also that the rest of the budget was used for the Rangers' suits (they all get breastplates, while some of them gain special abilities) and the special effects, which step up from PeopleInRubberSuits to ConspicuousCG.TwoDVisualsThreeDEffects.
** ''[[Series/PowerRangersTurbo Turbo: A Power Rangers Movie]]'' had a bunch of new stuff (most stuff, most of which carried over into the ''Turbo'' series), series, including a new "comet" teleportation effect, a CGI-laden morphing sequence, a new set for the Power Chamber, the Turbo Megazords' formation, and Maligore's elaborate costume (later costume, later recycled as [[Series/PowerRangersInSpace Dark Specter]] due to how expensive it was to be used only once).once.
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* FightingGame Anime like ''Franchise/StreetFighter'' and ''VideoGame/FatalFury'' are notorious for featuring KiAttacks much more powerful than the games would suggest. (And in reverse, when ''Manga/RanmaOneHalf'' was turned into a FightingGame, Ranma's extraordinarily powerful KiAttacks were substantially weakened.)

to:

* FightingGame Anime like ''Franchise/StreetFighter'' and ''VideoGame/FatalFury'' are notorious for featuring KiAttacks KiManipulation much more powerful than the games would suggest. (And in reverse, when ''Manga/RanmaOneHalf'' was turned into a FightingGame, Ranma's extraordinarily powerful KiAttacks were KiManipulation was substantially weakened.)

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