History Main / AkiyukiShinbo

28th Jul '13 9:11:53 PM Sheora
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A Japanese anime director most noteworthy for being the primary director for Creator/StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography.

He was the director for the following series:
* ''MagicalGirlLyricalNanoha'': The first season only, both A's and Strikers were directed otherwise. Shinbo also directed Nanoha's predecessor, Triangle Heart 3: Sweet Songs Forever.
* ''[[Anime/TsukuyomiMoonPhase Tsukuyomi: Moon Phase]]'': His first work with SHAFT and with voice actors ChiwaSaito and HiroshiKamiya, who he would work with extensively in his succeeding series.
* ''PaniPoniDash'': The first to showcase his trademark mixed-medium style (most visible during the opening sequences, with various characters possessing real world images as part of their bodies).
* ''HidamariSketch''
* ''SayonaraZetsubouSensei''
* ''Anime/NegimaSecondSeason''
* ''LightNovel/{{Bakemonogatari}}''
* ''MariaHolic''
* ''Anime/PuellaMagiMadokaMagica''
* ''Anime/SoulTaker''
* ''LePortraitDePetiteCossette''
* ''ArakawaUnderTheBridge''
* ''DenpaOnnaToSeishunOtoko''
* ''SoreDemoMachiWaMawatteiru''
* ''NatsuNoArashi!''
* ''KatteniKaizo''
* ''[[LightNovel/{{Sasami-san At Ganbaranai}} Sasami-san@Ganbaranai]]''

to:

A Japanese anime director most noteworthy for being the primary director for Creator/StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography.

He was the director for the following series:
* ''MagicalGirlLyricalNanoha'': The first season only, both A's and Strikers were directed otherwise. Shinbo also directed Nanoha's predecessor, Triangle Heart 3: Sweet Songs Forever.
* ''[[Anime/TsukuyomiMoonPhase Tsukuyomi: Moon Phase]]'': His first work with SHAFT and with voice actors ChiwaSaito and HiroshiKamiya, who he would work with extensively in his succeeding series.
* ''PaniPoniDash'': The first to showcase his trademark mixed-medium style (most visible during the opening sequences, with various characters possessing real world images as part of their bodies).
* ''HidamariSketch''
* ''SayonaraZetsubouSensei''
* ''Anime/NegimaSecondSeason''
* ''LightNovel/{{Bakemonogatari}}''
* ''MariaHolic''
* ''Anime/PuellaMagiMadokaMagica''
* ''Anime/SoulTaker''
* ''LePortraitDePetiteCossette''
* ''ArakawaUnderTheBridge''
* ''DenpaOnnaToSeishunOtoko''
* ''SoreDemoMachiWaMawatteiru''
* ''NatsuNoArashi!''
* ''KatteniKaizo''
* ''[[LightNovel/{{Sasami-san At Ganbaranai}} Sasami-san@Ganbaranai]]''
[[redirect:Creator/AkiyukiShinbo]]
24th Apr '13 5:58:36 AM noiniru
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A Japanese anime director most noteworthy for being the primary director for Creator/StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography. Given that he is one of the primary masterminds behind SHAFT's first original series, Anime/PuellaMagiMadokaMagica, it is also safe to say that he is quite fond of [[MindScrew Mind Screws]] and {{Deconstruction}}.

He was the director for the following series (Though this list is not complete):

to:

A Japanese anime director most noteworthy for being the primary director for Creator/StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography. Given that he is one of the primary masterminds behind SHAFT's first original series, Anime/PuellaMagiMadokaMagica, it is also safe to say that he is quite fond of [[MindScrew Mind Screws]] and {{Deconstruction}}.

cinematography.

He was the director for the following series (Though this list is not complete):series:
15th Apr '13 2:31:52 AM noiniru
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Added DiffLines:

* ''ArakawaUnderTheBridge''
* ''DenpaOnnaToSeishunOtoko''
* ''SoreDemoMachiWaMawatteiru''
4th Mar '13 8:26:16 AM Sterok
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A Japanese anime director most noteworthy for being the primary director for StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography. Given that he is one of the primary masterminds behind SHAFT's first original series, Anime/PuellaMagiMadokaMagica, it is also safe to say that he is quite fond of [[MindScrew Mind Screws]] and {{Deconstruction}}.

to:

A Japanese anime director most noteworthy for being the primary director for StudioSHAFT Creator/StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography. Given that he is one of the primary masterminds behind SHAFT's first original series, Anime/PuellaMagiMadokaMagica, it is also safe to say that he is quite fond of [[MindScrew Mind Screws]] and {{Deconstruction}}.
8th Feb '13 2:32:54 AM Nomeno
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Added DiffLines:

* ''NatsuNoArashi!''
* ''KatteniKaizo''
12th Jan '13 2:44:01 PM ElectricBoogaloo
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* ''LightNovel/{{Sasami-san At Ganbaranai}}''

to:

* ''LightNovel/{{Sasami-san ''[[LightNovel/{{Sasami-san At Ganbaranai}}''Ganbaranai}} Sasami-san@Ganbaranai]]''
12th Jan '13 2:43:21 PM ElectricBoogaloo
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* ''LightNovel/{{Sasami-san@Ganbaranai}}''

to:

* ''LightNovel/{{Sasami-san@Ganbaranai}}''''LightNovel/{{Sasami-san At Ganbaranai}}''
12th Jan '13 2:42:15 PM ElectricBoogaloo
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* ''LightNovel/Sasami-sanAtGanbaranai''

to:

* ''LightNovel/Sasami-sanAtGanbaranai''''LightNovel/{{Sasami-san@Ganbaranai}}''
12th Jan '13 2:41:47 PM ElectricBoogaloo
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* ''LightNovel/SasamisanAtGanbaranai''

to:

* ''LightNovel/SasamisanAtGanbaranai''''LightNovel/Sasami-sanAtGanbaranai''
12th Jan '13 2:41:09 PM ElectricBoogaloo
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A Japanese anime director most noteworthy for being the primary director for StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''MetalFighterMiku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography. Given that he is one of the primary masterminds behind SHAFT's first original series, Anime/PuellaMagiMadokaMagica, it is also safe to say that he is quite fond of [[MindScrew Mind Screws]] and {{Deconstruction}}.

to:

A Japanese anime director most noteworthy for being the primary director for StudioSHAFT since 2004, before that he was a freelance director, beginning with his direction of ''MetalFighterMiku'' ''Metal Fighter Miku'' in 1994. His work SHAFT has been characterized by extensive experimentation with the visual medium of animation, and often includes pictures taken from real life cut into scenes, as well as [[ArtShift Art Shifts]], [[BeatPanel Beat Panels]] (despite the fact that his work is animated), Kabuki sound effects, [[UnmovingPlaid textures that remain stationary when the textured object moves]], showing symbols or defining parts of a character ({{Ahoge}}, [[HairDecorations Hair Decs]], foreheads, or more bizarre symbols) in place of characters during dialogue, written text in place or in opposition to dialogue, downright surgical use of FanService, and overall excellent cinematography. Given that he is one of the primary masterminds behind SHAFT's first original series, Anime/PuellaMagiMadokaMagica, it is also safe to say that he is quite fond of [[MindScrew Mind Screws]] and {{Deconstruction}}.



* ''LightNovel/Sasami-sanAtGanbaranai''

to:

* ''LightNovel/Sasami-sanAtGanbaranai''''LightNovel/SasamisanAtGanbaranai''
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