History Literature / DonQuixote

27th Oct '16 7:37:47 AM triscion
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The story is about an old ''hidalgo'' named Alonso Quijano, who was so into chivalric novels that he became insane and decided that he was a vagrant knight. Quijano renames himself as "Don Quixote de La Mancha" and decides to win eternal fame through the besting of criminals and general upholding of the Chivalric Code. Unfortunately for a lot of innocent people, his delusions make him pick fights with innocent bystanders, some of whom do not fight back because Don Quixote is obviously crazy. Of course, there are strangers who are not that sympathetic, and after one of those delivers a brutal beating to Don Quixote, a neighbor from his village meets the wounded Don Quixote and takes him home, where his friends and family burn out the cursed books of chivalry to try to cure him, but he soon returns to his delusion and journey. This time he manages to convince a simple farm-man, Sancho Panza, to become his squire and sidekick under the promise of a governorship in the future. Then they live a lot of adventures, including the famous one where Don Quixote attacks some windmills because they might be giants in disguise.[[note]]The band Music/TheyMightBeGiants was named after the film ''Film/TheyMightBeGiants'', which referenced the book[[/note]] At the end of the book, Don Quixote’s friends trick him by making him believe he is enchanted and take him back to his village.

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The story is about an old ''hidalgo'' named Alonso Quijano, who was so into chivalric novels that he became insane lost a few screws and decided that he was a vagrant knight. Quijano renames himself as "Don Quixote de La Mancha" and decides to win eternal fame through the besting of criminals and general upholding of the Chivalric Code. Unfortunately for a lot of innocent people, his delusions make him pick fights with innocent bystanders, some of whom do not fight back because Don Quixote is obviously crazy. Of course, there are strangers who are not that sympathetic, and after one of those delivers a brutal beating to Don Quixote, a neighbor from his village meets the wounded Don Quixote and takes him home, where his friends and family burn out the cursed books of chivalry to try to cure him, but he soon returns to his delusion and journey. This time he manages to convince a simple farm-man, Sancho Panza, to become his squire and sidekick under the promise of a governorship in the future. Then they live a lot of adventures, including the famous one where Don Quixote attacks some windmills because they might be giants in disguise.[[note]]The band Music/TheyMightBeGiants was named after the film ''Film/TheyMightBeGiants'', which referenced the book[[/note]] At the end of the book, Don Quixote’s friends trick him by making him believe he is enchanted and take him back to his village.
19th Oct '16 10:59:41 AM TheKaizerreich
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* FanDisillusionment: After two novels being a literal AscendedFanboy UpToEleven of the ChivalricRomance, Don Quixote must accept in the last chapter that the ClicheStorm that he read as the adventures of a KnightErrant is [[D

to:

* FanDisillusionment: After two novels being a literal AscendedFanboy UpToEleven of the ChivalricRomance, Don Quixote must accept in the last chapter that the ClicheStorm that he read as the adventures of a KnightErrant is [[D[[DeconstructedTrope not as joyous as he thought it would be]]:
--> ''"[[BoredWithInsanity Good news for you, good sirs, that I am no longer Don Quixote of La Mancha, but Alonso Quixano, whose way of life won for him the name of Good]]. Now am I the enemy of [[KnightInShiningArmor Amadis of Gaul]] [[FollowTheLeader and of the whole countless troop of his descendants]]; [[ClicheStorm odious to me now are all the profane stories of knight-errantry]]; [[HeelRealization now I perceive my folly]], [[TheNewRockAndRoll and the peril into which reading them brought me]]; [[ItSeemedLikeAGoodIdeaAtTheTime now, by God's mercy schooled into my right senses, I loathe them.]]"''
* FanFiction:
** InUniverse:
*** Chapter I, part I: Alonso Quijano has read ''The tale of Don Belianis of Greece'' and notes that the author has not finished that adventure, so he planned to write a continuation of it, and it would have been a great continuation if not because he abandoned that idea to become Don Quixote (this is not an InformedAbility: In Part I, Chapter II, Don Quixote begins the story of his own heroic exploits, that will undoubtedly write a sage in the future, and in Part I, Chapter XXI, Don Quixote narrates Sancho a perfect summary of the plot and all the typical situations of a chivalry book):
---->''"He commended, however, the author's way of ending his book with the promise of that interminable adventure, and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done, and made a successful piece of work of it too, [[AttentionDeficitCreatorDisorder had not greater and more absorbing thoughts prevented him]]."''
*** At Part I, Chapter XLVIII, Don Quixote and his party meet a man [[EveryoneCallsHimBarkeep who is referred only as]] [[MeaningfulName the canon]], who knows all the rules to write a good book, in the next chapter, he confess that he [[{{Fanfic}} wrote a hundred pages of a chivalry book]], [[DeadFic but then he cites the reasons that made him desist his intent]]:
---->''"I myself, at any rate," said the canon, "was once tempted to write a book of chivalr in which all the points I have mentioned were to be observed; and if I must own the truth I have more than a hundred sheets written; and to try if it came up to my own opinion of it, I showed them to persons who were fond of this kind of reading, [[ViewersAreGeniuses to learned and intelligent men]] as well as to ignorant people who cared for nothing but the pleasure of listening to nonsense, and from all I obtained flattering approval; nevertheless I proceeded no farther with it, [[SciFiGhetto as well because it seemed to me an occupation inconsistent with my profession]], as because I perceived that the [[LowestCommonDenominator fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public, to whom the reading of such books falls for the most part]]."''
** In RealLife:
*** Fanfiction of the book itself. In the 10 years between the first and second part of the novel, there were some "apocryphal" continuations, which Cervantes himself references and afterwards rejects, saying he is the original writer. This probably makes it one of the oldest examples.
*** Also, there had been professional fanfictions written in Spanish for the last four hundred years, (the most recent: "Al morir Don Quijote", published in 2004). You can find some examples in the other wiki: "[[http://en.wikipedia.org/wiki/Cultural_influence_of_Don_Quixote List of works influenced by Don Quixote: 'Selected adaptations in literature']]" and additional examples of AlternateUniverseFic, Continuation Fic, ElsewhereFic, OriginalFlavour, in the other (Spanish) wiki: "[[http://es.wikipedia.org/wiki/Continuaciones_del_Quijote Continuations of Quixote: 'Continuaciones del Quixote']]"
* {{Flanderization}}: In the first part of the novel, Sancho Panza gives an HurricaneOfAphorisms only ''once'' (Chapter XXVII, part I). In the second part, he gives it [[RunningGag continuously]], and also [[LamarckWasRight his wife and his daughter]].
* FlyoverCountry: Critics have said La Mancha, don Quixote's home, is the Spanish version of this trope, as the preface to the Gutenberg Project said:
--> ''on many of his readers in Spain, and most of his readers out of it, the significance of his choice of a country for his hero is completely lost. It would be going too far to say that no one can thoroughly comprehend "Don Quixote" without having seen La Mancha, but undoubtedly even a glimpse of La Mancha will give an insight into the meaning of Cervantes such as no commentator can give. Of all the regions of Spain it is the last that would suggest the idea of romance. Of all the dull central plateau of the Peninsula it is the dullest tract. There is something impressive about the grim solitudes of Estremadura; and if the plains of Leon and Old Castile are bald and dreary, they are studded with old cities renowned in history and rich in relics of the past. But there is no redeeming feature in the Manchegan landscape; it has all the sameness of the desert without its dignity; the few towns and villages that break its monotony are mean and commonplace, there is nothing venerable about them, they have not even the picturesqueness of poverty; indeed, Don Quixote's own village, Argamasilla, has a sort of oppressive respectability in the prim regularity of its streets and houses; everything is ignoble; the very windmills are the ugliest and shabbiest of the windmill kind''.
%%* FolkHero
* ForgottenTrope:
** The novel show us an example of the Captivity Narrative when [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''"The Story of the Captive Captain"'', you can see more at LifeEmbellished.
** Don Quixote mentions the Nine Worthies: Nine characters who personified the ideal values of a brave knight. They were three pagans (Alexander The Great, Hector and Julius Ceasar), three Jewish (Joshua, Salomon and Juda Maccabee) and three Christians (King Arthur, Charlomagne and Godfrey of Bouillion). All of those figures are still very well-know, but most people are not familiar with the idea of all of them united in a single rethoric concept. When Quixote was wounded by some BadassBystander and helped by some neighbor, and the neighbor claims Don Quixote is not a KnightErrant, Don Quixote claims: "I know who I am," and adds, "and I know that I may be not only those I have named, but all the [[Literature/TheSongofRoland Twelve Peers of France]] and even all the Nine Worthies, since my achievements surpass all that they have done all together and each of them on his own account." Justified, since Quixote is FanDumb about ChivalricRomance and he must know everything about [[KnightErrant knights errant]]. The real ironic part is that in-universe Quixote is only a LoonyFan who cannot match them, but in RealLife, more people know who is Don Quixote that the Nine Worthies… so this BadassBoast became HilariousInHindsight.
[[/folder]]

[[folder:G-L]]
* GeniusDitz: Don Quixote, despite his reputation as a crazy, is highly intelligent, and several characters who come across him note that he occassionally sounds rational and sane before going off tangent on his chivalric ideals. Several characters who later trick him note that he's fairly astute about the minor points that concern a given situation but neglects the bigger picture altogether.
* GenreSavvy: Apart from the protagonist (who is WrongGenreSavvy), many other characters are familiar with chivalric tropes and {{invoke|dTrope}} or {{discuss|edTrope}} them. Note that at the end of both volumes, Don Quixote is defeated and forced to return to his village in strict accordance with the laws of the genre.
* GentleGiant: Part I Chapter I reveals that the giant Morgante is one of Alonso Quixano's favorite characters, because despite being a giant, he is [[AffablyEvil affable and well bred]].
* TheGhost:
** Played straight with Aldonza Lorenzo, a young peasant girl from a town called Toboso, who is blissfully unaware that Don Quixote's had a crush on her. She never appeared in neither parts of the novel, only was referred to by other characters.
** Parodied by Dulcinea del Toboso, the imaginary love interest of Don Quixote. Since the first part of the novel, Don Quixote imagines her as a beautiful noblewoman who lives in a castle, or in other words, a person completely different from Aldonza Lorenzo. This imaginary entity is a literal ghost, but it's mentioned so many times across the novel that she can be considered the third protagonist besides Don Quixote and Sancho. Besides, in the second part, one of the plot points is Don Quixote's quest to disenchant Dulcinea and to find her at last, even when he knows he imagined her, is another proof of Don Quixote's madness.
%%* GiverOfLameNames
* GoMadFromTheRevelation: Inverted: Don Quixote goes mad trying to make sense of the PurpleProse that plagued the chivalry books he has read, but [[TheUnreveal there never was any reveal]] because even Creator/{{Aristotle}} [[MindScrew could not have made sense of it]].
* HealingPotion: Parodied. Don Quixote claims to have the recipe for an elixir that heals all wounds, but [[LordErrorProne beng who he is]], it instead induces severe pain and vomiting, though after throwing up he does seem to get up easier.
* HeroicWannabe: Practically made this trope OlderThanSteam: Don Quixote is obsessed with becoming a knight (to the point of fighting windmills because he thinks they're giants).
* HerosMuse: The eponymous hero fights for his lady love, whom he refers to as Dulcinea. In his mind, he elevates her to a princess and the most beautiful woman in the world, although she is in reality a peasant girl named Aldonza.
* {{Hikikomori}}: Somewhat of an UrExample. Don Quixote seems to be living in his village for years, doing nothing but hunting, reading romances of chivalry, selling his property to pay for them ([[ConspicuousConsumption books were a lot more expensive then]]) and discussing them with [[ThoseTwoGuys his friends]]. Justified, because the landed gentry of the time were expected to do little else.
* HypocriticalHumor: When Don Quixote reads some pages of Avellaneda's ''Quixote'' {{fanfic}}, he claims there are obvious errors from the author, the most important is that he errs on the name of Sancho's wife, when the name of Sancho's wife changed in Cervantes' own books: at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').
--> ''...is that he goes wrong and departs from the truth in the most important part of the history, for here he says that my squire Sancho Panza's wife is called Mari Gutierrez, when she is called nothing of the sort, but Teresa Panza; and when a man errs on such an important point as this there is good reason to fear that he is in error on every other point in the history." ''
--> '' "A nice sort of historian, indeed!" exclaimed Sancho at this; "he must know a deal about our affairs when he calls my wife Teresa Panza, Mari Gutierrez; take the book again, senor, and see if I am in it and if he has changed my name."''
* HonorBeforeReason: The protagonist falls victim to this trope countless times. The first example is when Don Quixote "rescues" Andrés from being flogged by his master, Juan Haduldo. Don Quixote bullies Juan into promising to let Andres go, and he departs to other adventures, [[GenreSavvy because he has read that when a Knight]] [[IGaveMyWord gives his word, it's enough.]] [[WrongGenreSavvy Unfortunately, this is the first modern novel]] [[RealityEnsues and Juan flogs Andres even harder.]]
* HotBlooded: Don Quixote sure makes a lot of passionate speeches, and charges forward with aplomb, later subverted when he denies chivalry with the same passion.
* HourglassPlot: In the first part of the novel, Don Quixote is a DaydreamBeliever MadDreamer and Sancho Panza has SimplemindedWisdom and represents realism. Both are {{Static Character}}s. At the second part, Sancho is influenced by Don Quixote and becomes more and more of a DaydreamBeliever, while at the end, Don Quixote will become BoredWithInsanity by Sancho's influence. The relevance is that they maybe were the very first characters in literature to use this trope and become {{Dynamic Character}}s.
* HumiliationConga: Practically [[OnceAnEpisode every single chapter]] ends up being this to Quixote and Sancho.
* HurricaneOfAphorisms: Sancho Panza does this, usually so poorly that it just makes him look stupider. Interestingly, in the First part of the novel he does it only once. In the second part, [[{{Flanderization}} he gives those almost always]].
* IdiotHero: If not the {{Trope Maker|s}}, pretty much the TropeCodifier, though it's subverted: Don Quixote is not an idiot, and we know it since the very beginning of the novel. He is a very intelligent, well-educated man, who is perfectly normal as long as he is not talking about his obsessions. Of course, [[TooDumbToLive when he is indulging his chivalry fantasies... well...]] UpToEleven if you think that in the end when he denies chivalry, Don Quixote is portrayed as the OnlySaneMan and even as [[MessiahCreep the ideal man]]. Part I, chapter 30:
-->''"apart from the silly things which this worthy gentleman says in connection with his craze, when other subjects are dealt with, he can discuss them in a perfectly rational manner, showing that his mind is quite clear and composed; so that, provided his chivalry is not touched upon, no one would take him to be anything but a man of thoroughly sound understanding."''
* IfICantHaveYou: Part II, chapter LX, Claudia Jeronima and Don Vicente Tornellas, from different factions of the civil war that was plaguing Barcelona, secretly fall in love and planned to marry, but one day Claudia Jerónima learned that Don Vicente wants to marry another woman. The next day, overwhelmed and exasperated, she shot him. [[TearJerker And then she learned that he never intended to marry any other woman than Claudia]].
* ImpoverishedPatrician: Alonso Quijano is an [[BlueBlood Hidalgo]] that still has the ancient arms of his ancestors, but has so little money that almost all of it is spent on food. What can he do? He is very smart and talented, so he could work, [[InherentInTheSystem but if he does, he will lose the few privileges he has as an hidalgo (like, to be excused from paying taxes)]]. He is poor and bored. It does not help that he spent a lot of time in those silly chivalry books. Sure, they help him with the boredom, and the knight life is certainly exciting, but they are only absurd tales, right?
* TheInsomniac: Alonso Quijano is a type B, as described in Part I Chapter I: lead by his obsession to read chivalry books, he sleeps less and less while reading more and more and that sends him over the edge.
* InsanityDefense: The reason why Don Quixote is never killed (but often beaten) by the poor InnocentBystander of the day.
--> ''The landlord shouted to them to leave him alone, for he had already told them that he was mad, and as a madman he would not be accountable even if he killed them all.''
* InWhichATropeIsDescribed: Played straight with almost all the chapters of the two parts because the beginning of a chapter summarizes the chapter's events, but then {{inverted|Trope}} in some chapters that do not summarize anything:
-->Part II, Chapter 70 WHICH FOLLOWS SIXTY-NINE AND DEALS WITH MATTERS INDISPENSABLE FOR THE CLEAR COMPREHENSION OF THIS HISTORY
-->Part II, Chapter 66 WHICH TREATS OF WHAT HE WHO READS WILL SEE, OR WHAT HE WHO HAS IT READ TO HIM WILL HEAR
* JustLikeRobinHood: Deconstructed by Roque Guinart, a deconstruction of the GentlemanThief, who leads a band of [[TheHighwayman highwaymen]] at Barcelona's CivilWar. He is an ''armed beggar'', that takes only a part of the money of his victims... ''by asking them.'' His 60 men assault two soldiers (300 crowns), a Noblewoman (600 crowns) and some pilgrims (60 reals). That would have been 15 crowns and a real for each highwayman. Roque asks for 60 crowns for the soldiers (20%) and 80 crowns from the Noblewoman (13.6%). That's 140 crowns. He gives 2 crowns to each highwayman and the 20 crown left he gives 10 to the pilgrims (that's almost 100 reals) and 10 crowns to Sancho Panza in a clear attempt to BuyThemOff. The people who attacked are happy to keep most of their own money, and Roque Guinart is considered a hero. Everyone is happy! [[RealityEnsues Except for the highwaymen who were cheated of 13 crowns and a real]], but Roque manages to MakeAnExampleOfThem by murdering the one who dares to be a DeadpanSnarker.
* KickMePrank: They play this prank on Don Quixote at Barcelona:
-->''That afternoon they took Don Quixote out for a stroll, not in his armour but in street costume, with a surcoat of tawny cloth upon him, that at that season would have made ice itself sweat. Orders were left with the servants to entertain Sancho so as not to let him leave the house. Don Quixote was mounted, not on Rocinante, but upon a tall mule of easy pace and handsomely caparisoned. They put the surcoat on him, and on the back, without his perceiving it, they stitched a parchment on which they wrote in large letters, "This is Don Quixote of La Mancha." As they set out upon their excursion the placard attracted the eyes of all who chanced to see him, and as they read out, "This is Don Quixote of La Mancha," Don Quixote was amazed to see how many people gazed at him, called him by his name, and recognised him, and turning to Don Antonio, who rode at his side, he observed to him, "Great are the privileges knight-errantry involves, for it makes him who professes it known and famous in every region of the earth; see, Don Antonio, even the very boys of this city know me without ever having seen me."''
* KnightInShiningArmor:
** What Don Quixote thinks he is, and thereby thoroughly [[DeconstructedCharacterArchetype deconstructs.]]
** Don Quixote consider Amadis of Gaul the UrExample UpToEleven:
---> ''I would have thee know, Sancho, that the famous Amadis of Gaul was one of the most perfect knights-errant—I am wrong to say he was one; he stood alone, the first, the only one, the lord of all that were in the world in his time. A fig for Don Belianis, and for all who say he equalled him in any respect, for, my oath upon it, they are deceiving themselves! ... In the same way Amadis was the polestar, day-star, sun of valiant and devoted knights, whom all we who fight under the banner of love and chivalry are bound to imitate.''
* {{Knighting}}: Parodied at Part I Chapter III when Don Quixote insists that [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a Castellan)]] knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn. This shows that Don Quixote could be mad, but [[GenreSavvy he knows exactly how the ceremony must be]].
* TheLadysFavour: Deconstructed when (even if it's only part of a MassiveMultiplayerScam), Altisidora gave Don Quixote three kerchiefs that later are stolen by bandits:
--> ''Roque on coming up asked Sancho if his men had returned and restored to him the treasures and jewels they had stripped off Dapple. Sancho said they had, but that three kerchiefs that were worth three cities were missing.''
--> ''"What are you talking about, man?" said one of the bystanders; "I have got them, and they are not worth three reals."''
--> ''"That is true," said Don Quixote; "but my squire values them at the rate he says, as having been given me by the person who gave them."''
* TheLawOfConservationOfDetail: This law is invoked by the Innkeeper when he and Don Quixote discuss at Part I Chapter III the need for money being a KnightErrant who is WalkingTheEarth, (Don Quixote doesn't have any money because he never has read about a KnightErrant paying for anything) and helps to deconstruct those tropes in the book.
--> ''On this point the landlord told him he was mistaken; for, though not recorded in the histories, because in the author's opinion there was no need to mention anything so obvious and necessary as money and clean shirts, [[FridgeLogic it was not to be supposed therefore that they did not carry them,]]''
* LifeEmbellished: [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''"The Story of the Captive Captain"''. He was a handsome captive captain who wanted to escape the Moors and was helped by Zoraida, a beautiful Moor princess who wanted to convert to Christianity. The captain organized a successful evasion to Spain, was well received by his powerful and rich relatives and married Zoraida. Cervantes was a captive who failed all his evasion intents, his family paid his rescue and he always was an ImpoverishedPatrician.
* LiteraryAgentHypothesis: Cervantes (only referred in the book as "the second author") says that the book was based on some manuscripts he found made by an Arab, Cide Hamete Benengeli (or Sidi Ahmed bin Engeli, as it would be rendered today) whose first name, "Cide", could be translated as "Mister", and whose last name is [[PunnyName a pun]] on "berenjena" (eggplant/aubergine), and translated to Spanish by an anonymous Arab translator. This is parody of how a lot of chivalry books have his authors claim that they are based in an old manuscript found in an ancient pyramid or another ruined building in some faraway country, written in an exotic language by a wise, famed wizard who favored the hero of the novel. Those claims are made to feign that the chivalry book was inspired by real events. Cervantes twist this and uses it to a comic effect, explaining that the next part of the novel was found in some pamphlets and papers (only a few years old) found in Alcaná de Toledo (a real city in Spain) in a silk mercer store, written in Arabic (a fairly known language in Spain) by a (foolish) boy who didn't know what was written in them and so sold the papers to Cervantes for peanuts. If we include the funny name of the wizard and the fact that the [[UnreliableNarrator second author, the translator and Cide Hamete Benengeli are always making comments about the book]], we can see that Cervantes want us to admit that all this tale is a long sequence of lies and nonsense... just like all the chivalry books.
* LongList:
** Played straight at the Preface of the Author, Part I: a friend of Cervantes advises him to get [[LongList a book that quotes famous authors from A to Z and just insert the examples in his own book, so Cervantes can feign that he knows all those authors, because some]] readers are simple enough to believe that the author can use all those quotes in any book.
** Parodied at Chapter XVIII, Part I. Since Creator/{{Homer}}, the description of the forces and the generals of an army was an important part of the heroic literature, and books of chivalry were pleased to develop it, (Amadis of Gaul has a similar scene). In that chapter, Don Quixote describes what he sees at two contending armies to Sancho, whom only can see… two droves of sheep.
* LoonyFan: Sansón Carrasco presents himself as a fan of Don Quixote and discuss with him and Sancho the {{Series Continuity Error}}s, and wants to help that poor, mad fool to regain sanity. HilarityEnsues.
* LordErrorProne: Pretty much the {{Trope Maker|s}} and the Ur-Example: In the first part of the novel, Cervantes settles Don Quixote characterization as this: he almost kills the Vizcayan at chapter IX and maimed for life the Licenciate at chapter XIX. Fandom insisted in seeing him as the much more sympathetic MadDreamer.
* LostInTranslation: Cervantes is constantly making puns and wordplay, most of which is untranslatable; one joke in the Spanish version is that even when everyone understands the term "island", only truly sophisticated people understand the term "''[[AltumVidetur insula]]''". So, Sancho doesn't really understand what an "''insula''" really is, but he desperately wants to rule one, so he would be tricked later in a MassiveMultiplayerScam to rule a little town that is not an island. In some English translations (for example, [[http://www.gutenberg.org/cache/epub/996/pg996.html the Gutenberg Project]]) this joke is Lost in Translation).
* LoveMartyr: Part II, chapter LX, Don Vicente Tornellas has been shot by his fiancée Claudia Jeronima because she believed that Don Vicente wanted to marry another woman. Don Vicente's last words are to tell her that he was innocent, never intended to marry any other woman, [[TearJerker that he considers himself lucky to talk with her in his last moments of life, and then his last act before dying is to give Jeronima his hand and ask her to make him her husband]].
[[/folder]]

[[folder:M-S]]
* MadDreamer: The first part of the novel settles Don Quixote as LordErrorProne. Fandom insisted to see him as the UrExample of the much more sympathetic Mad Dreamer. [[UnbuiltTrope Cervantes wanted to explore all ramifications of this new trope]]: Don Quixote is welcomed by people of all classes... because they want to mock him. One character even gives the FamilyUnfriendlyAesop that ''"the gain by Don Quixote's sanity can never equal the enjoyment his crazes give"''.
* MadeOfIron: Don Quixote is, arguably, one. He can survive being thrown into the air by a windmill. Also, despite all the beatings he takes throughout the novel, he still survives to the end. Quixote also receives some serious damage during his fights, he loses half his right ear about half a dozen teeth, and shrugs them off with nothing more than a quip about the nobleness of Knight-Errantry. Indeed, as noted by novelist and critic, Creator/VladimirNabokov, despite being seen as a crazy knight, Don Quixote actually wins more fights than he loses.
* MayDecemberRomance:
** Don Quixote is around 50; Dulcinea, being an unmarried peasant girl, is probably less than 20. Not that she knows anything about her pretender's interest, though.
** Deconstructed with Altisidora and Don Quixote in the second part: Altisidora, a 14 year old maiden at the Duke’s palace, pretends to be in love with Don Quixote. He stoically accepts her [[ClingyJealousGirl teasing and mean pranks]] because he believes [[SmittenTeenageGirl she's in love with him]], but he never attempts anything because he wants to be loyal to Dulcinea and is very happy when he abandons her and the palace. Being an honest man, he confesses to Sancho that Altisidora’s feelings caused him ''more confusion than pity'', showing us how awkward and foolish would be this kind of relationship in reality.
* MeaningfulName:
** Dulcinea, the name Don Quixote gives to his random LoveInterest, could be translated as "Sweety".
** Doctor Pedro Recio (could be translated as "Doctor Hard Rock"), a doctor who insists that Sancho, as a governor, must have a very strict diet.
** The very title name itself, ''quixote'' (Modern Spanish ''quijote'') means "cuisse", the thighplate of a knightly armour.
* MisaimedFandom: In-universe, in Part I, Chapter I: Who is Alonso Quixano's favorite knight? Well, Reinaldos of Montalban. And why? ''"Because he robbed everyone he meet!"''
* MockGuffin: The Golden Helmet of Mambrino, an artifact from romance novels that supposedly made its wearer invincible, is the former {{Trope Namer|s}}. Don Quixote sees a barber wearing his brass basin on his head to keep out the rain and assumes that the basin is the Golden Helmet and takes it for himself.
* MookChivalry: At chapter IV, Don Quixote lampshades it and invokes it, but he concedes to the {{Victimized Bystander}}s that they don’t have to follow it:
-->''...else ye have to do with me in battle, [[{{Mooks}} ill-conditioned, arrogant rabble that ye are]]; [[MookChivalry and come ye on, one by one as the order of knighthood requires]], [[ZergRush or all together as is the custom and vile usage of your breed...]]''
* MovingTheGoalposts:
** PlayedForLaughs:
*** Sancho is offered dinner with a lot of delicious dishes. Every dish they present him, a doctor signals that he cannot have it because it’s not in a governor’s diet. This is done until an angry Sancho asks what he can eat: only some cookies and fruit.
*** Sancho asks an innkeeper what food he has to offer. The innkeeper answers that every meat, fish or bird he could ask. Everything Sancho asks, the innkeeper doesn’t have. When Sancho asks what does the innkeeper really has, he answers only a couple of cow-heels.
** PlayedForDrama when Dorothea recounts how she agreed to sleep with Don Fernando, son of the Duke, under a promise of marriage, she was constantly MovingTheGoalposts. In restrospect, Dorothea realizes that when Don Fernando answered “yes” to all her demands, [[TheCakeIsALie that was the proof that he would fulfill none of them]].
---> ''"All this that I have now repeated I said to him, and much more which I cannot recollect; but it had no effect in inducing him to forego his purpose; he who has no intention of paying does not trouble himself about difficulties when he is striking the bargain.''
* TheMusical: ''Theatre/ManOfLaMancha'', with showtune standard "The Impossible Dream".
* NiceJobBreakingItHero: Countless times, Don Quixote's chivalric antics make things only worse. All Don Quixote's adventures end like this, just to see the first of them, Chapter IV Part I: Don Quixote rescues Andres, a boy shepherd who was flogged by his master Juan Haduldo, and trusts Juan to pay Andres his salary ([[WrongGenreSavvy because the knights in]] ChivalricRomance [[IGaveMyWord always keep their word]]). Just after Don Quixote leaves, [[RealityEnsues Juan brutally flogs Andres and doesn't pay him]].
* NewMediaAreEvil: Spain at the Cavalier Years had just discovered the printing press, and books were considered this trope. The BookBurning the {{Moral Guardian}}s enact at first part chapter VI to cure Don Quixote's madness has not the darker connotations associated to the trope (and it's full of {{Take That}}s against badly written books), and at chapter IV of the Second Part, when Don Quixote and Sansón Carrasco discuss reputed writers that lost prestige when they publish their works on the new printing presses, Carrasco explains that a printed book makes [[AccentuateTheNegative easier to explore for any kind of error]], and FanDumb is always envy of great creators, [[LetsSeeYouDoBetter because they have never produced a book]]. (Incidentally, Cervantes get a lot of critiques because the first part of Don Quixote was plagued with {{Series Continuity Error}}s).
* NobodyPoops: Comically averted in chapter XX of the First Part.
* NoFourthWall: Numerous characters in the second part recognize Don Quixote and Sancho Panza by having read the first part. Considering that this was written in the 17th century, it's a textbook case of a trope used ''[[OlderThanTheyThink avant la lettre]]''.
* NoHeroDiscount: The Innkeeper answers to Don Quixote's claim that ThereShouldBeALaw that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
--> ''"I have little to do with that," replied the innkeeper; "pay me what you owe me, and let us have no more talk of chivalry, for all I care about is to get my money."''
* ObligatoryWarCrimeScene: Don Quixote travels to Barcelona, a province of the Spanish Empire facing a CivilWar. Sancho, being the ButtMonkey, get lost at night in a forest whose trees are filled with feet wearing shoes and stocking. Don Quixote [[CasualDangerDialog calmly explains that]] [[CrushingThePopulace the authorities hang outlaws by twenties and thirties when they catch them]].
* OhCrapThereAreFanficsOfUs: At chapter LIX of the second part, Don Quixote hears some guys talking about the {{fanfic}} Avellaneda wrote about Don Quixote. This is only the beginning of Don Quixote and Sancho continuous attacks against Avellaneda for the CharacterDerailment in the rest of the novel.
--> ''The instant Don Quixote heard his own name be started to his feet and listened with open ears to catch what they said about him, and heard the Don Jeronimo who had been addressed say in reply, "Why would you have us read that absurd stuff, Don Juan, when it is impossible for anyone who has read the First Part of the history of 'Don Quixote of La Mancha' to take any pleasure in reading this Second Part?"''
--> ''"For all that," said he who was addressed as Don Juan, "we shall do well to read it, for there is no book so bad but it has something good in it. What displeases me most in it is that it represents Don Quixote as now cured of his love for Dulcinea del Toboso."''
--> ''On hearing this Don Quixote, full of wrath and indignation, lifted up his voice and said, "Whoever he may be who says that Don Quixote of La Mancha has forgotten or can forget Dulcinea del Toboso, I will teach him with equal arms that what he says is very far from the truth; for neither can the peerless Dulcinea del Toboso be forgotten, nor can forgetfulness have a place in Don Quixote; his motto is constancy, and his profession to maintain the same with his life and never wrong it."''
* OlderThanTheyThink:
** InUniverse: This is only one of the CommonFanFallacies Alonso Quixano falls into in the first chapter of the novel, showing us his descent from Fanboy to Fandumb:
*** In Part I, Chapter I: Bernardo del Carpio is one of Alonso Quixano's favorite knights, because he found the way to defeat [[NighInvulnerable Roland]] [[AWizardDidIt the enchanted]]: instead of attacking him with a sword, [[CombatPragmatist Bernardo simply strangled Roland]]… Cool, isn’t it? [[TheOldestOnesInTheBook But not as cool as the first time this tale was told]], [[UnreliableNarrator as our narrator]] [[LampshadeHanging reminds us]],
*** In Part I, Chapter I: The giant Morgante is one of Alonso Quixano’s favorite characters, because despite being a giant, (and in the chivalry books all giants are arrogant and angry), he is affable and well bred… It’s cool, isn’t it? the whole point is that Alonso Quixano think’s [[ArchetypalCharacter this kind of character]] is original of his beloved chivalry books, but really [[http://en.wikipedia.org/wiki/Saint_Christopher it's not]].
* OnlySaneMan:
** Sancho. And even then, he still willingly follows Quixote and even believes some of the ridiculous things he's told, because he's a simple peasant who doesn't know any better.
** Better examples are the unnamed ecclesiastic from chapter XXXI and the unnamed Castilian for chapter LXII, both from part II. They are the only ones who publicly recognize that Don Quixote is a crazy fool, and lampshade that everyone who makes jokes on him is also a crazy fool too.
* OutOfCharacterMoment: Lampshaded: In the first part, it's very clear that Sancho Panza is a naïve simpleton. In the second part, Sancho suddenly says very intelligent things to his wife. [[LiteraryAgentHypothesis One of the "narrators" of this tale]], seeing this inconsistence, decides to [[LampshadeHanging warn us]]: ''"The translator of this history, when he comes to write this fifth chapter, says that he considers it apocryphal, because in it Sancho Panza speaks in a style unlike that which might have been expected from his limited intelligence, and says things so intelligent that he does not think it possible he could have conceived them; however, desirous of doing what his task imposed upon him, he was unwilling to leave it untranslated, and therefore he went on to say":'' This could be considered the beginning of Sancho's slow transformation into a [[SimplemindedWisdom wiser person]].
* {{Picaresque}}: Arguably, the novel's true genre, being a satiric prose depicting in realistic, humorous detail the adventures of a roguish hero living by his wits ("wits" meaning here "craziness") through a RandomEventsPlot.
* PunnyName:
** In a 17th century's pun, Quixote means "cuisse", the piece of armor covering the thigh. Modern Spanish form is ''quijote''.
** Don Quixote's real name, Alonso Quijano, is a pun on "quijada" (jaw), as he's also a rather skinny guy.
** Panza means "belly", specifically a big one. Accordingly, Sancho is fat.
** Rocinante's name contains "rocín", still used today in Spanish to name any ugly, skinny or generally bad-quality horse. Don Quijote needs four days to think up the name, which by his intention comes from "Rocín antes", "a ''rocín'' before", to signify that the horse (in his mind) has now been promoted to a mighty warhorse. However, the name can also be interpreted as "being a rocín", which is more revealing of the truth about Rocinante.
* PurpleProse: Played straight, parodied and lampshaded: Cervantes achieved the rare miracle of having a florid style that is clearly understandable. But he recognized and denounced this trope:
** Cervantes denounces this trope in the books of chivalry: We all know that purple prose is [[SuckinessIsPainful annoying to those who read it]], but in Chapter I, Part I, Cervantes ensures us that Alonso Quijano [[BrownNote went crazy]] [[ImpossibleTask because he tried to understand]] what the authors meant, and he [[TakeThat imitates the style of one in particular]].
** Another example is obtained in Chapter II, Part I: Don Quixote has left his home through a back door and now travels the countryside, [[GlorySeeker thinking about]] [[FamedInStory how some wise wizard will write the beginning of his adventure]]. Don Quixote uses a style perhaps not as exaggerated as some examples of purple prose, but certainly is overdeveloped and fancy. You can find the quote at the link of this trope.
* RandomEventsPlot: Given that the first part of the novel is a DeconstructiveParody of ChivalricRomance, and those books were not more than a KnightErrant in the road reacting to the events that happened to him, the first part is this (the second part has a plot in [[DamselInDistress Dulcinea's rescue]]). Only that instead of being boring or confusing, Cervantes aimed, and was able, to reproduce the feel of RealLife in his book.
* RashomonStyle: At chapter XII of Part I, Don Quixote hears conflicted versions of the story of Chrysostom and Marcela in his way to Chrysostom's funeral: Shepherd Pedro thinks Marcela is a good person. Ambrosio, Chrysostom's best friend, calls her cruel, but admits it's an InformedFlaw. Chrysostom poem claims he is a LoveMartyr and Marcela is a cruel IceQueen. At the end, Marcela claims she is SoBeautifulItsACurse and he has the right, as a free woman, to reject anyone. Nobody says, but everybody implies, SpurnedIntoSuicide
* RealAfterAll: Sancho Panza is fooled by the Duke to assume a governorship (really a complicated series of MassiveMultiplayerScam just to prank Sancho). When Sancho patrols his Insula, he is victim of various prankers, except for the last one, a SweetPollyOliver that no one knows, who is a girl who has escaped his GildedCage, to all the pranksters' confusion.
* RealityEnsues: This is what happens when an aging nobleman with little fighting skills and crappy armaments imagines himself a knight-errant.
* {{Reconstruction}}: At the very end of the novel, the narrator notes that Don Quixote's bull-headedness and steadfast impossible perseverance and commitment to his idea, which thus far was used to parody chivalric tropes, made him an even greater hero than all the false chivalric heroes that he aspired to, and who his own story would completely eclipse.
* {{Retcon}}: In Part II, Cervantes tried to correct some of the most glaring continuity errors of the first book, particularly the mysterious disappearance of Sancho's donkey.
* RevealingCoverup: Parodied by the {{Moral Guardian}}s who become {{Threshold Guardian}}s: In his first sally, Don Quixote doesn't find any [[InstantAwesomeJustAddDragons dragons]], [[RobeAndWizardHat enchanters]], or [[DamselInDistress damsels in distress]]. He is very disappointed when he comes back to his house, where their family and two Moral Guardians have made a BookBurning of his ChivalricRomance books. To avoid Don Quixote's ire, the Moral Guardians advise the family to tell him, literally, that AWizardDidIt. ''That excuse was Don Quixote's first contact with the MedievalEuropeanFantasy he so desperately wanted to live!'' If the Moral Guardians would have told him the truth, he would never have persevered in his madness.
* SarcasticDevotee: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* SatireParodyPastiche: Cervantes, both in the prologue and in the novel itself parodies the way contemporary writers wrote, satirized characters, books, made allusions to many, MANY other works and made a huge impact at the time it was printed.
* ScheherezadeGambit: Sancho tries to do this to Quixote to keep him from charging against a watermill (Quixote had something with mills). He forgets about what he was telling. It's actually even funnier given that the story he tells Quixote was a common children's story of the time, and is supposed to work like a lullaby, repeating a useless element over and over until the kid goes to sleep.
* ScreeningTheCall: If Quixote's reading-induced insanity is his CallToAdventure, then the attempt to burn his books is an attempt to Screen the Call.
* SecretTestOfCharacter: Deconstructed in the [[ShowWithinAShow Novel Within a Novel]], ''The Ill-Advised Curiosity'' where [[TooDumbToLive Anselmo]] asks his best friend Lotario to test the fidelity of his wife, Camila. In any other story, Camila will pass the test and everyone will have lived HappilyEverAfter. In the novel, Camila and Lotario became lovers, [[KillThemAll causing the tragic deaths of the three]].
* SeriesContinuityError: For a book that only has one continuation, there are various examples of those errors. Then again, Cervantes was mocking [[FanDumb those fans who put too much attention to continuity]]… There are two types:
** Lampshaded InUniverse:
*** Chapter I, part I: Alonso Quijano has some continuity questions about ''The tale of Don Belianis of Greece:''
---->''"He was not at all easy about the wounds which Don Belianis gave and took, because it seemed to him that, [[WildMassGuessing great as were the surgeons who had cured him]], [[PlotHole he must have had his face and body]] [[NegativeContinuity covered all over with seams and scars]]."''
** Played straight in the book (and discussed by Don Quixote, Sancho and Sansón Carrasco):
*** [[PlotHole Sancho's donkey disappearance]].
*** [[WhatHappenedToTheMouse Those hundred crowns that Sancho found in the valise in the Sierra Morena]].
** Played straight in the book:
*** Sancho talks about using a sword at Part I Chapter XV and the Barber mentions Sancho has a sword in his hips at Part I Chapter XLVI, but at Part II Chapter XIV, Sancho denies ever having a sword.
*** The name of Sancho’s wife changes at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').
*** At the first part, Don Quixote knows that Dulcinea del Toboso is a ShadowArchetype based on Aldonza Lorenzo. In the second part, he claims he never has seen her.
*** [[ChuckCunninghamSyndrome The lad who helps them with the field and the marketplace]].
* SatelliteLoveInterest: This trope is parodied and exaggerated with Dulcinea del Toboso, a lover that Don Quixote ''imagined'' from a peasant girl called Aldonza Lorenzo. [[ShadowArchetype She represents for him all that is lovable about a woman without any of the defects of a real person]], and [[TheDulcineaEffect he only imagined her so he can undertake adventures in her name]]. She becomes the [[ExaggeratedTrope illogical extreme of this trope]], because she isn't even aware of her status as love interest of Don Quixote.
* SelfProclaimedKnight: Defied, but played straight: Don Quixote is truly GenreSavvy at ChivalricRomance books. Chapter III shows him aware of this trope and he tries to defy it when he insists to [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a castellan)]] [[{{Knighting}} to knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn]]. So Don Quixote believes he has averted this trope. However, ''Las partidas de Alfonso el Sabio'', the spanish chivalry code, states that a man cannot be knighted if he is too poor or if he is knighted as a joke… so, Don Quixote, being an ImpoverishedPatrician [[{{Irony}} trying to defy this trope, only has enforced it]].
* SeriousBusiness:
** '''Don Quixote:''' Type I: The very last stage of Alonso Quixano's obsession with chivalry books and the first stage of his true madness (and also to show exactly how out of touch with reality he really is): Part I, Chapter I shows us how important are the chivalry books for him: he will have given his housekeeper and his niece to kick that traitor of Ganelon. ([[BetrayalTropes Ganelon]] was the guy who betrayed [[Literature/TheSongOfRoland Roland at Roncesvalles]] and who becomes, with [[Myth/KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period).
** '''The Duke and the Duchess:''' They spent a lot of money and organize truly MassiveMultiplayerScam (Dulcinea’s enchantment has all the people in their castle, the Insula Barataria involucres all the people of a town) only to laugh at Don Quixote and Sancho.
** '''[[OnlyKnownByTheirNickname The Cousin]]''', a KnowNothingKnowItAll who is a researcher of LittleKnownFacts and [[InformedAbility author of three books (still not published)]]: [[SeriousBusiness All of great utility and no less entertainment to the nation. With quotes from more than twenty five authors]].
** '''UsefulNotes/TheSpanishInquisition''': To have an [[DeceptivelyHumanRobots enchanted head]] [[PracticalJoke that answers questions]] could lead to the ignorant vulgar should be scandalized. [[MoralGuardian So it orders it to be destroyed]].
* ServileSnarker: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* ShoutOut: Hundreds upon hundreds of them, although many would be unrecognizable to the modern reader. Chapter I part I mentions Creator/{{Aristotle}}, philosopher widely regarded as the greatest abstract thinker of western civilization. Even he has no chance to make sense of the purple prose that plagued chivalry books. Also in Chapter III, Part II, Don Quixote's opinion about history and poetry reflects the theory exposed in Aristotle's ''Literature/{{Poetics}}''.
* ShowWithinAShow: ''The Ill-Advised Curiosity'' is a true novel within a novel, and the priest reads it to all the guests in the inn completely through two chapters of the first part.
* SimplemindedWisdom: Sancho Panza has this trait.
* {{Slapstick}}: And charging against a windmill is just in chapter 8 '''of 126 chapters!!!'''
* SmallNameBigEgo: GrandDame Dueña Doña Rodríguez is the only one character stupid enough in all the novel (and in-universe, ''in all Spain'') to sincerely believe that Don Quixote is a real KnightErrant.
* SmallReferencePools: This trope is defined and lampshaded by Cervantes in the Preface of the Author, Part I, [[TakeThat denouncing a common author trick]]: Any Spanish author of XVII century only needs to mention the most obvious and world-renowned people or facts. And he doesn't even need to know those facts, he could only research [[LongList a book that quotes famous authors from A to Z]] and just insert the examples in his own book, because some readers are simple enough to believe that the author can use all those quotes in any book.
* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom's funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience [[AllMenArePerverts (made by men) hears anything and they are only interested in Marcela's beauty]]. They want to follow her, but Marcela was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.
* SuperheroSobriquets: Don Quixote is given one by Sancho Panza: "The Knight of the Sorrowful Face".[[note]](or "Sad Countenance"/"Rueful Figure"), Edith Grossman's translation places it as "Sorrowful"[[/note]] The reason is, as Sancho says, he had never seen a sadder face than that of Don Quixote's. Later, after the incident with the lions, Sancho calls him, without irony, as "The Knight of the Lions".
* SweetPollyOliver:
** Dorothea, from the first part, plays this trope perfectly straight. At the second part, this trope will be parodied and deconstructed.
** [[NoNameGiven The daughter of Don Pedro de la Llana]] parodies this trope: TheIngenue who has been in a GildedCage all his life and asked his brother to show her the world... that is, the little town they live... at night. Justified because she is JustAKid who has lived in a GildedCage and really doesn’t know better.
** ClingyJealousGirl Claudia Jeronima deconstructs this trope: She is wearing men's clothes because [[IfICantHaveYou she has murdered a supposedly unfaithful lover]] and Barcelona is having a CivilWar. She wants to conceal her identity so her family would not be harmed by anyone seeking {{revenge}}.
** {{The exile}}d Ana Felix deconstructs this trope: Fleeing for Spain for having a Muslim father, she enters Algiers, where the King blackmails her to steal his family treasure hidden in Spain. So she wears men's clothes to come back with the King's soldiers and mislead the Spanish authorities.
[[/folder]]

[[folder:T-Z]]
* TakeThat: Cervantes uses his book to attack several people and institutions of the XVII century, always in a funny manner:
** Unfortunately for him, Cervantes was not a very known author when he published ''Don Quixote'' at 1605, and given the [[SmallNameBigEgo extremely difficult Spanish literary environment of his time]], he didn't get any commendatory verses for his book from any (famous) author; so he wrote a dialogue in the Preface of the Author, Part I, where Cervantes explains this setback and despairs to publish ''Don Quixote''. His friend advised him to pretend that Cervantes has done [[ShownTheirWork extensive research to impress his audience]], when in fact he will take advantage of some tricks [[TakeThat used by several renowned Spanish writers of his time]] (Cervantes never mentions names so as not to disturb famous Spanish authors like Lope de Vega).
*** The first advice of his friend is for Cervantes to write the commendatory verses himself, and then claim they came from some famous or powerful characters of his time, even claiming that some of them were famous poets, basically, to pull a DanBrowned. The truth is that a lot of the powerful Spanish people of his time could not be poets, and were even illiterate.
*** The second advice of his friend is [[AltumVidetur to include sentences of Latin that seem to be profound]] [[ShownTheirWork (and so impress his lectors)]], but in reality, [[SmallReferencePools those Latin sentences were very common and any author of his time could find them with very little effort]].
*** Cervantes also mocks the authors who attributed to another author some famous line by way of PopCulturalOsmosis (in the Spain of the 17th century), [[BeamMeUpScotty despite the fact that those lines were never uttered by them]]. Cervantes’s friend mentions a line that a lot of people attributed to Horace, but this [[ShownTheirWork friend really has done the research]], so he mentions ''"or whoever said it"''.
*** Last but not least, in his prologue of part I, Cervante’s friend mentions a common author trick of his time: Any Spanish author of XVII century only needs to mention the most obvious and world-renowned people or facts. And he doesn´t even need to know those facts, he could only research [[LongList a book that quotes famous authors from A to Z]] and just insert the examples in his own book, because some readers are simple enough to believe that the author can use all those quotes in any book. Critics have said that this last reference was an attack to Lope de Vega, the most influential Spanish playwright and writer, and very successful and famous in their own time. (Cervantes himself was not successful, but he is one of the most influential universal writers).
** An attack to the (then) famous chivalry book's author Feliciano de Silva's composition, ''"[[SarcasmMode for their lucidity of style and complicated conceits were as pearls in his sight]]"''; Feliciano's style was an example of [[PurpleProse how to sacrifice Utility in the altar of Eloquence]], [[DepartmentOfRedundancyDepartment writing sentence after sentence of redundant synonyms once and again]], [[MindScrew making it so confuse that you cannot even try to comprehend it]].
** In Chapter I Part I, the narrator notes that [[Literature/TheSongOfRoland the history of Reinaldos de Montalban mentions]] [[CriticalResearchFailure an idol of Mahomet made of gold]].
%%* TechnicalPacifist
* ThereShouldBeALaw:
** Parodied when Don Quixote doesn't want to pay for a day in an inn, he tells the Innkeeper that there should be a law that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight the [[UsefulNotes/TurksWithTroops Ottoman]] [[TheEmpire Empire]] by making a law where [[GondorCallsForAid Spain Calls for Aid]] to all the Christian [[KnightErrant knights errant]].
** Played straight when the Canon makes a small CharacterFilibuster asking for a law to regulate Theatre at Spain and so avoid excesses and revenge between actors and society that is obviously an AuthorFilibuster from Cervantes himself.
** Played straight when Sancho Panza becomes a ReasonableAuthorityFigure and imposes some reasonable laws at the [[{{Utopia}} Barataria Insula]].
* ThresholdGuardians: Deconsctructed by [[ThoseTwoGuys the curate and the barber]]: Don Quixote's family asks help from {{Moral Guardian}}s to destroy Don Quixote's delusions, but their pity makes them pull a RevealingCoverup that enforces those delusions, making them ThresholdGuardians.
* ThoseTwoGuys: Pedro Pérez, the priest, and Maese Nicholas, the barber. Better known as "the priest and the barber", two guys from the same town as Don Quixote, who are fond of chivalry books, like Don Quixote, and that are completely sane, unlike Don Quixote, and... well, you would not find any other personality trait in them.
* TVNeverLies: This is one of the themes of the novel: Juan Palomeque, the innkeeper, believes that ChivalricRomance stories are real because these are printed in books approved by the Royal Council:
--> ''"But consider, brother," said the curate once more, "there never was any Felixmarte of Hircania in the world, nor any Cirongilio of Thrace, or any of the other knights of the same sort, that the books of chivalry talk of; the whole thing is the fabrication and invention of idle wits, devised by them for the purpose you describe of beguiling the time, as your reapers do when they read; for I swear to you in all seriousness there never were any such knights in the world, and no such exploits or nonsense ever happened anywhere."''
--> ''"Try that bone on another dog," said the innkeeper; "as if I did not know how many make five, and where my shoe pinches me; don't think to feed me with pap, for by God I am no fool. It is a good joke for your worship to try and persuade me that everything these good books say is nonsense and lies, and they printed by the license of the Lords of the Royal Council, as if they were people who would allow such a lot of lies to be printed all together, and so many battles and enchantments that they take away one's senses."''
* UltimateShowdownOfUltimateDestiny: Alonso Quijano and his friends [[ThoseTwoGuys the curate and the barber]] were [[{{Fanboy}} victims of this phenomenon]] and in the very first chapter of part I we learn that they had a lot of discussions about [[WhoWouldWin who had been the better knight]]... Keep in mind this book was written more than four hundred years ago!
* UndyingLoyalty: Sancho Panza claims to have this for Don Quixote… even when Sancho considers several times in the book to left Don Quixote service, but he is so fond of him he never does it.
-->''...if I were wise I should have left my master long ago; but this was my fate, this was my bad luck; I can't help it, I must follow him; we're from the same village, I've eaten his bread, I'm fond of him, I'm grateful, [[ItMakesSenseInContext he gave me his ass-colts]], and above all I'm faithful; so it's quite impossible for anything to separate us, except the pickaxe and shovel.''
* UnsympatheticComedyProtagonist: The first part of the novel settles Don Quixote characterization as a LordErrorProne: he almost kills the Biscayan in Chapter IX and maimed for life the Licentiate in Chapter XIX. This makes it easier to read the continuous HumiliationConga in practically all the chapters for Don Quixote. Fandom insisted in seeing him as the much more sympathetic MadDreamer. The second part deconstructs the Mad Dreamer into a WideEyedIdealist that everyone else mocks mercilessly because HumansAreBastards.
* UnwantedAssistance: Many characters (most memorably Andrés, the flogged boy) find Don Quixote's interference unhelpful.
-->'''For the love of God, sir knight-errant, if you ever meet me again, though you may see them cutting me to pieces, give me no aid or succour, but leave me to my misfortune, which will not be so great but that a greater will come to me by being helped by your worship, on whom and all the knights-errant that have ever been born God send his curse''
* UnreliableNarrator: Several layers of this, actually. Lampshaded, even: In the very first paragraph, Don Quixote's literary portrait has the narrator NOT telling us the name of Don Quixote's town, and the narrator admits he doesn't know very well if his name was Quixada, Quesada or Quexana. For the people of the seventeen century, this was an infringement of a very well known rule of the literary portrait, and so they immediately had the real impression that the author was a liar. Also, [[LiteraryAgentHypothesis the original author (Cide Hamete Benengeli) and the Translator (an anonymous Moor)]] comment the text when the plot is being implausible, and the second author (Cervantes), [[SuspiciouslySpecificDenial constantly remind us that this is a true history]]. All these tricks show that Cervantes clearly want the reader realizes that this tale cannot be true. Not to mention the fact that the so called original author has an Arabic name. At that time in Spain, Arabs were thought to be liars.
* UpToEleven: Every major female character on Part 1 tops the beauty of all preceding ladies of the novel. Even when the previous most beautiful girls are present, everyone is amazed by the incomparable beauty of the newly introduced, challenging the reader to imagine them increasingly better good looking. It finally peaks with Leandra, whose beauty was famous even in the halls of the royalty of distant cities. It seems it "overflows" in Part II, where the person Sancho chooses to be the new Dulcinea is described as the ugliest woman you can imagine. How? AWizardDidIt!, and the plot becomes to try to disenchant her.
* VeryLooselyBasedOnATrueStory: The Captive's Tale is loosely based on the author's own life.
* VictimizedBystander: Most of the people Don Quixote encounters fall in this trope, especially Sancho.
* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within a Novel]] named ''The Ill-Advised Curiosity'' and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:
--> ''"...and I know not what could have led [[LiteraryAgentHypothesis the author to have recourse to]] [[ShowWithinAShow novels]] and [[{{Filler}} irrelevant stories]], [[ItsAllAboutMe when he had so much to write about in mine; no doubt he must have gone by]] [[{{Filler}} the proverb 'with straw or with hay, etc.,' for by merely setting forth my thoughts, my sighs, my tears, my lofty purposes, my enterprises]], [[DoorStopper he might have made a volume as large, or larger than all the works of El Tostado]] [[note]]Alfonso de Madrigal, philosopher whose works "have more than twenty volumes"[[/note]] would make up"''.
%%* WalkingTheEarth
* WantingIsBetterThanHaving:
** Don Quixote perceives this as a [[CourtlyLove common theme for a knight and his lady]]. Part II, Chapter XXXII:
--->''" I am in love, for no other reason than that it is incumbent on knights-errant to be so; but though I am, I am no carnal-minded lover, but one of the chaste, platonic sort".''
** All the first part of the novel, Sancho has ride with Don Quixote [[StandardHeroReward under the promise of a governorship]]. At chapter VII of the second part, Sancho demands a salary for his work. [[GenreSavvy Don Quixote claims that he had never read a Chivalry book where a squire would get a wage and he will never disturb the ancient usage of Knight – Errantry]], so he invokes this trope telling Sancho:
---> ''"and bear in mind, my son, that a good hope is better than a bad holding, and a good grievance better than a bad compensation"''
* WhatWouldXDo: Parodied when Don Quixote invokes AchillesInHisTent in the Sierra Morena, he asks himself what would two [[KnightInShiningArmor knights in shining armor]] do? The catch is that being a deconstruction, Don Quixote must choose between the KnightInShiningArmor played straight (Amadis [[{{Wangst}} cries and prays for days]] because his lady Oriana doesn’t want to see him anymore) and the KnightInShiningArmor deconstruction ([[UnstoppableRage Roland went mad]] [[OmnicidalManiac and killed humans, animals and plants]] when he discovered princess Angelica slept with Medoro).
* WhereTheHellIsSpringfield: First line: "In a village of La Mancha the name of which I have no desire to recall." It's even lampshaded in the very last chapter: Part II, chapter 74: ''"Such was the end of the Ingenious Gentleman of La Mancha, whose village Cide Hamete would not indicate precisely, in order to leave all the towns and villages of La Mancha to contend among themselves for the right to adopt him and claim him as a son, as the seven cities of Greece contended for Homer".'' Which, guess what, is what happened.
* WideEyedIdealist: This trope is severely deconstructed with Don Quixote: In the first part, Don Quixote cares more for fulfilling his fantasies than for anyone else. He confides that the farmer Haduldo will stop flogging the boy Andrés and that the Galley slaves he liberates will be grateful enough to make him a favor. (They're not). His actions make him the original LordErrorProne. In the second part is even worse: he really acts ForHappiness and after some MassiveMultiplayerScam aventures that convince him he is a real KnightErrant he must face the sad fact that he has not helped anyone and therefore, all those ChivalricRomance tropes were BlatantLies. This is so heartbreaking that he becomes BoredWithInsanity and dies. Being called "Quixotic" is not always a good thing.
* AWizardDidIt:
** All over the place in the books Don Quixote reads, so naturally, when reality blatantly deviates from how he imagines it, he assumes that enchanters are behind it.
** Much more literally, when the priest and the barber burn Don Quixote's books, they tell him that a wizard stole them. Don Quixote goes off to find the wizard.
* WrongGenreSavvy: Probably the {{Trope Maker|s}}. Don Quixote is severely delusional and believes he is in a ChivalricRomance. Sadly for him, ThisIsReality. HilarityEnsues.
* YeOldeButcheredEnglish: The Spanish equivalent. In the original Spanish book, at least, Don Quijote uses outdated forms of speech and pronunciation, like maintaining the initial 'f' in words like 'fermosa' (hermosa), in an attempt to emulate the outdated forms of speech used on chivalry novels. The very name of the book itself is an example too: The 'x' in the name denotes an antiquated ortography for a very strong "h" phonem (similar as Scottish ''loch'') and not 'eks'. It is written in Modern Spanish as 'j'. Thus don Quijote, (ki-ho-tey) not Quixote (quick-sot). The Spanish edition uses the modern ortography, Don Quijote.
* YouKeepUsingThatWord: Sancho doesn't really understand that the ''insula'' he was promised as a StandardHeroReward by Don Quixote means an ''island'', as we see at Chapter II of the Second part:
--> ''"May evil ''insulas'' [islands] choke thee, thou detestable Sancho," said the niece; "What are ''insulas'' [islands]? [[IsItSomethingYouEat Is it something to eat]], glutton and gormandiser that thou art?"''
--> ''"It is not something to eat," replied Sancho, "but something to govern and rule, and better than four cities or four judgeships at court."''
* YouWatchTooMuchX: Even when Quixote could be the UrExample and {{Trope Maker|s}} for this trope, in the novel this is a UnbuiltTrope: the {{Stock Phrase|s}} never appears in the novel, and Don Quixote is not GenreSavvy but WrongGenreSavvy: When in some situation Don Quixote comments about how similar situation have happened in the tales he has read in his chivalry books , the people hearing him don't answer with "You read too much X". Even so, there are some examples that are very near to this situation, and the fact that Don Quixote read too much and that drove him to believe that he was a knight errant is the core of the novel, and is lampshaded by the narrator since the very beginning (Chapter I Part I).
[[/folder]]

----
17th Oct '16 9:59:53 AM JamesAustin
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** The 2007 computer-animated film ''[[https://en.wikipedia.org/wiki/Donkey_Xote Donkey Xote]]'' is an InNameOnly adaptation told from the point of view of Sancho Panza's donkey Rucio, best known for how it blatantly rips off ''WesternAnimation/{{Shrek}}'': The donkey is clearly modeled after ''Shrek'''s Donkey, and the adversiting even presented it as "From producers '''''who saw''' Shrek''."

to:

** The 2007 computer-animated film ''[[https://en.wikipedia.org/wiki/Donkey_Xote Donkey Xote]]'' is an InNameOnly adaptation told from the point of view of Sancho Panza's donkey Rucio, best known for how it blatantly rips off ''WesternAnimation/{{Shrek}}'': The donkey is clearly modeled after ''Shrek'''s ''Shrek''[='s=] Donkey, and the adversiting even presented it as "From producers '''''who saw''' Shrek''."



* FanDisillusionment: After two novels being a literal AscendedFanboy UpToEleven of the ChivalricRomance, Don Quixote must accept in the last chapter that the ClicheStorm that he read as the adventures of a KnightErrant is [[DeconstructedTrope not as joyous as he thought it would be]]:
--> ''"[[BoredWithInsanity Good news for you, good sirs, that I am no longer Don Quixote of La Mancha, but Alonso Quixano, whose way of life won for him the name of Good]]. Now am I the enemy of [[KnightInShiningArmor Amadis of Gaul]] [[FollowTheLeader and of the whole countless troop of his descendants]]; [[ClicheStorm odious to me now are all the profane stories of knight-errantry]]; [[HeelRealization now I perceive my folly]], [[TheNewRockAndRoll and the peril into which reading them brought me]]; [[ItSeemedLikeAGoodIdeaAtTheTime now, by God's mercy schooled into my right senses, I loathe them.]]"''
* FanFiction:
** InUniverse:
*** Chapter I, part I: Alonso Quijano has read ''The tale of Don Belianis of Greece'' and notes that the author has not finished that adventure, so he planned to write a continuation of it, and it would have been a great continuation if not because he abandoned that idea to become Don Quixote (this is not an InformedAbility: In Part I, Chapter II, Don Quixote begins the story of his own heroic exploits, that will undoubtedly write a sage in the future, and in Part I, Chapter XXI, Don Quixote narrates Sancho a perfect summary of the plot and all the typical situations of a chivalry book):
---->''"He commended, however, the author's way of ending his book with the promise of that interminable adventure, and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done, and made a successful piece of work of it too, [[AttentionDeficitCreatorDisorder had not greater and more absorbing thoughts prevented him]]."''
*** At Part I, Chapter XLVIII, Don Quixote and his party meet a man [[EveryoneCallsHimBarkeep who is referred only as]] [[MeaningfulName the canon]], who knows all the rules to write a good book, in the next chapter, he confess that he [[{{Fanfic}} wrote a hundred pages of a chivalry book]], [[DeadFic but then he cites the reasons that made him desist his intent]]:
---->''"I myself, at any rate," said the canon, "was once tempted to write a book of chivalr in which all the points I have mentioned were to be observed; and if I must own the truth I have more than a hundred sheets written; and to try if it came up to my own opinion of it, I showed them to persons who were fond of this kind of reading, [[ViewersAreGeniuses to learned and intelligent men]] as well as to ignorant people who cared for nothing but the pleasure of listening to nonsense, and from all I obtained flattering approval; nevertheless I proceeded no farther with it, [[SciFiGhetto as well because it seemed to me an occupation inconsistent with my profession]], as because I perceived that the [[LowestCommonDenominator fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public, to whom the reading of such books falls for the most part]]."''
** In RealLife:
*** Fanfiction of the book itself. In the 10 years between the first and second part of the novel, there were some "apocryphal" continuations, which Cervantes himself references and afterwards rejects, saying he is the original writer. This probably makes it one of the oldest examples.
*** Also, there had been professional fanfictions written in Spanish for the last four hundred years, (the most recent: "Al morir Don Quijote", published in 2004). You can find some examples in the other wiki: "[[http://en.wikipedia.org/wiki/Cultural_influence_of_Don_Quixote List of works influenced by Don Quixote: 'Selected adaptations in literature']]" and additional examples of AlternateUniverseFic, Continuation Fic, ElsewhereFic, OriginalFlavour, in the other (Spanish) wiki: "[[http://es.wikipedia.org/wiki/Continuaciones_del_Quijote Continuations of Quixote: 'Continuaciones del Quixote']]"
* {{Flanderization}}: In the first part of the novel, Sancho Panza gives an HurricaneOfAphorisms only ''once'' (Chapter XXVII, part I). In the second part, he gives it [[RunningGag continuously]], and also [[LamarckWasRight his wife and his daughter]].
* FlyoverCountry: Critics have said La Mancha, don Quixote's home, is the Spanish version of this trope, as the preface to the Gutenberg Project said:
--> ''on many of his readers in Spain, and most of his readers out of it, the significance of his choice of a country for his hero is completely lost. It would be going too far to say that no one can thoroughly comprehend "Don Quixote" without having seen La Mancha, but undoubtedly even a glimpse of La Mancha will give an insight into the meaning of Cervantes such as no commentator can give. Of all the regions of Spain it is the last that would suggest the idea of romance. Of all the dull central plateau of the Peninsula it is the dullest tract. There is something impressive about the grim solitudes of Estremadura; and if the plains of Leon and Old Castile are bald and dreary, they are studded with old cities renowned in history and rich in relics of the past. But there is no redeeming feature in the Manchegan landscape; it has all the sameness of the desert without its dignity; the few towns and villages that break its monotony are mean and commonplace, there is nothing venerable about them, they have not even the picturesqueness of poverty; indeed, Don Quixote's own village, Argamasilla, has a sort of oppressive respectability in the prim regularity of its streets and houses; everything is ignoble; the very windmills are the ugliest and shabbiest of the windmill kind''.
%%* FolkHero
* ForgottenTrope:
** The novel show us an example of the Captivity Narrative when [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''"The Story of the Captive Captain"'', you can see more at LifeEmbellished.
** Don Quixote mentions the Nine Worthies: Nine characters who personified the ideal values of a brave knight. They were three pagans (Alexander The Great, Hector and Julius Ceasar), three Jewish (Joshua, Salomon and Juda Maccabee) and three Christians (King Arthur, Charlomagne and Godfrey of Bouillion). All of those figures are still very well-know, but most people are not familiar with the idea of all of them united in a single rethoric concept. When Quixote was wounded by some BadassBystander and helped by some neighbor, and the neighbor claims Don Quixote is not a KnightErrant, Don Quixote claims: "I know who I am," and adds, "and I know that I may be not only those I have named, but all the [[Literature/TheSongofRoland Twelve Peers of France]] and even all the Nine Worthies, since my achievements surpass all that they have done all together and each of them on his own account." Justified, since Quixote is FanDumb about ChivalricRomance and he must know everything about [[KnightErrant knights errant]]. The real ironic part is that in-universe Quixote is only a LoonyFan who cannot match them, but in RealLife, more people know who is Don Quixote that the Nine Worthies… so this BadassBoast became HilariousInHindsight.
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[[folder:G-L]]
* GeniusDitz: Don Quixote, despite his reputation as a crazy, is highly intelligent, and several characters who come across him note that he occassionally sounds rational and sane before going off tangent on his chivalric ideals. Several characters who later trick him note that he's fairly astute about the minor points that concern a given situation but neglects the bigger picture altogether.
* GenreSavvy: Apart from the protagonist (who is WrongGenreSavvy), many other characters are familiar with chivalric tropes and {{invoke|dTrope}} or {{discuss|edTrope}} them. Note that at the end of both volumes, Don Quixote is defeated and forced to return to his village in strict accordance with the laws of the genre.
* GentleGiant: Part I Chapter I reveals that the giant Morgante is one of Alonso Quixano's favorite characters, because despite being a giant, he is [[AffablyEvil affable and well bred]].
* TheGhost:
** Played straight with Aldonza Lorenzo, a young peasant girl from a town called Toboso, who is blissfully unaware that Don Quixote's had a crush on her. She never appeared in neither parts of the novel, only was referred to by other characters.
** Parodied by Dulcinea del Toboso, the imaginary love interest of Don Quixote. Since the first part of the novel, Don Quixote imagines her as a beautiful noblewoman who lives in a castle, or in other words, a person completely different from Aldonza Lorenzo. This imaginary entity is a literal ghost, but it's mentioned so many times across the novel that she can be considered the third protagonist besides Don Quixote and Sancho. Besides, in the second part, one of the plot points is Don Quixote's quest to disenchant Dulcinea and to find her at last, even when he knows he imagined her, is another proof of Don Quixote's madness.
%%* GiverOfLameNames
* GoMadFromTheRevelation: Inverted: Don Quixote goes mad trying to make sense of the PurpleProse that plagued the chivalry books he has read, but [[TheUnreveal there never was any reveal]] because even Creator/{{Aristotle}} [[MindScrew could not have made sense of it]].
* HealingPotion: Parodied. Don Quixote claims to have the recipe for an elixir that heals all wounds, but [[LordErrorProne beng who he is]], it instead induces severe pain and vomiting, though after throwing up he does seem to get up easier.
* HeroicWannabe: Practically made this trope OlderThanSteam: Don Quixote is obsessed with becoming a knight (to the point of fighting windmills because he thinks they're giants).
* HerosMuse: The eponymous hero fights for his lady love, whom he refers to as Dulcinea. In his mind, he elevates her to a princess and the most beautiful woman in the world, although she is in reality a peasant girl named Aldonza.
* {{Hikikomori}}: Somewhat of an UrExample. Don Quixote seems to be living in his village for years, doing nothing but hunting, reading romances of chivalry, selling his property to pay for them ([[ConspicuousConsumption books were a lot more expensive then]]) and discussing them with [[ThoseTwoGuys his friends]]. Justified, because the landed gentry of the time were expected to do little else.
* HypocriticalHumor: When Don Quixote reads some pages of Avellaneda's ''Quixote'' {{fanfic}}, he claims there are obvious errors from the author, the most important is that he errs on the name of Sancho's wife, when the name of Sancho's wife changed in Cervantes' own books: at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').
--> ''...is that he goes wrong and departs from the truth in the most important part of the history, for here he says that my squire Sancho Panza's wife is called Mari Gutierrez, when she is called nothing of the sort, but Teresa Panza; and when a man errs on such an important point as this there is good reason to fear that he is in error on every other point in the history." ''
--> '' "A nice sort of historian, indeed!" exclaimed Sancho at this; "he must know a deal about our affairs when he calls my wife Teresa Panza, Mari Gutierrez; take the book again, senor, and see if I am in it and if he has changed my name."''
* HonorBeforeReason: The protagonist falls victim to this trope countless times. The first example is when Don Quixote "rescues" Andrés from being flogged by his master, Juan Haduldo. Don Quixote bullies Juan into promising to let Andres go, and he departs to other adventures, [[GenreSavvy because he has read that when a Knight]] [[IGaveMyWord gives his word, it's enough.]] [[WrongGenreSavvy Unfortunately, this is the first modern novel]] [[RealityEnsues and Juan flogs Andres even harder.]]
* HotBlooded: Don Quixote sure makes a lot of passionate speeches, and charges forward with aplomb, later subverted when he denies chivalry with the same passion.
* HourglassPlot: In the first part of the novel, Don Quixote is a DaydreamBeliever MadDreamer and Sancho Panza has SimplemindedWisdom and represents realism. Both are {{Static Character}}s. At the second part, Sancho is influenced by Don Quixote and becomes more and more of a DaydreamBeliever, while at the end, Don Quixote will become BoredWithInsanity by Sancho's influence. The relevance is that they maybe were the very first characters in literature to use this trope and become {{Dynamic Character}}s.
* HumiliationConga: Practically [[OnceAnEpisode every single chapter]] ends up being this to Quixote and Sancho.
* HurricaneOfAphorisms: Sancho Panza does this, usually so poorly that it just makes him look stupider. Interestingly, in the First part of the novel he does it only once. In the second part, [[{{Flanderization}} he gives those almost always]].
* IdiotHero: If not the {{Trope Maker|s}}, pretty much the TropeCodifier, though it's subverted: Don Quixote is not an idiot, and we know it since the very beginning of the novel. He is a very intelligent, well-educated man, who is perfectly normal as long as he is not talking about his obsessions. Of course, [[TooDumbToLive when he is indulging his chivalry fantasies... well...]] UpToEleven if you think that in the end when he denies chivalry, Don Quixote is portrayed as the OnlySaneMan and even as [[MessiahCreep the ideal man]]. Part I, chapter 30:
-->''"apart from the silly things which this worthy gentleman says in connection with his craze, when other subjects are dealt with, he can discuss them in a perfectly rational manner, showing that his mind is quite clear and composed; so that, provided his chivalry is not touched upon, no one would take him to be anything but a man of thoroughly sound understanding."''
* IfICantHaveYou: Part II, chapter LX, Claudia Jeronima and Don Vicente Tornellas, from different factions of the civil war that was plaguing Barcelona, secretly fall in love and planned to marry, but one day Claudia Jerónima learned that Don Vicente wants to marry another woman. The next day, overwhelmed and exasperated, she shot him. [[TearJerker And then she learned that he never intended to marry any other woman than Claudia]].
* ImpoverishedPatrician: Alonso Quijano is an [[BlueBlood Hidalgo]] that still has the ancient arms of his ancestors, but has so little money that almost all of it is spent on food. What can he do? He is very smart and talented, so he could work, [[InherentInTheSystem but if he does, he will lose the few privileges he has as an hidalgo (like, to be excused from paying taxes)]]. He is poor and bored. It does not help that he spent a lot of time in those silly chivalry books. Sure, they help him with the boredom, and the knight life is certainly exciting, but they are only absurd tales, right?
* TheInsomniac: Alonso Quijano is a type B, as described in Part I Chapter I: lead by his obsession to read chivalry books, he sleeps less and less while reading more and more and that sends him over the edge.
* InsanityDefense: The reason why Don Quixote is never killed (but often beaten) by the poor InnocentBystander of the day.
--> ''The landlord shouted to them to leave him alone, for he had already told them that he was mad, and as a madman he would not be accountable even if he killed them all.''
* InWhichATropeIsDescribed: Played straight with almost all the chapters of the two parts because the beginning of a chapter summarizes the chapter's events, but then {{inverted|Trope}} in some chapters that do not summarize anything:
-->Part II, Chapter 70 WHICH FOLLOWS SIXTY-NINE AND DEALS WITH MATTERS INDISPENSABLE FOR THE CLEAR COMPREHENSION OF THIS HISTORY
-->Part II, Chapter 66 WHICH TREATS OF WHAT HE WHO READS WILL SEE, OR WHAT HE WHO HAS IT READ TO HIM WILL HEAR
* JustLikeRobinHood: Deconstructed by Roque Guinart, a deconstruction of the GentlemanThief, who leads a band of [[TheHighwayman highwaymen]] at Barcelona's CivilWar. He is an ''armed beggar'', that takes only a part of the money of his victims... ''by asking them.'' His 60 men assault two soldiers (300 crowns), a Noblewoman (600 crowns) and some pilgrims (60 reals). That would have been 15 crowns and a real for each highwayman. Roque asks for 60 crowns for the soldiers (20%) and 80 crowns from the Noblewoman (13.6%). That's 140 crowns. He gives 2 crowns to each highwayman and the 20 crown left he gives 10 to the pilgrims (that's almost 100 reals) and 10 crowns to Sancho Panza in a clear attempt to BuyThemOff. The people who attacked are happy to keep most of their own money, and Roque Guinart is considered a hero. Everyone is happy! [[RealityEnsues Except for the highwaymen who were cheated of 13 crowns and a real]], but Roque manages to MakeAnExampleOfThem by murdering the one who dares to be a DeadpanSnarker.
* KickMePrank: They play this prank on Don Quixote at Barcelona:
-->''That afternoon they took Don Quixote out for a stroll, not in his armour but in street costume, with a surcoat of tawny cloth upon him, that at that season would have made ice itself sweat. Orders were left with the servants to entertain Sancho so as not to let him leave the house. Don Quixote was mounted, not on Rocinante, but upon a tall mule of easy pace and handsomely caparisoned. They put the surcoat on him, and on the back, without his perceiving it, they stitched a parchment on which they wrote in large letters, "This is Don Quixote of La Mancha." As they set out upon their excursion the placard attracted the eyes of all who chanced to see him, and as they read out, "This is Don Quixote of La Mancha," Don Quixote was amazed to see how many people gazed at him, called him by his name, and recognised him, and turning to Don Antonio, who rode at his side, he observed to him, "Great are the privileges knight-errantry involves, for it makes him who professes it known and famous in every region of the earth; see, Don Antonio, even the very boys of this city know me without ever having seen me."''
* KnightInShiningArmor:
** What Don Quixote thinks he is, and thereby thoroughly [[DeconstructedCharacterArchetype deconstructs.]]
** Don Quixote consider Amadis of Gaul the UrExample UpToEleven:
---> ''I would have thee know, Sancho, that the famous Amadis of Gaul was one of the most perfect knights-errant—I am wrong to say he was one; he stood alone, the first, the only one, the lord of all that were in the world in his time. A fig for Don Belianis, and for all who say he equalled him in any respect, for, my oath upon it, they are deceiving themselves! ... In the same way Amadis was the polestar, day-star, sun of valiant and devoted knights, whom all we who fight under the banner of love and chivalry are bound to imitate.''
* {{Knighting}}: Parodied at Part I Chapter III when Don Quixote insists that [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a Castellan)]] knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn. This shows that Don Quixote could be mad, but [[GenreSavvy he knows exactly how the ceremony must be]].
* TheLadysFavour: Deconstructed when (even if it's only part of a MassiveMultiplayerScam), Altisidora gave Don Quixote three kerchiefs that later are stolen by bandits:
--> ''Roque on coming up asked Sancho if his men had returned and restored to him the treasures and jewels they had stripped off Dapple. Sancho said they had, but that three kerchiefs that were worth three cities were missing.''
--> ''"What are you talking about, man?" said one of the bystanders; "I have got them, and they are not worth three reals."''
--> ''"That is true," said Don Quixote; "but my squire values them at the rate he says, as having been given me by the person who gave them."''
* TheLawOfConservationOfDetail: This law is invoked by the Innkeeper when he and Don Quixote discuss at Part I Chapter III the need for money being a KnightErrant who is WalkingTheEarth, (Don Quixote doesn't have any money because he never has read about a KnightErrant paying for anything) and helps to deconstruct those tropes in the book.
--> ''On this point the landlord told him he was mistaken; for, though not recorded in the histories, because in the author's opinion there was no need to mention anything so obvious and necessary as money and clean shirts, [[FridgeLogic it was not to be supposed therefore that they did not carry them,]]''
* LifeEmbellished: [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''"The Story of the Captive Captain"''. He was a handsome captive captain who wanted to escape the Moors and was helped by Zoraida, a beautiful Moor princess who wanted to convert to Christianity. The captain organized a successful evasion to Spain, was well received by his powerful and rich relatives and married Zoraida. Cervantes was a captive who failed all his evasion intents, his family paid his rescue and he always was an ImpoverishedPatrician.
* LiteraryAgentHypothesis: Cervantes (only referred in the book as "the second author") says that the book was based on some manuscripts he found made by an Arab, Cide Hamete Benengeli (or Sidi Ahmed bin Engeli, as it would be rendered today) whose first name, "Cide", could be translated as "Mister", and whose last name is [[PunnyName a pun]] on "berenjena" (eggplant/aubergine), and translated to Spanish by an anonymous Arab translator. This is parody of how a lot of chivalry books have his authors claim that they are based in an old manuscript found in an ancient pyramid or another ruined building in some faraway country, written in an exotic language by a wise, famed wizard who favored the hero of the novel. Those claims are made to feign that the chivalry book was inspired by real events. Cervantes twist this and uses it to a comic effect, explaining that the next part of the novel was found in some pamphlets and papers (only a few years old) found in Alcaná de Toledo (a real city in Spain) in a silk mercer store, written in Arabic (a fairly known language in Spain) by a (foolish) boy who didn't know what was written in them and so sold the papers to Cervantes for peanuts. If we include the funny name of the wizard and the fact that the [[UnreliableNarrator second author, the translator and Cide Hamete Benengeli are always making comments about the book]], we can see that Cervantes want us to admit that all this tale is a long sequence of lies and nonsense... just like all the chivalry books.
* LongList:
** Played straight at the Preface of the Author, Part I: a friend of Cervantes advises him to get [[LongList a book that quotes famous authors from A to Z and just insert the examples in his own book, so Cervantes can feign that he knows all those authors, because some]] readers are simple enough to believe that the author can use all those quotes in any book.
** Parodied at Chapter XVIII, Part I. Since Creator/{{Homer}}, the description of the forces and the generals of an army was an important part of the heroic literature, and books of chivalry were pleased to develop it, (Amadis of Gaul has a similar scene). In that chapter, Don Quixote describes what he sees at two contending armies to Sancho, whom only can see… two droves of sheep.
* LoonyFan: Sansón Carrasco presents himself as a fan of Don Quixote and discuss with him and Sancho the {{Series Continuity Error}}s, and wants to help that poor, mad fool to regain sanity. HilarityEnsues.
* LordErrorProne: Pretty much the {{Trope Maker|s}} and the Ur-Example: In the first part of the novel, Cervantes settles Don Quixote characterization as this: he almost kills the Vizcayan at chapter IX and maimed for life the Licenciate at chapter XIX. Fandom insisted in seeing him as the much more sympathetic MadDreamer.
* LostInTranslation: Cervantes is constantly making puns and wordplay, most of which is untranslatable; one joke in the Spanish version is that even when everyone understands the term "island", only truly sophisticated people understand the term "''[[AltumVidetur insula]]''". So, Sancho doesn't really understand what an "''insula''" really is, but he desperately wants to rule one, so he would be tricked later in a MassiveMultiplayerScam to rule a little town that is not an island. In some English translations (for example, [[http://www.gutenberg.org/cache/epub/996/pg996.html the Gutenberg Project]]) this joke is Lost in Translation).
* LoveMartyr: Part II, chapter LX, Don Vicente Tornellas has been shot by his fiancée Claudia Jeronima because she believed that Don Vicente wanted to marry another woman. Don Vicente's last words are to tell her that he was innocent, never intended to marry any other woman, [[TearJerker that he considers himself lucky to talk with her in his last moments of life, and then his last act before dying is to give Jeronima his hand and ask her to make him her husband]].
[[/folder]]

[[folder:M-S]]
* MadDreamer: The first part of the novel settles Don Quixote as LordErrorProne. Fandom insisted to see him as the UrExample of the much more sympathetic Mad Dreamer. [[UnbuiltTrope Cervantes wanted to explore all ramifications of this new trope]]: Don Quixote is welcomed by people of all classes... because they want to mock him. One character even gives the FamilyUnfriendlyAesop that ''"the gain by Don Quixote's sanity can never equal the enjoyment his crazes give"''.
* MadeOfIron: Don Quixote is, arguably, one. He can survive being thrown into the air by a windmill. Also, despite all the beatings he takes throughout the novel, he still survives to the end. Quixote also receives some serious damage during his fights, he loses half his right ear about half a dozen teeth, and shrugs them off with nothing more than a quip about the nobleness of Knight-Errantry. Indeed, as noted by novelist and critic, Creator/VladimirNabokov, despite being seen as a crazy knight, Don Quixote actually wins more fights than he loses.
* MayDecemberRomance:
** Don Quixote is around 50; Dulcinea, being an unmarried peasant girl, is probably less than 20. Not that she knows anything about her pretender's interest, though.
** Deconstructed with Altisidora and Don Quixote in the second part: Altisidora, a 14 year old maiden at the Duke’s palace, pretends to be in love with Don Quixote. He stoically accepts her [[ClingyJealousGirl teasing and mean pranks]] because he believes [[SmittenTeenageGirl she's in love with him]], but he never attempts anything because he wants to be loyal to Dulcinea and is very happy when he abandons her and the palace. Being an honest man, he confesses to Sancho that Altisidora’s feelings caused him ''more confusion than pity'', showing us how awkward and foolish would be this kind of relationship in reality.
* MeaningfulName:
** Dulcinea, the name Don Quixote gives to his random LoveInterest, could be translated as "Sweety".
** Doctor Pedro Recio (could be translated as "Doctor Hard Rock"), a doctor who insists that Sancho, as a governor, must have a very strict diet.
** The very title name itself, ''quixote'' (Modern Spanish ''quijote'') means "cuisse", the thighplate of a knightly armour.
* MisaimedFandom: In-universe, in Part I, Chapter I: Who is Alonso Quixano's favorite knight? Well, Reinaldos of Montalban. And why? ''"Because he robbed everyone he meet!"''
* MockGuffin: The Golden Helmet of Mambrino, an artifact from romance novels that supposedly made its wearer invincible, is the former {{Trope Namer|s}}. Don Quixote sees a barber wearing his brass basin on his head to keep out the rain and assumes that the basin is the Golden Helmet and takes it for himself.
* MookChivalry: At chapter IV, Don Quixote lampshades it and invokes it, but he concedes to the {{Victimized Bystander}}s that they don’t have to follow it:
-->''...else ye have to do with me in battle, [[{{Mooks}} ill-conditioned, arrogant rabble that ye are]]; [[MookChivalry and come ye on, one by one as the order of knighthood requires]], [[ZergRush or all together as is the custom and vile usage of your breed...]]''
* MovingTheGoalposts:
** PlayedForLaughs:
*** Sancho is offered dinner with a lot of delicious dishes. Every dish they present him, a doctor signals that he cannot have it because it’s not in a governor’s diet. This is done until an angry Sancho asks what he can eat: only some cookies and fruit.
*** Sancho asks an innkeeper what food he has to offer. The innkeeper answers that every meat, fish or bird he could ask. Everything Sancho asks, the innkeeper doesn’t have. When Sancho asks what does the innkeeper really has, he answers only a couple of cow-heels.
** PlayedForDrama when Dorothea recounts how she agreed to sleep with Don Fernando, son of the Duke, under a promise of marriage, she was constantly MovingTheGoalposts. In restrospect, Dorothea realizes that when Don Fernando answered “yes” to all her demands, [[TheCakeIsALie that was the proof that he would fulfill none of them]].
---> ''"All this that I have now repeated I said to him, and much more which I cannot recollect; but it had no effect in inducing him to forego his purpose; he who has no intention of paying does not trouble himself about difficulties when he is striking the bargain.''
* TheMusical: ''Theatre/ManOfLaMancha'', with showtune standard "The Impossible Dream".
* NiceJobBreakingItHero: Countless times, Don Quixote's chivalric antics make things only worse. All Don Quixote's adventures end like this, just to see the first of them, Chapter IV Part I: Don Quixote rescues Andres, a boy shepherd who was flogged by his master Juan Haduldo, and trusts Juan to pay Andres his salary ([[WrongGenreSavvy because the knights in]] ChivalricRomance [[IGaveMyWord always keep their word]]). Just after Don Quixote leaves, [[RealityEnsues Juan brutally flogs Andres and doesn't pay him]].
* NewMediaAreEvil: Spain at the Cavalier Years had just discovered the printing press, and books were considered this trope. The BookBurning the {{Moral Guardian}}s enact at first part chapter VI to cure Don Quixote's madness has not the darker connotations associated to the trope (and it's full of {{Take That}}s against badly written books), and at chapter IV of the Second Part, when Don Quixote and Sansón Carrasco discuss reputed writers that lost prestige when they publish their works on the new printing presses, Carrasco explains that a printed book makes [[AccentuateTheNegative easier to explore for any kind of error]], and FanDumb is always envy of great creators, [[LetsSeeYouDoBetter because they have never produced a book]]. (Incidentally, Cervantes get a lot of critiques because the first part of Don Quixote was plagued with {{Series Continuity Error}}s).
* NobodyPoops: Comically averted in chapter XX of the First Part.
* NoFourthWall: Numerous characters in the second part recognize Don Quixote and Sancho Panza by having read the first part. Considering that this was written in the 17th century, it's a textbook case of a trope used ''[[OlderThanTheyThink avant la lettre]]''.
* NoHeroDiscount: The Innkeeper answers to Don Quixote's claim that ThereShouldBeALaw that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
--> ''"I have little to do with that," replied the innkeeper; "pay me what you owe me, and let us have no more talk of chivalry, for all I care about is to get my money."''
* ObligatoryWarCrimeScene: Don Quixote travels to Barcelona, a province of the Spanish Empire facing a CivilWar. Sancho, being the ButtMonkey, get lost at night in a forest whose trees are filled with feet wearing shoes and stocking. Don Quixote [[CasualDangerDialog calmly explains that]] [[CrushingThePopulace the authorities hang outlaws by twenties and thirties when they catch them]].
* OhCrapThereAreFanficsOfUs: At chapter LIX of the second part, Don Quixote hears some guys talking about the {{fanfic}} Avellaneda wrote about Don Quixote. This is only the beginning of Don Quixote and Sancho continuous attacks against Avellaneda for the CharacterDerailment in the rest of the novel.
--> ''The instant Don Quixote heard his own name be started to his feet and listened with open ears to catch what they said about him, and heard the Don Jeronimo who had been addressed say in reply, "Why would you have us read that absurd stuff, Don Juan, when it is impossible for anyone who has read the First Part of the history of 'Don Quixote of La Mancha' to take any pleasure in reading this Second Part?"''
--> ''"For all that," said he who was addressed as Don Juan, "we shall do well to read it, for there is no book so bad but it has something good in it. What displeases me most in it is that it represents Don Quixote as now cured of his love for Dulcinea del Toboso."''
--> ''On hearing this Don Quixote, full of wrath and indignation, lifted up his voice and said, "Whoever he may be who says that Don Quixote of La Mancha has forgotten or can forget Dulcinea del Toboso, I will teach him with equal arms that what he says is very far from the truth; for neither can the peerless Dulcinea del Toboso be forgotten, nor can forgetfulness have a place in Don Quixote; his motto is constancy, and his profession to maintain the same with his life and never wrong it."''
* OlderThanTheyThink:
** InUniverse: This is only one of the CommonFanFallacies Alonso Quixano falls into in the first chapter of the novel, showing us his descent from Fanboy to Fandumb:
*** In Part I, Chapter I: Bernardo del Carpio is one of Alonso Quixano's favorite knights, because he found the way to defeat [[NighInvulnerable Roland]] [[AWizardDidIt the enchanted]]: instead of attacking him with a sword, [[CombatPragmatist Bernardo simply strangled Roland]]… Cool, isn’t it? [[TheOldestOnesInTheBook But not as cool as the first time this tale was told]], [[UnreliableNarrator as our narrator]] [[LampshadeHanging reminds us]],
*** In Part I, Chapter I: The giant Morgante is one of Alonso Quixano’s favorite characters, because despite being a giant, (and in the chivalry books all giants are arrogant and angry), he is affable and well bred… It’s cool, isn’t it? the whole point is that Alonso Quixano think’s [[ArchetypalCharacter this kind of character]] is original of his beloved chivalry books, but really [[http://en.wikipedia.org/wiki/Saint_Christopher it's not]].
* OnlySaneMan:
** Sancho. And even then, he still willingly follows Quixote and even believes some of the ridiculous things he's told, because he's a simple peasant who doesn't know any better.
** Better examples are the unnamed ecclesiastic from chapter XXXI and the unnamed Castilian for chapter LXII, both from part II. They are the only ones who publicly recognize that Don Quixote is a crazy fool, and lampshade that everyone who makes jokes on him is also a crazy fool too.
* OutOfCharacterMoment: Lampshaded: In the first part, it's very clear that Sancho Panza is a naïve simpleton. In the second part, Sancho suddenly says very intelligent things to his wife. [[LiteraryAgentHypothesis One of the "narrators" of this tale]], seeing this inconsistence, decides to [[LampshadeHanging warn us]]: ''"The translator of this history, when he comes to write this fifth chapter, says that he considers it apocryphal, because in it Sancho Panza speaks in a style unlike that which might have been expected from his limited intelligence, and says things so intelligent that he does not think it possible he could have conceived them; however, desirous of doing what his task imposed upon him, he was unwilling to leave it untranslated, and therefore he went on to say":'' This could be considered the beginning of Sancho's slow transformation into a [[SimplemindedWisdom wiser person]].
* {{Picaresque}}: Arguably, the novel's true genre, being a satiric prose depicting in realistic, humorous detail the adventures of a roguish hero living by his wits ("wits" meaning here "craziness") through a RandomEventsPlot.
* PunnyName:
** In a 17th century's pun, Quixote means "cuisse", the piece of armor covering the thigh. Modern Spanish form is ''quijote''.
** Don Quixote's real name, Alonso Quijano, is a pun on "quijada" (jaw), as he's also a rather skinny guy.
** Panza means "belly", specifically a big one. Accordingly, Sancho is fat.
** Rocinante's name contains "rocín", still used today in Spanish to name any ugly, skinny or generally bad-quality horse. Don Quijote needs four days to think up the name, which by his intention comes from "Rocín antes", "a ''rocín'' before", to signify that the horse (in his mind) has now been promoted to a mighty warhorse. However, the name can also be interpreted as "being a rocín", which is more revealing of the truth about Rocinante.
* PurpleProse: Played straight, parodied and lampshaded: Cervantes achieved the rare miracle of having a florid style that is clearly understandable. But he recognized and denounced this trope:
** Cervantes denounces this trope in the books of chivalry: We all know that purple prose is [[SuckinessIsPainful annoying to those who read it]], but in Chapter I, Part I, Cervantes ensures us that Alonso Quijano [[BrownNote went crazy]] [[ImpossibleTask because he tried to understand]] what the authors meant, and he [[TakeThat imitates the style of one in particular]].
** Another example is obtained in Chapter II, Part I: Don Quixote has left his home through a back door and now travels the countryside, [[GlorySeeker thinking about]] [[FamedInStory how some wise wizard will write the beginning of his adventure]]. Don Quixote uses a style perhaps not as exaggerated as some examples of purple prose, but certainly is overdeveloped and fancy. You can find the quote at the link of this trope.
* RandomEventsPlot: Given that the first part of the novel is a DeconstructiveParody of ChivalricRomance, and those books were not more than a KnightErrant in the road reacting to the events that happened to him, the first part is this (the second part has a plot in [[DamselInDistress Dulcinea's rescue]]). Only that instead of being boring or confusing, Cervantes aimed, and was able, to reproduce the feel of RealLife in his book.
* RashomonStyle: At chapter XII of Part I, Don Quixote hears conflicted versions of the story of Chrysostom and Marcela in his way to Chrysostom's funeral: Shepherd Pedro thinks Marcela is a good person. Ambrosio, Chrysostom's best friend, calls her cruel, but admits it's an InformedFlaw. Chrysostom poem claims he is a LoveMartyr and Marcela is a cruel IceQueen. At the end, Marcela claims she is SoBeautifulItsACurse and he has the right, as a free woman, to reject anyone. Nobody says, but everybody implies, SpurnedIntoSuicide
* RealAfterAll: Sancho Panza is fooled by the Duke to assume a governorship (really a complicated series of MassiveMultiplayerScam just to prank Sancho). When Sancho patrols his Insula, he is victim of various prankers, except for the last one, a SweetPollyOliver that no one knows, who is a girl who has escaped his GildedCage, to all the pranksters' confusion.
* RealityEnsues: This is what happens when an aging nobleman with little fighting skills and crappy armaments imagines himself a knight-errant.
* {{Reconstruction}}: At the very end of the novel, the narrator notes that Don Quixote's bull-headedness and steadfast impossible perseverance and commitment to his idea, which thus far was used to parody chivalric tropes, made him an even greater hero than all the false chivalric heroes that he aspired to, and who his own story would completely eclipse.
* {{Retcon}}: In Part II, Cervantes tried to correct some of the most glaring continuity errors of the first book, particularly the mysterious disappearance of Sancho's donkey.
* RevealingCoverup: Parodied by the {{Moral Guardian}}s who become {{Threshold Guardian}}s: In his first sally, Don Quixote doesn't find any [[InstantAwesomeJustAddDragons dragons]], [[RobeAndWizardHat enchanters]], or [[DamselInDistress damsels in distress]]. He is very disappointed when he comes back to his house, where their family and two Moral Guardians have made a BookBurning of his ChivalricRomance books. To avoid Don Quixote's ire, the Moral Guardians advise the family to tell him, literally, that AWizardDidIt. ''That excuse was Don Quixote's first contact with the MedievalEuropeanFantasy he so desperately wanted to live!'' If the Moral Guardians would have told him the truth, he would never have persevered in his madness.
* SarcasticDevotee: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* SatireParodyPastiche: Cervantes, both in the prologue and in the novel itself parodies the way contemporary writers wrote, satirized characters, books, made allusions to many, MANY other works and made a huge impact at the time it was printed.
* ScheherezadeGambit: Sancho tries to do this to Quixote to keep him from charging against a watermill (Quixote had something with mills). He forgets about what he was telling. It's actually even funnier given that the story he tells Quixote was a common children's story of the time, and is supposed to work like a lullaby, repeating a useless element over and over until the kid goes to sleep.
* ScreeningTheCall: If Quixote's reading-induced insanity is his CallToAdventure, then the attempt to burn his books is an attempt to Screen the Call.
* SecretTestOfCharacter: Deconstructed in the [[ShowWithinAShow Novel Within a Novel]], ''The Ill-Advised Curiosity'' where [[TooDumbToLive Anselmo]] asks his best friend Lotario to test the fidelity of his wife, Camila. In any other story, Camila will pass the test and everyone will have lived HappilyEverAfter. In the novel, Camila and Lotario became lovers, [[KillThemAll causing the tragic deaths of the three]].
* SeriesContinuityError: For a book that only has one continuation, there are various examples of those errors. Then again, Cervantes was mocking [[FanDumb those fans who put too much attention to continuity]]… There are two types:
** Lampshaded InUniverse:
*** Chapter I, part I: Alonso Quijano has some continuity questions about ''The tale of Don Belianis of Greece:''
---->''"He was not at all easy about the wounds which Don Belianis gave and took, because it seemed to him that, [[WildMassGuessing great as were the surgeons who had cured him]], [[PlotHole he must have had his face and body]] [[NegativeContinuity covered all over with seams and scars]]."''
** Played straight in the book (and discussed by Don Quixote, Sancho and Sansón Carrasco):
*** [[PlotHole Sancho's donkey disappearance]].
*** [[WhatHappenedToTheMouse Those hundred crowns that Sancho found in the valise in the Sierra Morena]].
** Played straight in the book:
*** Sancho talks about using a sword at Part I Chapter XV and the Barber mentions Sancho has a sword in his hips at Part I Chapter XLVI, but at Part II Chapter XIV, Sancho denies ever having a sword.
*** The name of Sancho’s wife changes at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').
*** At the first part, Don Quixote knows that Dulcinea del Toboso is a ShadowArchetype based on Aldonza Lorenzo. In the second part, he claims he never has seen her.
*** [[ChuckCunninghamSyndrome The lad who helps them with the field and the marketplace]].
* SatelliteLoveInterest: This trope is parodied and exaggerated with Dulcinea del Toboso, a lover that Don Quixote ''imagined'' from a peasant girl called Aldonza Lorenzo. [[ShadowArchetype She represents for him all that is lovable about a woman without any of the defects of a real person]], and [[TheDulcineaEffect he only imagined her so he can undertake adventures in her name]]. She becomes the [[ExaggeratedTrope illogical extreme of this trope]], because she isn't even aware of her status as love interest of Don Quixote.
* SelfProclaimedKnight: Defied, but played straight: Don Quixote is truly GenreSavvy at ChivalricRomance books. Chapter III shows him aware of this trope and he tries to defy it when he insists to [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a castellan)]] [[{{Knighting}} to knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn]]. So Don Quixote believes he has averted this trope. However, ''Las partidas de Alfonso el Sabio'', the spanish chivalry code, states that a man cannot be knighted if he is too poor or if he is knighted as a joke… so, Don Quixote, being an ImpoverishedPatrician [[{{Irony}} trying to defy this trope, only has enforced it]].
* SeriousBusiness:
** '''Don Quixote:''' Type I: The very last stage of Alonso Quixano's obsession with chivalry books and the first stage of his true madness (and also to show exactly how out of touch with reality he really is): Part I, Chapter I shows us how important are the chivalry books for him: he will have given his housekeeper and his niece to kick that traitor of Ganelon. ([[BetrayalTropes Ganelon]] was the guy who betrayed [[Literature/TheSongOfRoland Roland at Roncesvalles]] and who becomes, with [[Myth/KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period).
** '''The Duke and the Duchess:''' They spent a lot of money and organize truly MassiveMultiplayerScam (Dulcinea’s enchantment has all the people in their castle, the Insula Barataria involucres all the people of a town) only to laugh at Don Quixote and Sancho.
** '''[[OnlyKnownByTheirNickname The Cousin]]''', a KnowNothingKnowItAll who is a researcher of LittleKnownFacts and [[InformedAbility author of three books (still not published)]]: [[SeriousBusiness All of great utility and no less entertainment to the nation. With quotes from more than twenty five authors]].
** '''UsefulNotes/TheSpanishInquisition''': To have an [[DeceptivelyHumanRobots enchanted head]] [[PracticalJoke that answers questions]] could lead to the ignorant vulgar should be scandalized. [[MoralGuardian So it orders it to be destroyed]].
* ServileSnarker: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* ShoutOut: Hundreds upon hundreds of them, although many would be unrecognizable to the modern reader. Chapter I part I mentions Creator/{{Aristotle}}, philosopher widely regarded as the greatest abstract thinker of western civilization. Even he has no chance to make sense of the purple prose that plagued chivalry books. Also in Chapter III, Part II, Don Quixote's opinion about history and poetry reflects the theory exposed in Aristotle's ''Literature/{{Poetics}}''.
* ShowWithinAShow: ''The Ill-Advised Curiosity'' is a true novel within a novel, and the priest reads it to all the guests in the inn completely through two chapters of the first part.
* SimplemindedWisdom: Sancho Panza has this trait.
* {{Slapstick}}: And charging against a windmill is just in chapter 8 '''of 126 chapters!!!'''
* SmallNameBigEgo: GrandDame Dueña Doña Rodríguez is the only one character stupid enough in all the novel (and in-universe, ''in all Spain'') to sincerely believe that Don Quixote is a real KnightErrant.
* SmallReferencePools: This trope is defined and lampshaded by Cervantes in the Preface of the Author, Part I, [[TakeThat denouncing a common author trick]]: Any Spanish author of XVII century only needs to mention the most obvious and world-renowned people or facts. And he doesn't even need to know those facts, he could only research [[LongList a book that quotes famous authors from A to Z]] and just insert the examples in his own book, because some readers are simple enough to believe that the author can use all those quotes in any book.
* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom's funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience [[AllMenArePerverts (made by men) hears anything and they are only interested in Marcela's beauty]]. They want to follow her, but Marcela was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.
* SuperheroSobriquets: Don Quixote is given one by Sancho Panza: "The Knight of the Sorrowful Face".[[note]](or "Sad Countenance"/"Rueful Figure"), Edith Grossman's translation places it as "Sorrowful"[[/note]] The reason is, as Sancho says, he had never seen a sadder face than that of Don Quixote's. Later, after the incident with the lions, Sancho calls him, without irony, as "The Knight of the Lions".
* SweetPollyOliver:
** Dorothea, from the first part, plays this trope perfectly straight. At the second part, this trope will be parodied and deconstructed.
** [[NoNameGiven The daughter of Don Pedro de la Llana]] parodies this trope: TheIngenue who has been in a GildedCage all his life and asked his brother to show her the world... that is, the little town they live... at night. Justified because she is JustAKid who has lived in a GildedCage and really doesn’t know better.
** ClingyJealousGirl Claudia Jeronima deconstructs this trope: She is wearing men's clothes because [[IfICantHaveYou she has murdered a supposedly unfaithful lover]] and Barcelona is having a CivilWar. She wants to conceal her identity so her family would not be harmed by anyone seeking {{revenge}}.
** {{The exile}}d Ana Felix deconstructs this trope: Fleeing for Spain for having a Muslim father, she enters Algiers, where the King blackmails her to steal his family treasure hidden in Spain. So she wears men's clothes to come back with the King's soldiers and mislead the Spanish authorities.
[[/folder]]

[[folder:T-Z]]
* TakeThat: Cervantes uses his book to attack several people and institutions of the XVII century, always in a funny manner:
** Unfortunately for him, Cervantes was not a very known author when he published ''Don Quixote'' at 1605, and given the [[SmallNameBigEgo extremely difficult Spanish literary environment of his time]], he didn't get any commendatory verses for his book from any (famous) author; so he wrote a dialogue in the Preface of the Author, Part I, where Cervantes explains this setback and despairs to publish ''Don Quixote''. His friend advised him to pretend that Cervantes has done [[ShownTheirWork extensive research to impress his audience]], when in fact he will take advantage of some tricks [[TakeThat used by several renowned Spanish writers of his time]] (Cervantes never mentions names so as not to disturb famous Spanish authors like Lope de Vega).
*** The first advice of his friend is for Cervantes to write the commendatory verses himself, and then claim they came from some famous or powerful characters of his time, even claiming that some of them were famous poets, basically, to pull a DanBrowned. The truth is that a lot of the powerful Spanish people of his time could not be poets, and were even illiterate.
*** The second advice of his friend is [[AltumVidetur to include sentences of Latin that seem to be profound]] [[ShownTheirWork (and so impress his lectors)]], but in reality, [[SmallReferencePools those Latin sentences were very common and any author of his time could find them with very little effort]].
*** Cervantes also mocks the authors who attributed to another author some famous line by way of PopCulturalOsmosis (in the Spain of the 17th century), [[BeamMeUpScotty despite the fact that those lines were never uttered by them]]. Cervantes’s friend mentions a line that a lot of people attributed to Horace, but this [[ShownTheirWork friend really has done the research]], so he mentions ''"or whoever said it"''.
*** Last but not least, in his prologue of part I, Cervante’s friend mentions a common author trick of his time: Any Spanish author of XVII century only needs to mention the most obvious and world-renowned people or facts. And he doesn´t even need to know those facts, he could only research [[LongList a book that quotes famous authors from A to Z]] and just insert the examples in his own book, because some readers are simple enough to believe that the author can use all those quotes in any book. Critics have said that this last reference was an attack to Lope de Vega, the most influential Spanish playwright and writer, and very successful and famous in their own time. (Cervantes himself was not successful, but he is one of the most influential universal writers).
** An attack to the (then) famous chivalry book's author Feliciano de Silva's composition, ''"[[SarcasmMode for their lucidity of style and complicated conceits were as pearls in his sight]]"''; Feliciano's style was an example of [[PurpleProse how to sacrifice Utility in the altar of Eloquence]], [[DepartmentOfRedundancyDepartment writing sentence after sentence of redundant synonyms once and again]], [[MindScrew making it so confuse that you cannot even try to comprehend it]].
** In Chapter I Part I, the narrator notes that [[Literature/TheSongOfRoland the history of Reinaldos de Montalban mentions]] [[CriticalResearchFailure an idol of Mahomet made of gold]].
%%* TechnicalPacifist
* ThereShouldBeALaw:
** Parodied when Don Quixote doesn't want to pay for a day in an inn, he tells the Innkeeper that there should be a law that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight the [[UsefulNotes/TurksWithTroops Ottoman]] [[TheEmpire Empire]] by making a law where [[GondorCallsForAid Spain Calls for Aid]] to all the Christian [[KnightErrant knights errant]].
** Played straight when the Canon makes a small CharacterFilibuster asking for a law to regulate Theatre at Spain and so avoid excesses and revenge between actors and society that is obviously an AuthorFilibuster from Cervantes himself.
** Played straight when Sancho Panza becomes a ReasonableAuthorityFigure and imposes some reasonable laws at the [[{{Utopia}} Barataria Insula]].
* ThresholdGuardians: Deconsctructed by [[ThoseTwoGuys the curate and the barber]]: Don Quixote's family asks help from {{Moral Guardian}}s to destroy Don Quixote's delusions, but their pity makes them pull a RevealingCoverup that enforces those delusions, making them ThresholdGuardians.
* ThoseTwoGuys: Pedro Pérez, the priest, and Maese Nicholas, the barber. Better known as "the priest and the barber", two guys from the same town as Don Quixote, who are fond of chivalry books, like Don Quixote, and that are completely sane, unlike Don Quixote, and... well, you would not find any other personality trait in them.
* TVNeverLies: This is one of the themes of the novel: Juan Palomeque, the innkeeper, believes that ChivalricRomance stories are real because these are printed in books approved by the Royal Council:
--> ''"But consider, brother," said the curate once more, "there never was any Felixmarte of Hircania in the world, nor any Cirongilio of Thrace, or any of the other knights of the same sort, that the books of chivalry talk of; the whole thing is the fabrication and invention of idle wits, devised by them for the purpose you describe of beguiling the time, as your reapers do when they read; for I swear to you in all seriousness there never were any such knights in the world, and no such exploits or nonsense ever happened anywhere."''
--> ''"Try that bone on another dog," said the innkeeper; "as if I did not know how many make five, and where my shoe pinches me; don't think to feed me with pap, for by God I am no fool. It is a good joke for your worship to try and persuade me that everything these good books say is nonsense and lies, and they printed by the license of the Lords of the Royal Council, as if they were people who would allow such a lot of lies to be printed all together, and so many battles and enchantments that they take away one's senses."''
* UltimateShowdownOfUltimateDestiny: Alonso Quijano and his friends [[ThoseTwoGuys the curate and the barber]] were [[{{Fanboy}} victims of this phenomenon]] and in the very first chapter of part I we learn that they had a lot of discussions about [[WhoWouldWin who had been the better knight]]... Keep in mind this book was written more than four hundred years ago!
* UndyingLoyalty: Sancho Panza claims to have this for Don Quixote… even when Sancho considers several times in the book to left Don Quixote service, but he is so fond of him he never does it.
-->''...if I were wise I should have left my master long ago; but this was my fate, this was my bad luck; I can't help it, I must follow him; we're from the same village, I've eaten his bread, I'm fond of him, I'm grateful, [[ItMakesSenseInContext he gave me his ass-colts]], and above all I'm faithful; so it's quite impossible for anything to separate us, except the pickaxe and shovel.''
* UnsympatheticComedyProtagonist: The first part of the novel settles Don Quixote characterization as a LordErrorProne: he almost kills the Biscayan in Chapter IX and maimed for life the Licentiate in Chapter XIX. This makes it easier to read the continuous HumiliationConga in practically all the chapters for Don Quixote. Fandom insisted in seeing him as the much more sympathetic MadDreamer. The second part deconstructs the Mad Dreamer into a WideEyedIdealist that everyone else mocks mercilessly because HumansAreBastards.
* UnwantedAssistance: Many characters (most memorably Andrés, the flogged boy) find Don Quixote's interference unhelpful.
-->'''For the love of God, sir knight-errant, if you ever meet me again, though you may see them cutting me to pieces, give me no aid or succour, but leave me to my misfortune, which will not be so great but that a greater will come to me by being helped by your worship, on whom and all the knights-errant that have ever been born God send his curse''
* UnreliableNarrator: Several layers of this, actually. Lampshaded, even: In the very first paragraph, Don Quixote's literary portrait has the narrator NOT telling us the name of Don Quixote's town, and the narrator admits he doesn't know very well if his name was Quixada, Quesada or Quexana. For the people of the seventeen century, this was an infringement of a very well known rule of the literary portrait, and so they immediately had the real impression that the author was a liar. Also, [[LiteraryAgentHypothesis the original author (Cide Hamete Benengeli) and the Translator (an anonymous Moor)]] comment the text when the plot is being implausible, and the second author (Cervantes), [[SuspiciouslySpecificDenial constantly remind us that this is a true history]]. All these tricks show that Cervantes clearly want the reader realizes that this tale cannot be true. Not to mention the fact that the so called original author has an Arabic name. At that time in Spain, Arabs were thought to be liars.
* UpToEleven: Every major female character on Part 1 tops the beauty of all preceding ladies of the novel. Even when the previous most beautiful girls are present, everyone is amazed by the incomparable beauty of the newly introduced, challenging the reader to imagine them increasingly better good looking. It finally peaks with Leandra, whose beauty was famous even in the halls of the royalty of distant cities. It seems it "overflows" in Part II, where the person Sancho chooses to be the new Dulcinea is described as the ugliest woman you can imagine. How? AWizardDidIt!, and the plot becomes to try to disenchant her.
* VeryLooselyBasedOnATrueStory: The Captive's Tale is loosely based on the author's own life.
* VictimizedBystander: Most of the people Don Quixote encounters fall in this trope, especially Sancho.
* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within a Novel]] named ''The Ill-Advised Curiosity'' and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:
--> ''"...and I know not what could have led [[LiteraryAgentHypothesis the author to have recourse to]] [[ShowWithinAShow novels]] and [[{{Filler}} irrelevant stories]], [[ItsAllAboutMe when he had so much to write about in mine; no doubt he must have gone by]] [[{{Filler}} the proverb 'with straw or with hay, etc.,' for by merely setting forth my thoughts, my sighs, my tears, my lofty purposes, my enterprises]], [[DoorStopper he might have made a volume as large, or larger than all the works of El Tostado]] [[note]]Alfonso de Madrigal, philosopher whose works "have more than twenty volumes"[[/note]] would make up"''.
%%* WalkingTheEarth
* WantingIsBetterThanHaving:
** Don Quixote perceives this as a [[CourtlyLove common theme for a knight and his lady]]. Part II, Chapter XXXII:
--->''" I am in love, for no other reason than that it is incumbent on knights-errant to be so; but though I am, I am no carnal-minded lover, but one of the chaste, platonic sort".''
** All the first part of the novel, Sancho has ride with Don Quixote [[StandardHeroReward under the promise of a governorship]]. At chapter VII of the second part, Sancho demands a salary for his work. [[GenreSavvy Don Quixote claims that he had never read a Chivalry book where a squire would get a wage and he will never disturb the ancient usage of Knight – Errantry]], so he invokes this trope telling Sancho:
---> ''"and bear in mind, my son, that a good hope is better than a bad holding, and a good grievance better than a bad compensation"''
* WhatWouldXDo: Parodied when Don Quixote invokes AchillesInHisTent in the Sierra Morena, he asks himself what would two [[KnightInShiningArmor knights in shining armor]] do? The catch is that being a deconstruction, Don Quixote must choose between the KnightInShiningArmor played straight (Amadis [[{{Wangst}} cries and prays for days]] because his lady Oriana doesn’t want to see him anymore) and the KnightInShiningArmor deconstruction ([[UnstoppableRage Roland went mad]] [[OmnicidalManiac and killed humans, animals and plants]] when he discovered princess Angelica slept with Medoro).
* WhereTheHellIsSpringfield: First line: "In a village of La Mancha the name of which I have no desire to recall." It's even lampshaded in the very last chapter: Part II, chapter 74: ''"Such was the end of the Ingenious Gentleman of La Mancha, whose village Cide Hamete would not indicate precisely, in order to leave all the towns and villages of La Mancha to contend among themselves for the right to adopt him and claim him as a son, as the seven cities of Greece contended for Homer".'' Which, guess what, is what happened.
* WideEyedIdealist: This trope is severely deconstructed with Don Quixote: In the first part, Don Quixote cares more for fulfilling his fantasies than for anyone else. He confides that the farmer Haduldo will stop flogging the boy Andrés and that the Galley slaves he liberates will be grateful enough to make him a favor. (They're not). His actions make him the original LordErrorProne. In the second part is even worse: he really acts ForHappiness and after some MassiveMultiplayerScam aventures that convince him he is a real KnightErrant he must face the sad fact that he has not helped anyone and therefore, all those ChivalricRomance tropes were BlatantLies. This is so heartbreaking that he becomes BoredWithInsanity and dies. Being called "Quixotic" is not always a good thing.
* AWizardDidIt:
** All over the place in the books Don Quixote reads, so naturally, when reality blatantly deviates from how he imagines it, he assumes that enchanters are behind it.
** Much more literally, when the priest and the barber burn Don Quixote's books, they tell him that a wizard stole them. Don Quixote goes off to find the wizard.
* WrongGenreSavvy: Probably the {{Trope Maker|s}}. Don Quixote is severely delusional and believes he is in a ChivalricRomance. Sadly for him, ThisIsReality. HilarityEnsues.
* YeOldeButcheredEnglish: The Spanish equivalent. In the original Spanish book, at least, Don Quijote uses outdated forms of speech and pronunciation, like maintaining the initial 'f' in words like 'fermosa' (hermosa), in an attempt to emulate the outdated forms of speech used on chivalry novels. The very name of the book itself is an example too: The 'x' in the name denotes an antiquated ortography for a very strong "h" phonem (similar as Scottish ''loch'') and not 'eks'. It is written in Modern Spanish as 'j'. Thus don Quijote, (ki-ho-tey) not Quixote (quick-sot). The Spanish edition uses the modern ortography, Don Quijote.
* YouKeepUsingThatWord: Sancho doesn't really understand that the ''insula'' he was promised as a StandardHeroReward by Don Quixote means an ''island'', as we see at Chapter II of the Second part:
--> ''"May evil ''insulas'' [islands] choke thee, thou detestable Sancho," said the niece; "What are ''insulas'' [islands]? [[IsItSomethingYouEat Is it something to eat]], glutton and gormandiser that thou art?"''
--> ''"It is not something to eat," replied Sancho, "but something to govern and rule, and better than four cities or four judgeships at court."''
* YouWatchTooMuchX: Even when Quixote could be the UrExample and {{Trope Maker|s}} for this trope, in the novel this is a UnbuiltTrope: the {{Stock Phrase|s}} never appears in the novel, and Don Quixote is not GenreSavvy but WrongGenreSavvy: When in some situation Don Quixote comments about how similar situation have happened in the tales he has read in his chivalry books , the people hearing him don't answer with "You read too much X". Even so, there are some examples that are very near to this situation, and the fact that Don Quixote read too much and that drove him to believe that he was a knight errant is the core of the novel, and is lampshaded by the narrator since the very beginning (Chapter I Part I).
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to:

* FanDisillusionment: After two novels being a literal AscendedFanboy UpToEleven of the ChivalricRomance, Don Quixote must accept in the last chapter that the ClicheStorm that he read as the adventures of a KnightErrant is [[DeconstructedTrope not as joyous as he thought it would be]]:
--> ''"[[BoredWithInsanity Good news for you, good sirs, that I am no longer Don Quixote of La Mancha, but Alonso Quixano, whose way of life won for him the name of Good]]. Now am I the enemy of [[KnightInShiningArmor Amadis of Gaul]] [[FollowTheLeader and of the whole countless troop of his descendants]]; [[ClicheStorm odious to me now are all the profane stories of knight-errantry]]; [[HeelRealization now I perceive my folly]], [[TheNewRockAndRoll and the peril into which reading them brought me]]; [[ItSeemedLikeAGoodIdeaAtTheTime now, by God's mercy schooled into my right senses, I loathe them.]]"''
* FanFiction:
** InUniverse:
*** Chapter I, part I: Alonso Quijano has read ''The tale of Don Belianis of Greece'' and notes that the author has not finished that adventure, so he planned to write a continuation of it, and it would have been a great continuation if not because he abandoned that idea to become Don Quixote (this is not an InformedAbility: In Part I, Chapter II, Don Quixote begins the story of his own heroic exploits, that will undoubtedly write a sage in the future, and in Part I, Chapter XXI, Don Quixote narrates Sancho a perfect summary of the plot and all the typical situations of a chivalry book):
---->''"He commended, however, the author's way of ending his book with the promise of that interminable adventure, and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done, and made a successful piece of work of it too, [[AttentionDeficitCreatorDisorder had not greater and more absorbing thoughts prevented him]]."''
*** At Part I, Chapter XLVIII, Don Quixote and his party meet a man [[EveryoneCallsHimBarkeep who is referred only as]] [[MeaningfulName the canon]], who knows all the rules to write a good book, in the next chapter, he confess that he [[{{Fanfic}} wrote a hundred pages of a chivalry book]], [[DeadFic but then he cites the reasons that made him desist his intent]]:
---->''"I myself, at any rate," said the canon, "was once tempted to write a book of chivalr in which all the points I have mentioned were to be observed; and if I must own the truth I have more than a hundred sheets written; and to try if it came up to my own opinion of it, I showed them to persons who were fond of this kind of reading, [[ViewersAreGeniuses to learned and intelligent men]] as well as to ignorant people who cared for nothing but the pleasure of listening to nonsense, and from all I obtained flattering approval; nevertheless I proceeded no farther with it, [[SciFiGhetto as well because it seemed to me an occupation inconsistent with my profession]], as because I perceived that the [[LowestCommonDenominator fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public, to whom the reading of such books falls for the most part]]."''
** In RealLife:
*** Fanfiction of the book itself. In the 10 years between the first and second part of the novel, there were some "apocryphal" continuations, which Cervantes himself references and afterwards rejects, saying he is the original writer. This probably makes it one of the oldest examples.
*** Also, there had been professional fanfictions written in Spanish for the last four hundred years, (the most recent: "Al morir Don Quijote", published in 2004). You can find some examples in the other wiki: "[[http://en.wikipedia.org/wiki/Cultural_influence_of_Don_Quixote List of works influenced by Don Quixote: 'Selected adaptations in literature']]" and additional examples of AlternateUniverseFic, Continuation Fic, ElsewhereFic, OriginalFlavour, in the other (Spanish) wiki: "[[http://es.wikipedia.org/wiki/Continuaciones_del_Quijote Continuations of Quixote: 'Continuaciones del Quixote']]"
* {{Flanderization}}: In the first part of the novel, Sancho Panza gives an HurricaneOfAphorisms only ''once'' (Chapter XXVII, part I). In the second part, he gives it [[RunningGag continuously]], and also [[LamarckWasRight his wife and his daughter]].
* FlyoverCountry: Critics have said La Mancha, don Quixote's home, is the Spanish version of this trope, as the preface to the Gutenberg Project said:
--> ''on many of his readers in Spain, and most of his readers out of it, the significance of his choice of a country for his hero is completely lost. It would be going too far to say that no one can thoroughly comprehend "Don Quixote" without having seen La Mancha, but undoubtedly even a glimpse of La Mancha will give an insight into the meaning of Cervantes such as no commentator can give. Of all the regions of Spain it is the last that would suggest the idea of romance. Of all the dull central plateau of the Peninsula it is the dullest tract. There is something impressive about the grim solitudes of Estremadura; and if the plains of Leon and Old Castile are bald and dreary, they are studded with old cities renowned in history and rich in relics of the past. But there is no redeeming feature in the Manchegan landscape; it has all the sameness of the desert without its dignity; the few towns and villages that break its monotony are mean and commonplace, there is nothing venerable about them, they have not even the picturesqueness of poverty; indeed, Don Quixote's own village, Argamasilla, has a sort of oppressive respectability in the prim regularity of its streets and houses; everything is ignoble; the very windmills are the ugliest and shabbiest of the windmill kind''.
%%* FolkHero
* ForgottenTrope:
** The novel show us an example of the Captivity Narrative when [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''"The Story of the Captive Captain"'', you can see more at LifeEmbellished.
** Don Quixote mentions the Nine Worthies: Nine characters who personified the ideal values of a brave knight. They were three pagans (Alexander The Great, Hector and Julius Ceasar), three Jewish (Joshua, Salomon and Juda Maccabee) and three Christians (King Arthur, Charlomagne and Godfrey of Bouillion). All of those figures are still very well-know, but most people are not familiar with the idea of all of them united in a single rethoric concept. When Quixote was wounded by some BadassBystander and helped by some neighbor, and the neighbor claims Don Quixote is not a KnightErrant, Don Quixote claims: "I know who I am," and adds, "and I know that I may be not only those I have named, but all the [[Literature/TheSongofRoland Twelve Peers of France]] and even all the Nine Worthies, since my achievements surpass all that they have done all together and each of them on his own account." Justified, since Quixote is FanDumb about ChivalricRomance and he must know everything about [[KnightErrant knights errant]]. The real ironic part is that in-universe Quixote is only a LoonyFan who cannot match them, but in RealLife, more people know who is Don Quixote that the Nine Worthies… so this BadassBoast became HilariousInHindsight.
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[[folder:G-L]]
* GeniusDitz: Don Quixote, despite his reputation as a crazy, is highly intelligent, and several characters who come across him note that he occassionally sounds rational and sane before going off tangent on his chivalric ideals. Several characters who later trick him note that he's fairly astute about the minor points that concern a given situation but neglects the bigger picture altogether.
* GenreSavvy: Apart from the protagonist (who is WrongGenreSavvy), many other characters are familiar with chivalric tropes and {{invoke|dTrope}} or {{discuss|edTrope}} them. Note that at the end of both volumes, Don Quixote is defeated and forced to return to his village in strict accordance with the laws of the genre.
* GentleGiant: Part I Chapter I reveals that the giant Morgante is one of Alonso Quixano's favorite characters, because despite being a giant, he is [[AffablyEvil affable and well bred]].
* TheGhost:
** Played straight with Aldonza Lorenzo, a young peasant girl from a town called Toboso, who is blissfully unaware that Don Quixote's had a crush on her. She never appeared in neither parts of the novel, only was referred to by other characters.
** Parodied by Dulcinea del Toboso, the imaginary love interest of Don Quixote. Since the first part of the novel, Don Quixote imagines her as a beautiful noblewoman who lives in a castle, or in other words, a person completely different from Aldonza Lorenzo. This imaginary entity is a literal ghost, but it's mentioned so many times across the novel that she can be considered the third protagonist besides Don Quixote and Sancho. Besides, in the second part, one of the plot points is Don Quixote's quest to disenchant Dulcinea and to find her at last, even when he knows he imagined her, is another proof of Don Quixote's madness.
%%* GiverOfLameNames
* GoMadFromTheRevelation: Inverted: Don Quixote goes mad trying to make sense of the PurpleProse that plagued the chivalry books he has read, but [[TheUnreveal there never was any reveal]] because even Creator/{{Aristotle}} [[MindScrew could not have made sense of it]].
* HealingPotion: Parodied. Don Quixote claims to have the recipe for an elixir that heals all wounds, but [[LordErrorProne beng who he is]], it instead induces severe pain and vomiting, though after throwing up he does seem to get up easier.
* HeroicWannabe: Practically made this trope OlderThanSteam: Don Quixote is obsessed with becoming a knight (to the point of fighting windmills because he thinks they're giants).
* HerosMuse: The eponymous hero fights for his lady love, whom he refers to as Dulcinea. In his mind, he elevates her to a princess and the most beautiful woman in the world, although she is in reality a peasant girl named Aldonza.
* {{Hikikomori}}: Somewhat of an UrExample. Don Quixote seems to be living in his village for years, doing nothing but hunting, reading romances of chivalry, selling his property to pay for them ([[ConspicuousConsumption books were a lot more expensive then]]) and discussing them with [[ThoseTwoGuys his friends]]. Justified, because the landed gentry of the time were expected to do little else.
* HypocriticalHumor: When Don Quixote reads some pages of Avellaneda's ''Quixote'' {{fanfic}}, he claims there are obvious errors from the author, the most important is that he errs on the name of Sancho's wife, when the name of Sancho's wife changed in Cervantes' own books: at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').
--> ''...is that he goes wrong and departs from the truth in the most important part of the history, for here he says that my squire Sancho Panza's wife is called Mari Gutierrez, when she is called nothing of the sort, but Teresa Panza; and when a man errs on such an important point as this there is good reason to fear that he is in error on every other point in the history." ''
--> '' "A nice sort of historian, indeed!" exclaimed Sancho at this; "he must know a deal about our affairs when he calls my wife Teresa Panza, Mari Gutierrez; take the book again, senor, and see if I am in it and if he has changed my name."''
* HonorBeforeReason: The protagonist falls victim to this trope countless times. The first example is when Don Quixote "rescues" Andrés from being flogged by his master, Juan Haduldo. Don Quixote bullies Juan into promising to let Andres go, and he departs to other adventures, [[GenreSavvy because he has read that when a Knight]] [[IGaveMyWord gives his word, it's enough.]] [[WrongGenreSavvy Unfortunately, this is the first modern novel]] [[RealityEnsues and Juan flogs Andres even harder.]]
* HotBlooded: Don Quixote sure makes a lot of passionate speeches, and charges forward with aplomb, later subverted when he denies chivalry with the same passion.
* HourglassPlot: In the first part of the novel, Don Quixote is a DaydreamBeliever MadDreamer and Sancho Panza has SimplemindedWisdom and represents realism. Both are {{Static Character}}s. At the second part, Sancho is influenced by Don Quixote and becomes more and more of a DaydreamBeliever, while at the end, Don Quixote will become BoredWithInsanity by Sancho's influence. The relevance is that they maybe were the very first characters in literature to use this trope and become {{Dynamic Character}}s.
* HumiliationConga: Practically [[OnceAnEpisode every single chapter]] ends up being this to Quixote and Sancho.
* HurricaneOfAphorisms: Sancho Panza does this, usually so poorly that it just makes him look stupider. Interestingly, in the First part of the novel he does it only once. In the second part, [[{{Flanderization}} he gives those almost always]].
* IdiotHero: If not the {{Trope Maker|s}}, pretty much the TropeCodifier, though it's subverted: Don Quixote is not an idiot, and we know it since the very beginning of the novel. He is a very intelligent, well-educated man, who is perfectly normal as long as he is not talking about his obsessions. Of course, [[TooDumbToLive when he is indulging his chivalry fantasies... well...]] UpToEleven if you think that in the end when he denies chivalry, Don Quixote is portrayed as the OnlySaneMan and even as [[MessiahCreep the ideal man]]. Part I, chapter 30:
-->''"apart from the silly things which this worthy gentleman says in connection with his craze, when other subjects are dealt with, he can discuss them in a perfectly rational manner, showing that his mind is quite clear and composed; so that, provided his chivalry is not touched upon, no one would take him to be anything but a man of thoroughly sound understanding."''
* IfICantHaveYou: Part II, chapter LX, Claudia Jeronima and Don Vicente Tornellas, from different factions of the civil war that was plaguing Barcelona, secretly fall in love and planned to marry, but one day Claudia Jerónima learned that Don Vicente wants to marry another woman. The next day, overwhelmed and exasperated, she shot him. [[TearJerker And then she learned that he never intended to marry any other woman than Claudia]].
* ImpoverishedPatrician: Alonso Quijano is an [[BlueBlood Hidalgo]] that still has the ancient arms of his ancestors, but has so little money that almost all of it is spent on food. What can he do? He is very smart and talented, so he could work, [[InherentInTheSystem but if he does, he will lose the few privileges he has as an hidalgo (like, to be excused from paying taxes)]]. He is poor and bored. It does not help that he spent a lot of time in those silly chivalry books. Sure, they help him with the boredom, and the knight life is certainly exciting, but they are only absurd tales, right?
* TheInsomniac: Alonso Quijano is a type B, as described in Part I Chapter I: lead by his obsession to read chivalry books, he sleeps less and less while reading more and more and that sends him over the edge.
* InsanityDefense: The reason why Don Quixote is never killed (but often beaten) by the poor InnocentBystander of the day.
--> ''The landlord shouted to them to leave him alone, for he had already told them that he was mad, and as a madman he would not be accountable even if he killed them all.''
* InWhichATropeIsDescribed: Played straight with almost all the chapters of the two parts because the beginning of a chapter summarizes the chapter's events, but then {{inverted|Trope}} in some chapters that do not summarize anything:
-->Part II, Chapter 70 WHICH FOLLOWS SIXTY-NINE AND DEALS WITH MATTERS INDISPENSABLE FOR THE CLEAR COMPREHENSION OF THIS HISTORY
-->Part II, Chapter 66 WHICH TREATS OF WHAT HE WHO READS WILL SEE, OR WHAT HE WHO HAS IT READ TO HIM WILL HEAR
* JustLikeRobinHood: Deconstructed by Roque Guinart, a deconstruction of the GentlemanThief, who leads a band of [[TheHighwayman highwaymen]] at Barcelona's CivilWar. He is an ''armed beggar'', that takes only a part of the money of his victims... ''by asking them.'' His 60 men assault two soldiers (300 crowns), a Noblewoman (600 crowns) and some pilgrims (60 reals). That would have been 15 crowns and a real for each highwayman. Roque asks for 60 crowns for the soldiers (20%) and 80 crowns from the Noblewoman (13.6%). That's 140 crowns. He gives 2 crowns to each highwayman and the 20 crown left he gives 10 to the pilgrims (that's almost 100 reals) and 10 crowns to Sancho Panza in a clear attempt to BuyThemOff. The people who attacked are happy to keep most of their own money, and Roque Guinart is considered a hero. Everyone is happy! [[RealityEnsues Except for the highwaymen who were cheated of 13 crowns and a real]], but Roque manages to MakeAnExampleOfThem by murdering the one who dares to be a DeadpanSnarker.
* KickMePrank: They play this prank on Don Quixote at Barcelona:
-->''That afternoon they took Don Quixote out for a stroll, not in his armour but in street costume, with a surcoat of tawny cloth upon him, that at that season would have made ice itself sweat. Orders were left with the servants to entertain Sancho so as not to let him leave the house. Don Quixote was mounted, not on Rocinante, but upon a tall mule of easy pace and handsomely caparisoned. They put the surcoat on him, and on the back, without his perceiving it, they stitched a parchment on which they wrote in large letters, "This is Don Quixote of La Mancha." As they set out upon their excursion the placard attracted the eyes of all who chanced to see him, and as they read out, "This is Don Quixote of La Mancha," Don Quixote was amazed to see how many people gazed at him, called him by his name, and recognised him, and turning to Don Antonio, who rode at his side, he observed to him, "Great are the privileges knight-errantry involves, for it makes him who professes it known and famous in every region of the earth; see, Don Antonio, even the very boys of this city know me without ever having seen me."''
* KnightInShiningArmor:
** What Don Quixote thinks he is, and thereby thoroughly [[DeconstructedCharacterArchetype deconstructs.]]
** Don Quixote consider Amadis of Gaul the UrExample UpToEleven:
---> ''I would have thee know, Sancho, that the famous Amadis of Gaul was one of the most perfect knights-errant—I am wrong to say he was one; he stood alone, the first, the only one, the lord of all that were in the world in his time. A fig for Don Belianis, and for all who say he equalled him in any respect, for, my oath upon it, they are deceiving themselves! ... In the same way Amadis was the polestar, day-star, sun of valiant and devoted knights, whom all we who fight under the banner of love and chivalry are bound to imitate.''
* {{Knighting}}: Parodied at Part I Chapter III when Don Quixote insists that [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a Castellan)]] knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn. This shows that Don Quixote could be mad, but [[GenreSavvy he knows exactly how the ceremony must be]].
* TheLadysFavour: Deconstructed when (even if it's only part of a MassiveMultiplayerScam), Altisidora gave Don Quixote three kerchiefs that later are stolen by bandits:
--> ''Roque on coming up asked Sancho if his men had returned and restored to him the treasures and jewels they had stripped off Dapple. Sancho said they had, but that three kerchiefs that were worth three cities were missing.''
--> ''"What are you talking about, man?" said one of the bystanders; "I have got them, and they are not worth three reals."''
--> ''"That is true," said Don Quixote; "but my squire values them at the rate he says, as having been given me by the person who gave them."''
* TheLawOfConservationOfDetail: This law is invoked by the Innkeeper when he and Don Quixote discuss at Part I Chapter III the need for money being a KnightErrant who is WalkingTheEarth, (Don Quixote doesn't have any money because he never has read about a KnightErrant paying for anything) and helps to deconstruct those tropes in the book.
--> ''On this point the landlord told him he was mistaken; for, though not recorded in the histories, because in the author's opinion there was no need to mention anything so obvious and necessary as money and clean shirts, [[FridgeLogic it was not to be supposed therefore that they did not carry them,]]''
* LifeEmbellished: [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''"The Story of the Captive Captain"''. He was a handsome captive captain who wanted to escape the Moors and was helped by Zoraida, a beautiful Moor princess who wanted to convert to Christianity. The captain organized a successful evasion to Spain, was well received by his powerful and rich relatives and married Zoraida. Cervantes was a captive who failed all his evasion intents, his family paid his rescue and he always was an ImpoverishedPatrician.
* LiteraryAgentHypothesis: Cervantes (only referred in the book as "the second author") says that the book was based on some manuscripts he found made by an Arab, Cide Hamete Benengeli (or Sidi Ahmed bin Engeli, as it would be rendered today) whose first name, "Cide", could be translated as "Mister", and whose last name is [[PunnyName a pun]] on "berenjena" (eggplant/aubergine), and translated to Spanish by an anonymous Arab translator. This is parody of how a lot of chivalry books have his authors claim that they are based in an old manuscript found in an ancient pyramid or another ruined building in some faraway country, written in an exotic language by a wise, famed wizard who favored the hero of the novel. Those claims are made to feign that the chivalry book was inspired by real events. Cervantes twist this and uses it to a comic effect, explaining that the next part of the novel was found in some pamphlets and papers (only a few years old) found in Alcaná de Toledo (a real city in Spain) in a silk mercer store, written in Arabic (a fairly known language in Spain) by a (foolish) boy who didn't know what was written in them and so sold the papers to Cervantes for peanuts. If we include the funny name of the wizard and the fact that the [[UnreliableNarrator second author, the translator and Cide Hamete Benengeli are always making comments about the book]], we can see that Cervantes want us to admit that all this tale is a long sequence of lies and nonsense... just like all the chivalry books.
* LongList:
** Played straight at the Preface of the Author, Part I: a friend of Cervantes advises him to get [[LongList a book that quotes famous authors from A to Z and just insert the examples in his own book, so Cervantes can feign that he knows all those authors, because some]] readers are simple enough to believe that the author can use all those quotes in any book.
** Parodied at Chapter XVIII, Part I. Since Creator/{{Homer}}, the description of the forces and the generals of an army was an important part of the heroic literature, and books of chivalry were pleased to develop it, (Amadis of Gaul has a similar scene). In that chapter, Don Quixote describes what he sees at two contending armies to Sancho, whom only can see… two droves of sheep.
* LoonyFan: Sansón Carrasco presents himself as a fan of Don Quixote and discuss with him and Sancho the {{Series Continuity Error}}s, and wants to help that poor, mad fool to regain sanity. HilarityEnsues.
* LordErrorProne: Pretty much the {{Trope Maker|s}} and the Ur-Example: In the first part of the novel, Cervantes settles Don Quixote characterization as this: he almost kills the Vizcayan at chapter IX and maimed for life the Licenciate at chapter XIX. Fandom insisted in seeing him as the much more sympathetic MadDreamer.
* LostInTranslation: Cervantes is constantly making puns and wordplay, most of which is untranslatable; one joke in the Spanish version is that even when everyone understands the term "island", only truly sophisticated people understand the term "''[[AltumVidetur insula]]''". So, Sancho doesn't really understand what an "''insula''" really is, but he desperately wants to rule one, so he would be tricked later in a MassiveMultiplayerScam to rule a little town that is not an island. In some English translations (for example, [[http://www.gutenberg.org/cache/epub/996/pg996.html the Gutenberg Project]]) this joke is Lost in Translation).
* LoveMartyr: Part II, chapter LX, Don Vicente Tornellas has been shot by his fiancée Claudia Jeronima because she believed that Don Vicente wanted to marry another woman. Don Vicente's last words are to tell her that he was innocent, never intended to marry any other woman, [[TearJerker that he considers himself lucky to talk with her in his last moments of life, and then his last act before dying is to give Jeronima his hand and ask her to make him her husband]].
[[/folder]]

[[folder:M-S]]
* MadDreamer: The first part of the novel settles Don Quixote as LordErrorProne. Fandom insisted to see him as the UrExample of the much more sympathetic Mad Dreamer. [[UnbuiltTrope Cervantes wanted to explore all ramifications of this new trope]]: Don Quixote is welcomed by people of all classes... because they want to mock him. One character even gives the FamilyUnfriendlyAesop that ''"the gain by Don Quixote's sanity can never equal the enjoyment his crazes give"''.
* MadeOfIron: Don Quixote is, arguably, one. He can survive being thrown into the air by a windmill. Also, despite all the beatings he takes throughout the novel, he still survives to the end. Quixote also receives some serious damage during his fights, he loses half his right ear about half a dozen teeth, and shrugs them off with nothing more than a quip about the nobleness of Knight-Errantry. Indeed, as noted by novelist and critic, Creator/VladimirNabokov, despite being seen as a crazy knight, Don Quixote actually wins more fights than he loses.
* MayDecemberRomance:
** Don Quixote is around 50; Dulcinea, being an unmarried peasant girl, is probably less than 20. Not that she knows anything about her pretender's interest, though.
** Deconstructed with Altisidora and Don Quixote in the second part: Altisidora, a 14 year old maiden at the Duke’s palace, pretends to be in love with Don Quixote. He stoically accepts her [[ClingyJealousGirl teasing and mean pranks]] because he believes [[SmittenTeenageGirl she's in love with him]], but he never attempts anything because he wants to be loyal to Dulcinea and is very happy when he abandons her and the palace. Being an honest man, he confesses to Sancho that Altisidora’s feelings caused him ''more confusion than pity'', showing us how awkward and foolish would be this kind of relationship in reality.
* MeaningfulName:
** Dulcinea, the name Don Quixote gives to his random LoveInterest, could be translated as "Sweety".
** Doctor Pedro Recio (could be translated as "Doctor Hard Rock"), a doctor who insists that Sancho, as a governor, must have a very strict diet.
** The very title name itself, ''quixote'' (Modern Spanish ''quijote'') means "cuisse", the thighplate of a knightly armour.
* MisaimedFandom: In-universe, in Part I, Chapter I: Who is Alonso Quixano's favorite knight? Well, Reinaldos of Montalban. And why? ''"Because he robbed everyone he meet!"''
* MockGuffin: The Golden Helmet of Mambrino, an artifact from romance novels that supposedly made its wearer invincible, is the former {{Trope Namer|s}}. Don Quixote sees a barber wearing his brass basin on his head to keep out the rain and assumes that the basin is the Golden Helmet and takes it for himself.
* MookChivalry: At chapter IV, Don Quixote lampshades it and invokes it, but he concedes to the {{Victimized Bystander}}s that they don’t have to follow it:
-->''...else ye have to do with me in battle, [[{{Mooks}} ill-conditioned, arrogant rabble that ye are]]; [[MookChivalry and come ye on, one by one as the order of knighthood requires]], [[ZergRush or all together as is the custom and vile usage of your breed...]]''
* MovingTheGoalposts:
** PlayedForLaughs:
*** Sancho is offered dinner with a lot of delicious dishes. Every dish they present him, a doctor signals that he cannot have it because it’s not in a governor’s diet. This is done until an angry Sancho asks what he can eat: only some cookies and fruit.
*** Sancho asks an innkeeper what food he has to offer. The innkeeper answers that every meat, fish or bird he could ask. Everything Sancho asks, the innkeeper doesn’t have. When Sancho asks what does the innkeeper really has, he answers only a couple of cow-heels.
** PlayedForDrama when Dorothea recounts how she agreed to sleep with Don Fernando, son of the Duke, under a promise of marriage, she was constantly MovingTheGoalposts. In restrospect, Dorothea realizes that when Don Fernando answered “yes” to all her demands, [[TheCakeIsALie that was the proof that he would fulfill none of them]].
---> ''"All this that I have now repeated I said to him, and much more which I cannot recollect; but it had no effect in inducing him to forego his purpose; he who has no intention of paying does not trouble himself about difficulties when he is striking the bargain.''
* TheMusical: ''Theatre/ManOfLaMancha'', with showtune standard "The Impossible Dream".
* NiceJobBreakingItHero: Countless times, Don Quixote's chivalric antics make things only worse. All Don Quixote's adventures end like this, just to see the first of them, Chapter IV Part I: Don Quixote rescues Andres, a boy shepherd who was flogged by his master Juan Haduldo, and trusts Juan to pay Andres his salary ([[WrongGenreSavvy because the knights in]] ChivalricRomance [[IGaveMyWord always keep their word]]). Just after Don Quixote leaves, [[RealityEnsues Juan brutally flogs Andres and doesn't pay him]].
* NewMediaAreEvil: Spain at the Cavalier Years had just discovered the printing press, and books were considered this trope. The BookBurning the {{Moral Guardian}}s enact at first part chapter VI to cure Don Quixote's madness has not the darker connotations associated to the trope (and it's full of {{Take That}}s against badly written books), and at chapter IV of the Second Part, when Don Quixote and Sansón Carrasco discuss reputed writers that lost prestige when they publish their works on the new printing presses, Carrasco explains that a printed book makes [[AccentuateTheNegative easier to explore for any kind of error]], and FanDumb is always envy of great creators, [[LetsSeeYouDoBetter because they have never produced a book]]. (Incidentally, Cervantes get a lot of critiques because the first part of Don Quixote was plagued with {{Series Continuity Error}}s).
* NobodyPoops: Comically averted in chapter XX of the First Part.
* NoFourthWall: Numerous characters in the second part recognize Don Quixote and Sancho Panza by having read the first part. Considering that this was written in the 17th century, it's a textbook case of a trope used ''[[OlderThanTheyThink avant la lettre]]''.
* NoHeroDiscount: The Innkeeper answers to Don Quixote's claim that ThereShouldBeALaw that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
--> ''"I have little to do with that," replied the innkeeper; "pay me what you owe me, and let us have no more talk of chivalry, for all I care about is to get my money."''
* ObligatoryWarCrimeScene: Don Quixote travels to Barcelona, a province of the Spanish Empire facing a CivilWar. Sancho, being the ButtMonkey, get lost at night in a forest whose trees are filled with feet wearing shoes and stocking. Don Quixote [[CasualDangerDialog calmly explains that]] [[CrushingThePopulace the authorities hang outlaws by twenties and thirties when they catch them]].
* OhCrapThereAreFanficsOfUs: At chapter LIX of the second part, Don Quixote hears some guys talking about the {{fanfic}} Avellaneda wrote about Don Quixote. This is only the beginning of Don Quixote and Sancho continuous attacks against Avellaneda for the CharacterDerailment in the rest of the novel.
--> ''The instant Don Quixote heard his own name be started to his feet and listened with open ears to catch what they said about him, and heard the Don Jeronimo who had been addressed say in reply, "Why would you have us read that absurd stuff, Don Juan, when it is impossible for anyone who has read the First Part of the history of 'Don Quixote of La Mancha' to take any pleasure in reading this Second Part?"''
--> ''"For all that," said he who was addressed as Don Juan, "we shall do well to read it, for there is no book so bad but it has something good in it. What displeases me most in it is that it represents Don Quixote as now cured of his love for Dulcinea del Toboso."''
--> ''On hearing this Don Quixote, full of wrath and indignation, lifted up his voice and said, "Whoever he may be who says that Don Quixote of La Mancha has forgotten or can forget Dulcinea del Toboso, I will teach him with equal arms that what he says is very far from the truth; for neither can the peerless Dulcinea del Toboso be forgotten, nor can forgetfulness have a place in Don Quixote; his motto is constancy, and his profession to maintain the same with his life and never wrong it."''
* OlderThanTheyThink:
** InUniverse: This is only one of the CommonFanFallacies Alonso Quixano falls into in the first chapter of the novel, showing us his descent from Fanboy to Fandumb:
*** In Part I, Chapter I: Bernardo del Carpio is one of Alonso Quixano's favorite knights, because he found the way to defeat [[NighInvulnerable Roland]] [[AWizardDidIt the enchanted]]: instead of attacking him with a sword, [[CombatPragmatist Bernardo simply strangled Roland]]… Cool, isn’t it? [[TheOldestOnesInTheBook But not as cool as the first time this tale was told]], [[UnreliableNarrator as our narrator]] [[LampshadeHanging reminds us]],
*** In Part I, Chapter I: The giant Morgante is one of Alonso Quixano’s favorite characters, because despite being a giant, (and in the chivalry books all giants are arrogant and angry), he is affable and well bred… It’s cool, isn’t it? the whole point is that Alonso Quixano think’s [[ArchetypalCharacter this kind of character]] is original of his beloved chivalry books, but really [[http://en.wikipedia.org/wiki/Saint_Christopher it's not]].
* OnlySaneMan:
** Sancho. And even then, he still willingly follows Quixote and even believes some of the ridiculous things he's told, because he's a simple peasant who doesn't know any better.
** Better examples are the unnamed ecclesiastic from chapter XXXI and the unnamed Castilian for chapter LXII, both from part II. They are the only ones who publicly recognize that Don Quixote is a crazy fool, and lampshade that everyone who makes jokes on him is also a crazy fool too.
* OutOfCharacterMoment: Lampshaded: In the first part, it's very clear that Sancho Panza is a naïve simpleton. In the second part, Sancho suddenly says very intelligent things to his wife. [[LiteraryAgentHypothesis One of the "narrators" of this tale]], seeing this inconsistence, decides to [[LampshadeHanging warn us]]: ''"The translator of this history, when he comes to write this fifth chapter, says that he considers it apocryphal, because in it Sancho Panza speaks in a style unlike that which might have been expected from his limited intelligence, and says things so intelligent that he does not think it possible he could have conceived them; however, desirous of doing what his task imposed upon him, he was unwilling to leave it untranslated, and therefore he went on to say":'' This could be considered the beginning of Sancho's slow transformation into a [[SimplemindedWisdom wiser person]].
* {{Picaresque}}: Arguably, the novel's true genre, being a satiric prose depicting in realistic, humorous detail the adventures of a roguish hero living by his wits ("wits" meaning here "craziness") through a RandomEventsPlot.
* PunnyName:
** In a 17th century's pun, Quixote means "cuisse", the piece of armor covering the thigh. Modern Spanish form is ''quijote''.
** Don Quixote's real name, Alonso Quijano, is a pun on "quijada" (jaw), as he's also a rather skinny guy.
** Panza means "belly", specifically a big one. Accordingly, Sancho is fat.
** Rocinante's name contains "rocín", still used today in Spanish to name any ugly, skinny or generally bad-quality horse. Don Quijote needs four days to think up the name, which by his intention comes from "Rocín antes", "a ''rocín'' before", to signify that the horse (in his mind) has now been promoted to a mighty warhorse. However, the name can also be interpreted as "being a rocín", which is more revealing of the truth about Rocinante.
* PurpleProse: Played straight, parodied and lampshaded: Cervantes achieved the rare miracle of having a florid style that is clearly understandable. But he recognized and denounced this trope:
** Cervantes denounces this trope in the books of chivalry: We all know that purple prose is [[SuckinessIsPainful annoying to those who read it]], but in Chapter I, Part I, Cervantes ensures us that Alonso Quijano [[BrownNote went crazy]] [[ImpossibleTask because he tried to understand]] what the authors meant, and he [[TakeThat imitates the style of one in particular]].
** Another example is obtained in Chapter II, Part I: Don Quixote has left his home through a back door and now travels the countryside, [[GlorySeeker thinking about]] [[FamedInStory how some wise wizard will write the beginning of his adventure]]. Don Quixote uses a style perhaps not as exaggerated as some examples of purple prose, but certainly is overdeveloped and fancy. You can find the quote at the link of this trope.
* RandomEventsPlot: Given that the first part of the novel is a DeconstructiveParody of ChivalricRomance, and those books were not more than a KnightErrant in the road reacting to the events that happened to him, the first part is this (the second part has a plot in [[DamselInDistress Dulcinea's rescue]]). Only that instead of being boring or confusing, Cervantes aimed, and was able, to reproduce the feel of RealLife in his book.
* RashomonStyle: At chapter XII of Part I, Don Quixote hears conflicted versions of the story of Chrysostom and Marcela in his way to Chrysostom's funeral: Shepherd Pedro thinks Marcela is a good person. Ambrosio, Chrysostom's best friend, calls her cruel, but admits it's an InformedFlaw. Chrysostom poem claims he is a LoveMartyr and Marcela is a cruel IceQueen. At the end, Marcela claims she is SoBeautifulItsACurse and he has the right, as a free woman, to reject anyone. Nobody says, but everybody implies, SpurnedIntoSuicide
* RealAfterAll: Sancho Panza is fooled by the Duke to assume a governorship (really a complicated series of MassiveMultiplayerScam just to prank Sancho). When Sancho patrols his Insula, he is victim of various prankers, except for the last one, a SweetPollyOliver that no one knows, who is a girl who has escaped his GildedCage, to all the pranksters' confusion.
* RealityEnsues: This is what happens when an aging nobleman with little fighting skills and crappy armaments imagines himself a knight-errant.
* {{Reconstruction}}: At the very end of the novel, the narrator notes that Don Quixote's bull-headedness and steadfast impossible perseverance and commitment to his idea, which thus far was used to parody chivalric tropes, made him an even greater hero than all the false chivalric heroes that he aspired to, and who his own story would completely eclipse.
* {{Retcon}}: In Part II, Cervantes tried to correct some of the most glaring continuity errors of the first book, particularly the mysterious disappearance of Sancho's donkey.
* RevealingCoverup: Parodied by the {{Moral Guardian}}s who become {{Threshold Guardian}}s: In his first sally, Don Quixote doesn't find any [[InstantAwesomeJustAddDragons dragons]], [[RobeAndWizardHat enchanters]], or [[DamselInDistress damsels in distress]]. He is very disappointed when he comes back to his house, where their family and two Moral Guardians have made a BookBurning of his ChivalricRomance books. To avoid Don Quixote's ire, the Moral Guardians advise the family to tell him, literally, that AWizardDidIt. ''That excuse was Don Quixote's first contact with the MedievalEuropeanFantasy he so desperately wanted to live!'' If the Moral Guardians would have told him the truth, he would never have persevered in his madness.
* SarcasticDevotee: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* SatireParodyPastiche: Cervantes, both in the prologue and in the novel itself parodies the way contemporary writers wrote, satirized characters, books, made allusions to many, MANY other works and made a huge impact at the time it was printed.
* ScheherezadeGambit: Sancho tries to do this to Quixote to keep him from charging against a watermill (Quixote had something with mills). He forgets about what he was telling. It's actually even funnier given that the story he tells Quixote was a common children's story of the time, and is supposed to work like a lullaby, repeating a useless element over and over until the kid goes to sleep.
* ScreeningTheCall: If Quixote's reading-induced insanity is his CallToAdventure, then the attempt to burn his books is an attempt to Screen the Call.
* SecretTestOfCharacter: Deconstructed in the [[ShowWithinAShow Novel Within a Novel]], ''The Ill-Advised Curiosity'' where [[TooDumbToLive Anselmo]] asks his best friend Lotario to test the fidelity of his wife, Camila. In any other story, Camila will pass the test and everyone will have lived HappilyEverAfter. In the novel, Camila and Lotario became lovers, [[KillThemAll causing the tragic deaths of the three]].
* SeriesContinuityError: For a book that only has one continuation, there are various examples of those errors. Then again, Cervantes was mocking [[FanDumb those fans who put too much attention to continuity]]… There are two types:
** Lampshaded InUniverse:
*** Chapter I, part I: Alonso Quijano has some continuity questions about ''The tale of Don Belianis of Greece:''
---->''"He was not at all easy about the wounds which Don Belianis gave and took, because it seemed to him that, [[WildMassGuessing great as were the surgeons who had cured him]], [[PlotHole he must have had his face and body]] [[NegativeContinuity covered all over with seams and scars]]."''
** Played straight in the book (and discussed by Don Quixote, Sancho and Sansón Carrasco):
*** [[PlotHole Sancho's donkey disappearance]].
*** [[WhatHappenedToTheMouse Those hundred crowns that Sancho found in the valise in the Sierra Morena]].
** Played straight in the book:
*** Sancho talks about using a sword at Part I Chapter XV and the Barber mentions Sancho has a sword in his hips at Part I Chapter XLVI, but at Part II Chapter XIV, Sancho denies ever having a sword.
*** The name of Sancho’s wife changes at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').
*** At the first part, Don Quixote knows that Dulcinea del Toboso is a ShadowArchetype based on Aldonza Lorenzo. In the second part, he claims he never has seen her.
*** [[ChuckCunninghamSyndrome The lad who helps them with the field and the marketplace]].
* SatelliteLoveInterest: This trope is parodied and exaggerated with Dulcinea del Toboso, a lover that Don Quixote ''imagined'' from a peasant girl called Aldonza Lorenzo. [[ShadowArchetype She represents for him all that is lovable about a woman without any of the defects of a real person]], and [[TheDulcineaEffect he only imagined her so he can undertake adventures in her name]]. She becomes the [[ExaggeratedTrope illogical extreme of this trope]], because she isn't even aware of her status as love interest of Don Quixote.
* SelfProclaimedKnight: Defied, but played straight: Don Quixote is truly GenreSavvy at ChivalricRomance books. Chapter III shows him aware of this trope and he tries to defy it when he insists to [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a castellan)]] [[{{Knighting}} to knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn]]. So Don Quixote believes he has averted this trope. However, ''Las partidas de Alfonso el Sabio'', the spanish chivalry code, states that a man cannot be knighted if he is too poor or if he is knighted as a joke… so, Don Quixote, being an ImpoverishedPatrician [[{{Irony}} trying to defy this trope, only has enforced it]].
* SeriousBusiness:
** '''Don Quixote:''' Type I: The very last stage of Alonso Quixano's obsession with chivalry books and the first stage of his true madness (and also to show exactly how out of touch with reality he really is): Part I, Chapter I shows us how important are the chivalry books for him: he will have given his housekeeper and his niece to kick that traitor of Ganelon. ([[BetrayalTropes Ganelon]] was the guy who betrayed [[Literature/TheSongOfRoland Roland at Roncesvalles]] and who becomes, with [[Myth/KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period).
** '''The Duke and the Duchess:''' They spent a lot of money and organize truly MassiveMultiplayerScam (Dulcinea’s enchantment has all the people in their castle, the Insula Barataria involucres all the people of a town) only to laugh at Don Quixote and Sancho.
** '''[[OnlyKnownByTheirNickname The Cousin]]''', a KnowNothingKnowItAll who is a researcher of LittleKnownFacts and [[InformedAbility author of three books (still not published)]]: [[SeriousBusiness All of great utility and no less entertainment to the nation. With quotes from more than twenty five authors]].
** '''UsefulNotes/TheSpanishInquisition''': To have an [[DeceptivelyHumanRobots enchanted head]] [[PracticalJoke that answers questions]] could lead to the ignorant vulgar should be scandalized. [[MoralGuardian So it orders it to be destroyed]].
* ServileSnarker: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* ShoutOut: Hundreds upon hundreds of them, although many would be unrecognizable to the modern reader. Chapter I part I mentions Creator/{{Aristotle}}, philosopher widely regarded as the greatest abstract thinker of western civilization. Even he has no chance to make sense of the purple prose that plagued chivalry books. Also in Chapter III, Part II, Don Quixote's opinion about history and poetry reflects the theory exposed in Aristotle's ''Literature/{{Poetics}}''.
* ShowWithinAShow: ''The Ill-Advised Curiosity'' is a true novel within a novel, and the priest reads it to all the guests in the inn completely through two chapters of the first part.
* SimplemindedWisdom: Sancho Panza has this trait.
* {{Slapstick}}: And charging against a windmill is just in chapter 8 '''of 126 chapters!!!'''
* SmallNameBigEgo: GrandDame Dueña Doña Rodríguez is the only one character stupid enough in all the novel (and in-universe, ''in all Spain'') to sincerely believe that Don Quixote is a real KnightErrant.
* SmallReferencePools: This trope is defined and lampshaded by Cervantes in the Preface of the Author, Part I, [[TakeThat denouncing a common author trick]]: Any Spanish author of XVII century only needs to mention the most obvious and world-renowned people or facts. And he doesn't even need to know those facts, he could only research [[LongList a book that quotes famous authors from A to Z]] and just insert the examples in his own book, because some readers are simple enough to believe that the author can use all those quotes in any book.
* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom's funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience [[AllMenArePerverts (made by men) hears anything and they are only interested in Marcela's beauty]]. They want to follow her, but Marcela was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.
* SuperheroSobriquets: Don Quixote is given one by Sancho Panza: "The Knight of the Sorrowful Face".[[note]](or "Sad Countenance"/"Rueful Figure"), Edith Grossman's translation places it as "Sorrowful"[[/note]] The reason is, as Sancho says, he had never seen a sadder face than that of Don Quixote's. Later, after the incident with the lions, Sancho calls him, without irony, as "The Knight of the Lions".
* SweetPollyOliver:
** Dorothea, from the first part, plays this trope perfectly straight. At the second part, this trope will be parodied and deconstructed.
** [[NoNameGiven The daughter of Don Pedro de la Llana]] parodies this trope: TheIngenue who has been in a GildedCage all his life and asked his brother to show her the world... that is, the little town they live... at night. Justified because she is JustAKid who has lived in a GildedCage and really doesn’t know better.
** ClingyJealousGirl Claudia Jeronima deconstructs this trope: She is wearing men's clothes because [[IfICantHaveYou she has murdered a supposedly unfaithful lover]] and Barcelona is having a CivilWar. She wants to conceal her identity so her family would not be harmed by anyone seeking {{revenge}}.
** {{The exile}}d Ana Felix deconstructs this trope: Fleeing for Spain for having a Muslim father, she enters Algiers, where the King blackmails her to steal his family treasure hidden in Spain. So she wears men's clothes to come back with the King's soldiers and mislead the Spanish authorities.
[[/folder]]

[[folder:T-Z]]
* TakeThat: Cervantes uses his book to attack several people and institutions of the XVII century, always in a funny manner:
** Unfortunately for him, Cervantes was not a very known author when he published ''Don Quixote'' at 1605, and given the [[SmallNameBigEgo extremely difficult Spanish literary environment of his time]], he didn't get any commendatory verses for his book from any (famous) author; so he wrote a dialogue in the Preface of the Author, Part I, where Cervantes explains this setback and despairs to publish ''Don Quixote''. His friend advised him to pretend that Cervantes has done [[ShownTheirWork extensive research to impress his audience]], when in fact he will take advantage of some tricks [[TakeThat used by several renowned Spanish writers of his time]] (Cervantes never mentions names so as not to disturb famous Spanish authors like Lope de Vega).
*** The first advice of his friend is for Cervantes to write the commendatory verses himself, and then claim they came from some famous or powerful characters of his time, even claiming that some of them were famous poets, basically, to pull a DanBrowned. The truth is that a lot of the powerful Spanish people of his time could not be poets, and were even illiterate.
*** The second advice of his friend is [[AltumVidetur to include sentences of Latin that seem to be profound]] [[ShownTheirWork (and so impress his lectors)]], but in reality, [[SmallReferencePools those Latin sentences were very common and any author of his time could find them with very little effort]].
*** Cervantes also mocks the authors who attributed to another author some famous line by way of PopCulturalOsmosis (in the Spain of the 17th century), [[BeamMeUpScotty despite the fact that those lines were never uttered by them]]. Cervantes’s friend mentions a line that a lot of people attributed to Horace, but this [[ShownTheirWork friend really has done the research]], so he mentions ''"or whoever said it"''.
*** Last but not least, in his prologue of part I, Cervante’s friend mentions a common author trick of his time: Any Spanish author of XVII century only needs to mention the most obvious and world-renowned people or facts. And he doesn´t even need to know those facts, he could only research [[LongList a book that quotes famous authors from A to Z]] and just insert the examples in his own book, because some readers are simple enough to believe that the author can use all those quotes in any book. Critics have said that this last reference was an attack to Lope de Vega, the most influential Spanish playwright and writer, and very successful and famous in their own time. (Cervantes himself was not successful, but he is one of the most influential universal writers).
** An attack to the (then) famous chivalry book's author Feliciano de Silva's composition, ''"[[SarcasmMode for their lucidity of style and complicated conceits were as pearls in his sight]]"''; Feliciano's style was an example of [[PurpleProse how to sacrifice Utility in the altar of Eloquence]], [[DepartmentOfRedundancyDepartment writing sentence after sentence of redundant synonyms once and again]], [[MindScrew making it so confuse that you cannot even try to comprehend it]].
** In Chapter I Part I, the narrator notes that [[Literature/TheSongOfRoland the history of Reinaldos de Montalban mentions]] [[CriticalResearchFailure an idol of Mahomet made of gold]].
%%* TechnicalPacifist
* ThereShouldBeALaw:
** Parodied when Don Quixote doesn't want to pay for a day in an inn, he tells the Innkeeper that there should be a law that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight the [[UsefulNotes/TurksWithTroops Ottoman]] [[TheEmpire Empire]] by making a law where [[GondorCallsForAid Spain Calls for Aid]] to all the Christian [[KnightErrant knights errant]].
** Played straight when the Canon makes a small CharacterFilibuster asking for a law to regulate Theatre at Spain and so avoid excesses and revenge between actors and society that is obviously an AuthorFilibuster from Cervantes himself.
** Played straight when Sancho Panza becomes a ReasonableAuthorityFigure and imposes some reasonable laws at the [[{{Utopia}} Barataria Insula]].
* ThresholdGuardians: Deconsctructed by [[ThoseTwoGuys the curate and the barber]]: Don Quixote's family asks help from {{Moral Guardian}}s to destroy Don Quixote's delusions, but their pity makes them pull a RevealingCoverup that enforces those delusions, making them ThresholdGuardians.
* ThoseTwoGuys: Pedro Pérez, the priest, and Maese Nicholas, the barber. Better known as "the priest and the barber", two guys from the same town as Don Quixote, who are fond of chivalry books, like Don Quixote, and that are completely sane, unlike Don Quixote, and... well, you would not find any other personality trait in them.
* TVNeverLies: This is one of the themes of the novel: Juan Palomeque, the innkeeper, believes that ChivalricRomance stories are real because these are printed in books approved by the Royal Council:
--> ''"But consider, brother," said the curate once more, "there never was any Felixmarte of Hircania in the world, nor any Cirongilio of Thrace, or any of the other knights of the same sort, that the books of chivalry talk of; the whole thing is the fabrication and invention of idle wits, devised by them for the purpose you describe of beguiling the time, as your reapers do when they read; for I swear to you in all seriousness there never were any such knights in the world, and no such exploits or nonsense ever happened anywhere."''
--> ''"Try that bone on another dog," said the innkeeper; "as if I did not know how many make five, and where my shoe pinches me; don't think to feed me with pap, for by God I am no fool. It is a good joke for your worship to try and persuade me that everything these good books say is nonsense and lies, and they printed by the license of the Lords of the Royal Council, as if they were people who would allow such a lot of lies to be printed all together, and so many battles and enchantments that they take away one's senses."''
* UltimateShowdownOfUltimateDestiny: Alonso Quijano and his friends [[ThoseTwoGuys the curate and the barber]] were [[{{Fanboy}} victims of this phenomenon]] and in the very first chapter of part I we learn that they had a lot of discussions about [[WhoWouldWin who had been the better knight]]... Keep in mind this book was written more than four hundred years ago!
* UndyingLoyalty: Sancho Panza claims to have this for Don Quixote… even when Sancho considers several times in the book to left Don Quixote service, but he is so fond of him he never does it.
-->''...if I were wise I should have left my master long ago; but this was my fate, this was my bad luck; I can't help it, I must follow him; we're from the same village, I've eaten his bread, I'm fond of him, I'm grateful, [[ItMakesSenseInContext he gave me his ass-colts]], and above all I'm faithful; so it's quite impossible for anything to separate us, except the pickaxe and shovel.''
* UnsympatheticComedyProtagonist: The first part of the novel settles Don Quixote characterization as a LordErrorProne: he almost kills the Biscayan in Chapter IX and maimed for life the Licentiate in Chapter XIX. This makes it easier to read the continuous HumiliationConga in practically all the chapters for Don Quixote. Fandom insisted in seeing him as the much more sympathetic MadDreamer. The second part deconstructs the Mad Dreamer into a WideEyedIdealist that everyone else mocks mercilessly because HumansAreBastards.
* UnwantedAssistance: Many characters (most memorably Andrés, the flogged boy) find Don Quixote's interference unhelpful.
-->'''For the love of God, sir knight-errant, if you ever meet me again, though you may see them cutting me to pieces, give me no aid or succour, but leave me to my misfortune, which will not be so great but that a greater will come to me by being helped by your worship, on whom and all the knights-errant that have ever been born God send his curse''
* UnreliableNarrator: Several layers of this, actually. Lampshaded, even: In the very first paragraph, Don Quixote's literary portrait has the narrator NOT telling us the name of Don Quixote's town, and the narrator admits he doesn't know very well if his name was Quixada, Quesada or Quexana. For the people of the seventeen century, this was an infringement of a very well known rule of the literary portrait, and so they immediately had the real impression that the author was a liar. Also, [[LiteraryAgentHypothesis the original author (Cide Hamete Benengeli) and the Translator (an anonymous Moor)]] comment the text when the plot is being implausible, and the second author (Cervantes), [[SuspiciouslySpecificDenial constantly remind us that this is a true history]]. All these tricks show that Cervantes clearly want the reader realizes that this tale cannot be true. Not to mention the fact that the so called original author has an Arabic name. At that time in Spain, Arabs were thought to be liars.
* UpToEleven: Every major female character on Part 1 tops the beauty of all preceding ladies of the novel. Even when the previous most beautiful girls are present, everyone is amazed by the incomparable beauty of the newly introduced, challenging the reader to imagine them increasingly better good looking. It finally peaks with Leandra, whose beauty was famous even in the halls of the royalty of distant cities. It seems it "overflows" in Part II, where the person Sancho chooses to be the new Dulcinea is described as the ugliest woman you can imagine. How? AWizardDidIt!, and the plot becomes to try to disenchant her.
* VeryLooselyBasedOnATrueStory: The Captive's Tale is loosely based on the author's own life.
* VictimizedBystander: Most of the people Don Quixote encounters fall in this trope, especially Sancho.
* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within a Novel]] named ''The Ill-Advised Curiosity'' and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:
--> ''"...and I know not what could have led [[LiteraryAgentHypothesis the author to have recourse to]] [[ShowWithinAShow novels]] and [[{{Filler}} irrelevant stories]], [[ItsAllAboutMe when he had so much to write about in mine; no doubt he must have gone by]] [[{{Filler}} the proverb 'with straw or with hay, etc.,' for by merely setting forth my thoughts, my sighs, my tears, my lofty purposes, my enterprises]], [[DoorStopper he might have made a volume as large, or larger than all the works of El Tostado]] [[note]]Alfonso de Madrigal, philosopher whose works "have more than twenty volumes"[[/note]] would make up"''.
%%* WalkingTheEarth
* WantingIsBetterThanHaving:
** Don Quixote perceives this as a [[CourtlyLove common theme for a knight and his lady]]. Part II, Chapter XXXII:
--->''" I am in love, for no other reason than that it is incumbent on knights-errant to be so; but though I am, I am no carnal-minded lover, but one of the chaste, platonic sort".''
** All the first part of the novel, Sancho has ride with Don Quixote [[StandardHeroReward under the promise of a governorship]]. At chapter VII of the second part, Sancho demands a salary for his work. [[GenreSavvy Don Quixote claims that he had never read a Chivalry book where a squire would get a wage and he will never disturb the ancient usage of Knight – Errantry]], so he invokes this trope telling Sancho:
---> ''"and bear in mind, my son, that a good hope is better than a bad holding, and a good grievance better than a bad compensation"''
* WhatWouldXDo: Parodied when Don Quixote invokes AchillesInHisTent in the Sierra Morena, he asks himself what would two [[KnightInShiningArmor knights in shining armor]] do? The catch is that being a deconstruction, Don Quixote must choose between the KnightInShiningArmor played straight (Amadis [[{{Wangst}} cries and prays for days]] because his lady Oriana doesn’t want to see him anymore) and the KnightInShiningArmor deconstruction ([[UnstoppableRage Roland went mad]] [[OmnicidalManiac and killed humans, animals and plants]] when he discovered princess Angelica slept with Medoro).
* WhereTheHellIsSpringfield: First line: "In a village of La Mancha the name of which I have no desire to recall." It's even lampshaded in the very last chapter: Part II, chapter 74: ''"Such was the end of the Ingenious Gentleman of La Mancha, whose village Cide Hamete would not indicate precisely, in order to leave all the towns and villages of La Mancha to contend among themselves for the right to adopt him and claim him as a son, as the seven cities of Greece contended for Homer".'' Which, guess what, is what happened.
* WideEyedIdealist: This trope is severely deconstructed with Don Quixote: In the first part, Don Quixote cares more for fulfilling his fantasies than for anyone else. He confides that the farmer Haduldo will stop flogging the boy Andrés and that the Galley slaves he liberates will be grateful enough to make him a favor. (They're not). His actions make him the original LordErrorProne. In the second part is even worse: he really acts ForHappiness and after some MassiveMultiplayerScam aventures that convince him he is a real KnightErrant he must face the sad fact that he has not helped anyone and therefore, all those ChivalricRomance tropes were BlatantLies. This is so heartbreaking that he becomes BoredWithInsanity and dies. Being called "Quixotic" is not always a good thing.
* AWizardDidIt:
** All over the place in the books Don Quixote reads, so naturally, when reality blatantly deviates from how he imagines it, he assumes that enchanters are behind it.
** Much more literally, when the priest and the barber burn Don Quixote's books, they tell him that a wizard stole them. Don Quixote goes off to find the wizard.
* WrongGenreSavvy: Probably the {{Trope Maker|s}}. Don Quixote is severely delusional and believes he is in a ChivalricRomance. Sadly for him, ThisIsReality. HilarityEnsues.
* YeOldeButcheredEnglish: The Spanish equivalent. In the original Spanish book, at least, Don Quijote uses outdated forms of speech and pronunciation, like maintaining the initial 'f' in words like 'fermosa' (hermosa), in an attempt to emulate the outdated forms of speech used on chivalry novels. The very name of the book itself is an example too: The 'x' in the name denotes an antiquated ortography for a very strong "h" phonem (similar as Scottish ''loch'') and not 'eks'. It is written in Modern Spanish as 'j'. Thus don Quijote, (ki-ho-tey) not Quixote (quick-sot). The Spanish edition uses the modern ortography, Don Quijote.
* YouKeepUsingThatWord: Sancho doesn't really understand that the ''insula'' he was promised as a StandardHeroReward by Don Quixote means an ''island'', as we see at Chapter II of the Second part:
--> ''"May evil ''insulas'' [islands] choke thee, thou detestable Sancho," said the niece; "What are ''insulas'' [islands]? [[IsItSomethingYouEat Is it something to eat]], glutton and gormandiser that thou art?"''
--> ''"It is not something to eat," replied Sancho, "but something to govern and rule, and better than four cities or four judgeships at court."''
* YouWatchTooMuchX: Even when Quixote could be the UrExample and {{Trope Maker|s}} for this trope, in the novel this is a UnbuiltTrope: the {{Stock Phrase|s}} never appears in the novel, and Don Quixote is not GenreSavvy but WrongGenreSavvy: When in some situation Don Quixote comments about how similar situation have happened in the tales he has read in his chivalry books , the people hearing him don't answer with "You read too much X". Even so, there are some examples that are very near to this situation, and the fact that Don Quixote read too much and that drove him to believe that he was a knight errant is the core of the novel, and is lampshaded by the narrator since the very beginning (Chapter I Part I).
[[/folder]]

----
[[D
17th Oct '16 9:53:08 AM JamesAustin
Is there an issue? Send a Message


->'''En un lugar de la Mancha, de cuyo nombre no quiero acordarme, no ha mucho tiempo que vivía un hidalgo de los de lanza en astillero, adarga antigua, rocín flaco y galgo corredor.'''

->''In a place of La Mancha, the name of which I don't want to recall, there lived not long ago one of those gentlemen with a lance on the rack, an old shield, a worn-out horse, and a racing greyhound.''


to:

->'''En ->'''"En un lugar de la Mancha, de cuyo nombre no quiero acordarme, no ha mucho tiempo que vivía un hidalgo de los de lanza en astillero, adarga antigua, rocín flaco y galgo corredor.'''

->''In
"'''

->''"In
a place of La Mancha, the name of which I don't want to recall, there lived not long ago one of those gentlemen with a lance on the rack, an old shield, a worn-out horse, and a racing greyhound.''

"''



The story is about an old ''hidalgo'' named Alonso Quijano, who was so into chivalric novels that he became insane and decided that he was a vagrant knight. Quijano renames himself as "Don Quixote de La Mancha" and decides to win eternal fame through the besting of criminals and general upholding of the Chivalric Code. Unfortunately for a lot of innocent people, his delusions make him pick fights with innocent bystanders, some of whom do not fight back because Don Quixote is obviously crazy. Of course, there are strangers who are not that sympathetic, and after one of those delivers a brutal beating to Don Quixote, a neighbor from his village meets the wounded Don Quixote and takes him home, where his friends and family burn out the cursed books of chivalry to try to cure him, but he soon returns to his delusion and journey. This time he manages to convince a simple farm-man, Sancho Panza, to become his squire and sidekick under the promise of a governorship in the future. Then they live a lot of adventures, including the famous one where Don Quixote attacks some windmills because they might be giants in disguise[[note]]the band Music/TheyMightBeGiants was named after the film ''Film/TheyMightBeGiants'', which referenced the book[[/note]]. At the end of the book, Don Quixote’s friends trick him by making him believe he is enchanted and take him back to his village.

to:

The story is about an old ''hidalgo'' named Alonso Quijano, who was so into chivalric novels that he became insane and decided that he was a vagrant knight. Quijano renames himself as "Don Quixote de La Mancha" and decides to win eternal fame through the besting of criminals and general upholding of the Chivalric Code. Unfortunately for a lot of innocent people, his delusions make him pick fights with innocent bystanders, some of whom do not fight back because Don Quixote is obviously crazy. Of course, there are strangers who are not that sympathetic, and after one of those delivers a brutal beating to Don Quixote, a neighbor from his village meets the wounded Don Quixote and takes him home, where his friends and family burn out the cursed books of chivalry to try to cure him, but he soon returns to his delusion and journey. This time he manages to convince a simple farm-man, Sancho Panza, to become his squire and sidekick under the promise of a governorship in the future. Then they live a lot of adventures, including the famous one where Don Quixote attacks some windmills because they might be giants in disguise[[note]]the disguise.[[note]]The band Music/TheyMightBeGiants was named after the film ''Film/TheyMightBeGiants'', which referenced the book[[/note]]. book[[/note]] At the end of the book, Don Quixote’s friends trick him by making him believe he is enchanted and take him back to his village.



!Tropes found in ''Don Quixote'':

to:

!Tropes !!Tropes found in ''Don Quixote'':



* AntiquatedLinguistics/[[YeOldeButcheredEnglish El Viejo Español Masacrado]]: In the original Spanish book, at least, Don Quijote uses outdated forms of speech and pronunciation, like maintaining the initial 'f' in words like 'fermosa' (hermosa), in an attempt to emulate the outdated forms of speech used on chivalry novels.
** This shows up in some translations as a {{Woolseyism}}: Don Quixote simply uses more archaic vocabulary than everyone else around.

to:

* AntiquatedLinguistics/[[YeOldeButcheredEnglish El Viejo Español Masacrado]]: AntiquatedLinguistics:
**
In the original Spanish book, at least, Don Quijote uses outdated forms of speech and pronunciation, like maintaining the initial 'f' in words like 'fermosa' (hermosa), in an attempt to emulate the outdated forms of speech used on chivalry novels.
**
novels. This shows up in some translations as a {{Woolseyism}}: Don Quixote simply uses more archaic vocabulary than everyone else around.



** A special mention deserves the Spanish word ''insula'', an AltumVidetur that means ''island'' or ''place limited and isolated'', the StandardHeroReward Don Quixote has promised to Sancho. [[YouKeepUsingThatWord Sancho keeps using that word]] even when he doesn’t know what it is.

to:

** A special mention deserves the Spanish word ''insula'', an AltumVidetur that means ''island'' or ''place limited and isolated'', the StandardHeroReward Don Quixote has promised to Sancho. [[YouKeepUsingThatWord Sancho keeps using that word]] even when he doesn’t doesn't know what it is.



* TheAllegedSteed: Rocinante is a broken-down nag; so much so that his name is synonymous with busted old nags in Spain.



** In the Preface of the Author, Part I, [[TakeThat Cervantes attacks authors that want to impress their readers with his knowledge without the appropriate research]]. Cervantes denounces [[AltumVidetur to include sentences of Latin that seem to be profound]] [[ShownTheirWork (and so impress his lectors)]], but in reality, [[SmallReferencePools those Latin sentences were very common and any author of his time could find them with very little effort]]. In a word, [[LampshadeHanging he]] '''[[LampshadeHanging defines]]''' [[LampshadeHanging this trope]] in the 17th century. And then, Cervantes proceeds to [[HypocriticalHumor include some sentences in Latin in both parts of Don Quixote]].
** Another example is lampshaded in Part II, chapter LI. Sancho has been made [[MassiveMultiplayerScam governor of the "Island of Barataria]]". In the 17th century, it was expected that the people who were part of the government and the aristocracy were well educated, and this education included Latin. Don Quixote never uses Latin words in his sentences with Sancho because he is not interested in impressing him with his superior knowledge, but he expects that now that Sancho is a governor he has learned Latin.
* AnimatedAdaptation: [[Creator/HannaBarbera "Don Coyote & Sancho Panda"]]

to:

** In the Preface of the Author, Part I, [[TakeThat Cervantes attacks does a TakeThat against authors that want to impress their readers with his knowledge without the appropriate research]]. research. Cervantes denounces [[AltumVidetur to include sentences of Latin that seem to be profound]] profound [[ShownTheirWork (and so impress his lectors)]], but in reality, [[SmallReferencePools those Latin sentences were very common and any author of his time could find them with very little effort]]. In a word, [[LampshadeHanging he]] '''[[LampshadeHanging defines]]''' [[LampshadeHanging this trope]] in the 17th century. And then, Cervantes proceeds to [[HypocriticalHumor include some sentences in Latin in both parts of Don Quixote]].
** Another example is lampshaded in Part II, chapter LI. Sancho has been made [[MassiveMultiplayerScam governor of the "Island of Barataria]]".Barataria"]]. In the 17th century, it was expected that the people who were part of the government and the aristocracy were well educated, and this education included Latin. Don Quixote never uses Latin words in his sentences with Sancho because he is not interested in impressing him with his superior knowledge, but he expects that now that Sancho is a governor he has learned Latin.
* AnimatedAdaptation: AnimatedAdaptation:
**
[[Creator/HannaBarbera "Don Coyote & Sancho Panda"]]



** [[http://www.youtube.com/watch?v=w4tFzD13hmc An earlier example]] (1979), without [[TalkingAnimal Talking Animals]].

to:

** [[http://www.youtube.com/watch?v=w4tFzD13hmc An earlier example]] (1979), without [[TalkingAnimal Talking Animals]].{{Talking Animal}}s.



** The Disney film {{Disney/Bolt}} is arguably a retelling of this story with Bolt in the place of [[spoiler:Don Quixote]], Rhino filling the role of [[spoiler:Sancho Panza]], Penny playing [[spoiler:Dulcinea]], and Mittens standing in for [[spoiler:Cordonza.]] The windmill is the [[spoiler:television show ''Bolt'']] but there is a real windmill too.
*** The hamsterball is Rocinante.
* {{Arcadia}}: Don Quixote considers becoming a shepherd instead of a knight at the end. {{Foreshadowed}} by the Golden Age speech he gives to the shepherds in the book's beginning; pastoral tropes in general are very important in the novel for deconstruction and parody. The real shepherds are CountryMouse-ish ignorant people who have enough common sense and work as shepherds by need. They want to help and are sympathetic enough. The problem comes when a lot of CityMouse types try to invoke this trope:
** At the Sierra Morena, Don Quixote [[ConversedTrope converses this trope]] with the goatherds at Chapter XXI, delivering an AuthorFilibuster, “Discourse on the Golden Age”, comparing the goatherds with {{Noble Savage}}s. [[GenreBlind None of them understand a word]]. One of the goatherds sings a song, but he didn’t compose it (because he doesn’t know how), it was his uncle who composed it, a cleric who has studied.
-->''All this long harangue (which might very well have been spared) our knight delivered because the acorns they gave him reminded him of the golden age; and the whim seized him to address all this unnecessary argument to the goatherds, who listened to him gaping in amazement without saying a word in reply''.

to:

** The Disney film {{Disney/Bolt}} ''Disney/{{Bolt}}'' is arguably a retelling of this story with Bolt in the place of [[spoiler:Don Quixote]], Rhino filling the role of [[spoiler:Sancho Panza]], Penny playing [[spoiler:Dulcinea]], and Mittens standing in for [[spoiler:Cordonza.]] [[spoiler:Cordonza]], and the hamsterball is [[spoiler:Rocinante]]. The windmill is the [[spoiler:television show ''Bolt'']] but there is a real windmill too.
*** ** The hamsterball 2007 computer-animated film ''[[https://en.wikipedia.org/wiki/Donkey_Xote Donkey Xote]]'' is Rocinante.
an InNameOnly adaptation told from the point of view of Sancho Panza's donkey Rucio, best known for how it blatantly rips off ''WesternAnimation/{{Shrek}}'': The donkey is clearly modeled after ''Shrek'''s Donkey, and the adversiting even presented it as "From producers '''''who saw''' Shrek''."
* {{Arcadia}}: {{Arcadia}}:
**
Don Quixote considers becoming a shepherd instead of a knight at the end. {{Foreshadowed}} {{Foreshadow|ing}}ed by the Golden Age speech he gives to the shepherds in the book's beginning; pastoral tropes in general are very important in the novel for deconstruction and parody. The real shepherds are CountryMouse-ish ignorant people who have enough common sense and work as shepherds by need. They want to help and are sympathetic enough. The problem comes when a lot of CityMouse types try to invoke this trope:
** At the Sierra Morena, Don Quixote [[ConversedTrope converses this trope]] with the goatherds at Chapter XXI, delivering an AuthorFilibuster, “Discourse "Discourse on the Golden Age”, Age", comparing the goatherds with {{Noble Savage}}s. [[GenreBlind None of them understand a word]]. One of the goatherds sings a song, but he didn’t compose it (because he doesn’t know how), it was his uncle who composed it, a cleric who has studied.
-->''All --->''All this long harangue (which might very well have been spared) our knight delivered because the acorns they gave him reminded him of the golden age; and the whim seized him to address all this unnecessary argument to the goatherds, who listened to him gaping in amazement without saying a word in reply''.



** Parodied in Chapter LVIII of the Second Part: Don Quixote meets some beautiful shepherdesses who are part of a crew of noble and rich people who invoke this trope by retiring to a forest to play to be shepherds and shepherdesses. They are so sophisticated that they have studied two poems from Garcilaso (In Spanish) and Camoes (in Portuguese). [[{{Irony}} Only the truly rich CityMouse can afford to live in a happy Arcadia]].

to:

** Parodied in Chapter LVIII of the Second Part: Don Quixote meets some beautiful shepherdesses who are part of a crew of noble and rich people who invoke this trope by retiring to a forest to play to be shepherds and shepherdesses. They are so sophisticated that they have studied two poems from Garcilaso (In Spanish) and Camoes (in Portuguese). [[{{Irony}} Only the truly rich CityMouse city mouse can afford to live in a happy Arcadia]].



-->''Will your worship be able to bear, out in the fields, the heats of summer, and the chills of winter, and the howling of the wolves? Not you; for that's a life and a business for hardy men, bred and seasoned to such work almost from the time they were in swaddling-clothes. [[FunnyMoments Why, to make choice of evils, it's better to be a knight-errant than a shepherd!]]
* AscendedFanboy: Quixote takes a more proactive approach than most.
* AuthorAvatar: Cervantes dedicates some chapters of the first part of the novel to ''“The story of the Captive Captain”'', Ruy Pérez de Viedma, a Spanish captain who was prisoner of the Moors. Curiously, this man, like the Priest, claims to know some guy called “de Saavedra”.
* AuthorFilibuster: Parodied and lampshaded. The critics have said that the chivalry books were plagued by a lot of lengthy discourses from different abstract themes, immobilizing the action and discouraging the reader. Cervantes lampshaded this when Don Quixote talks for nearly two pages in the ''[[AuthorFilibuster Discourse on The Golden Age]]'', Part I, Chapter XI: ''"All this long harangue (which might very well have been spared)"'' and satirized it when in the ''[[AuthorFilibuster Discourse on Arms and Letters]]'', Part I, Chapter XXXVIII, the action really never stops, because all the other characters eat their dinners while Don Quixote talked: ''"All this lengthy discourse Don Quixote delivered while the others supped, forgetting to raise a morsel to his lips, though Sancho more than once told him to eat his supper, as he would have time enough afterwards to say all he wanted."''
* AWizardDidIt: Quite literally. Just replace "Wizard" with "Enchanter." When the events of the story veer far enough away from Quixote's account in the style of Knights Errant, Quixote explicitly invokes this trope to explain the discrepancy.
* Badass: Don Quixote is, arguably, one. He is extremely good at jousting and sword fighting, and can survive being thrown into the air by a windmill. Also, despite all the beatings he takes throughout the novel, he still survives to the end. Quixote also receives some serious damage during his fights, he loses half his right ear about half a dozen teeth, and shrugs them off with nothing more than a quip about the nobleness of Knight-Errantry. Indeed as noted by novelist and critic, Creator/VladimirNabokov, despite being seen as a crazy knight, Don Quixote actually wins more fights than he loses.
* BeamMeUpScotty: {{invoked}}Lampshaded: In the Preface of the Author, Part I, Cervantes’s friend mentions a quote in Latin that a lot of people attributed to Horace, but Cervantes's friend [[ShownTheirWork really has done the research]], so he mentions ''"or whoever said it"''.
** '''"Con la Iglesia hemos topado"''' ("We stumbled upon the Church") is a [[BeamMeUpScotty popular misquote]] of ''Con la iglesia hemos dado, Sancho'' ("We ''found'' the church, Sancho" - small letter, as they are talking of a physical building) from Part II, Chapter IX. [[MemeticMutation The stock phrase version]] is used in Spain to express annoyance at the meddling or lobbying of the Catholic Church (the institution) in a political matter.
** '''"Ladran, luego cabalgamos"''' ("They bark, therefore we ride") or '''"Ladran, Sancho, señal que cabalgamos"''' ("They bark, Sancho, sign that we ride") is also atributed to the book but it actually comes from {{Creator/Goethe}}'s 1808 poem ''Kläffer'' ("Barker"; obviously, without the interjection of "Sancho": But their strident barking / is only a sign that we ride). In its stock phrase version, it's used to say that an attack from one's enemies over a recently taken action is a sign that you are doing the right thing. There is an even more insulting version, '''"Ladran, señal que son perros"''' ("They bark, sign they are dogs").
* BeleagueredAssistant: Sancho Panza

to:

-->''Will --->''"Will your worship be able to bear, out in the fields, the heats of summer, and the chills of winter, and the howling of the wolves? Not you; for that's a life and a business for hardy men, bred and seasoned to such work almost from the time they were in swaddling-clothes. [[FunnyMoments Why, to make choice of evils, it's better to be a knight-errant than a shepherd!]]
shepherd!"''
* AscendedFanboy: Quixote decides to become a knight errant after years of reading chivalry books; thought in this case he takes a more proactive approach than most.
* AuthorAvatar: Cervantes dedicates some chapters of the first part of the novel to ''“The story "The Story of the Captive Captain”'', Captain", Ruy Pérez de Viedma, a Spanish captain who was prisoner of the Moors. Curiously, this man, like the Priest, claims to know some guy called “de Saavedra”.
"de Saavedra".
* AuthorFilibuster: Parodied and lampshaded. The critics have said that the chivalry books were plagued by a lot of lengthy discourses from different abstract themes, immobilizing the action and discouraging the reader. Cervantes lampshaded this when Don Quixote talks for nearly two pages in the ''[[AuthorFilibuster Discourse ''Discourse on The the Golden Age]]'', Age'', Part I, Chapter XI: ''"All this long harangue (which might very well have been spared)"'' and satirized it when in the ''[[AuthorFilibuster Discourse ''Discourse on Arms and Letters]]'', Letters'', Part I, Chapter XXXVIII, the action really never stops, because all the other characters eat their dinners while Don Quixote talked: ''"All this lengthy discourse Don Quixote delivered while the others supped, forgetting to raise a morsel to his lips, though Sancho more than once told him to eat his supper, as he would have time enough afterwards to say all he wanted."''
* AWizardDidIt: Quite literally. Just replace "Wizard" with "Enchanter." When the events of the story veer far enough away from Quixote's account in the style of Knights Errant, Quixote explicitly invokes this trope to explain the discrepancy.
* Badass: Don Quixote is, arguably, one. He is extremely good at jousting and sword fighting, and can survive being thrown into the air by a windmill. Also, despite all the beatings he takes throughout the novel, he still survives to the end. Quixote also receives some serious damage during his fights, he loses half his right ear about half a dozen teeth, and shrugs them off with nothing more than a quip about the nobleness of Knight-Errantry. Indeed as noted by novelist and critic, Creator/VladimirNabokov, despite being seen as a crazy knight, Don Quixote actually wins more fights than he loses.
* BeamMeUpScotty: {{invoked}}Lampshaded: Invoked and lampshaded: In the Preface of the Author, Part I, Cervantes’s Cervantes's friend mentions a quote in Latin that a lot of people attributed to Horace, but Cervantes's friend [[ShownTheirWork really has done the research]], so he mentions ''"or whoever said it"''.
** '''"Con la Iglesia hemos topado"''' ("We stumbled upon the Church") is a [[BeamMeUpScotty popular misquote]] of ''Con la iglesia hemos dado, Sancho'' ("We ''found'' the church, Sancho" - small letter, as they are talking of a physical building) from Part II, Chapter IX. [[MemeticMutation The stock phrase version]] is used in Spain to express annoyance at the meddling or lobbying of the Catholic Church (the institution) in a political matter.
** '''"Ladran, luego cabalgamos"''' ("They bark, therefore we ride") or '''"Ladran, Sancho, señal que cabalgamos"''' ("They bark, Sancho, sign that we ride") is also atributed to the book but it actually comes from {{Creator/Goethe}}'s 1808 poem ''Kläffer'' ("Barker"; obviously, without the interjection of "Sancho": But their strident barking / is only a sign that we ride). In its stock phrase version, it's used to say that an attack from one's enemies over a recently taken action is a sign that you are doing the right thing. There is an even more insulting version, '''"Ladran, señal que son perros"''' ("They bark, sign they are dogs").
it"''
* BeleagueredAssistant: Sancho PanzaPanza has to deal with the consequences of his boss' antics constantly. There's a reason why he's mostly known for giving [[HurricaneOfAphorisms Hurricanes of Aphorisms]].



* [[BittersweetEnding Bittersweet]] DownerEnding: Don Quixote, after a string of betrayals and especially cruel practical jokes, regains his sanity and negates chivalry just before his death, while his squire has ingrained the chivalry lifestyle so deeply that he practically cries for Don Quixote to come back to the adventure.

to:

* [[BittersweetEnding Bittersweet]] DownerEnding: BittersweetEnding: Don Quixote, after a string of betrayals and especially cruel practical jokes, regains his sanity and negates chivalry just before his death, while his squire has ingrained the chivalry lifestyle so deeply that he practically cries for Don Quixote to come back to the adventure.



--> One of the squires in attendance upon the coach, a Biscayan, was listening to all Don Quixote was saying, and, perceiving that he would not allow the coach to go on, but was saying it must return at once to El Toboso, he made at him, and seizing his lance addressed him in bad Castilian and worse Biscayan after his fashion, "Begone, caballero, and ill go with thee; by the God that made me, unless thou quittest coach, slayest thee as art here a Biscayan."
--> Don Quixote understood him quite well, and answered him very quietly, "If thou wert a knight, as thou art none, I should have already chastised thy folly and rashness, miserable creature." To which the Biscayan returned, "I no gentleman!—I swear to God thou liest as I am Christian: if thou droppest lance and drawest sword, soon shalt thou see thou art carrying water to the cat: Biscayan on land, hidalgo at sea, hidalgo at the devil, and look, if thou sayest otherwise thou liest."
* BookBurning: A subversion of this trope given that [[NewMediaAreEvil books ''then'' were new media]]: Don Quixote’s niece and OldRetainer asked the {{Moral Guardian}}s' permission to do the BookBurning in a desperate attempt to cure him. The {{Moral Guardian}}s are the most educated people in the village (a curate and a barber), they never wanted to impose their ideas and are doing this as a favor to the family, so they don’t care much for this BookBurning. And a lot of those are really bad written books that destroyed Don Quixote’s mind, [[FamilyUnfriendlyAesop and the good books were stolen by]] the MoralGuardians.
* BookEnds: At chapter I of the first part, Don Quixote spends [[SeriousBusiness four days thinking how to]] [[MeaningfulRename give his horse a new name, and another eight days how to rename himself]], showing us that he is a MadDreamer. At the penultimate chapter of the second part, Don Quixote immediately thinks of the names he and his partners will adopt as shepherds, and Sanson Carrasco even says some names in a carelessly manner. ''Don Quixote laughed at the adaptation of the name'', showing us that he now is BoredWithInsanity.

to:

--> One ''One of the squires in attendance upon the coach, a Biscayan, was listening to all Don Quixote was saying, and, perceiving that he would not allow the coach to go on, but was saying it must return at once to El Toboso, he made at him, and seizing his lance addressed him in bad Castilian and worse Biscayan after his fashion, "Begone, caballero, and ill go with thee; by the God that made me, unless thou quittest coach, slayest thee as art here a Biscayan."
"''
--> Don ''Don Quixote understood him quite well, and answered him very quietly, "If thou wert a knight, as thou art none, I should have already chastised thy folly and rashness, miserable creature." To which the Biscayan returned, "I no gentleman!—I swear to God thou liest as I am Christian: if thou droppest lance and drawest sword, soon shalt thou see thou art carrying water to the cat: Biscayan on land, hidalgo at sea, hidalgo at the devil, and look, if thou sayest otherwise thou liest."
"''
* BookBurning: A subversion of this trope given that [[NewMediaAreEvil books ''then'' [[NewMediaAreEvil were new media]]: Don Quixote’s Quixote's niece and OldRetainer asked the {{Moral Guardian}}s' permission to do the BookBurning book burning in a desperate attempt to cure him. The {{Moral Guardian}}s moral guardians are the most educated people in the village (a curate and a barber), they never wanted to impose their ideas and are doing this as a favor to the family, so they don’t don't care much for this BookBurning. book burning. And a lot of those are really bad written books that destroyed Don Quixote’s Quixote's mind, [[FamilyUnfriendlyAesop and the good books were stolen by]] the MoralGuardians.
moral guardians.
* BookEnds: {{Bookends}}: At chapter I of the first part, Don Quixote spends [[SeriousBusiness four days thinking how to]] [[MeaningfulRename give his horse a new name, and another eight days how to rename himself]], showing us that he is a MadDreamer. At the penultimate chapter of the second part, Don Quixote immediately thinks of the names he and his partners will adopt as shepherds, and Sanson Carrasco even says some names in a carelessly manner. ''Don Don Quixote laughed ''laughed at the adaptation of the name'', showing us that he now is BoredWithInsanity.



* BornInTheWrongCentury: Surprisingly, played straight and lampshaded, not because Don Quixote wants to be a Knight in Shining Armor (Don Quixote wanted to revive a past that really never was, a past with [[TheThemeParkVersion good and bad wizards, fierce giants, fabulous monsters, imaginary reigns, incredible dresses, poisonous snakes, terrible battles, incredible encounters, lovesick princess, funny dwarfs, squires made counts and a lot of outrageous adventures]]) but because he is an Hidalgo (noble). Alonso Quijano lives in the wrong century and is lampshaded in the famous ''[[AuthorFilibuster Discourse on Arms and Letters]]'', Part I, Chapter 38. Cervantes' genius let him realize that technological advances like the gunpowder and the artillery demanded the end of the cavalry and the initiation of new strategies and organizational forms in the armies, as well as a redefinition of the role of nobility in a society where individual courage and skill are useless, and the organization of nameless masses of soldiers (infantry) becomes important. With Don Quijote, Cervantes is saying that for him, and for all the [[BlueBlood nobility (rich or poor)]] they ''were born in the wrong century'', and they must reform or die.
** Though with the rise of video games and such, you could make a case for Don Quixote being, unbeknownst even to the author, born too ''early''.
* BuffySpeak: See YouKeepUsingThatWord.

to:

* BornInTheWrongCentury: Surprisingly, played straight and lampshaded, not because Don Quixote wants to be a Knight in Shining Armor KnightInShiningArmor (Don Quixote wanted to revive a past that really never was, a past with [[TheThemeParkVersion really never was]], a past with good and bad wizards, fierce giants, fabulous monsters, imaginary reigns, incredible dresses, poisonous snakes, terrible battles, incredible encounters, lovesick princess, funny dwarfs, squires made counts and a lot of outrageous adventures]]) adventures) but because he is an Hidalgo (noble). Alonso Quijano lives in the wrong century and is lampshaded in the famous ''[[AuthorFilibuster Discourse on Arms and Letters]]'', Part I, Chapter 38. Cervantes' genius let him realize that technological advances like the gunpowder and the artillery demanded the end of the cavalry and the initiation of new strategies and organizational forms in the armies, as well as a redefinition of the role of nobility in a society where individual courage and skill are useless, and the organization of nameless masses of soldiers (infantry) becomes important. With Don Quijote, Cervantes is saying that for him, and for all the [[BlueBlood nobility (rich or poor)]] they ''were born in the wrong century'', and they must reform or die.
**
die. Though with the rise of video games and such, you could make a case for Don Quixote being, unbeknownst even to the author, born too ''early''.
* BuffySpeak: See YouKeepUsingThatWord.
''early''.



* CannotTellFictionFromReality: Don Quixote suffers from this.

to:

* CannotTellFictionFromReality: Don Quixote suffers from this. This tendency was what led him to become a knight errant from reading cavalry books in the first place, and that's just the start.



* CharacterWitness: Hilariously subverted by Andres and Tosilos, who come back LaserGuidedKarma not to ''help'', but to ''denounce'' Don Quixote.
** Andres, a boy that Don Quixote thinks has rescued at chapter IV part I shows up again at Chapter XXXI part I. Don Quixote wants him to defend his ChivalricRomance delusions, but instead Andres denounces him as with a NiceJobBreakingItHero.
** Lacquey Tosilos appear at chapter LVI of the second part when Don Quixote is trying to WeHelpTheHelpless, and comes back in chapter LXVII to inform Don Quixote that all was a ShaggyDogStory.
* ChuckCunninghamSyndrome: Played perfectly straight: In Chapter I, Part I, Cervantes mentions the people who lived in Don Quixote’s house: his niece, his housekeeper and a lad who helps them with the field and the marketplace... this last of whom we’ll never see or hear of again. Obviously, Cervantes had completely forgotten about this character, and didn't want to write him even in the Second Part of the novel; but in his defense, one of Don Quixote’s themes is about how silly it is to detect errors of continuity in a silly fictional tale.
* CivilWar: Don Quixote travels to Barcelona, a Spanish province that is in a CivilWar in TheCavalierYears.
* CliffHanger: Parodied by the end of Part I, chapter 8: that chapter ends with a dramatic description of Don Quixote and a poor innocent bystander charging at each other... only to have the next chapter start with [[UnreliableNarrator the narrator]] telling us that he doesn't have [[LiteraryAgentHypothesis the page in the original manuscript that describes the fight]], and wasting three pages telling us how he could get the next part. The critics have said that the cliffhanger was a regular resource of the chivalry books.
* CloudCuckooLander: There is nothing else to call a man who attacks windmills.
* CombatPragmatist: Bernardo del Carpio is one of Alonso Quixano favorite knights, because he found the way to defeat [[NighInvulnerable Roland]] [[AWizardDidIt the enchanted]]: instead of attacking him with a sword, Bernardo just strangled him.
* ComplainingAboutShowsYouDontWatch: InUniverse with Don Quixote: At Part II Chapter LIX, When Don Quixote hears someone talking how he is not more in love with Dulcinea del Toboso, he is full of wrath and indignation. So he read only a few pages of Avellaneda’s FanFiction about him. After a discussion of how this ContinuationFic is full of CharacterDerailment for Don Quixote and Sancho, Don Quixote believes that the book is bad and not worthy of his time or effort:

to:

* CharacterWitness: Hilariously subverted by Andres and Tosilos, who come back LaserGuidedKarma not to ''help'', but to ''denounce'' Don Quixote.
** Andres, a boy that Don Quixote thinks has rescued at chapter IV part I shows up again at Chapter XXXI part I. Don Quixote wants him to defend his ChivalricRomance delusions, but instead Andres denounces him as with a NiceJobBreakingItHero.
** Lacquey Tosilos appear appears at chapter LVI of the second part when Don Quixote is trying to WeHelpTheHelpless, [[WeHelpTheHelpless help the helpless]], and comes back in chapter LXVII to inform Don Quixote that all was a ShaggyDogStory.
* ChuckCunninghamSyndrome: Played perfectly straight: In Chapter I, Part I, Cervantes mentions the people who lived in Don Quixote’s Quixote's house: his niece, his housekeeper and a lad who helps them with the field and the marketplace... this last of whom we’ll we'll never see or hear of again. Obviously, Cervantes had completely forgotten about this character, and didn't want to write him even in the Second Part of the novel; but in his defense, one of Don Quixote’s themes is about how silly it is to detect errors of continuity in a silly fictional tale.
* CivilWar: Don Quixote travels to Barcelona, a Spanish province that is in a CivilWar civil war in TheCavalierYears.
* CliffHanger: {{Cliffhanger}}: Parodied by the end of Part I, chapter 8: that chapter ends with a dramatic description of Don Quixote and a poor innocent bystander charging at each other... only to have the next chapter start with [[UnreliableNarrator the narrator]] telling us that he doesn't have [[LiteraryAgentHypothesis the page in the original manuscript that describes the fight]], and wasting three pages telling us how he could get the next part. The critics have said that the cliffhanger was a regular resource of the chivalry books.
* CloudCuckooLander: {{Cloudcuckoolander}}: There is nothing else to call a man who attacks windmills.
windmills like Don Quixote.
* CombatPragmatist: Bernardo del Carpio is one of Alonso Quixano Quixano's favorite knights, because he found the way to defeat [[NighInvulnerable Roland]] [[AWizardDidIt the enchanted]]: instead of attacking him with a sword, Bernardo just strangled him.
* ComplainingAboutShowsYouDontWatch: InUniverse In-universe with Don Quixote: At Part II Chapter LIX, When Don Quixote hears someone talking how he is not more in love with Dulcinea del Toboso, he is full of wrath and indignation. So he read only a few pages of Avellaneda’s FanFiction Avellaneda's {{Fanfic}} about him. After a discussion of how this ContinuationFic is full of CharacterDerailment for Don Quixote and Sancho, Don Quixote believes that the book is bad and not worthy of his time or effort:



* ConceptsAreCheap: Deconstructed InUniverse: In the first part of the novel, Don Quixote wants to be an KnightErrant ForGreatJustice. In the second part of the novel, his motivation changes ForHappiness. But this time Don Quixote is an honest man that must admit at the end of the novel that [[ShaggyDogStory his efforts didn’t help anyone]] and his ChivalricRomance [[FanDisillusionment dreams were shallow]].

to:

* ConceptsAreCheap: Deconstructed InUniverse: in-universe: In the first part of the novel, Don Quixote wants to be an KnightErrant ForGreatJustice. In the second part of the novel, his motivation changes ForHappiness. But this time Don Quixote is an honest man that must admit at the end of the novel that [[ShaggyDogStory his efforts didn’t help anyone]] and his ChivalricRomance [[FanDisillusionment dreams were shallow]].



--> ''…”if a hunted cat, surrounded and hard pressed, turns into a lion, God knows what I, who am a man, may turn into..."''
* CrackIsCheaper: Alonso Quijano was a victim of this phenomenon InUniverse. At chapter I Part I we learn that he has acquired a lot of chivalry books (almost three hundred), and if you think that the printing had been discovered in Europe only some years ago, it's a considerable feat. But alas! Then as now, his relatives and friends, who certainly think that this hobby is getting out of control, had no second thoughts to send a lot of his books to the bonfire, even if Don Quixote has spent a lot of money in those books:

to:

--> ''…”if ''…"if a hunted cat, surrounded and hard pressed, turns into a lion, God knows what I, who am a man, may turn into..."''
* CrackIsCheaper: Alonso Quijano was a victim of this phenomenon InUniverse. in-universe. At chapter I Part I we learn that he has acquired a lot of chivalry books (almost three hundred), and if you think which is a considerable feat considering that just having a few hundred books in the time in which the story was written (the printing had been discovered in Europe only some years ago, it's ago) would have been a considerable feat.''huge'' expense. But alas! Then as now, his relatives and friends, who certainly think that this hobby is getting out of control, had no second thoughts to send a lot of his books to the bonfire, even if Don Quixote has spent a lot of money in those books:



** It should be noted that just having a few hundred books in the time in which the story was written would have been a ''huge'' expense. It's not like they had Barnes and Noble back then.
* CrouchingMoronHiddenBadass: Although Don Quixote is [[CloudCuckooLander a loon]] and almost always beaten and humiliated, sometimes he shows that he's got some real balls and fighting chops (e.g., the lion episode).

to:

** It should be noted that just having a few hundred books in the time in which the story was written would have been a ''huge'' expense. It's not like they had Barnes and Noble back then.
* CrouchingMoronHiddenBadass: Although Don Quixote is [[CloudCuckooLander [[{{Cloudcuckoolander}} a loon]] and almost always beaten and humiliated, sometimes he shows that he's got some real balls and fighting chops (e.g., the lion episode).



* DaydreamBeliever: Quixote himself is the archetype of this. And he does not only believe in chivalry books, in Part II, Chapter LXXI, he declares that if he had lived in [[{{Homer}} Homeric times]], he could have saved Troy and Carthage by slaying Paris.
** Sancho Panza is an illiterate peasant that believes everything his master says about ChivalricRomance, and Juan Palomeque the Innkeeper believes ChivalricRomance books because TVNeverLies.
* DanBrowned: This trope is lampshaded by Cervantes... and then played for laughs. In the Preface of the Author, Part I, Cervantes denounces [[DanBrowned authors who claim that the verses they use in the preface of the book commending that work (a common literary practice at the time) were made by personages identified as famous poets, when with a little research we easily discover they were not]], or worse yet, [[EpicFail they were illiterate]]. Simply put, [[LampshadeHanging he defines this trope]] in the 17th century. And then, Cervantes proceeds to [[PlayedForLaughs make "some commendatory verses" whose authors are some wizards, knights and damsels protagonist of other chivalry books]].
* DeaderThanDisco: InUniverse: At Part II Chapter XVI, Don Quixote claims that the ChivalricRomance (and its RealLife counterpart, [[KnightErrant knight-errantry]] is this trope and he is merely trying to bring it to life again.
-->''[[DiscoDan My desire was to bring to life again]] [[KnightErrant knight-errantry]], [[DeaderThanDisco now dead]], and for some time past, stumbling here, falling there, now coming down headlong, now raising myself up again''
* DeadpanSnarker / SarcasticDevotee / ServileSnarker: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho’s sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.

to:

* DaydreamBeliever: DaydreamBeliever:
**
Quixote himself is the archetype of this. And he does not only believe in chivalry books, in Part II, Chapter LXXI, he declares that if he had lived in [[{{Homer}} [[Creator/{{Homer}} Homeric times]], he could have saved Troy and Carthage by slaying Paris.
** Sancho Panza is an illiterate peasant that believes everything his master says about ChivalricRomance, and Juan Palomeque the Innkeeper believes ChivalricRomance Chivalric Romance books because TVNeverLies.
* DanBrowned: This trope is lampshaded by Cervantes... and then played for laughs. In the Preface of the Author, Part I, Cervantes denounces [[DanBrowned authors who claim that the verses they use in the preface of the book commending that work (a common literary practice at the time) were made by personages identified as famous poets, when with a little research we easily discover they were not]], not, or worse yet, [[EpicFail they were illiterate]]. Simply put, [[LampshadeHanging he defines this trope]] in the 17th century. And then, Cervantes proceeds to [[PlayedForLaughs make "some commendatory verses" whose authors are some wizards, knights and damsels protagonist of other chivalry books]].
* DeaderThanDisco: InUniverse: In-universe: At Part II Chapter XVI, Don Quixote claims that the ChivalricRomance (and its RealLife counterpart, [[KnightErrant knight-errantry]] knight-errantry]]) is this trope and he is merely trying to bring it to life again.
-->''[[DiscoDan My desire was to bring to life again]] [[KnightErrant knight-errantry]], [[DeaderThanDisco now dead]], dead, and for some time past, stumbling here, falling there, now coming down headlong, now raising myself up again''
* DeadpanSnarker / SarcasticDevotee / ServileSnarker: DeadpanSnarker:
**
Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho’s Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.



** Parodied by the ''"resurrection"'' of Altisidora, a girl who claims to love Don Quixote and invokes this trope (it’s really a prank). Don Quixote and Sancho didn’t believe it for a minute. When Don Quixote rejects her again:
-->''Hearing this, Altisidora, with a show of anger and agitation, exclaimed, "God's life! Don Stockfish, soul of a mortar, stone of a date, more obstinate and obdurate than a clown asked a favour when he has his mind made up, if I fall upon you I'll tear your eyes out! Do you fancy, Don Vanquished, Don Cudgelled, that I died for your sake? All that you have seen to-night has been make-believe; I'm not the woman to let the black of my nail suffer for such a camel, much less die!"''
-->''"That I can well believe," said Sancho; "for all that about lovers pining to death is absurd; they may talk of it, but as for doing it-Judas may believe that!"''

to:

** Parodied by the ''"resurrection"'' "resurrection" of Altisidora, a girl who claims to love Don Quixote and invokes this trope (it’s (it's really a prank). Don Quixote and Sancho didn’t didn't believe it for a minute. When Don Quixote rejects her again:
-->''Hearing --->''Hearing this, Altisidora, with a show of anger and agitation, exclaimed, "God's life! Don Stockfish, soul of a mortar, stone of a date, more obstinate and obdurate than a clown asked a favour when he has his mind made up, if I fall upon you I'll tear your eyes out! Do you fancy, Don Vanquished, Don Cudgelled, that I died for your sake? All that you have seen to-night has been make-believe; I'm not the woman to let the black of my nail suffer for such a camel, much less die!"''
-->''"That --->''"That I can well believe," said Sancho; "for all that about lovers pining to death is absurd; they may talk of it, but as for doing it-Judas may believe that!"''



* {{Deconstruction}}: Not only of chivalric romances themselves (see below for details), but also of the attitudes they foster in their readers. While Don Quixote takes things to extremes [[RuleOfFunny for the sake of a good laugh]], Cervantes uses him to make the point that living one's life in the real world strictly by an idealized, incomplete, and oft-contradictory code of chivalry is [[RealityEnsues ultimately an exercise in absurdity]].
** Literary critics, note, that the second part of the book is perhaps an even more comprehensive deconstruction than Part 1, in that it tackles the thin line between fiction and reality. When Don Quixote and Sancho Panza meet aristocrats, Dukes, Kings, Village Prefects, the latter engage in petty and cruel games intended to see [[JustHereForGodzilla Don Quixote do something crazy]]. In their interactions, critics from Miguel de Unamuno and Harold Bloom note, the books make a larger point that all of society essentially rests on a fiction, aristocrats have to act like aristocrats to be aristocrats when their authority and power is actually unearned and arbitrary. In the episode where Sancho Panza who is made-to-believe that he's actually a governor of a small village, he proves to be far more competent than the real and actual governor of the village. The point at the end is that, Don Quixote in openly making himself a hero out of chivalry isn't anymore crazy than aristocrats making themselves rulers based on imagined lineage or traditions rather than merit.

to:

* {{Deconstruction}}: {{Deconstruction}}:
**
Not only of chivalric romances themselves (see below for details), but also of the attitudes they foster in their readers. While Don Quixote takes things to extremes [[RuleOfFunny for the sake of a good laugh]], Cervantes uses him to make the point that living one's life in the real world strictly by an idealized, incomplete, and oft-contradictory code of chivalry is [[RealityEnsues ultimately an exercise in absurdity]].
** Literary critics, note, critics note that the second part of the book is perhaps an even more comprehensive deconstruction than Part 1, in that it tackles the thin line between fiction and reality. When Don Quixote and Sancho Panza meet aristocrats, Dukes, Kings, Village Prefects, the latter engage in petty and cruel games intended to see [[invoked]] [[JustHereForGodzilla Don Quixote do something crazy]]. In their interactions, critics from Miguel de Unamuno and Harold Bloom note, the books make a larger point that all of society essentially rests on a fiction, aristocrats have to act like aristocrats to be aristocrats when their authority and power is actually unearned and arbitrary. In the episode where Sancho Panza who is made-to-believe that he's actually a governor of a small village, he proves to be far more competent than the real and actual governor of the village. The point at the end is that, Don Quixote in openly making himself a hero out of chivalry isn't anymore crazy than aristocrats making themselves rulers based on imagined lineage or traditions rather than merit.



* DeconstructiveParody: Books of chivalry are ridiculed by having their tropes applied to real, everyday life.
** The other trope deconstructed and parodied is FanDumb.
* DeconstructorFleet: The novel not only deconstructs the ChivalricRomance genre, but applies GenreDeconstruction to the next genres: RomanceNovel, (MayDecemberRomance, FilleFatale), the {{Arcadia}}, SecretTestOfCharacter, SweetPollyOliver, GentlemanThief literature, the DeadpanSnarker, (and all kind of snarkers). It also has {{Unbuilt Trope}}s like StrawFan, LordErrorProne, MadDreamer, CutLexLuthorACheck and BookBurning... and given its status as the first modern novel, it’s full of {{Postmodernism}}.
** {{Reconstruction}}: At the very end of the novel, the narrator notes that Don Quixote's bull-headedness and steadfast impossible perseverance and commitment to his idea made him an even greater hero than all the false chivalric heroes that he aspired to, and who his own story would completely eclipse.
* DiscoDan: Deconstructed: Don Quixote's obsession with ChivalricRomance leaves him mentally stuck in an era that barely even existed, and at TheCavalierYears is DeaderThanDisco: few people at Spain know, and even less care, what an KnightErrant is. So, Don Quixote has to [[InsistentTerminology explain what a KnightErrant is every time and again throught the first part of the novel]]. First he makes {{CharacterFilibuster}}s, then he makes his explanations shorter, and [[{{Deconstruction}} then comes chapter XLVII when Don Quixote is tired and gives up]]:

to:

* DeconstructiveParody: Books of chivalry and FanDumb are ridiculed by having their tropes applied to real, everyday life.
** The other trope deconstructed and parodied is FanDumb.
* DeconstructorFleet: The novel not only deconstructs the ChivalricRomance genre, but applies GenreDeconstruction to the next genres: RomanceNovel, (MayDecemberRomance, FilleFatale), the {{Arcadia}}, SecretTestOfCharacter, SweetPollyOliver, GentlemanThief literature, the DeadpanSnarker, (and all kind of snarkers). It also has {{Unbuilt Trope}}s like StrawFan, LordErrorProne, MadDreamer, CutLexLuthorACheck and BookBurning... and given its status as the first modern novel, it’s it's full of {{Postmodernism}}.
** {{Reconstruction}}: At the very end of the novel, the narrator notes that Don Quixote's bull-headedness and steadfast impossible perseverance and commitment to his idea made him an even greater hero than all the false chivalric heroes that he aspired to, and who his own story would completely eclipse.
* DiscoDan: Deconstructed: Don Quixote's obsession with ChivalricRomance leaves him mentally stuck in an era that barely even existed, and at TheCavalierYears is DeaderThanDisco: few people at Spain know, and even less care, what an KnightErrant is. So, Don Quixote has to [[InsistentTerminology explain what a KnightErrant Knight Errant is every time and again throught the first part of the novel]]. novel. First he makes {{CharacterFilibuster}}s, {{Character Filibuster}}s, then he makes his explanations shorter, and [[{{Deconstruction}} then comes chapter XLVII when Don Quixote is tired and gives up]]:up:



* FanDisillusionment: After two novels being a literal AscendedFanboy UpToEleven of the ChivalricRomance, Don Quixote must accept in the last chapter that the ClicheStorm that he read as the adventures of a KnightErrant is not [[DeconstructedTrope as joyous as he thought it would be]]:
--> "[[BoredWithInsanity Good news for you, good sirs, that I am no longer Don Quixote of La Mancha, but Alonso Quixano, whose way of life won for him the name of Good]]. Now am I the enemy of [[KnightInShiningArmor Amadis of Gaul]] [[FollowTheLeader and of the whole countless troop of his descendants]]; [[ClicheStorm odious to me now are all the profane stories of knight-errantry;]] [[HeelRealization now I perceive my folly]], [[TheNewRockAndRoll and the peril into which reading them brought me;]] [[ItSeemedLikeAGoodIdeaAtTheTime now, by God's mercy schooled into my right senses, I loathe them.]]"

to:

* TheDulcineaEffect: ''Don Quixote'', pretty much the {{Trope Maker|s}} -and {{Trope Namer|s}}- for this, is a parody of this trope. The hero Don Quixote, who believes himself to be a knight, claims to serve a beautiful, virtuous young lady, Dulcinea (really named Aldonza Lorenzo, but Don Quixote doesn't care), who is, in fact, nothing more than a peasant from his hometown, and, in some adaptations, a whore. Interestingly, in the original novel as well as in most adaptations, the actual character Dulcinea makes not a single appearance. He knows that the lady is nothing more than a excuse for the hero to have adventures, so he imagines his lady and begins to live his dreams!
* FanDisillusionment: After two novels being a literal AscendedFanboy UpToEleven of the ChivalricRomance, Don Quixote must accept in the last chapter that the ClicheStorm that he read as the adventures of a KnightErrant is not [[DeconstructedTrope not as joyous as he thought it would be]]:
--> "[[BoredWithInsanity ''"[[BoredWithInsanity Good news for you, good sirs, that I am no longer Don Quixote of La Mancha, but Alonso Quixano, whose way of life won for him the name of Good]]. Now am I the enemy of [[KnightInShiningArmor Amadis of Gaul]] [[FollowTheLeader and of the whole countless troop of his descendants]]; [[ClicheStorm odious to me now are all the profane stories of knight-errantry;]] knight-errantry]]; [[HeelRealization now I perceive my folly]], [[TheNewRockAndRoll and the peril into which reading them brought me;]] me]]; [[ItSeemedLikeAGoodIdeaAtTheTime now, by God's mercy schooled into my right senses, I loathe them.]]"]]"''



-->''"He commended, however, the author's way of ending his book with the promise of that interminable adventure, [[{{Continuation}} and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done]], [[FanFicRecommendations and made a successful piece of work of it too]], [[AttentionDeficitCreatorDisorder had not greater and more absorbing thoughts]] [[AscendedFanboy prevented him]]."''

to:

-->''"He ---->''"He commended, however, the author's way of ending his book with the promise of that interminable adventure, [[{{Continuation}} and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done]], [[FanFicRecommendations done, and made a successful piece of work of it too]], too, [[AttentionDeficitCreatorDisorder had not greater and more absorbing thoughts]] [[AscendedFanboy thoughts prevented him]]."''



-->''"I myself, at any rate," said the canon, "[[DeadFic was once tempted to write a book of chivalry]] [[FixFic in which all the points I have mentioned were to be observed]]; [[FanFic and if I must own the truth I have more than a hundred sheets written; and to try if it came up to my own opinion of it, I showed them to persons who were fond of this kind of reading]], [[ViewersAreGeniuses to learned and intelligent men]] as well as to ignorant people who cared for nothing but the pleasure of listening to nonsense, and from all I obtained flattering approval; nevertheless I proceeded no farther with it, [[SciFiGhetto as well because it seemed to me an occupation inconsistent with my profession]], as because I perceived that the [[LowestCommonDenominator fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public, to whom the reading of such books falls for the most part]]."''

to:

-->''"I ---->''"I myself, at any rate," said the canon, "[[DeadFic was "was once tempted to write a book of chivalry]] [[FixFic chivalr in which all the points I have mentioned were to be observed]]; [[FanFic observed; and if I must own the truth I have more than a hundred sheets written; and to try if it came up to my own opinion of it, I showed them to persons who were fond of this kind of reading]], reading, [[ViewersAreGeniuses to learned and intelligent men]] as well as to ignorant people who cared for nothing but the pleasure of listening to nonsense, and from all I obtained flattering approval; nevertheless I proceeded no farther with it, [[SciFiGhetto as well because it seemed to me an occupation inconsistent with my profession]], as because I perceived that the [[LowestCommonDenominator fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public, to whom the reading of such books falls for the most part]]."''



* FlyoverCountry: Critics have said La Mancha, don Quixote's home, is the Spanish version of this trope, as the preface to the Gutenberg project said:

to:

* FlyoverCountry: Critics have said La Mancha, don Quixote's home, is the Spanish version of this trope, as the preface to the Gutenberg project Project said:



* FolkHero
* ForgottenTrope: The novel show us an example of the Captivity Narrative when [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''“The story of the Captive Captain”'', you can see more at LifeEmbellished.
** DonQuixote mentions The Nine Worthies: Nine characters who personified the ideal values of a brave knight. They were three pagans (Alexander The Great, Hector and Julius Ceasar), three Jewish (Joshua, Salomon and Juda Maccabee) and three Christians (King Arthur, Charlomagne and Godfrey of Bouillion). All of those figures are still very well-know, but most people are not familiar with the idea of all of them united in a single rethoric concept. When Quixote was wounded by some BadassBystander and helped by some neighbor. When the neighbor claims Don Quixote is not a KnightErrant, Don Quixote claims: "I know who I am," replied Don Quixote, "and I know that I may be not only those I have named, but all the [[Literature/TheSongofRoland Twelve Peers of France]] and even all the Nine Worthies, since my achievements surpass all that they have done all together and each of them on his own account." Justified, since Quixote is [[FanDumb The Monomaniac]] about ChivalricRomance and he must know everything about {{KnightErrant}}s. The real ironic part is that InUniverse Quixote is only a LoonyFan who cannot match them, but in RealLife, more people know who is DonQuixote that the Nine Worthies… so this BadassBoast became HilariousInHindsight.

to:

* %%* FolkHero
* ForgottenTrope: ForgottenTrope:
**
The novel show us an example of the Captivity Narrative when [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''“The story ''"The Story of the Captive Captain”'', Captain"'', you can see more at LifeEmbellished.
** DonQuixote Don Quixote mentions The the Nine Worthies: Nine characters who personified the ideal values of a brave knight. They were three pagans (Alexander The Great, Hector and Julius Ceasar), three Jewish (Joshua, Salomon and Juda Maccabee) and three Christians (King Arthur, Charlomagne and Godfrey of Bouillion). All of those figures are still very well-know, but most people are not familiar with the idea of all of them united in a single rethoric concept. When Quixote was wounded by some BadassBystander and helped by some neighbor. When neighbor, and the neighbor claims Don Quixote is not a KnightErrant, Don Quixote claims: "I know who I am," replied Don Quixote, and adds, "and I know that I may be not only those I have named, but all the [[Literature/TheSongofRoland Twelve Peers of France]] and even all the Nine Worthies, since my achievements surpass all that they have done all together and each of them on his own account." Justified, since Quixote is [[FanDumb The Monomaniac]] FanDumb about ChivalricRomance and he must know everything about {{KnightErrant}}s. [[KnightErrant knights errant]]. The real ironic part is that InUniverse in-universe Quixote is only a LoonyFan who cannot match them, but in RealLife, more people know who is DonQuixote Don Quixote that the Nine Worthies… so this BadassBoast became HilariousInHindsight.



* GeniusDitz: Don Quixote despite his reputation as a crazy is highly intelligent and several characters who come across him note that he occassionally sounds rational and sane before going off tangent on his chivalric ideals. Several characters who later trick him note that he's fairly astute about the minor points that concern a given situation but neglects the bigger picture altogether.
* GenreDeconstruction: See DeconstructorFleet
* GenreSavvy: Apart from the protagonist (who is WrongGenreSavvy), many other characters are familiar with chivalric tropes and [[InvokedTrope invoke]] or [[DiscussedTrope discuss them]]. Note that at the end of both volumes, Don Quixote is defeated and forced to return to his village in strict accordance with the laws of the genre.
* GentleGiant: Part I Chapter I reveals that the giant Morgante is one of Alonso Quixano’s favorite characters, because despite being a giant, he is [[AffablyEvil affable and well bred]].
* GiverOfLameNames: The protagonist is probably the TropeCodifier.

to:

* GeniusDitz: Don Quixote Quixote, despite his reputation as a crazy crazy, is highly intelligent intelligent, and several characters who come across him note that he occassionally sounds rational and sane before going off tangent on his chivalric ideals. Several characters who later trick him note that he's fairly astute about the minor points that concern a given situation but neglects the bigger picture altogether.
* GenreDeconstruction: See DeconstructorFleet
* GenreSavvy: Apart from the protagonist (who is WrongGenreSavvy), many other characters are familiar with chivalric tropes and [[InvokedTrope invoke]] {{invoke|dTrope}} or [[DiscussedTrope discuss them]].{{discuss|edTrope}} them. Note that at the end of both volumes, Don Quixote is defeated and forced to return to his village in strict accordance with the laws of the genre.
* GentleGiant: Part I Chapter I reveals that the giant Morgante is one of Alonso Quixano’s Quixano's favorite characters, because despite being a giant, he is [[AffablyEvil affable and well bred]].
* GiverOfLameNames: The TheGhost:
** Played straight with Aldonza Lorenzo, a young peasant girl from a town called Toboso, who is blissfully unaware that Don Quixote's had a crush on her. She never appeared in neither parts of the novel, only was referred to by other characters.
** Parodied by Dulcinea del Toboso, the imaginary love interest of Don Quixote. Since the first part of the novel, Don Quixote imagines her as a beautiful noblewoman who lives in a castle, or in other words, a person completely different from Aldonza Lorenzo. This imaginary entity is a literal ghost, but it's mentioned so many times across the novel that she can be considered the third
protagonist is probably besides Don Quixote and Sancho. Besides, in the TropeCodifier. second part, one of the plot points is Don Quixote's quest to disenchant Dulcinea and to find her at last, even when he knows he imagined her, is another proof of Don Quixote's madness.
%%* GiverOfLameNames



* GrandDame: SmallNameBigEgo Dueña Doña Rodríguez is the only one character stupid enough in all the novel (and InUniverse, ''in all Spain'') to sincerely believe that Don Quixote is a real KnightErrant.
* HealingPotion: {{Parodied}}. Don Quixote claims to have the recipe for an elixir that heals all wounds, but [[LordErrorProne beng who he is]], it instead induces severe pain and vomiting.
** Although after throwing up he does seem to get up easier...
* HeroicWannabe: Practically made this trope.

to:

* GrandDame: SmallNameBigEgo Dueña Doña Rodríguez is the only one character stupid enough in all the novel (and InUniverse, ''in all Spain'') to sincerely believe that Don Quixote is a real KnightErrant.
* HealingPotion: {{Parodied}}. Parodied. Don Quixote claims to have the recipe for an elixir that heals all wounds, but [[LordErrorProne beng who he is]], it instead induces severe pain and vomiting.
** Although
vomiting, though after throwing up he does seem to get up easier...
easier.
* HeroicWannabe: Practically made this trope.trope OlderThanSteam: Don Quixote is obsessed with becoming a knight (to the point of fighting windmills because he thinks they're giants).



* HypocriticalHumor: When Don Quixote reads some pages of the Second Part of 'Don Quixote of La Mancha, he claims there are obvious errors from the author, the most important is that he errs on the name of Sancho’s wife (see SeriesContinuityError to understand why this is hypocritical).

to:

* HypocriticalHumor: When Don Quixote reads some pages of the Second Part of 'Don Quixote of La Mancha, Avellaneda's ''Quixote'' {{fanfic}}, he claims there are obvious errors from the author, the most important is that he errs on the name of Sancho’s Sancho's wife, when the name of Sancho's wife (see SeriesContinuityError to understand why this is hypocritical). changed in Cervantes' own books: at the same page in Part I Chapter 7 (''Juana Gutiérrez'' and ''Mari Gutiérrez''), in Part I Chapter LII (''Juana Panza''), changes again at Part II Chapter V (''Teresa Panza'' and ''Teresa Cascajo'') and in Part II Chapter L (''Teresa Panza'').



* HonorBeforeReason: The protagonist falls victim to this trope countless times.
** The first example is when Don Quixote [[WeHelpTheHelpless ''"rescues"'' Andrés from being flogged by his master]], Juan Haduldo. Don Quixote bullies Juan into promising to let Andres go, and he departs to other adventures, [[GenreSavvy because he has read that when a Knight]] [[IGaveMyWord gives his word, it’s enough.]] [[WrongGenreSavvy Unfortunately, this is the first modern novel]] [[RealityEnsues and Juan flogs Andres even harder.]]

to:

* HonorBeforeReason: The protagonist falls victim to this trope countless times.
**
times. The first example is when Don Quixote [[WeHelpTheHelpless ''"rescues"'' "rescues" Andrés from being flogged by his master]], master, Juan Haduldo. Don Quixote bullies Juan into promising to let Andres go, and he departs to other adventures, [[GenreSavvy because he has read that when a Knight]] [[IGaveMyWord gives his word, it’s it's enough.]] [[WrongGenreSavvy Unfortunately, this is the first modern novel]] [[RealityEnsues and Juan flogs Andres even harder.]]



* HourglassPlot: In the first part of the novel, Don Quixote is a DaydreamBeliever MadDreamer and Sancho Panza has SimplemindedWisdom and represents realism. Both are {{Static Character}}s. At the second part, Sancho is influenced by Don Quixote and becomes more and more of a DaydreamBeliever, while at the end, Don Quixote will become BoredWithInsanity by Sancho’s influence. The relevance is that they maybe were the very first characters in literature to use this trope and become {{Dynamic Character}}s.

to:

* HourglassPlot: In the first part of the novel, Don Quixote is a DaydreamBeliever MadDreamer and Sancho Panza has SimplemindedWisdom and represents realism. Both are {{Static Character}}s. At the second part, Sancho is influenced by Don Quixote and becomes more and more of a DaydreamBeliever, while at the end, Don Quixote will become BoredWithInsanity by Sancho’s Sancho's influence. The relevance is that they maybe were the very first characters in literature to use this trope and become {{Dynamic Character}}s.



* IdiotHero: If not the TropeMaker, pretty much the TropeCodifier. UpToEleven if you think that in the end when he denies chivalry, Don Quixote is portrayed as the OnlySaneMan and even as [[MessiahCreep the ideal man]].
** It's subverted: Don Quixote is not an idiot, and we know it since the very beginning of the novel. He is a very intelligent, well-educated man, who is perfectly normal as long as he is not talking about his obsessions: ''"apart from the silly things which this worthy gentleman says in connection with his craze, when other subjects are dealt with, he can discuss them in a perfectly rational manner, showing that his mind is quite clear and composed; so that, provided his chivalry is not touched upon, no one would take him to be anything but a man of thoroughly sound understanding."'' Part I, chapter 30. Of course, [[TooDumbToLive when he is indulging his chivalry fantasies... well...]]

to:

* IdiotHero: If not the TropeMaker, {{Trope Maker|s}}, pretty much the TropeCodifier. UpToEleven if you think that in the end when he denies chivalry, Don Quixote is portrayed as the OnlySaneMan and even as [[MessiahCreep the ideal man]].
** It's
TropeCodifier, though it's subverted: Don Quixote is not an idiot, and we know it since the very beginning of the novel. He is a very intelligent, well-educated man, who is perfectly normal as long as he is not talking about his obsessions: ''"apart from the silly things which this worthy gentleman says in connection with his craze, when other subjects are dealt with, he can discuss them in a perfectly rational manner, showing that his mind is quite clear and composed; so that, provided his chivalry is not touched upon, no one would take him to be anything but a man of thoroughly sound understanding."'' Part I, chapter 30.obsessions. Of course, [[TooDumbToLive when he is indulging his chivalry fantasies... well...]]]] UpToEleven if you think that in the end when he denies chivalry, Don Quixote is portrayed as the OnlySaneMan and even as [[MessiahCreep the ideal man]]. Part I, chapter 30:
-->''"apart from the silly things which this worthy gentleman says in connection with his craze, when other subjects are dealt with, he can discuss them in a perfectly rational manner, showing that his mind is quite clear and composed; so that, provided his chivalry is not touched upon, no one would take him to be anything but a man of thoroughly sound understanding."''



* InNameOnly: Joel Silver is threatening to produce a big-budget, "''Franchise/PiratesOfTheCaribbean''-like" film about a {{Swashbuckler}} Don Quixote that is not crazy and [[HeWhoFightsMonsters fights real monsters]] from AnotherDimension. Ironically, Don Quixote would have preferred [[RuleOfCool this kind of adaptation]] to any other.



--> The landlord shouted to them to leave him alone, for he had already told them that he was mad, and as a madman he would not be accountable even if he killed them all.
* InWhichATropeIsDescribed: [[SelfDemonstratingArticle Played Straight with Almost All the Chapters of the Two Parts because the Beginning of a Chapter Summarizes the Chapter's Events]], but then [[InvertedTrope Inverted]] in Some Chapters that Do Not Summarize Anything:

to:

--> The ''The landlord shouted to them to leave him alone, for he had already told them that he was mad, and as a madman he would not be accountable even if he killed them all.
all.''
* InWhichATropeIsDescribed: [[SelfDemonstratingArticle Played Straight straight with Almost All almost all the Chapters chapters of the Two Parts two parts because the Beginning beginning of a Chapter Summarizes chapter summarizes the Chapter's Events]], chapter's events, but then [[InvertedTrope Inverted]] {{inverted|Trope}} in Some Chapters some chapters that Do Not Summarize Anything:do not summarize anything:



* JustLikeRobinHood: Deconstructed by Roque Guinart, a deconstruction of the GentlemanThief, who leads a band of [[TheHighwayman highwaymen]] at Barcelona’s CivilWar. He is an ''armed beggar'', that takes only a part of the money of his victims... ''by asking them.'' His 60 men assault two soldiers (300 crowns), a Noblewoman (600 crowns) and some pilgrims (60 reals). That would have been 15 crowns and a real for each highwayman. Roque asks for 60 crowns for the soldiers (20%) and 80 crowns from the Noblewoman (13.6%). That’s 140 crowns. He gives 2 crowns to each highwayman and the 20 crown left he gives 10 to the pilgrims (that’s almost 100 reals) and 10 crowns to Sancho Panza in a clear attempt to BuyThemOff. The people who attacked are happy to keep most of their own money, and Roque Guinart is considered a hero. Everyone is happy! [[RealityEnsues Except for the highwaymen who were cheated of 13 crowns and a real]], but Roque manages to MakeAnExampleOfThem by murdering the one who dares to be a DeadpanSnarker.

to:

* JustLikeRobinHood: Deconstructed by Roque Guinart, a deconstruction of the GentlemanThief, who leads a band of [[TheHighwayman highwaymen]] at Barcelona’s Barcelona's CivilWar. He is an ''armed beggar'', that takes only a part of the money of his victims... ''by asking them.'' His 60 men assault two soldiers (300 crowns), a Noblewoman (600 crowns) and some pilgrims (60 reals). That would have been 15 crowns and a real for each highwayman. Roque asks for 60 crowns for the soldiers (20%) and 80 crowns from the Noblewoman (13.6%). That’s That's 140 crowns. He gives 2 crowns to each highwayman and the 20 crown left he gives 10 to the pilgrims (that’s (that's almost 100 reals) and 10 crowns to Sancho Panza in a clear attempt to BuyThemOff. The people who attacked are happy to keep most of their own money, and Roque Guinart is considered a hero. Everyone is happy! [[RealityEnsues Except for the highwaymen who were cheated of 13 crowns and a real]], but Roque manages to MakeAnExampleOfThem by murdering the one who dares to be a DeadpanSnarker.



* KnightInShiningArmor and KnightErrant: What Don Quixote thinks he is, and thereby thoroughly [[DeconstructedCharacterArchetype deconstructs.]]

to:

* KnightInShiningArmor and KnightErrant: KnightInShiningArmor:
**
What Don Quixote thinks he is, and thereby thoroughly [[DeconstructedCharacterArchetype deconstructs.]]



--> ''I would have thee know, Sancho, that the famous Amadis of Gaul was one of the most perfect knights-errant—I am wrong to say he was one; he stood alone, the first, the only one, the lord of all that were in the world in his time. A fig for Don Belianis, and for all who say he equalled him in any respect, for, my oath upon it, they are deceiving themselves! ... In the same way Amadis was the polestar, day-star, sun of valiant and devoted knights, whom all we who fight under the banner of love and chivalry are bound to imitate.''
* {{Knighting}}: Parodied at Part I Chapter III when Don Quixote insists that [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a castellan)]] knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn. This shows that Don Quixote could be mad, but [[GenreSavvy he knows exactly how the ceremony must be]].
* TheLadysFavour: Deconstructed when (even if it’s only part of a MassiveMultiplayerScam), Altisidora gave Don Quixote three kerchiefs that later are stolen by bandits:
--> Roque on coming up asked Sancho if his men had returned and restored to him the treasures and jewels they had stripped off Dapple. Sancho said they had, but that three kerchiefs that were worth three cities were missing.
--> "What are you talking about, man?" said one of the bystanders; "I have got them, and they are not worth three reals."
--> "That is true," said Don Quixote; "but my squire values them at the rate he says, as having been given me by the person who gave them."

to:

--> ---> ''I would have thee know, Sancho, that the famous Amadis of Gaul was one of the most perfect knights-errant—I am wrong to say he was one; he stood alone, the first, the only one, the lord of all that were in the world in his time. A fig for Don Belianis, and for all who say he equalled him in any respect, for, my oath upon it, they are deceiving themselves! ... In the same way Amadis was the polestar, day-star, sun of valiant and devoted knights, whom all we who fight under the banner of love and chivalry are bound to imitate.''
* {{Knighting}}: Parodied at Part I Chapter III when Don Quixote insists that [[ThePresentsWereNeverFromSanta an innkeeper (who he thinks is a castellan)]] Castellan)]] knight him after he has watched his armor in the castle chapel -- that is, in the stable of the inn. This shows that Don Quixote could be mad, but [[GenreSavvy he knows exactly how the ceremony must be]].
* TheLadysFavour: Deconstructed when (even if it’s it's only part of a MassiveMultiplayerScam), Altisidora gave Don Quixote three kerchiefs that later are stolen by bandits:
--> Roque ''Roque on coming up asked Sancho if his men had returned and restored to him the treasures and jewels they had stripped off Dapple. Sancho said they had, but that three kerchiefs that were worth three cities were missing.
missing.''
--> "What ''"What are you talking about, man?" said one of the bystanders; "I have got them, and they are not worth three reals."
"''
--> "That ''"That is true," said Don Quixote; "but my squire values them at the rate he says, as having been given me by the person who gave them.""''



--> On this point the landlord told him he was mistaken; for, though not recorded in the histories, because in the author's opinion there was no need to mention anything so obvious and necessary as money and clean shirts, [[FridgeLogic it was not to be supposed therefore that they did not carry them,]]
* LifeEmbellished: [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''“The story of the Captive Captain”''. He was a handsome captive captain who wanted to escape the Moors and was helped by Zoraida, a beautiful Moor princess who wanted to convert to Christianity. The captain organized a successful evasion to Spain, was well received by his powerful and rich relatives and married Zoraida. Cervantes was a captive who failed all his evasion intents, his family paid his rescue and he always was an ImpoverishedPatrician.
* LiteraryAgentHypothesis: Cervantes (only referred in the book as "The second author") says that the book was based on some manuscripts he found and made translate to Spanish by an Arab translator.
** Written by some Arabian named Cide Hamete Benengeli (or Sidi Ahmed bin Engeli, as it would be rendered today) whose first name, "Cide", could be translated as "Mister", and whose last name is [[PunnyName a pun]] on "berenjena" (eggplant/aubergine).
*** This trope is parodied, because a lot of chivalry books have his authors claim that they are based in an old manuscript found in an ancient pyramid or another ruined building in some faraway country, written in an exotic language by a wise, famed wizard who favored the hero of the novel. Those claims are made to feign that the chivalry book was inspired by real events. Cervantes twist this and uses it to a comic effect, explaining that the next part of the novel was found in some pamphlets and papers (only a few years old) found in Alcana de Toledo (a real city in Spain) in a silk mercer store, written in Arabic (a fairly known language in Spain) by a (foolish) boy who didn't know what was written in them and so sold the papers to Cervantes for peanuts. If we include the funny name of the wizard and the fact that the [[UnreliableNarrator second author, the translator and Cide Hamete Benengeli are always making comments about the book]], we can see that Cervantes want us to admit that all this tale is a long sequence of lies and nonsense... just like all the chivalry books.
* LongList: This trope is played straight and parodied:

to:

--> On ''On this point the landlord told him he was mistaken; for, though not recorded in the histories, because in the author's opinion there was no need to mention anything so obvious and necessary as money and clean shirts, [[FridgeLogic it was not to be supposed therefore that they did not carry them,]]
them,]]''
* LifeEmbellished: [[AuthorAvatar Ruy Pérez de Viedma]] relates all his biography in ''“The story ''"The Story of the Captive Captain”''.Captain"''. He was a handsome captive captain who wanted to escape the Moors and was helped by Zoraida, a beautiful Moor princess who wanted to convert to Christianity. The captain organized a successful evasion to Spain, was well received by his powerful and rich relatives and married Zoraida. Cervantes was a captive who failed all his evasion intents, his family paid his rescue and he always was an ImpoverishedPatrician.
* LiteraryAgentHypothesis: Cervantes (only referred in the book as "The "the second author") says that the book was based on some manuscripts he found and made translate to Spanish by an Arab translator.
** Written by some Arabian named
Arab, Cide Hamete Benengeli (or Sidi Ahmed bin Engeli, as it would be rendered today) whose first name, "Cide", could be translated as "Mister", and whose last name is [[PunnyName a pun]] on "berenjena" (eggplant/aubergine).
***
(eggplant/aubergine), and translated to Spanish by an anonymous Arab translator. This trope is parodied, because parody of how a lot of chivalry books have his authors claim that they are based in an old manuscript found in an ancient pyramid or another ruined building in some faraway country, written in an exotic language by a wise, famed wizard who favored the hero of the novel. Those claims are made to feign that the chivalry book was inspired by real events. Cervantes twist this and uses it to a comic effect, explaining that the next part of the novel was found in some pamphlets and papers (only a few years old) found in Alcana Alcaná de Toledo (a real city in Spain) in a silk mercer store, written in Arabic (a fairly known language in Spain) by a (foolish) boy who didn't know what was written in them and so sold the papers to Cervantes for peanuts. If we include the funny name of the wizard and the fact that the [[UnreliableNarrator second author, the translator and Cide Hamete Benengeli are always making comments about the book]], we can see that Cervantes want us to admit that all this tale is a long sequence of lies and nonsense... just like all the chivalry books.
* LongList: This trope is played straight and parodied:



** Parodied at Chapter XVIII, Part I. Since {{Homer}}, the description of the forces and the generals of an army was an important part of the heroic literature, and books of chivalry were pleased to develop it, (Amadis of Gaul has a similar scene). In that chapter, Don Quixote describes what he sees at two contending armies to Sancho, whom only can see… two droves of sheep.
* LoonyFan: Sanson Carrásco presents himself as one fan of Don Quixote and discuss with him and Sancho the {{Series Continuity Error}}s, and wants to help that poor, mad fool to regain sanity. HilarityEnsues.
* LordErrorProne: Pretty much the TropeMaker and the Ur-Example: In the first part of the novel, Cervantes settles Don Quixote characterization as this: he almost kills the Vizcayan at chapter IX and maimed for life the Licenciate at chapter XIX. MisaimedFandom insisted in seeing him as the much more sympathetic MadDreamer.
* LostInTranslation: A joke in the Spanish version is that even when everyone understands the term ''island'', only truly sophisticated people understand the term [[AltumVidetur ''insula'']]. So, Sancho doesn’t really understand what an ''insula'' really is, but he desperately wants to rule one, so he would be tricked later in a MassiveMultiplayerScam to rule a little town that is not an island. In some English translations (for example, [[http://www.gutenberg.org/cache/epub/996/pg996.html the Gutenberg project]] this joke is LostInTranslation).
** Cervantes is constantly making puns and wordplay, most of which is untranslatable.
* LoveMartyr: Part II, chapter LX, Don Vicente Tornellas has been shot by his fiancée Claudia Jeronima because she believed that Don Vicente wanted to marry another woman. Don Vicente's last words are to tell her that he was innocent, never intended to marry any other woman, [[{{Tearjerker}} that he considers himself lucky to talk with her in his last moments of life, and then his last act before dying is to give Jeronima his hand and ask her to make him his husband]].

to:

** Parodied at Chapter XVIII, Part I. Since {{Homer}}, Creator/{{Homer}}, the description of the forces and the generals of an army was an important part of the heroic literature, and books of chivalry were pleased to develop it, (Amadis of Gaul has a similar scene). In that chapter, Don Quixote describes what he sees at two contending armies to Sancho, whom only can see… two droves of sheep.
* LoonyFan: Sanson Carrásco Sansón Carrasco presents himself as one a fan of Don Quixote and discuss with him and Sancho the {{Series Continuity Error}}s, and wants to help that poor, mad fool to regain sanity. HilarityEnsues.
* LordErrorProne: Pretty much the TropeMaker {{Trope Maker|s}} and the Ur-Example: In the first part of the novel, Cervantes settles Don Quixote characterization as this: he almost kills the Vizcayan at chapter IX and maimed for life the Licenciate at chapter XIX. MisaimedFandom Fandom insisted in seeing him as the much more sympathetic MadDreamer.
* LostInTranslation: A Cervantes is constantly making puns and wordplay, most of which is untranslatable; one joke in the Spanish version is that even when everyone understands the term ''island'', "island", only truly sophisticated people understand the term [[AltumVidetur ''insula'']]. "''[[AltumVidetur insula]]''". So, Sancho doesn’t doesn't really understand what an ''insula'' "''insula''" really is, but he desperately wants to rule one, so he would be tricked later in a MassiveMultiplayerScam to rule a little town that is not an island. In some English translations (for example, [[http://www.gutenberg.org/cache/epub/996/pg996.html the Gutenberg project]] Project]]) this joke is LostInTranslation).
** Cervantes is constantly making puns and wordplay, most of which is untranslatable.
Lost in Translation).
* LoveMartyr: Part II, chapter LX, Don Vicente Tornellas has been shot by his fiancée Claudia Jeronima because she believed that Don Vicente wanted to marry another woman. Don Vicente's last words are to tell her that he was innocent, never intended to marry any other woman, [[{{Tearjerker}} [[TearJerker that he considers himself lucky to talk with her in his last moments of life, and then his last act before dying is to give Jeronima his hand and ask her to make him his her husband]].



* MadDreamer: The first part of the novel settles Don Quixote as LordErrorProne. MisaimedFandom insisted to see him as the UrExample of the much more sympathetic MadDreamer. [[UnbuiltTrope Cervantes wanted to explore all ramifications of this new trope:]] Don Quixote is welcomed by people of all classes... because they want to mock him. One character even gives the FamilyUnfriendlyAesop that '' "the gain by Don Quixote’s sanity can never equal the enjoyment his crazes give" ''
* MayDecemberRomance: Don Quixote is around 50; Dulcinea, being an unmarried peasant girl, is probably less than 20. Not that she knows anything about her pretender's interest, though.
** Deconstructed with Altisidora and Don Quixote in the second part: Altisidora, a 14 year old maiden at the Duke’s palace, pretends to be in love with Don Quixote. He stoically accepts her [[ClingyJealousGirl teasing and mean pranks]] because he believes [[SmittenTeenageGirl she’s in love with him]], but he never attempts anything because he wants to be loyal to Dulcinea and is very happy when he abandons her and the palace. Being an honest man, he confesses to Sancho that Altisidora’s feelings caused him ''more confusion than pity'', showing us how awkward and foolish would be this kind of relationship in reality.
* MeaningfulName: Dulcinea, the name Don Quixote gives to his random LoveInterest, could be translated as "Sweety". For the others, see PunnyName. Another example: Doctor Pedro Recio (could be translated as "Doctor Hard Rock"), a doctor who insists that Sancho, as a governor, must have a very strict diet. There are many, many others. The very name itself, ''quixote'' (Modern Spanish ''quijote'') means "cuisse", the thighplate of a knightly armour.
* MockGuffin: The Golden Helmet of Mambrino, an artifact from romance novels that supposedly made its wearer invincible, is the former TropeNamer. Don Quixote sees a barber wearing his brass basin on his head to keep out the rain and assumes that the basin is the Golden Helmet and takes it for himself.

to:

* MadDreamer: The first part of the novel settles Don Quixote as LordErrorProne. MisaimedFandom Fandom insisted to see him as the UrExample of the much more sympathetic MadDreamer. Mad Dreamer. [[UnbuiltTrope Cervantes wanted to explore all ramifications of this new trope:]] trope]]: Don Quixote is welcomed by people of all classes... because they want to mock him. One character even gives the FamilyUnfriendlyAesop that '' "the ''"the gain by Don Quixote’s Quixote's sanity can never equal the enjoyment his crazes give" ''
give"''.
* MayDecemberRomance: MadeOfIron: Don Quixote is, arguably, one. He can survive being thrown into the air by a windmill. Also, despite all the beatings he takes throughout the novel, he still survives to the end. Quixote also receives some serious damage during his fights, he loses half his right ear about half a dozen teeth, and shrugs them off with nothing more than a quip about the nobleness of Knight-Errantry. Indeed, as noted by novelist and critic, Creator/VladimirNabokov, despite being seen as a crazy knight, Don Quixote actually wins more fights than he loses.
* MayDecemberRomance:
**
Don Quixote is around 50; Dulcinea, being an unmarried peasant girl, is probably less than 20. Not that she knows anything about her pretender's interest, though.
** Deconstructed with Altisidora and Don Quixote in the second part: Altisidora, a 14 year old maiden at the Duke’s palace, pretends to be in love with Don Quixote. He stoically accepts her [[ClingyJealousGirl teasing and mean pranks]] because he believes [[SmittenTeenageGirl she’s she's in love with him]], but he never attempts anything because he wants to be loyal to Dulcinea and is very happy when he abandons her and the palace. Being an honest man, he confesses to Sancho that Altisidora’s feelings caused him ''more confusion than pity'', showing us how awkward and foolish would be this kind of relationship in reality.
* MeaningfulName: MeaningfulName:
**
Dulcinea, the name Don Quixote gives to his random LoveInterest, could be translated as "Sweety". For the others, see PunnyName. Another example: "Sweety".
**
Doctor Pedro Recio (could be translated as "Doctor Hard Rock"), a doctor who insists that Sancho, as a governor, must have a very strict diet. There are many, many others. diet.
**
The very title name itself, ''quixote'' (Modern Spanish ''quijote'') means "cuisse", the thighplate of a knightly armour.
* MisaimedFandom: In-universe, in Part I, Chapter I: Who is Alonso Quixano's favorite knight? Well, Reinaldos of Montalban. And why? ''"Because he robbed everyone he meet!"''
*
MockGuffin: The Golden Helmet of Mambrino, an artifact from romance novels that supposedly made its wearer invincible, is the former TropeNamer.{{Trope Namer|s}}. Don Quixote sees a barber wearing his brass basin on his head to keep out the rain and assumes that the basin is the Golden Helmet and takes it for himself.



** PlayedForDrama
*** An inversion: When Dorothea recounts how she agreed to sleep with Don Fernando, son of the Duke, under a promise of marriage, she was constantly MovingTheGoalposts. In restrospect, Dorothea realizes that when Don Fernando answered “yes” to all her demands, [[TheCakeIsALie that was the proof that he would fulfill none of them]].
--> ''"All this that I have now repeated I said to him, and much more which I cannot recollect; but it had no effect in inducing him to forego his purpose; he who has no intention of paying does not trouble himself about difficulties when he is striking the bargain.''

to:

** PlayedForDrama
*** An inversion: When
PlayedForDrama when Dorothea recounts how she agreed to sleep with Don Fernando, son of the Duke, under a promise of marriage, she was constantly MovingTheGoalposts. In restrospect, Dorothea realizes that when Don Fernando answered “yes” to all her demands, [[TheCakeIsALie that was the proof that he would fulfill none of them]].
--> ---> ''"All this that I have now repeated I said to him, and much more which I cannot recollect; but it had no effect in inducing him to forego his purpose; he who has no intention of paying does not trouble himself about difficulties when he is striking the bargain.''



* NiceJobBreakingItHero: Countless times, Don Quixote's chivalric antics make things only worse. All Don Quixote’s adventures end like this, just to see the first of them:
** Chapter IV Part I: Don Quixote rescues Andres, a boy shepherd who was flogged by his master Juan Haduldo, and trusts Juan to pay Andres his salary ([[WrongGenreSavvy because the knights in]] ChivalricRomance [[IGaveMyWord always keep their word]]). Just after Don Quixote leaves, [[RealityEnsues Juan brutally flogs Andres and doesn’t pay him]].
* NewMediaAreEvil: Spain at The Cavalier Years had just discovered the printing press, and books were considered this trope. The BookBurning the {{Moral Guardian}}s enact at first part chapter VI to cure Don Quixote’s madness has not the darker connotations associated to the trope (and it’s full of {{Take That}}s against badly written books).
** At chapter IV of the Second Part, Don Quixote and Samsom Carrasco discuss Fallen Creator (InUniverse). Don Quixote notices reputed writers that lost prestige when they publish their works on the new printing presses. Carrasco explains that a printed book makes [[AccentuateTheNegative easier to explore for any kind of error]], and FanDumb is always envy of great creators, [[LetsSeeYouDoBetter because they have never produced a book.]] (Incidentally, Cervantes get a lot of critiques because the first part of Don Quixote was plagued with {{Series Continuity Error}}s).

to:

* NiceJobBreakingItHero: Countless times, Don Quixote's chivalric antics make things only worse. All Don Quixote’s Quixote's adventures end like this, just to see the first of them:
**
them, Chapter IV Part I: Don Quixote rescues Andres, a boy shepherd who was flogged by his master Juan Haduldo, and trusts Juan to pay Andres his salary ([[WrongGenreSavvy because the knights in]] ChivalricRomance [[IGaveMyWord always keep their word]]). Just after Don Quixote leaves, [[RealityEnsues Juan brutally flogs Andres and doesn’t doesn't pay him]].
* NewMediaAreEvil: Spain at The the Cavalier Years had just discovered the printing press, and books were considered this trope. The BookBurning the {{Moral Guardian}}s enact at first part chapter VI to cure Don Quixote’s Quixote's madness has not the darker connotations associated to the trope (and it’s it's full of {{Take That}}s against badly written books).
** At
books), and at chapter IV of the Second Part, when Don Quixote and Samsom Sansón Carrasco discuss Fallen Creator (InUniverse). Don Quixote notices reputed writers that lost prestige when they publish their works on the new printing presses. presses, Carrasco explains that a printed book makes [[AccentuateTheNegative easier to explore for any kind of error]], and FanDumb is always envy of great creators, [[LetsSeeYouDoBetter because they have never produced a book.]] book]]. (Incidentally, Cervantes get a lot of critiques because the first part of Don Quixote was plagued with {{Series Continuity Error}}s).



* NoFourthWall: Numerous characters in the second part recognize Don Quixote and Sancho Panza by having read the first part.
** Considering that this was written in the 17th century, it's a textbook case of a trope [[OlderThanTheyThink used ''avant la lettre'']].

to:

* NoFourthWall: Numerous characters in the second part recognize Don Quixote and Sancho Panza by having read the first part.
**
part. Considering that this was written in the 17th century, it's a textbook case of a trope [[OlderThanTheyThink used ''avant ''[[OlderThanTheyThink avant la lettre'']].lettre]]''.



--> "I have little to do with that," replied the innkeeper; "pay me what you owe me, and let us have no more talk of chivalry, for all I care about is to get my money."
* ObligatoryWarCrimeScene: Don Quixote travels to Barcelona, a province of the [[TheEmpire Spanish Empire]] facing a CivilWar. [[ButtMonkey Sancho get lost at night in a forest whose trees are filled with feet wearing shoes and stocking]]. [[CasualDangerDialog Don Quixote calmly explains that]] [[CrushingThePopulace the authorities hang outlaws by twenties and thirties when they catch them]].
* OhCrapThereAreFanficsOfUs: At chapter LIX of the second part, Don Quixote hears some guys talking about the {{fanfiction}} Avellaneda wrote about Don Quixote. This is only the beginning of Don Quixote and Sancho continuous attacks against Avellaneda for the CharacterDerailment in the rest of the novel.
--> The instant Don Quixote heard his own name be started to his feet and listened with open ears to catch what they said about him, and heard the Don Jeronimo who had been addressed say in reply, "Why would you have us read that absurd stuff, Don Juan, when it is impossible for anyone who has read the First Part of the history of 'Don Quixote of La Mancha' to take any pleasure in reading this Second Part?"
--> "For all that," said he who was addressed as Don Juan, "we shall do well to read it, for there is no book so bad but it has something good in it. What displeases me most in it is that it represents Don Quixote [[CharacterDerailment as now cured of his love for Dulcinea del Toboso."]]
--> On hearing this Don Quixote, full of wrath and indignation, lifted up his voice and said, [[TakeThat "Whoever he may be who says that Don Quixote of La Mancha has forgotten or can forget Dulcinea del Toboso, I will teach him with equal arms that what he says is very far from the truth; for neither can the peerless Dulcinea del Toboso be forgotten, nor can forgetfulness have a place in Don Quixote; his motto is constancy, and his profession to maintain the same with his life and never wrong it."]]

to:

--> "I ''"I have little to do with that," replied the innkeeper; "pay me what you owe me, and let us have no more talk of chivalry, for all I care about is to get my money."
"''
* ObligatoryWarCrimeScene: Don Quixote travels to Barcelona, a province of the [[TheEmpire Spanish Empire]] Empire facing a CivilWar. [[ButtMonkey Sancho Sancho, being the ButtMonkey, get lost at night in a forest whose trees are filled with feet wearing shoes and stocking]]. stocking. Don Quixote [[CasualDangerDialog Don Quixote calmly explains that]] [[CrushingThePopulace the authorities hang outlaws by twenties and thirties when they catch them]].
* OhCrapThereAreFanficsOfUs: At chapter LIX of the second part, Don Quixote hears some guys talking about the {{fanfiction}} {{fanfic}} Avellaneda wrote about Don Quixote. This is only the beginning of Don Quixote and Sancho continuous attacks against Avellaneda for the CharacterDerailment in the rest of the novel.
--> The ''The instant Don Quixote heard his own name be started to his feet and listened with open ears to catch what they said about him, and heard the Don Jeronimo who had been addressed say in reply, "Why would you have us read that absurd stuff, Don Juan, when it is impossible for anyone who has read the First Part of the history of 'Don Quixote of La Mancha' to take any pleasure in reading this Second Part?"
Part?"''
--> "For ''"For all that," said he who was addressed as Don Juan, "we shall do well to read it, for there is no book so bad but it has something good in it. What displeases me most in it is that it represents Don Quixote [[CharacterDerailment as now cured of his love for Dulcinea del Toboso."]]
"''
--> On ''On hearing this Don Quixote, full of wrath and indignation, lifted up his voice and said, [[TakeThat "Whoever he may be who says that Don Quixote of La Mancha has forgotten or can forget Dulcinea del Toboso, I will teach him with equal arms that what he says is very far from the truth; for neither can the peerless Dulcinea del Toboso be forgotten, nor can forgetfulness have a place in Don Quixote; his motto is constancy, and his profession to maintain the same with his life and never wrong it."]]"''



*** In Part I, Chapter I: The giant Morgante is one of Alonso Quixano’s favorite characters, because despite being a giant, (and in the chivalry books all giants are arrogant and angry), he is affable and well bred… It’s cool, isn’t it? the whole point is that Alonso Quixano think’s [[ArchetypalCharacter this kind of character]] is original of his beloved chivalry books, but really [[http://en.wikipedia.org/wiki/Saint_Christopher it’s not]].
* OnlySaneMan: Sancho. And even then, he still willingly follows Quixote and even believes some of the ridiculous things he's told, because he's a simple peasant who doesn't know any better.

to:

*** In Part I, Chapter I: The giant Morgante is one of Alonso Quixano’s favorite characters, because despite being a giant, (and in the chivalry books all giants are arrogant and angry), he is affable and well bred… It’s cool, isn’t it? the whole point is that Alonso Quixano think’s [[ArchetypalCharacter this kind of character]] is original of his beloved chivalry books, but really [[http://en.wikipedia.org/wiki/Saint_Christopher it’s it's not]].
* OnlySaneMan: OnlySaneMan:
**
Sancho. And even then, he still willingly follows Quixote and even believes some of the ridiculous things he's told, because he's a simple peasant who doesn't know any better.



* OutOfCharacterMoment: Lampshaded: In the first part, it's very clear that Sancho Panza is a naïve simpleton. In the second part, Sancho suddenly says very intelligent things to his wife. [[LiteraryAgentHypothesis One of the "narrators" of this tale]], seeing this inconsistence, decides to [[LampshadeHanging warn us:]] '' "The translator of this history, when he comes to write this fifth chapter, says that he considers it apocryphal, because in it Sancho Panza speaks in a style unlike that which might have been expected from his limited intelligence, and says things so intelligent that he does not think it possible he could have conceived them; however, desirous of doing what his task imposed upon him, he was unwilling to leave it untranslated, and therefore he went on to say":'' This could be considered the beginning of Sancho's slow transformation into a [[SimplemindedWisdom wiser person]].
* {{Picaresque}}: Arguably, the novel's true genre.
* PunnyName: In a 17th century's pun, Quixote means "cuisse", the piece of armor covering the thigh. Modern Spanish form is ''quijote''.

to:

* OutOfCharacterMoment: Lampshaded: In the first part, it's very clear that Sancho Panza is a naïve simpleton. In the second part, Sancho suddenly says very intelligent things to his wife. [[LiteraryAgentHypothesis One of the "narrators" of this tale]], seeing this inconsistence, decides to [[LampshadeHanging warn us:]] '' "The us]]: ''"The translator of this history, when he comes to write this fifth chapter, says that he considers it apocryphal, because in it Sancho Panza speaks in a style unlike that which might have been expected from his limited intelligence, and says things so intelligent that he does not think it possible he could have conceived them; however, desirous of doing what his task imposed upon him, he was unwilling to leave it untranslated, and therefore he went on to say":'' This could be considered the beginning of Sancho's slow transformation into a [[SimplemindedWisdom wiser person]].
* {{Picaresque}}: Arguably, the novel's true genre.
genre, being a satiric prose depicting in realistic, humorous detail the adventures of a roguish hero living by his wits ("wits" meaning here "craziness") through a RandomEventsPlot.
* PunnyName: PunnyName:
**
In a 17th century's pun, Quixote means "cuisse", the piece of armor covering the thigh. Modern Spanish form is ''quijote''.



** Cervantes denounces this trope in the books of chivalry: We all know that purple prose is [[SuckinessIsPainful annoying to those who read it]], but in Chapter I, Part I, Cervantes ensures us that Alonso Quijano [[BrownNote went crazy]] [[ImpossibleTask because he tried to understand]] what the authors meant, and he [[TakeThat imitates the style of one in particular]]. [[SchmuckBait You can find the quote at the click in the link ... if you dare.]]

to:

** Cervantes denounces this trope in the books of chivalry: We all know that purple prose is [[SuckinessIsPainful annoying to those who read it]], but in Chapter I, Part I, Cervantes ensures us that Alonso Quijano [[BrownNote went crazy]] [[ImpossibleTask because he tried to understand]] what the authors meant, and he [[TakeThat imitates the style of one in particular]]. [[SchmuckBait You can find the quote at the click in the link ... if you dare.]]



* RandomEventsPlot: Given that the first part of the novel is a DeconstructiveParody of ChivalricRomance, and those books were not more than a KnightErrant in the road reacting to the events that happened to him, the first part is this (the second part has a plot in [[DamselInDistress Dulcinea’s rescue]]). Only that instead of being boring or confusing, Cervantes aimed, and was able, to reproduce the feel of RealLife in his book.
* RashomonStyle: At chapter XII of Part I, Don Quixote hears conflicted versions of the story of Chrysostom and Marcela in his way to Chrysostom’s funeral: Shepherd Pedro thinks Marcela is a good person. Ambrosio, Chrysostom’s best friend, calls her cruel, but admits it’s an InformedFlaw. Chrysostom poem claims he is a LoveMartyr and Marcela is a cruel IceQueen. At the end, Marcela claims she is SoBeautifulItsACurse and he has the right, as a free woman, to reject anyone. Nobody says, but everybody implies, SpurnedIntoSuicide
* RealAfterAll: Sancho Panza is fooled by the Duke to assume a governorship (really a complicated series of MassiveMultiplayerScam just to prank Sancho). When Sancho patrols his Insula, he is victim of various prankers, except for the last one, a SweetPollyOliver that no one knows, who is a girl who has escaped his GildedCage, to all the pranksters confusion.

to:

* RandomEventsPlot: Given that the first part of the novel is a DeconstructiveParody of ChivalricRomance, and those books were not more than a KnightErrant in the road reacting to the events that happened to him, the first part is this (the second part has a plot in [[DamselInDistress Dulcinea’s Dulcinea's rescue]]). Only that instead of being boring or confusing, Cervantes aimed, and was able, to reproduce the feel of RealLife in his book.
* RashomonStyle: At chapter XII of Part I, Don Quixote hears conflicted versions of the story of Chrysostom and Marcela in his way to Chrysostom’s Chrysostom's funeral: Shepherd Pedro thinks Marcela is a good person. Ambrosio, Chrysostom’s Chrysostom's best friend, calls her cruel, but admits it’s it's an InformedFlaw. Chrysostom poem claims he is a LoveMartyr and Marcela is a cruel IceQueen. At the end, Marcela claims she is SoBeautifulItsACurse and he has the right, as a free woman, to reject anyone. Nobody says, but everybody implies, SpurnedIntoSuicide
* RealAfterAll: Sancho Panza is fooled by the Duke to assume a governorship (really a complicated series of MassiveMultiplayerScam just to prank Sancho). When Sancho patrols his Insula, he is victim of various prankers, except for the last one, a SweetPollyOliver that no one knows, who is a girl who has escaped his GildedCage, to all the pranksters pranksters' confusion.



* RetCon: In Part II, Cervantes tried to correct some of the most glaring continuity errors of the first book, particularly the mysterious disappearance of Sancho's donkey.
* RevealingCoverup: Parodied by the {{Moral Guardian}}s who become {{Threshold Guardian}}s: In his first sally, Don Quixote. doesn’t find any [[InstantAwesomeJustAddDragons dragon]], [[RobeAndWizardHat enchanters]], or [[DamselInDistress damsels in distress]]. He is very disappointed when he comes back to his house, where their family and two {{Moral Guardian}}s have made a BookBurning of his ChivalricRomance books. To avoid Don Quixote’s ire, the {{Moral Guardian}}s advise the family to tell him, literally, that AWizardDidIt. ''That excuse was Don Quixote’s first contact with the MedievalEuropeanFantasy he so desperately wanted to live!'' If the {{Moral Guardian}}s would have told him the truth, he would never have persevered in his madness.
* SarcasticDevotee: Sancho Panza deconstructs this trope, see DeadpanSnarker.

to:

* RetCon: {{Reconstruction}}: At the very end of the novel, the narrator notes that Don Quixote's bull-headedness and steadfast impossible perseverance and commitment to his idea, which thus far was used to parody chivalric tropes, made him an even greater hero than all the false chivalric heroes that he aspired to, and who his own story would completely eclipse.
* {{Retcon}}:
In Part II, Cervantes tried to correct some of the most glaring continuity errors of the first book, particularly the mysterious disappearance of Sancho's donkey.
* RevealingCoverup: Parodied by the {{Moral Guardian}}s who become {{Threshold Guardian}}s: In his first sally, Don Quixote. doesn’t Quixote doesn't find any [[InstantAwesomeJustAddDragons dragon]], dragons]], [[RobeAndWizardHat enchanters]], or [[DamselInDistress damsels in distress]]. He is very disappointed when he comes back to his house, where their family and two {{Moral Guardian}}s Moral Guardians have made a BookBurning of his ChivalricRomance books. To avoid Don Quixote’s Quixote's ire, the {{Moral Guardian}}s Moral Guardians advise the family to tell him, literally, that AWizardDidIt. ''That excuse was Don Quixote’s Quixote's first contact with the MedievalEuropeanFantasy he so desperately wanted to live!'' If the {{Moral Guardian}}s Moral Guardians would have told him the truth, he would never have persevered in his madness.
* SarcasticDevotee: Deconstructed by Sancho Panza deconstructs this trope, see DeadpanSnarker.Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.



* ScheherezadeGambit: Sancho tries to do this to Quixote to keep him from charging against a watermill (Quixote had something with mills). He forgets about what he was telling.
** It's actually even funnier than that: the story he tells Quixote was a common children's story of the time, and is supposed to work like a lullaby, repeating a useless element over and over until the kid goes to sleep.
* ScreeningTheCall: If Quixote's reading induced insanity is his CallToAdventure, then the attempt to burn his books is an attempt to Screen The Call.
* SecretTestOfCharacter: Deconstructed in the [[ShowWithinAShow Novel Within A Novel ''"The Ill-Advised Curiosity"'']] where [[TooDumbToLive Anselmo]] asks his best friend Lotario to test the fidelity of his wife, Camila. In any other story, Camila will pass the test and everyone will have lived HappilyEverAfter. In the novel, Camila and Lotario became lovers, [[KillThemAll causing the tragic deaths of the three]].

to:

* ScheherezadeGambit: Sancho tries to do this to Quixote to keep him from charging against a watermill (Quixote had something with mills). He forgets about what he was telling.
**
telling. It's actually even funnier than that: given that the story he tells Quixote was a common children's story of the time, and is supposed to work like a lullaby, repeating a useless element over and over until the kid goes to sleep.
* ScreeningTheCall: If Quixote's reading induced reading-induced insanity is his CallToAdventure, then the attempt to burn his books is an attempt to Screen The the Call.
* SecretTestOfCharacter: Deconstructed in the [[ShowWithinAShow Novel Within A Novel ''"The a Novel]], ''The Ill-Advised Curiosity"'']] Curiosity'' where [[TooDumbToLive Anselmo]] asks his best friend Lotario to test the fidelity of his wife, Camila. In any other story, Camila will pass the test and everyone will have lived HappilyEverAfter. In the novel, Camila and Lotario became lovers, [[KillThemAll causing the tragic deaths of the three]].



-->''"He was not at all easy about the wounds which Don Belianis gave and took, [[FridgeLogic because it seemed to him that]], [[WildMassGuessing great as were the surgeons who had cured him]], [[PlotHole he must have had his face and body]] [[NegativeContinuity covered all over with seams and scars"'']].

to:

-->''"He ---->''"He was not at all easy about the wounds which Don Belianis gave and took, [[FridgeLogic because it seemed to him that]], that, [[WildMassGuessing great as were the surgeons who had cured him]], [[PlotHole he must have had his face and body]] [[NegativeContinuity covered all over with seams and scars"'']].scars]]."''



*** [[PlotHole Sancho’s donkey disappearance]]
*** [[WhatHappenedToTheMouse Those hundred crowns that Sancho found in the valise in the Sierra Morena]]
** Played straight In the book:

to:

*** [[PlotHole Sancho’s Sancho's donkey disappearance]]
disappearance]].
*** [[WhatHappenedToTheMouse Those hundred crowns that Sancho found in the valise in the Sierra Morena]]
Morena]].
** Played straight In in the book:



* SatelliteLoveInterest: Aldonza Lorenzo a.k.a Dulcinea Del Toboso, who isn't even aware of her status as love interest of Don Quixote.
** This trope is parodied and exaggerated with Dulcinea Del Toboso, a lover that Don Quixote ''imagined'' from a peasant girl called Aldonza Lorenzo. [[ShadowArchetype She represents for him all that is lovable about a woman without any of the defects of a real person]], and [[TheDulcineaEffect he only imagined her so he can undertake adventures in her name]]. She becomes the [[ExaggeratedTrope illogical extreme of this trope]], because nobody is more shallow than a ShadowArchetype.

to:

* SatelliteLoveInterest: Aldonza Lorenzo a.k.a Dulcinea Del Toboso, who isn't even aware of her status as love interest of Don Quixote.
**
This trope is parodied and exaggerated with Dulcinea Del del Toboso, a lover that Don Quixote ''imagined'' from a peasant girl called Aldonza Lorenzo. [[ShadowArchetype She represents for him all that is lovable about a woman without any of the defects of a real person]], and [[TheDulcineaEffect he only imagined her so he can undertake adventures in her name]]. She becomes the [[ExaggeratedTrope illogical extreme of this trope]], because nobody is more shallow than a ShadowArchetype.she isn't even aware of her status as love interest of Don Quixote.



* SeriousBusiness: This is the theme of the novel: The first part, only Don Quixote is affected with the chivalry lifestyle, but in the second, a sizable portion of the Spanish population takes it far more seriously than it should be. There are various examples:
** InUniverse:
*** '''Don Quixote''': Type I: The very last stage of Alonso Quixano's obsession with chivalry books and the first stage of his true madness (and also to show exactly how out of touch with reality he really is): Part I, Chapter I shows us how important are the chivalry books for him: he will have given his housekeeper and his niece to kick that traitor of Ganelon. ([[BetrayalTropes Ganelon]] was the guy who betrayed [[Literature/TheSongOfRoland Roland at Roncesvalles]] and who becomes, with [[KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period).
*** '''The Duke and the Duchess:''' They spent a lot of money and organize truly MassiveMultiplayerScam (Dulcinea’s enchantment has all the people in their castle, the Insula Barataria involucres all the people of a town) only to laugh at Don Quixote and Sancho.
*** '''[[OnlyKnownByTheirNickname The Cousin]]''', a KnowNothingKnowItAll who is a researcher of LittleKnownFacts and [[InformedAbility author of three books (still not published)]]: [[SeriousBusiness All of great utility and no less entertainment to the nation. With quotes from more than twenty five authors]].
*** '''UsefulNotes/TheSpanishInquisition''': To have an [[DeceptivelyHumanRobots enchanted head]] [[PracticalJoke that answers questions]] could lead to the ignorant vulgar should be scandalized. [[MoralGuardian So it orders it to be destroyed]].
* ShoutOut: Hundreds upon hundreds of them, although many would be unrecognizable to the modern reader.
** Chapter I part I mentions Creator/{{Aristotle}}, philosopher widely regarded as the greatest abstract thinker of Occidental Civilization. Even he has no chance to make sense of the purple prose that plagued Chivalry Books. Also in Chapter III, Part II, Don Quixote's opinion about history and poetry reflects the theory exposed in Aristotle's ''Literature/{{Poetics}}''.
* ShowWithinAShow (in Part 1, a number of short stories told by other characters). For example, "The Ill-Advised Curiosity" is a true novel within the novel, and [[ThoseTwoGuys the priest]] reads it to all the guests in the inn completely through two chapters of the first part.

to:

* SeriousBusiness: This is the theme of the novel: The first part, only Don Quixote is affected with the chivalry lifestyle, but in the second, a sizable portion of the Spanish population takes it far more seriously than it should be. There are various examples:
SeriousBusiness:
** InUniverse:
***
'''Don Quixote''': Quixote:''' Type I: The very last stage of Alonso Quixano's obsession with chivalry books and the first stage of his true madness (and also to show exactly how out of touch with reality he really is): Part I, Chapter I shows us how important are the chivalry books for him: he will have given his housekeeper and his niece to kick that traitor of Ganelon. ([[BetrayalTropes Ganelon]] was the guy who betrayed [[Literature/TheSongOfRoland Roland at Roncesvalles]] and who becomes, with [[KingArthur [[Myth/KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period).
*** ** '''The Duke and the Duchess:''' They spent a lot of money and organize truly MassiveMultiplayerScam (Dulcinea’s enchantment has all the people in their castle, the Insula Barataria involucres all the people of a town) only to laugh at Don Quixote and Sancho.
*** ** '''[[OnlyKnownByTheirNickname The Cousin]]''', a KnowNothingKnowItAll who is a researcher of LittleKnownFacts and [[InformedAbility author of three books (still not published)]]: [[SeriousBusiness All of great utility and no less entertainment to the nation. With quotes from more than twenty five authors]].
*** ** '''UsefulNotes/TheSpanishInquisition''': To have an [[DeceptivelyHumanRobots enchanted head]] [[PracticalJoke that answers questions]] could lead to the ignorant vulgar should be scandalized. [[MoralGuardian So it orders it to be destroyed]].
* ServileSnarker: Deconstructed by Sancho Panza: What happens in RealLife to the employee that cannot say anything about his master without being sarcastic? Why, Sancho is beaten by Don Quixote at chapters XX and XXV of Part I, and gives him a hurricane of insults at chapter XLVI. The problem is that a lot of people enjoys Sancho's sarcasm (he is good at it) and so he feels compelled to say it, even when he is in perilous situations, like when he denied payment to a Innkeeper (Chapter XVII part I), [[TooDumbToLive and he mocked the entire people of the Braying Town or the highwaymen of Barcelona]] (Chapters XXVII and LX of the part II) The first give him a beating, the highwaymen almost kill him.
* ShoutOut: Hundreds upon hundreds of them, although many would be unrecognizable to the modern reader.
**
reader. Chapter I part I mentions Creator/{{Aristotle}}, philosopher widely regarded as the greatest abstract thinker of Occidental Civilization. western civilization. Even he has no chance to make sense of the purple prose that plagued Chivalry Books.chivalry books. Also in Chapter III, Part II, Don Quixote's opinion about history and poetry reflects the theory exposed in Aristotle's ''Literature/{{Poetics}}''.
* ShowWithinAShow (in Part 1, a number of short stories told by other characters). For example, "The ShowWithinAShow: ''The Ill-Advised Curiosity" Curiosity'' is a true novel within the a novel, and [[ThoseTwoGuys the priest]] priest reads it to all the guests in the inn completely through two chapters of the first part.



* SmallNameBigEgo: GrandDame Dueña Doña Rodríguez is the only one character stupid enough in all the novel (and in-universe, ''in all Spain'') to sincerely believe that Don Quixote is a real KnightErrant.



* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom’s funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience ([[AllMenArePerverts made by men) hears anything and they are only interested in Marcela’s beauty]]. They want to follow her, but Marcela was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.
* UsefulNotes/TheSpanishInquisition: Cervantes, a contemporary Spanish author, shows that his institution was responsible for ensuring that the Spanish captives by the Moors who returned to Spain did not present traces of having converted to Islam, and as a MoralGuardian full of pity for the masses at their charge when [[ThePrankster a noble]] makes a PracticalJoke with an [[DeceptivelyHumanRobots enchanted head]]. However, [[FridgeLogic the book would never have been published if the institution was shown in a worse light]].
* SuperheroSobriquets: Don Quixote is given one by Sancho Panza: "The Knight of the Sorrowful Face"[[note]](or "Sad Countenance"/"Rueful Figure"), Edith Grossman's translation places it as "Sorrowful"[[/note]]. The reason is, as Sancho says, he had never seen a sadder face than that of Don Quixote's. Later, after the incident with the lions, Sancho calls him, without irony, as "The Knight of the Lions".

to:

* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom’s Chrysostom's funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience ([[AllMenArePerverts made [[AllMenArePerverts (made by men) hears anything and they are only interested in Marcela’s Marcela's beauty]]. They want to follow her, but Marcela was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.
* UsefulNotes/TheSpanishInquisition: Cervantes, a contemporary Spanish author, shows that his institution was responsible for ensuring that the Spanish captives by the Moors who returned to Spain did not present traces of having converted to Islam, and as a MoralGuardian full of pity for the masses at their charge when [[ThePrankster a noble]] makes a PracticalJoke with an [[DeceptivelyHumanRobots enchanted head]]. However, [[FridgeLogic the book would never have been published if the institution was shown in a worse light]].
* SuperheroSobriquets: Don Quixote is given one by Sancho Panza: "The Knight of the Sorrowful Face"[[note]](or Face".[[note]](or "Sad Countenance"/"Rueful Figure"), Edith Grossman's translation places it as "Sorrowful"[[/note]]. "Sorrowful"[[/note]] The reason is, as Sancho says, he had never seen a sadder face than that of Don Quixote's. Later, after the incident with the lions, Sancho calls him, without irony, as "The Knight of the Lions".



** ClingyJealousGirl Claudia Jeronima deconstructs this trope: She is wearing men’s clothes because [[IfICantHaveYou she has murdered a supposedly unfaithful lover]] and Barcelona is having a CivilWar. She wants to conceal her identity so her family would not be harmed by anyone seeking {{revenge}}.
** TheExile Ana Felix deconstructs this trope: Fleeing for Spain for having a Muslim father, she enters Algiers, where the King blackmails her to steal his family treasure hidden in Spain. So she wears men’s clothes to come back with the King’s soldiers and mislead the Spanish authorities.

to:

** ClingyJealousGirl Claudia Jeronima deconstructs this trope: She is wearing men’s men's clothes because [[IfICantHaveYou she has murdered a supposedly unfaithful lover]] and Barcelona is having a CivilWar. She wants to conceal her identity so her family would not be harmed by anyone seeking {{revenge}}.
** TheExile {{The exile}}d Ana Felix deconstructs this trope: Fleeing for Spain for having a Muslim father, she enters Algiers, where the King blackmails her to steal his family treasure hidden in Spain. So she wears men’s men's clothes to come back with the King’s King's soldiers and mislead the Spanish authorities.



** Unfortunately for him, Cervantes was not a very known author when he published "Don Quixote" at 1605, and given the [[SmallNameBigEgo extremely difficult Spanish literary environment of his time]], he didn't get any commendatory verses for his book from any (famous) author; so he wrote a dialogue in the Preface of the Author, Part I, where Cervantes explains this setback and despairs to publish ''Don Quixote''. His friend advised him to pretend that Cervantes has done [[ShownTheirWork extensive research to impress his audience]], when in fact he will take advantage of some tricks [[TakeThat used by several renowned Spanish writers of his time]] (Cervantes never mentions names so as not to disturb famous Spanish authors like Lope de Vega).
*** The first advice of his friend is [[DanBrowned for Cervantes to write the commendatory verses himself, and then claim they came from some famous or powerful characters of his time, even claiming that some of them were famous poets]]. The truth is that a lot of the powerful Spanish people of his time could not be poets, and were even illiterate.

to:

** Unfortunately for him, Cervantes was not a very known author when he published "Don Quixote" ''Don Quixote'' at 1605, and given the [[SmallNameBigEgo extremely difficult Spanish literary environment of his time]], he didn't get any commendatory verses for his book from any (famous) author; so he wrote a dialogue in the Preface of the Author, Part I, where Cervantes explains this setback and despairs to publish ''Don Quixote''. His friend advised him to pretend that Cervantes has done [[ShownTheirWork extensive research to impress his audience]], when in fact he will take advantage of some tricks [[TakeThat used by several renowned Spanish writers of his time]] (Cervantes never mentions names so as not to disturb famous Spanish authors like Lope de Vega).
*** The first advice of his friend is [[DanBrowned for Cervantes to write the commendatory verses himself, and then claim they came from some famous or powerful characters of his time, even claiming that some of them were famous poets]].poets, basically, to pull a DanBrowned. The truth is that a lot of the powerful Spanish people of his time could not be poets, and were even illiterate.



*** Cervantes also mocks the authors who attributed to another author some famous line by way of PopculturalOsmosis (in the Spain of the 17th century), [[BeamMeUpScotty despite the fact that those lines were never uttered by them]]. Cervantes’s friend mentions a line that a lot of people attributed to Horace, but this [[ShownTheirWork friend really has done the research]], so he mentions ''"or whoever said it"''.

to:

*** Cervantes also mocks the authors who attributed to another author some famous line by way of PopculturalOsmosis PopCulturalOsmosis (in the Spain of the 17th century), [[BeamMeUpScotty despite the fact that those lines were never uttered by them]]. Cervantes’s friend mentions a line that a lot of people attributed to Horace, but this [[ShownTheirWork friend really has done the research]], so he mentions ''"or whoever said it"''.



* TechnicalPacifist
* TheAllegedSteed: Rocinante. So much so that his name is synonymous with busted old nags in Spain.
* TheDulcineaEffect (pretty much the TropeMaker -and TropeNamer- for this.)
* TheGhost: There are two examples:
** Played straight with Aldonza Lorenzo, a young peasant girl from a town called Toboso, who is blissfully unaware that Don Quixote's had a crush on her. She never appeared in neither parts of the novel, only was referred to by other characters.
** Parodied by Dulcinea del Toboso, the imaginary love interest of Don Quixote. Since the first part of the novel, Don Quixote imagines her as a beautiful noblewoman who lives in a castle, or in other words, a person completely different from Aldonza Lorenzo. This imaginary entity is a literal ghost, but it's mentioned so many times across the novel that she can be considered the third protagonist besides Don Quixote and Sancho. Besides, in the second part, one of the plot points is Don Quixote's quest to disenchant Dulcinea and to find her at last, even when he knows he imagined her, is another proof of Don Quixote's madness.

to:

* TechnicalPacifist
* TheAllegedSteed: Rocinante. So much so that his name is synonymous with busted old nags in Spain.
* TheDulcineaEffect (pretty much the TropeMaker -and TropeNamer- for this.)
* TheGhost: There are two examples:
** Played straight with Aldonza Lorenzo, a young peasant girl from a town called Toboso, who is blissfully unaware that Don Quixote's had a crush on her. She never appeared in neither parts of the novel, only was referred to by other characters.
** Parodied by Dulcinea del Toboso, the imaginary love interest of Don Quixote. Since the first part of the novel, Don Quixote imagines her as a beautiful noblewoman who lives in a castle, or in other words, a person completely different from Aldonza Lorenzo. This imaginary entity is a literal ghost, but it's mentioned so many times across the novel that she can be considered the third protagonist besides Don Quixote and Sancho. Besides, in the second part, one of the plot points is Don Quixote's quest to disenchant Dulcinea and to find her at last, even when he knows he imagined her, is another proof of Don Quixote's madness.
%%* TechnicalPacifist



** Parodied when Don Quixote doesn’t want to pay for a day in an inn, he tells the Innkeeper ThereShouldBeALaw that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight TheEmpire of UsefulNotes/TurksWithTroops making a law where [[GondorCallsForAid Spain Calls For Aid]] to all the Christian [[KnightErrant knights errant]].

to:

** Parodied when Don Quixote doesn’t doesn't want to pay for a day in an inn, he tells the Innkeeper ThereShouldBeALaw that there should be a law that forces HospitalityForHeroes on [[KnightErrant knights errant]] like himself.
** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight TheEmpire of UsefulNotes/TurksWithTroops the [[UsefulNotes/TurksWithTroops Ottoman]] [[TheEmpire Empire]] by making a law where [[GondorCallsForAid Spain Calls For for Aid]] to all the Christian [[KnightErrant knights errant]].



** Played straight when Sancho Panza becomes a ReasonableAuthorityFigure and imposes some reasonable laws at the [[{{Utopia}} Barataria Insula.]]
* ThresholdGuardians: Deconsctructed by [[ThoseTwoGuys the curate and the barber]]: Don Quixote's family asks help from {{Moral Guardian}}s to destroy Don Quixote's delusions, but their Pity makes them pull a RevealingCoverup that enforces those delusions, making them ThresholdGuardians.
* ThoseTwoGuys: Pedro Perez, The priest, and Maese Nicholas, The barber. Better known as "The priest and the barber", two guys from the same town as Don Quixote, who are fond of chivalry books, like Don Quixote, and that are completely sane, unlike Don Quixote, and... well, you would not find any other personality trait in them.

to:

** Played straight when Sancho Panza becomes a ReasonableAuthorityFigure and imposes some reasonable laws at the [[{{Utopia}} Barataria Insula.]]
Insula]].
* ThresholdGuardians: Deconsctructed by [[ThoseTwoGuys the curate and the barber]]: Don Quixote's family asks help from {{Moral Guardian}}s to destroy Don Quixote's delusions, but their Pity pity makes them pull a RevealingCoverup that enforces those delusions, making them ThresholdGuardians.
* ThoseTwoGuys: Pedro Perez, The Pérez, the priest, and Maese Nicholas, The the barber. Better known as "The "the priest and the barber", two guys from the same town as Don Quixote, who are fond of chivalry books, like Don Quixote, and that are completely sane, unlike Don Quixote, and... well, you would not find any other personality trait in them.



--> '' "Try that bone on another dog," said the innkeeper; "as if I did not know how many make five, and where my shoe pinches me; don't think to feed me with pap, for by God I am no fool. It is a good joke for your worship to try and persuade me that everything these good books say is nonsense and lies, and they printed by the license of the Lords of the Royal Council, as if they were people who would allow such a lot of lies to be printed all together, and so many battles and enchantments that they take away one's senses."''

to:

--> '' "Try ''"Try that bone on another dog," said the innkeeper; "as if I did not know how many make five, and where my shoe pinches me; don't think to feed me with pap, for by God I am no fool. It is a good joke for your worship to try and persuade me that everything these good books say is nonsense and lies, and they printed by the license of the Lords of the Royal Council, as if they were people who would allow such a lot of lies to be printed all together, and so many battles and enchantments that they take away one's senses."''



-->''...if I were wise I should have left my master long ago; but this was my fate, this was my bad luck; I can't help it, I must follow him; we're from the same village, I've eaten his bread, I'm fond of him, I'm grateful, [[ItMakesSenseInContext he gave me his ass-colts]], and above all I'm faithful; so it's quite impossible for anything to separate us, [[NeverSayDie except the pickaxe and shovel.]]''
* UnsympatheticComedyProtagonist: The first part of the novel settles Don Quixote characterization as a LordErrorProne: he almost kills the Biscayan in Chapter IX and maimed for life the Licentiate in Chapter XIX. This makes it easier to read the continuous HumiliationConga in practically all the chapters for Don Quixote. Misaimed Fandom insisted in seeing him as the much more sympathetic Mad Dreamer. The second part deconstructs the MadDreamer into a WideEyedIdealist that everyone else mocks mercilessly because HumansAreBastards.
* UnwantedAssistance: Many characters (most memorably Andres, the flogged boy) find Don Quixote's interference unhelpful.

to:

-->''...if I were wise I should have left my master long ago; but this was my fate, this was my bad luck; I can't help it, I must follow him; we're from the same village, I've eaten his bread, I'm fond of him, I'm grateful, [[ItMakesSenseInContext he gave me his ass-colts]], and above all I'm faithful; so it's quite impossible for anything to separate us, [[NeverSayDie except the pickaxe and shovel.]]''
''
* UnsympatheticComedyProtagonist: The first part of the novel settles Don Quixote characterization as a LordErrorProne: he almost kills the Biscayan in Chapter IX and maimed for life the Licentiate in Chapter XIX. This makes it easier to read the continuous HumiliationConga in practically all the chapters for Don Quixote. Misaimed Fandom insisted in seeing him as the much more sympathetic Mad Dreamer. MadDreamer. The second part deconstructs the MadDreamer Mad Dreamer into a WideEyedIdealist that everyone else mocks mercilessly because HumansAreBastards.
* UnwantedAssistance: Many characters (most memorably Andres, Andrés, the flogged boy) find Don Quixote's interference unhelpful.



* UnreliableNarrator: Several layers of this, actually.
** Lampshaded: In the very first paragraph, Don Quixote's literary portrait has the narrator NOT telling us the name of Don Quixote's town, and the narrator admits he doesn't know very well if his name was Quixada, Quesada or Quexana. For the people of the seventeen century, this was an infringement of a very well known rule of the literary portrait, and so they immediately had the real impression that the author was a liar. Also, [[LiteraryAgentHypothesis the original author (Cide Hamete Benengeli) and the Translator (an anonymous Moor)]] comment the text when the plot is being implausible, and the second author (Cervantes), [[SuspiciouslySpecificDenial constantly remind us that this is a true history]]. All these tricks show that Cervantes clearly want the reader realizes that this tale cannot be true.
*** Not to mention the fact that the so called original author has an Arabic name. At that time in Spain, Arabs were thought to be liars.
* UpToEleven: Every major female character on Part 1 tops the beauty of all preceding ladies of the Novel. Even when the previous most beautiful girls are present, everyone is amazed by the incomparable beauty of the newly introduced, challenging the reader to imagine them increasingly better good looking. It finally peaks with Leandra, whose beauty was famous even in the halls of the royalty of distant cities. It seems it "overflows" in Part II, where the person Sancho chooses to be the new Dulcinea is described as the ugliest woman you can imagine. How? AWizardDidIt! and the plot becomes to try to disenchant her.

to:

* UnreliableNarrator: Several layers of this, actually.
** Lampshaded:
actually. Lampshaded, even: In the very first paragraph, Don Quixote's literary portrait has the narrator NOT telling us the name of Don Quixote's town, and the narrator admits he doesn't know very well if his name was Quixada, Quesada or Quexana. For the people of the seventeen century, this was an infringement of a very well known rule of the literary portrait, and so they immediately had the real impression that the author was a liar. Also, [[LiteraryAgentHypothesis the original author (Cide Hamete Benengeli) and the Translator (an anonymous Moor)]] comment the text when the plot is being implausible, and the second author (Cervantes), [[SuspiciouslySpecificDenial constantly remind us that this is a true history]]. All these tricks show that Cervantes clearly want the reader realizes that this tale cannot be true.
***
true. Not to mention the fact that the so called original author has an Arabic name. At that time in Spain, Arabs were thought to be liars.
* UpToEleven: Every major female character on Part 1 tops the beauty of all preceding ladies of the Novel.novel. Even when the previous most beautiful girls are present, everyone is amazed by the incomparable beauty of the newly introduced, challenging the reader to imagine them increasingly better good looking. It finally peaks with Leandra, whose beauty was famous even in the halls of the royalty of distant cities. It seems it "overflows" in Part II, where the person Sancho chooses to be the new Dulcinea is described as the ugliest woman you can imagine. How? AWizardDidIt! AWizardDidIt!, and the plot becomes to try to disenchant her.



* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within A Novel named ''"The Ill-Advised Curiosity"'']] and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:
--> ''"...and I know not what could have led [[LiteraryAgentHypothesis the author to have recourse to]] [[ShowWithinAShow novels]] and [[RomanticPlotTumor irrelevant stories]], [[ItsAllAboutMe when he had so much to write about in mine; no doubt he must have gone by]] [[{{Filler}} the proverb 'with straw or with hay, &c.,' for by merely setting forth my thoughts, my sighs, my tears, my lofty purposes, my enterprises]], [[DoorStopper he might have made a volume as large, or larger than all the works of El Tostado]] [[note]]Alfonso de Madrigal, philosopher whose works "have more than twenty volumes.".[[/note]] would make up"''.
* WalkingTheEarth: Well, they try to.
* WantingIsBetterThanHaving: Don Quixote perceives this as a [[CourtlyLove common theme for a knight and his lady]]. Part II, Chapter XXXII:
-->''" I am in love, for no other reason than that it is incumbent on knights-errant to be so; but though I am, I am no carnal-minded lover, but one of the chaste, platonic sort".''

to:

* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within A Novel a Novel]] named ''"The ''The Ill-Advised Curiosity"'']] Curiosity'' and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:
--> ''"...and I know not what could have led [[LiteraryAgentHypothesis the author to have recourse to]] [[ShowWithinAShow novels]] and [[RomanticPlotTumor [[{{Filler}} irrelevant stories]], [[ItsAllAboutMe when he had so much to write about in mine; no doubt he must have gone by]] [[{{Filler}} the proverb 'with straw or with hay, &c.etc.,' for by merely setting forth my thoughts, my sighs, my tears, my lofty purposes, my enterprises]], [[DoorStopper he might have made a volume as large, or larger than all the works of El Tostado]] [[note]]Alfonso de Madrigal, philosopher whose works "have more than twenty volumes.".[[/note]] volumes"[[/note]] would make up"''.
%%* WalkingTheEarth
* WalkingTheEarth: Well, they try to.
* WantingIsBetterThanHaving:
WantingIsBetterThanHaving:
**
Don Quixote perceives this as a [[CourtlyLove common theme for a knight and his lady]]. Part II, Chapter XXXII:
-->''" --->''" I am in love, for no other reason than that it is incumbent on knights-errant to be so; but though I am, I am no carnal-minded lover, but one of the chaste, platonic sort".''



--> ''"and bear in mind, my son, that a good hope is better than a bad holding, and a good grievance better than a bad compensation"''
* WhatWouldXDo: Parodied when Don Quixote invokes AchillesInHisTent in the Sierra Morena, he asks himself What would two [[KnightInShiningArmor knights in shining armor]] do? The catch is that being a deconstruction, Don Quixote must choose between the KnightInShiningArmor played straight (Amadis [[{{Wangst}} cries and prays for days]] because his lady Oriana doesn’t want to see him anymore) and the KnightInShiningArmor deconstruction ([[UnstoppableRage Roland went mad]] [[OmnicidalManiac and killed humans, animals and plants]] when he discovered princess Angelica slept with Medoro).
* WhereTheHellIsSpringfield: First line: "In a village of La Mancha the name of which I have no desire to recall." It's even lampshaded in the very last chapter: Part II, chapter 74: '' "Such was the end of the Ingenious Gentleman of La Mancha, whose village Cide Hamete would not indicate precisely, in order to leave all the towns and villages of La Mancha to contend among themselves for the right to adopt him and claim him as a son, as the seven cities of Greece contended for Homer".''
** Which, guess what, is what happened.
* WideEyedIdealist: Quixote.
** Well, it ''is'' where the word 'quixotic' comes from...
** This trope is severely deconstructed: In the first part, Don Quixote cares more for fulfilling his fantasies than for anyone else. He confides that the farmer Haduldo will stop flogging the boy Andrés and that the Galley slaves he liberates will be grateful enough to make him a favor. (They´re not). His actions make him the original LordErrorProne. In the second part is even worse: he really acts ForHappiness and after some MassiveMultiplayerScam aventures that convince him he is a real KnightErrant he must face the sad fact that he has not helped anyone and therefore, all those ChivalricRomance tropes were BlatantLies. This is so heartbreaking that he becomes BoredWithInsanity and dies. Being called ''"Quixotic"'' is not always a good thing.
* AWizardDidIt: All over the place in the books Don Quixote reads, so naturally when reality blatantly deviates from how he imagines it, he assumes that enchanters are behind it.

to:

--> ---> ''"and bear in mind, my son, that a good hope is better than a bad holding, and a good grievance better than a bad compensation"''
* WhatWouldXDo: Parodied when Don Quixote invokes AchillesInHisTent in the Sierra Morena, he asks himself What what would two [[KnightInShiningArmor knights in shining armor]] do? The catch is that being a deconstruction, Don Quixote must choose between the KnightInShiningArmor played straight (Amadis [[{{Wangst}} cries and prays for days]] because his lady Oriana doesn’t want to see him anymore) and the KnightInShiningArmor deconstruction ([[UnstoppableRage Roland went mad]] [[OmnicidalManiac and killed humans, animals and plants]] when he discovered princess Angelica slept with Medoro).
* WhereTheHellIsSpringfield: First line: "In a village of La Mancha the name of which I have no desire to recall." It's even lampshaded in the very last chapter: Part II, chapter 74: '' "Such ''"Such was the end of the Ingenious Gentleman of La Mancha, whose village Cide Hamete would not indicate precisely, in order to leave all the towns and villages of La Mancha to contend among themselves for the right to adopt him and claim him as a son, as the seven cities of Greece contended for Homer".''
**
'' Which, guess what, is what happened.
* WideEyedIdealist: Quixote.
** Well, it ''is'' where the word 'quixotic' comes from...
**
This trope is severely deconstructed: deconstructed with Don Quixote: In the first part, Don Quixote cares more for fulfilling his fantasies than for anyone else. He confides that the farmer Haduldo will stop flogging the boy Andrés and that the Galley slaves he liberates will be grateful enough to make him a favor. (They´re (They're not). His actions make him the original LordErrorProne. In the second part is even worse: he really acts ForHappiness and after some MassiveMultiplayerScam aventures that convince him he is a real KnightErrant he must face the sad fact that he has not helped anyone and therefore, all those ChivalricRomance tropes were BlatantLies. This is so heartbreaking that he becomes BoredWithInsanity and dies. Being called ''"Quixotic"'' "Quixotic" is not always a good thing.
* AWizardDidIt: AWizardDidIt:
**
All over the place in the books Don Quixote reads, so naturally naturally, when reality blatantly deviates from how he imagines it, he assumes that enchanters are behind it.



* WrongGenreSavvy: Probably the TropeMaker.
* YouKeepUsingThatWord / BuffySpeak: Sancho doesn’t really understand that the ''insula'' he was promised as a StandardHeroReward by Don Quixote means an ''island'', as we see at Chapter II of the Second part:
--> "May evil ''insulas'' [islands] choke thee, thou detestable Sancho," said the niece; "What are ''insulas'' [islands]? [[IsItSomethingYouEat Is it something to eat]], glutton and gormandiser that thou art?"
--> "It is not something to eat," replied Sancho, "[[BuffySpeak but something to govern and rule]], and better than four cities or four judgeships at court."
* YouWatchTooMuchX: Even when Quixote could be the UrExample and TropeMaker for this trope, in the novel this is a UnbuiltTrope: the StockPhrase never appears in the novel, and Don Quixote is not GenreSavvy but WrongGenreSavvy: When in some situation Don Quixote comments about how similar situation have happened in the tales he has read in his chivalry books , the people hearing him don’t answer with “You read too much X”. Even so, there are some examples that are very near to this situation, and the fact that Don Quixote read too much and that drove him to believe that he was a knight errand is the core of the novel, and is lampshaded by the narrator since the very beginning (Chapter I Part I).

to:

* WrongGenreSavvy: Probably the TropeMaker.{{Trope Maker|s}}. Don Quixote is severely delusional and believes he is in a ChivalricRomance. Sadly for him, ThisIsReality. HilarityEnsues.
* YouKeepUsingThatWord / BuffySpeak: YeOldeButcheredEnglish: The Spanish equivalent. In the original Spanish book, at least, Don Quijote uses outdated forms of speech and pronunciation, like maintaining the initial 'f' in words like 'fermosa' (hermosa), in an attempt to emulate the outdated forms of speech used on chivalry novels. The very name of the book itself is an example too: The 'x' in the name denotes an antiquated ortography for a very strong "h" phonem (similar as Scottish ''loch'') and not 'eks'. It is written in Modern Spanish as 'j'. Thus don Quijote, (ki-ho-tey) not Quixote (quick-sot). The Spanish edition uses the modern ortography, Don Quijote.
* YouKeepUsingThatWord:
Sancho doesn’t doesn't really understand that the ''insula'' he was promised as a StandardHeroReward by Don Quixote means an ''island'', as we see at Chapter II of the Second part:
--> "May ''"May evil ''insulas'' [islands] choke thee, thou detestable Sancho," said the niece; "What are ''insulas'' [islands]? [[IsItSomethingYouEat Is it something to eat]], glutton and gormandiser that thou art?"
art?"''
--> "It ''"It is not something to eat," replied Sancho, "[[BuffySpeak but "but something to govern and rule]], rule, and better than four cities or four judgeships at court."
"''
* YouWatchTooMuchX: Even when Quixote could be the UrExample and TropeMaker {{Trope Maker|s}} for this trope, in the novel this is a UnbuiltTrope: the StockPhrase {{Stock Phrase|s}} never appears in the novel, and Don Quixote is not GenreSavvy but WrongGenreSavvy: When in some situation Don Quixote comments about how similar situation have happened in the tales he has read in his chivalry books , the people hearing him don’t don't answer with “You "You read too much X”. X". Even so, there are some examples that are very near to this situation, and the fact that Don Quixote read too much and that drove him to believe that he was a knight errand errant is the core of the novel, and is lampshaded by the narrator since the very beginning (Chapter I Part I).
11th Oct '16 7:57:30 AM erforce
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* InNameOnly: Joel Silver is threatening to produce a big-budget, "''PiratesOfTheCaribbean''-like" film about a {{Swashbuckler}} Don Quixote that is not crazy and [[HeWhoFightsMonsters fights real monsters]] from AnotherDimension. Ironically, Don Quixote would have preferred [[RuleOfCool this kind of adaptation]] to any other.

to:

* InNameOnly: Joel Silver is threatening to produce a big-budget, "''PiratesOfTheCaribbean''-like" "''Franchise/PiratesOfTheCaribbean''-like" film about a {{Swashbuckler}} Don Quixote that is not crazy and [[HeWhoFightsMonsters fights real monsters]] from AnotherDimension. Ironically, Don Quixote would have preferred [[RuleOfCool this kind of adaptation]] to any other.
7th Aug '16 6:26:32 PM Morgenthaler
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** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight TheEmpire of TurksWithTroops making a law where [[GondorCallsForAid Spain Calls For Aid]] to all the Christian [[KnightErrant knights errant]].

to:

** Parodied again when Don Quixote wants to suggest the King of Spain that he must fight TheEmpire of TurksWithTroops UsefulNotes/TurksWithTroops making a law where [[GondorCallsForAid Spain Calls For Aid]] to all the Christian [[KnightErrant knights errant]].
6th Aug '16 12:05:40 PM bowserbros
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->''In a place of La Mancha, the name of which I don't want to recall, there lived not long ago one of those gentlemen with lance on the rack, old shield, worn-out horse, and racing greyhound.''

to:

->''In a place of La Mancha, the name of which I don't want to recall, there lived not long ago one of those gentlemen with a lance on the rack, an old shield, a worn-out horse, and a racing greyhound.''
''

26th Jul '16 7:21:20 PM Ferot_Dreadnaught
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* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom’s funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience ([[AllMenArePerverts made by men) hears anything and they are only interested in Marcela’s beauty]]. They want to follow her, but Marcela, being DangerouslyGenreSavvy, was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.

to:

* SoBeautifulItsACurse: Deconstructed with Marcela: At Chrysostom’s funeral, she makes a speech claiming she is not an IceQueen, and she states her beauty is a drawback, in a remote and inaccessible forest, claiming that she is free and if Chrysostom chose to be SpurnedIntoSuicide was his decision... but no one in her audience ([[AllMenArePerverts made by men) hears anything and they are only interested in Marcela’s beauty]]. They want to follow her, but Marcela, being DangerouslyGenreSavvy, Marcela was in a remote point to ''prevent'' them from following her... because she has been through this situation all her life.
17th Jul '16 6:40:57 AM Morgenthaler
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** Don Quixote considers becoming a shepherd instead of a knight at the end of the second part, before he can invoke this trope, his housekeeper [[DangerouslyGenreSavvy tries to dissuade him by]] lampshading the truth:

to:

** Don Quixote considers becoming a shepherd instead of a knight at the end of the second part, before he can invoke this trope, his housekeeper [[DangerouslyGenreSavvy tries to dissuade him by]] by lampshading the truth:
21st Jun '16 2:56:29 AM Caspoi
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* VictimizedBystander: Most of the people Don Quixote encounters fall in this trope, espacialy Sancho.
* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within A Novel named ''"The Ill-Advised Curiosity"'']] and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:

to:

* VictimizedBystander: Most of the people Don Quixote encounters fall in this trope, espacialy especially Sancho.
* WackyWaysideTribe: The last chapters of the First Part are dedicated to solve a RomanticPlotTumor, reading a [[ShowWithinAShow Novel Within A Novel named ''"The Ill-Advised Curiosity"'']] and to [[ForgottenTrope hear the tale of the Captive Captain]], leaving Don Quixote as a mere spectator in his own book. In the Second Part In the Second Part Cervantes makes a AuthorsSavingThrow when Don Quixote opines:
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http://tvtropes.org/pmwiki/article_history.php?article=Literature.DonQuixote