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Changed line(s) 24 (click to see context) from:
** Later, Pembleton and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his hand again.
to:
** Later, Pembleton and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his hand again.again.
* "Blood Wedding":
** Throughout the episode, Howard comforts Danvers after his fiancé is murdered. When Ed has a weeping breakdown in his office, Howard hugs him as he cries.
** Pembleton genuinely tries to comfort Ed even after he demands Frank be removed from the case, and remains polite with him all the while.
* "Blood Wedding":
** Throughout the episode, Howard comforts Danvers after his fiancé is murdered. When Ed has a weeping breakdown in his office, Howard hugs him as he cries.
** Pembleton genuinely tries to comfort Ed even after he demands Frank be removed from the case, and remains polite with him all the while.
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* In "Sins of the Father", Gharty makes some mocking and bigoted remarks to Pembleton about Bayliss being bisexual. Pembleton, who usually takes a live-and-let-live approach but clearly doesn't approve of homosexuality, defends his partner and aggressively needles Gharty about Ballard possibly being attracted to Bayliss.
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Changed line(s) 21,22 (click to see context) from:
* Immediately after Bayliss's shooting in the second part of "Fallen Heroes", Pembleton proceeds to freak out and even in the midst of the chaos of this, he caresses his partner's face and hair while holding him still to keep him calm and not further injure himself and says "It's okay, Bay". Then Munch comes over and also comforts him, helps Pembleton hold him still and calls him Timmy.
** Later at the hospital, he and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his hand.
** Later at the hospital, he and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his hand.
to:
* Immediately after Bayliss's shooting in the second part of "Fallen Heroes", Pembleton proceeds to freak out and even in the midst of the chaos of this, he caresses his partner's face and hair while holding him still to keep him calm and not further injure himself and says "It's okay, Bay"."You're here, baby". Then Munch comes over and also comforts him, helps Pembleton hold him still and calls him Timmy.
**Later at While Bayliss is being rushed through the hospital, he hospital on a gurney, Pembleton runs alongside him, holding his hand.
** Later, Pembleton and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds hishand.hand again.
**
** Later, Pembleton and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his
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Changed line(s) 20 (click to see context) from:
** During the ending montage, Munch is shown loyally sitting by Bolander's bedside.
to:
** During the ending montage, Munch is shown loyally sitting by Bolander's bedside.bedside.
* Immediately after Bayliss's shooting in the second part of "Fallen Heroes", Pembleton proceeds to freak out and even in the midst of the chaos of this, he caresses his partner's face and hair while holding him still to keep him calm and not further injure himself and says "It's okay, Bay". Then Munch comes over and also comforts him, helps Pembleton hold him still and calls him Timmy.
** Later at the hospital, he and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his hand.
* Immediately after Bayliss's shooting in the second part of "Fallen Heroes", Pembleton proceeds to freak out and even in the midst of the chaos of this, he caresses his partner's face and hair while holding him still to keep him calm and not further injure himself and says "It's okay, Bay". Then Munch comes over and also comforts him, helps Pembleton hold him still and calls him Timmy.
** Later at the hospital, he and Mary meet Bayliss's mother, Virginia, who even through his own grief and guilt of what happened, she tells him how much he means to him, especially given his reputation as a loner. By then end of the episode, he, Giardello, Munch, Lewis, Mary and Mrs. Bayliss remain at his bedside and his partner eventually holds his hand.
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Changed line(s) 17 (click to see context) from:
** Bolander initially refuses to come, saying he wants to stay home to watch wrestling. However, he arrives as the bar's very first customer, and he eagerly celebrates with the new bar owners.
to:
** Bolander initially refuses to come, saying he wants to stay home to watch wrestling. However, he arrives as the bar's very first customer, and he eagerly celebrates with the new bar owners.owners.
* "Dead End":
** Felton sneaking into Howard's room and holding her hand as she wakes up from her medically-induced coma.
** During the ending montage, Munch is shown loyally sitting by Bolander's bedside.
* "Dead End":
** Felton sneaking into Howard's room and holding her hand as she wakes up from her medically-induced coma.
** During the ending montage, Munch is shown loyally sitting by Bolander's bedside.
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Changed line(s) 15 (click to see context) from:
* "Nothing Personal": After seeing that Giardello is uncharacteristically angry and depressed, Bolander's first instinct is to check on him, only to be politely rejected. Bolander later returns, having brought dinner and insisting that Giardello talk to him about what's bothering him.
to:
* "Nothing Personal": After seeing that Giardello is uncharacteristically angry and depressed, Bolander's first instinct is to check on him, only to be politely rejected. Bolander later returns, having brought dinner and insisting that Giardello talk to him about what's bothering him.him.
* The grand opening of the Waterfront in "Partners". After having to deal with absurd amounts of red tape, Munch, Bayliss, and Lewis are finally able to open the bar, and they have a massive party with the rest of the squad. Even Pembleton shows up to the party.
** Bolander initially refuses to come, saying he wants to stay home to watch wrestling. However, he arrives as the bar's very first customer, and he eagerly celebrates with the new bar owners.
* The grand opening of the Waterfront in "Partners". After having to deal with absurd amounts of red tape, Munch, Bayliss, and Lewis are finally able to open the bar, and they have a massive party with the rest of the squad. Even Pembleton shows up to the party.
** Bolander initially refuses to come, saying he wants to stay home to watch wrestling. However, he arrives as the bar's very first customer, and he eagerly celebrates with the new bar owners.
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Changed line(s) 14 (click to see context) from:
* The ending of "All Through the House", when the detectives get into a snowball fight while a smiling Giardello watches.
to:
* The ending of "All Through the House", when the detectives get into a snowball fight while a smiling Giardello watches.watches.
* "Nothing Personal": After seeing that Giardello is uncharacteristically angry and depressed, Bolander's first instinct is to check on him, only to be politely rejected. Bolander later returns, having brought dinner and insisting that Giardello talk to him about what's bothering him.
* "Nothing Personal": After seeing that Giardello is uncharacteristically angry and depressed, Bolander's first instinct is to check on him, only to be politely rejected. Bolander later returns, having brought dinner and insisting that Giardello talk to him about what's bothering him.
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Changed line(s) 13 (click to see context) from:
* Howard's father telling her how proud he is if her and how much he loves her at the end of "The Last of the Watermen".
to:
* Howard's father telling her how proud he is if her and how much he loves her at the end of "The Last of the Watermen".Watermen".
* The ending of "All Through the House", when the detectives get into a snowball fight while a smiling Giardello watches.
* The ending of "All Through the House", when the detectives get into a snowball fight while a smiling Giardello watches.
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Changed line(s) 12 (click to see context) from:
--> '''Pembleton:''' The world would be great if it was just kids and dogs.
to:
--> '''Pembleton:''' The world would be great if it was just kids and dogs.dogs.
* Howard's father telling her how proud he is if her and how much he loves her at the end of "The Last of the Watermen".
* Howard's father telling her how proud he is if her and how much he loves her at the end of "The Last of the Watermen".
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Changed line(s) 6 (click to see context) from:
* Crosetti sitting by the side a coma-ridden Thormann in "Son of a Gun" and playing the jazz music Thormann loved. Also doubles as a TearJerker.
to:
* Crosetti sitting by the side a coma-ridden Thormann in "Son of a Gun" and playing the jazz music Thormann loved. Also doubles as a TearJerker.TearJerker.
* "A Dog and Pony Show":
** Crosetti continues taking care of Thormann and his wife, and helps comfort him and gently tries to coax him out of his self-loathing.
--> '''Thormann:''' ''(crying)'' Get away from me! I don't want you to see me like this!\\
'''Crosetti:''' You'd do the same for me, right?
** After noticing Bayliss is still depressed from the Adena Watson case, Pembleton comforts him.
--> '''Pembleton:''' The world would be great if it was just kids and dogs.
* "A Dog and Pony Show":
** Crosetti continues taking care of Thormann and his wife, and helps comfort him and gently tries to coax him out of his self-loathing.
--> '''Thormann:''' ''(crying)'' Get away from me! I don't want you to see me like this!\\
'''Crosetti:''' You'd do the same for me, right?
** After noticing Bayliss is still depressed from the Adena Watson case, Pembleton comforts him.
--> '''Pembleton:''' The world would be great if it was just kids and dogs.
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Changed line(s) 4 (click to see context) from:
* In "All is Bright", Munch delivers a spontaneous (if tactfully phrased) eulogy for his hated former mother-in-law to his co-workers at a work Christmas party, after [[TheFunInFuneral no one but him, his ex-wife, a paid shill and the author Peter Maas show up at her funeral (and the latter was only there to make sure she was dead)]].
to:
* In "All is Bright", Munch delivers a spontaneous (if tactfully phrased) eulogy for his hated former mother-in-law to his co-workers at a work Christmas party, after [[TheFunInFuneral no one but him, his ex-wife, a paid shill and the author Peter Maas show up at her funeral (and the latter was only there to make sure she was dead)]].dead)]].
* Lewis comforting Crosetti at the end of "A Shot in the Dark" when a depressed Crosetti feels guilty over nearly letting Thormann's shooter go free.
* Crosetti sitting by the side a coma-ridden Thormann in "Son of a Gun" and playing the jazz music Thormann loved. Also doubles as a TearJerker.
* Lewis comforting Crosetti at the end of "A Shot in the Dark" when a depressed Crosetti feels guilty over nearly letting Thormann's shooter go free.
* Crosetti sitting by the side a coma-ridden Thormann in "Son of a Gun" and playing the jazz music Thormann loved. Also doubles as a TearJerker.
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Added DiffLines:
* Pembleton in "Crosetti", acting as a one man honor guard at Crosetti's funeral after the brass decides (for purely political reasons) not to give him one as Crosetti committed suicide.
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Changed line(s) 2 (click to see context) from:
* In "Dead End" and "End Game," Felton nurses a heavy sense of guilt after Howard receives more critical injuries than he did in the shooting, and all because she insisted on going through the door first. When she finally wakes up, he's holding her hand; when Russert later mends fences with Howard by bringing her a keepsake from her desk, Felton has fallen asleep with his head on the bed. "That's my partner," Kay says affectionately.
to:
* In "Dead End" and "End Game," Felton nurses a heavy sense of guilt after Howard receives more critical injuries than he did in the shooting, and all because she insisted on going through the door first. When she finally wakes up, he's holding her hand; when Russert later mends fences with Howard by bringing her a keepsake from her desk, Felton has fallen asleep with his head on the bed. "That's my partner," Kay says affectionately.affectionately.
* In "All is Bright", Munch delivers a spontaneous (if tactfully phrased) eulogy for his hated former mother-in-law to his co-workers at a work Christmas party, after [[TheFunInFuneral no one but him, his ex-wife, a paid shill and the author Peter Maas show up at her funeral (and the latter was only there to make sure she was dead)]].
* In "All is Bright", Munch delivers a spontaneous (if tactfully phrased) eulogy for his hated former mother-in-law to his co-workers at a work Christmas party, after [[TheFunInFuneral no one but him, his ex-wife, a paid shill and the author Peter Maas show up at her funeral (and the latter was only there to make sure she was dead)]].
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Added DiffLines:
* Night of the Dead Living has all the detectives stuck in the nightshift on a really hot night. Someone lit a candle at the beginning, and throughout the episode, many of the detectives try to find out who. There are a number of plots in the episode, like a Janitor named Loretta comforting Kay over her sister's cancer, and the group finding a baby downstairs, and making a makeshift crib out of a drawer for him. [[MauveShirt Officer Thormann]] gets the kid a fan and some ice to cool down (confessing that he one day wants a kid), while Bayliss gets milk from the Vice squad. Munch breaks up with his girl friend in a comical fashion, and the other detectives blow out the candle to see who will relight it. In the end, the baby is given back to her mother, the Janitor, and Gee takes almost everyone upstairs when day breaks to spray them with a hose. In the end, it's revealed that Munch lights the candle to honor those who've died, and Thormann re-lit it while he was out, because it's special to him.
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Added DiffLines:
* In "Dead End" and "End Game," Felton nurses a heavy sense of guilt after Howard receives more critical injuries than he did in the shooting, and all because she insisted on going through the door first. When she finally wakes up, he's holding her hand; when Russert later mends fences with Howard by bringing her a keepsake from her desk, Felton has fallen asleep with his head on the bed. "That's my partner," Kay says affectionately.
