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** While Mal is sympathetic to Simon and River's plight, he's also giving Simon a warning. Mal has to look after his crew, and he can't permit River to become a threat to that crew. He'll let Simon keep trying to help her, but gives official notice they're on thin ice.

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* Inara bonds with Fess, the timid son of the slaveowner who cannot speak up to his father's wrongdoing. Inara and Fess bond over sex, and Inara gently tells Fess that being a real man takes courage. [[spoiler: Eventually Fess aided Serenity's escape from the mudtown]]

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* Inara bonds with Fess, the timid son of the slaveowner who cannot speak up to his father's wrongdoing. Inara and Fess bond over sex, and Inara gently tells Fess that being a real man takes courage. [[spoiler: Eventually Fess aided Serenity's escape from the mudtown]]mudtown]].
** Their interactions really show the difference between a Companion and a prostitute. It isn't even really about the sex, Inara herself mostly dismisses it, and Fess admits he doesn't feel any different after. Rather, Inara offers a sympathetic ear, gentle wisdom, kindness and support, and. . . well, companionship. And with only that relatively brief interaction, she makes Fess Higgins a man. . . or rather, helps him discover the man inside himself that had already been there.
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** When Mal first introduces Book and Inara, the crew had been calling her "the Ambassador." Book takes this literally, then Mal reveals "she's a whore" (actually a Companion). Book is definitely uncomfortable, but starts gearing up for choice words before Inara interrupts him and takes her leave. With the later scene where Book and Inara get on quite will, it becomes obvious Book was preparing to give ''Mal'' a piece of his mind over the way he treats Inara.

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* For ''Float Out'', see [[Heartwarming/SerenityFloatOut here]].


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[[AC: ComicBook/SerenityFloatOut]]
* Tagg's story about passing up an opportunity to arrest Wash after seeing him dump a cargo of valuable water purifiers so his friends could get away.
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* For ''Leaves on the Wind'', see [[Heartwarming/SerenityLeavesOnTheWindhere]].

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* For ''Leaves on the Wind'', see [[Heartwarming/SerenityLeavesOnTheWindhere]].
[[Heartwarming/SerenityLeavesOnTheWind here]].

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!!'''The Big Damn Movie'''

See [[Heartwarming/Serenity2005 here]]




For the Dark Horse comics, see [[Heartwarming/SerenityDarkHorseComics here]].

!!!Boom Studios comics

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\n* For ''Better Days'', see [[Heartwarming/SerenityBetterDays here]].
* For ''Float Out'', see [[Heartwarming/SerenityFloatOut here]].
* For ''Leaves on
the Dark Horse comics, Wind'', see [[Heartwarming/SerenityDarkHorseComics here]].

!!!Boom Studios comics
[[Heartwarming/SerenityLeavesOnTheWindhere]].

!!'''The Big Damn Movie'''

See [[Heartwarming/Serenity2005 here]]



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See [[{{Heartwarming/Serenity}} here]]

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See [[{{Heartwarming/Serenity}} [[Heartwarming/Serenity2005 here]]



For the Dark Horse comics, see [[{{Heartwarming/Serenity}} here]].

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For the Dark Horse comics, see [[{{Heartwarming/Serenity}} [[Heartwarming/SerenityDarkHorseComics here]].
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** Zoe and Wash's relationship gets another moment when Saffron attempts to seduce Wash so that she can get to the ship's controls. Where Mal briefly gave in to her charms and Inara saw through it because of her own training, Wash swiftly turns Saffron down because he is "madly in love with a beautiful woman who can kill me with her pinkie", and even Saffron observes that the two are clearly devoted to each other (albeit in disgust). When the crew establish how Mal and Wash were rendered unconscious, Zoe expresses complete certainty that Wash would never have fallen for a "cheap floozy".

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No meta moment, see this query. Also remove general examples.


[[AC: General/Meta]]

* Pretty much any scene in ''{{Series/Firefly}}'' between Wash and Zoe, or Simon and Kaylee, or Simon and River.
* Meta-example: a hilarious outtake from "The Message" involves the slow rotating shot in Tracy's funeral, except Nathan Fillion is deliberately running counter to the camera rotation to re-appear beside every other cast member while acting like he's always been there, culminating in Mal ''sharing the coffin with Tracy''. How does this count? Because the scene was being filmed ''just after the cast had learned that the series had been cancelled'', and Nathan went above and beyond to keep spirits up.
* This is already kind of hinted at in previous examples, but any scene in which Simon utters the words "Mei-mei". The amount of unconditional love Sean Maher can put in to those two words is heartbreaking.
* The DVD extra about the making of ''Firefly'' is equally made of this trope and {{Tear Jerker}}. It starts with the usual behind-the-cameras information, but after a while it turns into a chronicle of the loving relationship formed between the cast, creators, and crew, the extraordinary fan support, and the good experience it was to work in the series.
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* After laying down the law following River's attack on JAyne, Mal takes a minute to talk to Simon about River's condition sympathetically.

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* After laying down the law following River's attack on JAyne, Jayne, Mal takes a minute to talk to Simon about River's condition sympathetically.
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* After laying down the law following River's attack on JAyne, Mal takes a minute to talk to Simon about River's condition sympathetically.
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* When a disheartened Simon is remembering that their biological father abandoned them, he tries to change the subject by complimenting the berries River picked. She responds in the most sibling way possible.
--->'''River''': They are [delicious]. Except they're poisoned.
--->'''Simon''': ''(spit takes)''
--->'''River''': ''(laughs infectiously)'' He believed her!
--->'''Simon''': ''(affectionately)'' You are such a brat!
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* The dancing scene was beautiful. For once we got to see River enjoying herself and see her brother see it.

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* The dancing scene was beautiful. For once we once, dance-loving River was able to fully enjoy herself. And Simon got to see River enjoying his little sister return to herself and see her brother see it.again, at least for a little while.



* One line that also perfectly defines Simon:

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* One line that also perfectly defines Simon:Simon when River is distressed that she caused him to lose everything:



* Mal and Inara may be holding back all their feelings for each other, they may be at each other's throats half the time, but [[spoiler: when Inara sees Mal unconscious after Saffron tells her he's dead, she is about to batshit with anguish before Mal stirs a little.]]

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* Mal and Inara may be holding back all their feelings for each other, they may be at each other's throats half the time, but [[spoiler: when Inara sees Mal unconscious after Saffron tells her he's dead, she is about to batshit overcome with anguish before Mal stirs a little.]]



* When River tries to "fix" Book's Bible, editing the parts that she thought didn't make sense. Book gently tells her, "You don't fix this book. It fixes you."

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* When River tries to "fix" Book's Bible, editing the parts that she thought didn't make sense. Book gently tells her, "You don't fix this book.faith. It fixes you."
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** One simple exchange? ''The whole scene'' is a CMOH. Everyone is so relieved and joyful to be reunited and alive, the tenderness infusing the entire scene is unmatched. Even the moments of humor are heightened by the love filling the room.

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* The crew making a birthday cake (out of leftover meat) for Simon's birthday at the start of the episode and surprising him with it after dinner. Even Jayne claps when they wish him a happy birthday.

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* The crew making a birthday cake (out of leftover meat) protein) for Simon's birthday at the start of the episode and surprising him with it after dinner. Even Jayne claps when they wish him a happy birthday.birthday.
* When Simon mourns his ruined birthday, Inara comforts him by tenderly holding his hand.
* Mal is very gentle when trying to help Kaylee overcome her despair enough to find out what went wrong with ''Serenity''.
* As Shepherd Book is struggling to come to terms with suffocating to death on the ship, River tries to comfort him by pointing out that they'll freeze to death before suffocating. It doesn't actually help at all, but she ''does'' try as only River can.
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* '''Kaylee''': Wash, tell me I'm pretty.
'''Wash''': Were I unwed, I would take you in a manly fashion.
'''Kaylee''': Cos I'm pretty?
''Wash''': Because you're pretty.

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* '''Kaylee''': Wash, tell me I'm pretty.
pretty.\\
'''Wash''': Were I unwed, I would take you in a manly fashion.
fashion.\\
'''Kaylee''': Cos I'm pretty?
''Wash''':
pretty?\\
'''Wash''':
Because you're pretty.
pretty.\\

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* '''Kaylee''': Wash, tell me I'm pretty.
'''Wash''': Were I unwed, I would take you in a manly fashion.
'''Kaylee''': Cos I'm pretty?
''Wash''': Because you're pretty.
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** Wash (snarling): Bastard's not gonna get days!

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** Wash -->'''Wash''' (snarling): Bastard's ''Bastard's not gonna get days!days!''
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*When Zoe walks in to get Mal and Wash back, you can hear Wash gasp, "Run, run." The man has been tortured, is only hanging on because of Mal's goading, but his first thought when he sees Zoe isn't "oh, good, my scary wife has come to rescue us," it's "run, save yourself."

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----



* The scene where Mal makes Inara leave the ship with the rest of the crew. The most important bit is when he touches her shoulder--one small little touch that shows everything in their relationship. He knows he can't tell her how he feels and she knows she can't reciprocate it and so that one touch conveys his concerns better than any dialogue could have.

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* The scene where Mal makes Inara leave the ship with the rest of the crew. The most important bit is when he touches her shoulder--one shoulder -- one small little touch that shows everything in their relationship. He knows he can't tell her how he feels and she knows she can't reciprocate it and so that one touch conveys his concerns better than any dialogue could have.



* The DVD extra about the making of Firefly is equally made of this trope and {{Tear Jerker}}. It starts with the usual behind-the-cameras information, but after a while it turns into a chronicle of the loving relationship formed between the cast, creators, and crew, the extraordinary fan support, and the good experience it was to work in the series.

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* The DVD extra about the making of Firefly ''Firefly'' is equally made of this trope and {{Tear Jerker}}. It starts with the usual behind-the-cameras information, but after a while it turns into a chronicle of the loving relationship formed between the cast, creators, and crew, the extraordinary fan support, and the good experience it was to work in the series.
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!!'''The Big Damn Series'''

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!!'''The !!'''[[Series/{{Firefly}} The Big Damn Series'''
Series]]'''
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*A kind of dark one but as soon as Tracey threatens Wash, Zoe shoots him with no further ado.

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** One simple exchange while Mal's recovering in the Infirmary
--->'''Mal:''' You all gonna be here when I wake up?
--->'''Book:''' We'll be here.
--->'''Mal:''' Good. That's good.

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** Inara's response to this as well: she stops talking immediately and looks at his hand on her shoulder, then into his eyes, recognizing the significance of this gentle gesture.
*
One simple exchange while Mal's recovering in the Infirmary
--->'''Mal:''' -->'''Mal:''' You all gonna be here when I wake up?
--->'''Book:''' -->'''Book:''' We'll be here.
--->'''Mal:''' -->'''Mal:''' Good. That's good.

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