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Changed line(s) 8 (click to see context) from:
* As Sanjuro, the sidekicks and Mutsuta's wife and daughter are escaping, the wife and daughter complain about not being over to get onto the wall, as though their situation isn't very urgent at all. Sanjuro is understandably flustered by this.
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* As Sanjuro, the sidekicks and Mutsuta's wife and daughter are escaping, the wife and daughter complain about not being over to get onto the wall, as though their situation isn't very urgent at all. Sanjuro is understandably flustered by this.this.
* As a signal to action, Sanjuro is to send camelias floating down a stream. But he's caught in the act, and along with the sight of the gruff Sanjuro standing there silly with an armload of flowers, when the villains ask what the hell he's doing:
-->'''Sanjuro''': I... [''awkward pause''] like camelias.
* As a signal to action, Sanjuro is to send camelias floating down a stream. But he's caught in the act, and along with the sight of the gruff Sanjuro standing there silly with an armload of flowers, when the villains ask what the hell he's doing:
-->'''Sanjuro''': I... [''awkward pause''] like camelias.
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Changed line(s) 6 (click to see context) from:
* When Sanjuro and the others are spying on Kikui's guards carrying the palanquins, the sidekicks decide they should move in and attack. Sanjuro warns that this may be a bad idea, but the sidekicks decide to move in closer anyway. The look on Sanjuro's face just sells the scene.
to:
* When Sanjuro and the others are spying on Kikui's guards carrying the palanquins, the sidekicks decide they should move in and attack. Sanjuro warns that this may be a bad idea, but the sidekicks decide to move in closer anyway. The look on Sanjuro's face just sells the scene.scene.
* The RunningGag of the prisoner coming out to give helpful advice before retreating back into his prison again.
* As Sanjuro, the sidekicks and Mutsuta's wife and daughter are escaping, the wife and daughter complain about not being over to get onto the wall, as though their situation isn't very urgent at all. Sanjuro is understandably flustered by this.
* The RunningGag of the prisoner coming out to give helpful advice before retreating back into his prison again.
* As Sanjuro, the sidekicks and Mutsuta's wife and daughter are escaping, the wife and daughter complain about not being over to get onto the wall, as though their situation isn't very urgent at all. Sanjuro is understandably flustered by this.
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Changed line(s) 1,2 (click to see context) from:
* Sanjuro and his nine sidekicks are spying on where the Chamberlain is being held captive. He moves in for a closer look, only for the others to start trailing behind him, one at a time.
-->'''Sanjuro''': We can't move like this. We look like a centipede!
-->'''Sanjuro''': We can't move like this. We look like a centipede!
to:
* Sanjuro and his nine sidekicks are spying on where the Chamberlain is being held captive. He moves in for a closer look, only for the others to start trailing behind him, one at a time.
-->'''Sanjuro''': We can't move like this. We look like a centipede!time. What he says in reaction depends on the subtitles, but either way he's not happy.
-->'''Sanjuro''': We can't move like this. We look like a centipede!
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Changed line(s) 5 (click to see context) from:
* A small montage of Sanjuro trying to sleep at the heroes' refuge, and getting repeatedly woken up by the nine sidekicks bustling about the place, transitioned by furious camera wipes. His annoyed expressions each time are just priceless.
to:
* A small montage of Sanjuro trying to sleep at the heroes' refuge, and getting repeatedly woken up by the nine sidekicks bustling about the place, slamming the door and shouting excitedly. The scene is transitioned by furious camera wipes. His Sanjuro's annoyed expressions each time are just priceless.
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Changed line(s) 5 (click to see context) from:
* A small montage of Sanjuro trying to sleep in the shrine, and getting repeatedly woken up by the nine sidekicks bustling about the place, transitioned by furious camera wipes. His annoyed expressions each time are just priceless.
to:
* A small montage of Sanjuro trying to sleep in at the shrine, heroes' refuge, and getting repeatedly woken up by the nine sidekicks bustling about the place, transitioned by furious camera wipes. His annoyed expressions each time are just priceless.
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Changed line(s) 7 (click to see context) from:
* When Sanjuro and the others are spying on Kikui's guards carrying the palanquins, the sidekicks decide they should move in and attack. Sanjuro warns that this may be a bad idea, but the sidekicks decide to move in closer anyway. Sanjuro's exasperation just sells the scene.
to:
* When Sanjuro and the others are spying on Kikui's guards carrying the palanquins, the sidekicks decide they should move in and attack. Sanjuro warns that this may be a bad idea, but the sidekicks decide to move in closer anyway. The look on Sanjuro's exasperation face just sells the scene.
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Changed line(s) 5 (click to see context) from:
* A small montage of Sanjuro trying to sleep in the shrine, and getting repeatedly woken by the nine sidekicks bustling about the place, transitioned by furious camera wipes. His annoyed expressions each time are just priceless.
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* A small montage of Sanjuro trying to sleep in the shrine, and getting repeatedly woken up by the nine sidekicks bustling about the place, transitioned by furious camera wipes. His annoyed expressions each time are just priceless.
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* When Sanjuro and the others are spying on Kikui's guards carrying the palanquins, the sidekicks decide they should move in and attack. Sanjuro warns that this may be a bad idea, but the sidekicks decide to move in closer anyway. Sanjuro's exasperation just sells the scene.
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Changed line(s) 5 (click to see context) from:
* Sanjuro getting repeatedly woken by the nine sidekicks bustling about the place, transitioned by furious camera wipes.
to:
* A small montage of Sanjuro trying to sleep in the shrine, and getting repeatedly woken by the nine sidekicks bustling about the place, transitioned by furious camera wipes.wipes. His annoyed expressions each time are just priceless.
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Examples don\'t get blank lines between them, and this... I don\'t know what this is at the end, but if it\'s supposed to be index markup, it has NEVER worked like that.
Deleted line(s) 3 (click to see context) :
Deleted line(s) 6 (click to see context) :
Deleted line(s) 8 (click to see context) :
Deleted line(s) 10,12 (click to see context) :
--index
* FunnyMoments/Film
/--index
* FunnyMoments/Film
/--index
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Added DiffLines:
* After a plan worked, the sidekicks start jumping up and down and cheering loudly. Then they realise their enemies are right next door and continue to cheer a bit more quietly.
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* This classic line from Sanjuro towards the lead sidekick Izaka:
--> '''Sanjuro''': Are you tired of being stupid yet?
* Sanjuro getting repeatedly woken by the nine sidekicks bustling about the place, transitioned by furious camera wipes.
--> '''Sanjuro''': Are you tired of being stupid yet?
* Sanjuro getting repeatedly woken by the nine sidekicks bustling about the place, transitioned by furious camera wipes.
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Changed line(s) 4 (click to see context) from:
!!index
to:
Changed line(s) 6 (click to see context) from:
/!!index
to:
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Added DiffLines:
* Sanjuro and his nine sidekicks are spying on where the Chamberlain is being held captive. He moves in for a closer look, only for the others to start trailing behind him, one at a time.
-->'''Sanjuro''': We can't move like this. We look like a centipede!
!!index
* FunnyMoments/Film
/!!index
-->'''Sanjuro''': We can't move like this. We look like a centipede!
!!index
* FunnyMoments/Film
/!!index
