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Changed line(s) 6 (click to see context) from:
* Chiyo's TrainingMontage. One notable moment is when endures a painful hairstyling, then ruins it by not sleeping properly.
to:
* Chiyo's TrainingMontage. One notable moment is when she endures a painful hairstyling, then ruins it by not sleeping properly.
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Deleted line(s) 1,2 (click to see context) :
* Chiyo's training montage.
* Chiyo giving a man on a bike the [[DistractedByTheSexy 'geisha look']] which sends him crashing into a cart.
* Chiyo giving a man on a bike the [[DistractedByTheSexy 'geisha look']] which sends him crashing into a cart.
Deleted line(s) 7 (click to see context) :
* In the film, Mameha starts to give Sayuri TheTalk using the funny and odd metaphor of eels and caves. Then, Sayuri stops her, says that she already knows because she "Lives with Hatsumomo!"
Added DiffLines:
* Chiyo's TrainingMontage. One notable moment is when endures a painful hairstyling, then ruins it by not sleeping properly.
* In the film, Mameha starts to give Sayuri TheTalk using the funny and odd metaphor of eels and caves. Then, Sayuri stops her, says that she already knows because she "Lives with Hatsumomo!"
* Chiyo giving a man on a bike the [[DistractedByTheSexy 'geisha look']] which sends him crashing into a cart.
--> '''Mameha:''' [[DeadpanSnarker You are ready]].
* In the film, Mameha starts to give Sayuri TheTalk using the funny and odd metaphor of eels and caves. Then, Sayuri stops her, says that she already knows because she "Lives with Hatsumomo!"
* Chiyo giving a man on a bike the [[DistractedByTheSexy 'geisha look']] which sends him crashing into a cart.
--> '''Mameha:''' [[DeadpanSnarker You are ready]].
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Changed line(s) 4,6 (click to see context) from:
-->'''Nobu:''' I believe we've killed him. And if you ask me, he deserved it.
-->'''Sayuri:''' Is this how you act toward your honored guests? You must take him out onto the street and walk him around a bit to wake him up. The cold will do him good.
-->'''Nobu:''' He's lying in the snow. Isn't that cold enough?
-->'''Sayuri:''' Is this how you act toward your honored guests? You must take him out onto the street and walk him around a bit to wake him up. The cold will do him good.
-->'''Nobu:''' He's lying in the snow. Isn't that cold enough?
to:
-->'''Nobu:''' I believe we've killed him. And if you ask me, he deserved it.
-->'''Sayuri:'''it.\\
'''Sayuri:''' Is this how you act toward your honored guests? You must take him out onto the street and walk him around a bit to wake him up. The cold will do himgood.
-->'''Nobu:'''good.\\
'''Nobu:''' He's lying in the snow. Isn't that cold enough?
-->'''Sayuri:'''
'''Sayuri:''' Is this how you act toward your honored guests? You must take him out onto the street and walk him around a bit to wake him up. The cold will do him
-->'''Nobu:'''
'''Nobu:''' He's lying in the snow. Isn't that cold enough?
Changed line(s) 12,13 (click to see context) from:
--->'''Sayuri''' (narrating): ''At that point, the burden of conversation falls to whoever introduced us, because even after all these years, I never learned much English.''
--->''Eventually, she's rescued by husband or boyfriend, a wealthy man a good ten years older than she is. [...] I often find myself wondering why she can't sense the similarities between us. She is a kept woman, you see, and in my day, so was I.''
--->''Eventually, she's rescued by husband or boyfriend, a wealthy man a good ten years older than she is. [...] I often find myself wondering why she can't sense the similarities between us. She is a kept woman, you see, and in my day, so was I.''
to:
--->''Eventually,
''Eventually, she's rescued by husband or boyfriend, a wealthy man a good ten years older than she is. [...] I often find myself wondering why she can't sense the similarities between us. She is a kept woman, you see, and in my day, so was I.
----
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Changed line(s) 2 (click to see context) from:
* Chiyo giving a man on a bike the 'geisha look' which sends him crashing into a cart.
to:
* Chiyo giving a man on a bike the [[DistractedByTheSexy 'geisha look' look']] which sends him crashing into a cart.
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Changed line(s) 12 (click to see context) from:
--->'''Sayuri''' (narrating): ''At that point, the burden of conversation falls to whoever introduced us, because even after all these years, I never learned much English.
to:
--->'''Sayuri''' (narrating): ''At that point, the burden of conversation falls to whoever introduced us, because even after all these years, I never learned much English. ''
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Changed line(s) 10 (click to see context) from:
-->'''Mameha''': Hatsumomo-san, please, as a favor to me...do try to calm down.
to:
-->'''Mameha''': Hatsumomo-san, please, as a favor to me...do try to calm down.down.
* Elderly Sayuri describing what happens whenever she's introduced to young women in 'splendid' dresses and jewelry: inevitably, they find out she was a geisha, and try not to look horrified, because "''My goodness, I'm speaking with a prostitute...''"
--->'''Sayuri''' (narrating): ''At that point, the burden of conversation falls to whoever introduced us, because even after all these years, I never learned much English.
--->''Eventually, she's rescued by husband or boyfriend, a wealthy man a good ten years older than she is. [...] I often find myself wondering why she can't sense the similarities between us. She is a kept woman, you see, and in my day, so was I.''
* Elderly Sayuri describing what happens whenever she's introduced to young women in 'splendid' dresses and jewelry: inevitably, they find out she was a geisha, and try not to look horrified, because "''My goodness, I'm speaking with a prostitute...''"
--->'''Sayuri''' (narrating): ''At that point, the burden of conversation falls to whoever introduced us, because even after all these years, I never learned much English.
--->''Eventually, she's rescued by husband or boyfriend, a wealthy man a good ten years older than she is. [...] I often find myself wondering why she can't sense the similarities between us. She is a kept woman, you see, and in my day, so was I.''
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Changed line(s) 8 (click to see context) from:
* In the film, Mother's comments towards a very nervous and heavily made up Pumpkin who is facing her first performance as a Maiko: "Stop crying! Your face will run!".
to:
* In the film, Mother's comments towards a very nervous and heavily made up Pumpkin who is facing her first performance as a Maiko: "Stop crying! Your face will run!".run!".
* Hatsumomo's epic breakdown. Made all the better by the words that completely send her over the edge.
-->'''Mameha''': Hatsumomo-san, please, as a favor to me...do try to calm down.
* Hatsumomo's epic breakdown. Made all the better by the words that completely send her over the edge.
-->'''Mameha''': Hatsumomo-san, please, as a favor to me...do try to calm down.
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Changed line(s) 6 (click to see context) from:
-->'''Nobu:''' He's lying in the snow. Isn't that cold enough?
to:
-->'''Nobu:''' He's lying in the snow. Isn't that cold enough?enough?
* In the film, Mameha starts to give Sayuri TheTalk using the funny and odd metaphor of eels and caves. Then, Sayuri stops her, says that she already knows because she "Lives with Hatsumomo!"
* In the film, Mother's comments towards a very nervous and heavily made up Pumpkin who is facing her first performance as a Maiko: "Stop crying! Your face will run!".
* In the film, Mameha starts to give Sayuri TheTalk using the funny and odd metaphor of eels and caves. Then, Sayuri stops her, says that she already knows because she "Lives with Hatsumomo!"
* In the film, Mother's comments towards a very nervous and heavily made up Pumpkin who is facing her first performance as a Maiko: "Stop crying! Your face will run!".
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Changed line(s) 2 (click to see context) from:
* Chiyo giving a man on a bike the 'geisha look' which sends him crashing into a cart.
to:
* Chiyo giving a man on a bike the 'geisha look' which sends him crashing into a cart.cart.
* In the book, during Sayuri and Nobu's first meeting with the Minister (Whom [[{{DeadpanSnarker}} Nobu]] strongly dislikes), the Minister becomes extremely drunk and faceplants into the snow outside the teahouse they're in:
-->'''Nobu:''' I believe we've killed him. And if you ask me, he deserved it.
-->'''Sayuri:''' Is this how you act toward your honored guests? You must take him out onto the street and walk him around a bit to wake him up. The cold will do him good.
-->'''Nobu:''' He's lying in the snow. Isn't that cold enough?
* In the book, during Sayuri and Nobu's first meeting with the Minister (Whom [[{{DeadpanSnarker}} Nobu]] strongly dislikes), the Minister becomes extremely drunk and faceplants into the snow outside the teahouse they're in:
-->'''Nobu:''' I believe we've killed him. And if you ask me, he deserved it.
-->'''Sayuri:''' Is this how you act toward your honored guests? You must take him out onto the street and walk him around a bit to wake him up. The cold will do him good.
-->'''Nobu:''' He's lying in the snow. Isn't that cold enough?
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Added DiffLines:
* Chiyo's training montage.
* Chiyo giving a man on a bike the 'geisha look' which sends him crashing into a cart.
* Chiyo giving a man on a bike the 'geisha look' which sends him crashing into a cart.
