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Changed line(s) 14 (click to see context) from:
* During the opening, three of them - John, George, Ringo - are running throughout the train station, while Paul calmly sits and waits for them to catch up to him and his gramps. And Paul does it by wearing [[HilariousInHindsight facial hair]] to avoid getting spotted by the squeeing fangirls.
to:
* During the opening, three of them - – John, George, Ringo - – are running throughout the train station, while Paul calmly sits and waits for them to catch up to him and his gramps. And Paul does it by wearing [[HilariousInHindsight facial hair]] to avoid getting spotted by the squeeing fangirls.
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Changed line(s) 43 (click to see context) from:
* Simon Marshall's assistant tries to whisper to him "That's George Harrison". Not listening, Simon sternly responds "Don't ''breathe'' on me, Adrian."
to:
* The entire scene with George and Simon Marshall's Marshall.
** Simon' assistant tries to whisper to him "That's George Harrison". Not listening, Simon sternly responds "Don't ''breathe'' on me, Adrian."
** Simon' assistant tries to whisper to him "That's George Harrison". Not listening, Simon sternly responds "Don't ''breathe'' on me, Adrian."
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Changed line(s) 47 (click to see context) from:
--> "Oh, I'm with them. I'm Ringo's sister."
to:
--> "Oh, I'm with them. I'm Ringo's sister.""
* "[[RunningGag Who's that]] [[PhraseCatcher little old man?]]"
-->'''Ringo:''' He belongs to Paul.
* "[[RunningGag Who's that]] [[PhraseCatcher little old man?]]"
-->'''Ringo:''' He belongs to Paul.
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Changed line(s) 41 (click to see context) from:
* "Ringo! What are you up to?!" "Page five."
to:
* "Ringo! What are you up to?!" "Page five."[[ComicallyMissingThePoint Page five]]."
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Changed line(s) 21 (click to see context) from:
** And a second later they're shown walking down the aisle past the train car, carrying Ringo, with the implication that we're seeing a further attempt to irritate their fellow-passenger.
to:
** And a second later they're shown walking down the aisle past the train car, carrying Ringo, with the implication that we're seeing a further attempt to irritate their fellow-passenger.fellow passenger.
Changed line(s) 41 (click to see context) from:
* "Ringo, what are you up to?" "Page five."
to:
* "Ringo, what "Ringo! What are you up to?" to?!" "Page five."
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Changed line(s) 3 (click to see context) from:
-->'''Reporter:''' What do you call your hairstyle?\\
to:
-->'''Reporter:''' What do would you call your hairstyle?\\that hairstyle you're wearing?\\
Changed line(s) 7 (click to see context) from:
'''Ringo:''' [[TakeAThirdOption Uh, no, I'm a]] [[BreadEggsBreadedEggs mocker.]]
to:
'''Ringo:''' [[TakeAThirdOption Uh, Um, no, I'm a]] [[BreadEggsBreadedEggs mocker.]]
Changed line(s) 18 (click to see context) from:
* "Hey, mister, can we have our ball back!? Mister, c'mon, Mister! Can we have our ball back?"
to:
* "Hey, mister, can we have our ball back!? back?! Mister, c'mon, Mister! mister! Can we have our ball back?"
Changed line(s) 26,27 (click to see context) from:
** Special mention must go to his truly epic [[BathtubScene scene in the bathtub]]. He cheerfully ignores the conversation going on ten feet away from him, preferring instead to play a highly noisy and splash-y game with toy torpedoes.
---> "''Rule Britannia! Britannia rules the..."'' SPLOOSH
---> "''Rule Britannia! Britannia rules the..."'' SPLOOSH
to:
** Special mention must go to his truly epic [[BathtubScene scene in the bathtub]]. He cheerfully ignores the conversation going on ten feet away from him, preferring instead to play a highly noisy and splash-y splashy game with toy torpedoes.
---> "''Rule --->"''Rule Britannia! Britannia rules the..."'' SPLOOSH
Changed line(s) 31 (click to see context) from:
* The entire scene's worth of "Can't Buy Me Love." Of particular note: shots of John, Paul and George, each jumping spectacularly into the air...followed by Ringo readying himself for a similarly gigantic leap and doing [[AntiClimax this pathetic little hop with his arms at his sides]].
to:
* The entire scene's worth of "Can't Buy Me Love." Of particular note: shots of John, Paul Paul, and George, each jumping spectacularly into the air...followed by Ringo readying himself for a similarly gigantic leap and doing [[AntiClimax this pathetic little hop with his arms at his sides]].
Changed line(s) 39 (click to see context) from:
--> "There you go, hiding behind a smoke screen of bourgeois clichés."
to:
--> "There you go, hiding behind a smoke screen smokescreen of bourgeois clichés."
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Changed line(s) 44 (click to see context) from:
* Wilfrid Brambell manages to make his ''teeth'' funny in this movie.
to:
* Wilfrid Brambell Creator/WilfridBrambell manages to make his ''teeth'' funny in this movie.
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Added DiffLines:
** An iconic exchange at the end of the scene:
--->'''Man:''' I suppose you realize this is private property?
--->'''George:''' Sorry we hurt your field, mister.
--->'''Man:''' I suppose you realize this is private property?
--->'''George:''' Sorry we hurt your field, mister.
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Added DiffLines:
** After we've heard Paul answer questions with "No, actually, we're just good friends" several times:
--->'''Reporter:''' Do you often see your father?
--->'''Paul:''' No, actually, we're just good friends.
--->'''Reporter:''' Do you often see your father?
--->'''Paul:''' No, actually, we're just good friends.
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Changed line(s) 1 (click to see context) from:
* "I now declare this bridge...open!" and many more.
to:
* "I now declare this bridge...open!" and many more.Snip!
Changed line(s) 41,42 (click to see context) from:
--> "Oh, I'm with them. I'm Ringo's sister."
* "I now delare this bridge open!" (Snips the tailor's measuring tape in half)
* "I now delare this bridge open!" (Snips the tailor's measuring tape in half)
to:
--> "Oh, I'm with them. I'm Ringo's sister."
* "I now delare this bridge open!" (Snips the tailor's measuring tape in half)"
* "I now delare this bridge open!" (Snips the tailor's measuring tape in half)
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Changed line(s) 41 (click to see context) from:
--> "Oh, I'm with them. I'm Ringo's sister."
to:
--> "Oh, I'm with them. I'm Ringo's sister.""
* "I now delare this bridge open!" (Snips the tailor's measuring tape in half)
* "I now delare this bridge open!" (Snips the tailor's measuring tape in half)
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Changed line(s) 39 (click to see context) from:
* During the sequence when the cops are chasing the Beatles, they run several times by a guy trying to break into a car. The first two times, the guy stops and looks casual when they pass; the third time he doesn't bother stopping and manages to get into the car. As soon as he gets in, the cops pile in and ask him to follow the boys. The guy, clearly frightened to be busted, pulls down his hat really low and drives as told.
to:
* During the sequence when the cops are chasing the Beatles, they run several times by a guy trying to break into a car. The first two times, the guy stops and looks casual when they pass; the third time he doesn't bother stopping and manages to get into the car. As soon as he gets in, the cops pile in and ask him to follow the boys. The guy, clearly frightened to be busted, pulls down his hat really low and drives as told.told.
* When Shake is denied entry into the casino, he says this:
--> "Oh, I'm with them. I'm Ringo's sister."
* When Shake is denied entry into the casino, he says this:
--> "Oh, I'm with them. I'm Ringo's sister."
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Added DiffLines:
** Even better, Lennon apparently improvised this line.
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Changed line(s) 37 (click to see context) from:
* Wilfrid Brambell manages to make his ''teeth'' funny in this movie.
to:
* Wilfrid Brambell manages to make his ''teeth'' funny in this movie.movie.
* During the sequence when the cops are chasing the Beatles, they run several times by a guy trying to break into a car. The first two times, the guy stops and looks casual when they pass; the third time he doesn't bother stopping and manages to get into the car. As soon as he gets in, the cops pile in and ask him to follow the boys. The guy, clearly frightened to be busted, pulls down his hat really low and drives as told.
* During the sequence when the cops are chasing the Beatles, they run several times by a guy trying to break into a car. The first two times, the guy stops and looks casual when they pass; the third time he doesn't bother stopping and manages to get into the car. As soon as he gets in, the cops pile in and ask him to follow the boys. The guy, clearly frightened to be busted, pulls down his hat really low and drives as told.
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Added DiffLines:
*** Bonus points in that scene go to George's utter lack of surprise.
---->Torpedoed again, eh?
---->Torpedoed again, eh?
