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* [[AsHimself As Themselves]]: Rowetta of the Happy Mondays is the only person to have played themself in the film, although there are a large number of cameos, and Howard Devoto appears both played by an actor and as himself. Former UK Wheel of Fortune co-host Terri Seymor also appears as herself in that role.

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* AscendedFanboy InUniverse: We see Shaun and Paul Ryder switch the channel on their TV away from the Sex Pistols performance to watch Music/JohnDenver yodel, which then cuts to RealLife footage of Happy Mondays performing on stage with Denver.
* [[AsHimself As Themselves]]: Rowetta of the Happy Mondays is the only person to have played themself in the film, although there are a large number of cameos, and Howard Devoto appears both played by an actor and as himself. Former UK Wheel of Fortune co-host Terri Seymor also appears as herself in that (nonspeaking) role.



* FauxlosophicNarration: Tony Wilson's forté. At one point, he is shown to give the opening narration to Wheel of Fortune, going on a long tangent about the depiction of history as a wheel, only to cut to a RealPersonCameo of the real TOny Wilson as a director at the TV station calling it crap and saying to cut it all and going straight to "spin that wheel!".



* HehHehYouSaidX: the studio engineer for Happy Mondays notices a guitar is out of tune, and asks if the player can "give us an E", to which Shaun laughs and says "yeah, Bez will sort you out", and Bez immediately moves to retrieve a bag of ecstasy pills from his fanny pack.
* HumanInterestStory: Tony Wilson's job at Grenada is to film these kids of segments for the news, a job he considers below him.



* IceCreamKoan: Tony often veers to odd similes when trying to explain things his way.
-->'''Tony Wilson:''' The smaIIer the attendance, the bigger the history. There were 12 peopIe at the Last Supper. HaIf a dozen at Kitty Hawk. Archimedes was on his own in the bath.



* ShagVan: Mr. Tony owns one of these, where Tony's wife Lindsay finds Tony with his pants down.

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* ShagVan: ShagWagon: Mr. Tony owns one of these, where Tony's wife Lindsay finds Tony with his pants down.



* TakeThat: Two to Mick Hucknall of Simply Red; one at the beginning, at the legendary 1976 Sex Pistols gig at the Lesser Free Trade Hall in Manchester, to which he is referred simply as "ginger nut", and one at the end, when [[ItMakesSenseInContext God tells Tony to keep up the good work]]:

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* TakeThat: TakeThat:
**
Two to Mick Hucknall of Simply Red; one at the beginning, at the legendary 1976 Sex Pistols gig at the Lesser Free Trade Hall in Manchester, to which he is referred simply as "ginger nut", and one at the end, when [[ItMakesSenseInContext God tells Tony to keep up the good work]]:


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** "Jazz is the last refuge of the untalented. Jazz musicians enjoy themselves more than anyone listening to them does."


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* UnreliableNarrator: Repeatedly lampshaded, most when Tony Wilson tells the story of how he messed up the interview "Mad Monk" Sir Keith Joseph. Tony is shown to get his car stuck in a snowdrift, despite the lack of snow in every other scene in the flashback.
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* MisaimedFandom InUniverse, Joy Division and staff at Factory Records grow concerned about the increasing Neo Nazi Skinhead presence at their shows.


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* OneSteveLimit {{Discussed|Trope}}; the owner of the club Factory first starts showcasing their bands at is owned by a man called Tony, which is his last name, which Tony Wilson says is worse because that makes him "Mister Tony"


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* ShagVan: Mr. Tony owns one of these, where Tony's wife Lindsay finds Tony with his pants down.


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* SofterAndSlowerCover: When Tony goes to meet Mr. Tony, the latter's club has a duo soul act who sing a swinging a capella cover of "Love Will Tear Us Apart".

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* ArtisticLicenseHistory: Ian Curtis hanged himself in the kitchen of his home with an indoor clothesline, not in the living room in front of the TV set as depicted in the film. Additionally, his body was found standing in a half-kneeling position in front of a countertop, as opposed to the film's more conventional image of him dangling from the ceiling. Presumably, the film's liberties with this event were taken to provide a more jarring image to viewers.
* [[AsHimself As Themselves]]: Rowetta of the Happy Mondays is the only person to have played themself in the film, although there are a large number of cameos, and Howard Devoto appears both played by an actor and as himself.

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* ArtisticLicenseHistory: ArtisticLicenseHistory:
**
Ian Curtis hanged himself in the kitchen of his home with an indoor clothesline, not in the living room in front of the TV set as depicted in the film. Additionally, his body was found standing in a half-kneeling position in front of a countertop, as opposed to the film's more conventional image of him dangling from the ceiling. Presumably, the film's liberties with this event were taken to provide a more jarring image to viewers.
** The Hacienda operated for five years after Factory Records went under, and the events of the last night are completely fictional.
-->'''Tony Wilson:''' When forced to pick between the truth and the legend, print the legend.
* [[AsHimself As Themselves]]: Rowetta of the Happy Mondays is the only person to have played themself in the film, although there are a large number of cameos, and Howard Devoto appears both played by an actor and as himself. Former UK Wheel of Fortune co-host Terri Seymor also appears as herself in that role.


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* BudgetBustingElement InUniverse, a common problem for Factory:
** Martin Hannet charges 50 pounds an hour to record {{Music/Joy Division}}s "Control", and just after starting declares the drum set has to be re-assembled, and makes clear he's still on the clock while they do that.
** The sleeve for {{Music/New Order}}s "Blue Monday" 12 inch single cost so much because of the special manifacturing process, that the label lost 5 pence per every copy sold, and then the single became the highest selling 12 inch single in UK history.
** The Hacienda is a total money sink for years before it becomes popular during the rave scene, but still doesn't turn a profit as the party is fueled by ecstasy and people don't buy drinks from the bar.
** New Order recording their album in Ibiza for two years, and Happy Mondays' fateful trip to Barbados to record their second album cost the label a pretty penny, and the Mondays didn't even record any vocals.
** The table at the new Factory Records office cost £ 30,000, causing Rob to jump and start punching Tony.
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General clarification on work content


''24 Hour Party People'' is a 2002 British {{biopic}} telling the rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, the Haçienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.

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''24 Hour Party People'' is a 2002 British {{biopic}} directed by Creator/MichaelWinterbottom telling the rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, the Haçienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.
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* RealPersonCameo: [[CreatorCameo Tony Wilson himself]], [[Music/TheFall Mark E. Smith]], [[Music/{{Buzzcocks}} Howard]] [[Music/{{Magazine}} Devoto]], Keith Allen, Vini Reilly, [[Music/HappyMondays Paul Ryder and Rowetta]]... And those are just the cameos that have to do with the Manchester music scene.

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* RealPersonCameo: [[CreatorCameo Tony Wilson himself]], [[Music/TheFall [[Music/TheFallBand Mark E. Smith]], [[Music/{{Buzzcocks}} Howard]] [[Music/{{Magazine}} Devoto]], Keith Allen, Vini Reilly, [[Music/HappyMondays Paul Ryder and Rowetta]]... And those are just the cameos that have to do with the Manchester music scene.
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''24 Hour Party People'' is a 2002 British {{Biopic}} telling the rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, the Haçienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.

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''24 Hour Party People'' is a 2002 British {{Biopic}} {{biopic}} telling the rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, the Haçienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.
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* DescentIntoAddiction: Shaun Ryder first dicovers Heroin and later Crack Cocaine. Returning from Barbados, he holds the masters hostage for money, but is so strung out he accepts the ComicallySmallBribe of £50.
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* EccentricArtist: producer Martin Hannett has some oddball quirks, wastes a lot of studio time and once fired a gun loaded with blanks at Tony Wilson.
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* EmbarrassingNickname: Tony goes to interview a politician and is warned beforehand not to call him by the nickname Mad Monk that his detractors use, but Tony can't help but slip when the politician makes a church reference.
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* BloodOath / CouldntFindAPen: the founding document of Factory Records is written in Tony's blood.


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* SexDrugsAndRockAndRoll: the Happy Mondays live the lifestyle. Things take a dark turn once Shaun starts taking heroin, and goes worse when recording at Barbados, the band switches to crack cocaine.
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-->'''Tony Wilson:''' This is the real Howard Devoto. He and Lindsay insisted we make clear that this never happened. But I agree with John Ford. When you have to choose between the truth and the legend, print the legend.
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* TheCameo Tony Wilson appears as the director for Wheel of Fortune at a TV studio, and many artists from Factory appear in bit parts inclusing Paul Ryder from HappyMondays as a gangster.

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* TheCameo Tony Wilson appears as the director for Wheel of Fortune at a TV studio, and many artists from Factory appear in bit parts inclusing including Paul Ryder from HappyMondays Music/HappyMondays as a gangster.
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--> '''Tony Wilson:''' I'm sure it'll be on the DVD.

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--> '''Tony Wilson:''' I'm sure it'll be on the DVD.[[spoiler: [[ShmuckBait It isn't]]]]

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* AluminumChristmasTrees: The film is a biopic that [[VeryLooselyBasedOnATrueStory stretches the truth a bit here and there]], but some of the more fanciful things included in the movie actually happened:
** Yes, Music/SexPistols really did play a show at the Manchester Free Trade Hall on 4 June 1976 to under 50 people, and a significant fraction of those who attended later formed an important band, including future members of Music/JoyDivision, Music/NewOrder, Music/TheFall, Music/TheSmiths and Simply Red. The show had been arranged and booked by the members of the Music/{{Buzzcocks}}, who had only formed a few months before. Wilson wasn't at this show, though: He caught them when they came back to town on 20 July, and witnessed the first live performance of "Anarchy in the U.K.".
** Yes, Martin Hannett really did go up on a hilltop to record "silence" and forced Stephen Morris to set up his kit on the roof of the studio, recording him long after everyone else had left. And yes, despite all of his extremely eccentric behavior, he's widely considered to be [[BunnyEarsLawyer one of the greatest record producers to ever live]].
** Yes, Factory Records really did lose money on every copy of Music/NewOrder's "Blue Monday" because of the cost of its elaborate die-cast sleeve, despite it being the best-selling 12" single of all time.
** Yes, Tony Wilson really did compare Shaun Ryder of Music/HappyMondays to Creator/WilliamButlerYeats. Ryder is indeed a gifted, witty lyricist with a keen eye for observation, but his loutish personality has often obscured his talent.
** Yes, Factory Records really didn't have proper contracts with its artists, which is why London Records balked at acquiring them, and simply signed their lone remaining successful act, Music/NewOrder, after Factory went under in 1992.
** Yes, the Hacienda really did lose a ton of money specifically because everyone was doing drugs and not buying booze. Peter Hook of Music/NewOrder once claimed that the club lost up to £18 million despite it being a packed hotspot every night. The club didn't close immediately after Factory Records went under though; Wilson and New Order kept it going until 1997. The main discrepancy with the film's depiction of the Hacienda is fairly minor: Wilson wasn't present at the final night, nor was the club's final event a rave: It was a concert by the space rock band Music/{{Spiritualized}}.
** Yes, Music/TheSmiths of all bands really did try to join Factory Records at one point, and they were indeed turned down. No word as to whether or not Tony Wilson grumbled about the missed opportunity while smoking on a rooftop in '92.
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* TheCamo Tony Wilson appears as the director for Wheel of Fortune at a TV studio, and many artists from Factory appear in bit parts inclusing Paul Ryder from HappyMondays as a gangster.

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* TheCamo TheCameo Tony Wilson appears as the director for Wheel of Fortune at a TV studio, and many artists from Factory appear in bit parts inclusing Paul Ryder from HappyMondays as a gangster.
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* TheCamo Tony Wilson appears as the director for Wheel of Fortune at a TV studio, and many artists from Factory appear in bit parts inclusing Paul Ryder from HappyMondays as a gangster.
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Cleanup of wicks to Loads And Loads Of Characters (disambiguated)


Not to be confused with the trope TwentyFourHourPartyPeople (which is named after the Happy Mondays song [[NamesTheSame that also gives this movie its name]]) about background extras who show up at parties for or thrown by a work's main characters. Compare ''Film/{{Control}}'', a more serious biopic that specifically focuses on Ian Curtis.

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Not to be confused with the trope TwentyFourHourPartyPeople (which is named after the Happy Mondays song [[NamesTheSame that also gives this movie its name]]) name) about background extras who show up at parties for or thrown by a work's main characters. Compare ''Film/{{Control}}'', a more serious biopic that specifically focuses on Ian Curtis.

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* AccidentalInnuendo: In-universe-- the band "Music/JoyDivision" is named after the euphemistic term for the prostitution and sexual slavery groups of Jewish women were forced to perform in Nazi concentration camps. This leads to accusations of fascism and white supremacist skinheads invading their gigs, which leads to the band spitting on them, which leads to further chaos. Later, after Ian Curtis' death, the band reveal to Tony Wilson that they've decided to change their name to "New Order"-- which, as Wilson points out, is possibly even ''more'' fascistic.



* UnfortunateImplications: In-universe-- the band "Music/JoyDivision" is named after the euphemistic term for the prostitution and sexual slavery groups of Jewish women were forced to perform in Nazi concentration camps. This leads to accusations of fascism and white supremacist skinheads invading their gigs, which leads to the band spitting on them, which leads to further chaos. Later, after Ian Curtis' death, the band reveal to Tony Wilson that they've decided to change their name to "New Order"-- which, as Wilson points out, is possibly even ''more'' fascistic.
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* {{Novlisation}}: [[https://factoryrecords.org/cerysmatic/fac424_24_hour_party_people.php The film was novelised by none other than Tony Wilson himself]].

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* {{Novlisation}}: {{Novelisation}}: [[https://factoryrecords.org/cerysmatic/fac424_24_hour_party_people.php The film was novelised by none other than Tony Wilson himself]].

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* OhCrap: Tony and the other Factory Records employees' reaction to hearing [[spoiler:''Yes Please!'' for the first time, and the realization that Happy Mondays were too drugged out to write lyrics meaning that Factory spent untold amounts of money on a record consisting of instrumentals.]]



* OopNorth

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* OopNorth{{Novlisation}}: [[https://factoryrecords.org/cerysmatic/fac424_24_hour_party_people.php The film was novelised by none other than Tony Wilson himself]].
* OhCrap: Tony and the other Factory Records employees' reaction to hearing [[spoiler:''Yes Please!'' for the first time, and the realization that Happy Mondays were too drugged out to write lyrics meaning that Factory spent untold amounts of money on a record consisting of instrumentals.]]
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* NeverFilledOutOfficialPaperwork: Factory's attempts at [[spoiler:negotiating a buyout with London Records]] falls through when the latter learns that Factory never actually filed proper contracts with their artists, giving ''them'' ownership of their material instead of the label. [[spoiler:Factory, in the midst of a huge financial downturn, go bankrupt as a result]].
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The film follows Tony and Factory Records as money is lost, Music/JoyDivision (one of Factory's first signings) lead singer Ian Curtis commits suicide, RecordProducer Martin Hannett goes insane and tries to kill Tony, the birth of "Madchester" music and rave culture, The Happy Mondays sell their equipment and studio for crack and then attempt to hold back their new album from Factory for ransom... You wouldn't get this kinda stuff in a film about EMI.

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The film follows Tony and Factory Records as money is lost, Music/JoyDivision (one of Factory's first signings) lead singer Ian Curtis commits suicide, causing the band to rename themselves Music/NewOrder and veer off in a totally different direction, RecordProducer Martin Hannett goes insane and tries to kill Tony, the birth of "Madchester" music and rave culture, The Happy Mondays sell their equipment and studio for crack and then attempt to hold back their new album from Factory for ransom... You wouldn't get this kinda stuff in a film about EMI.



* AwardBaitSong: [[https://www.youtube.com/watch?v=Z15DIchJw7Y "Here To Stay"]] by New Order, notable for being their first single not to be included on one of their proper studio albums (discounting compilations) since "World in Motion" in 1990 and their last to hold such a distinction until "Be a Rebel" 18 years later.

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* AwardBaitSong: [[https://www.youtube.com/watch?v=Z15DIchJw7Y "Here To Stay"]] by New Order, Music/NewOrder, notable for being their first single not to be included on one of their proper studio albums (discounting compilations) since "World in Motion" in 1990 and their last to hold such a distinction until "Be a Rebel" 18 years later.
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Not to be confused with the trope TwentyFourHourPartyPeople (which is named after the Happy Mondays song [[NamesTheSame that also gives this movie its name]]) about background extras who show up at parties for or thrown by a work's main characters.

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Not to be confused with the trope TwentyFourHourPartyPeople (which is named after the Happy Mondays song [[NamesTheSame that also gives this movie its name]]) about background extras who show up at parties for or thrown by a work's main characters. Compare ''Film/{{Control}}'', a more serious biopic that specifically focuses on Ian Curtis.



* AwardBaitSong: [[https://www.youtube.com/watch?v=Z15DIchJw7Y "Here To Stay"]] by New Order, notable for being their first single not to be included on one of their proper studio albums (discounting compilations) since "World in Motion" in 1990 and their last to hold such a distinction to this day.

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* AwardBaitSong: [[https://www.youtube.com/watch?v=Z15DIchJw7Y "Here To Stay"]] by New Order, notable for being their first single not to be included on one of their proper studio albums (discounting compilations) since "World in Motion" in 1990 and their last to hold such a distinction to this day.until "Be a Rebel" 18 years later.
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The film is also officially part of Factory Records' [[https://en.wikipedia.org/wiki/Factory_Records_discography quite unusual and outrageously posthumous release catalog]][[note]]how "outrageously posthumous," you ask? The label was already bankrupt for nearly a decade by the time the film premiered[[/note]], complete with its own serial number (FAC 401). The film's website, DVD release and companion book (written by Tony Wilson himself) all received catalog numbers as well (FAC 433, FACDVD 424, and FAC 424, respectively, with the DVD release marking the only use of the "FACDVD" prefix in the entire Factory catalog), as did the reconstruction of the Haçienda used for the film (FAC 451).

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The film is also officially part of Factory Records' [[https://en.wikipedia.org/wiki/Factory_Records_discography quite unusual and outrageously posthumous release catalog]][[note]]how "outrageously posthumous," you ask? The label was already bankrupt for nearly a decade by the time the film premiered[[/note]], complete with its own serial number (FAC 401). The film's website, DVD release and companion book (written by Tony Wilson himself) all received catalog numbers as well (FAC 433, FACDVD 424, and FAC 424, respectively, with the DVD release marking the only use of the "FACDVD" prefix in the entire Factory catalog), as did the reconstruction of the Haçienda used for the film (FAC 451).
451, a significant pick as FAC 51 was the catalog number for the actual club).
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''24 Hour Party People'' is a 2002 British {{Biopic}} telling the rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, The Hacienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.

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''24 Hour Party People'' is a 2002 British {{Biopic}} telling the rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, The Hacienda.the Haçienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.



The film is also officially part of Factory Records' [[https://en.wikipedia.org/wiki/Factory_Records_discography quite unusual and outrageously posthumous release catalog]][[note]]how "outrageously posthumous," you ask? The label was already bankrupt for nearly a decade by the time the film premiered[[/note]], complete with its own serial number (FAC 401) -- The film's website, DVD release and companion book (written by Tony Wilson himself) all received catalog numbers as well.

to:

The film is also officially part of Factory Records' [[https://en.wikipedia.org/wiki/Factory_Records_discography quite unusual and outrageously posthumous release catalog]][[note]]how "outrageously posthumous," you ask? The label was already bankrupt for nearly a decade by the time the film premiered[[/note]], complete with its own serial number (FAC 401) -- 401). The film's website, DVD release and companion book (written by Tony Wilson himself) all received catalog numbers as well.
well (FAC 433, FACDVD 424, and FAC 424, respectively, with the DVD release marking the only use of the "FACDVD" prefix in the entire Factory catalog), as did the reconstruction of the Haçienda used for the film (FAC 451).
Is there an issue? Send a MessageReason:
None


''24 Hour Party People'' is a 2002 British {{Biopic}} telling the story of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, The Hacienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.

to:

''24 Hour Party People'' is a 2002 British {{Biopic}} telling the story rise and fall of Tony Wilson (played by Creator/SteveCoogan), a local news reporter who attends a pivotal gig by Music/TheSexPistols in the 1970s which changes his life. Believing he is living in "one of the most important fucking times in human history", he decides to start a record company called Creator/FactoryRecords and a club, The Hacienda. He also decides to BreakTheFourthWall and converse with the audience a lot, because it's that sort of film.



The film is also officially part of Factory Records' [[https://en.wikipedia.org/wiki/Factory_Records_discography quite unusual release catalog]], complete with its own serial number (FAC 401) -- The film's website, DVD release and companion book (written by Tony Wilson himself) all received catalog numbers as well.

to:

The film is also officially part of Factory Records' [[https://en.wikipedia.org/wiki/Factory_Records_discography quite unusual and outrageously posthumous release catalog]], catalog]][[note]]how "outrageously posthumous," you ask? The label was already bankrupt for nearly a decade by the time the film premiered[[/note]], complete with its own serial number (FAC 401) -- The film's website, DVD release and companion book (written by Tony Wilson himself) all received catalog numbers as well.

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