History Film / MoulinRouge

15th Sep '17 5:20:21 PM MeaJae97
Is there an issue? Send a Message

Added DiffLines:

* GracefulLoser: Double Subverted. The duke begins to walk away when it seems that he will never have Satine, and then he attempts to shoot at them. Once he is punched in the face by Zidler, this causes him to leave.
15th Sep '17 5:04:28 PM MeaJae97
Is there an issue? Send a Message


* EasilyForgiven: Despite Christian slut-shaming her in front of an entire audience, Satine doesn't see this as crossing the line of breakup etiquette.

to:

* EasilyForgiven: Despite Christian slut-shaming her in front of an entire audience, Satine doesn't see this as crossing the line of when it comes to breakup etiquette.
15th Sep '17 5:03:17 PM MeaJae97
Is there an issue? Send a Message

Added DiffLines:

* EasilyForgiven: Despite Christian slut-shaming her in front of an entire audience, Satine doesn't see this as crossing the line of breakup etiquette.
9th Sep '17 3:09:32 AM Kitchen90
Is there an issue? Send a Message


Another film, a [[UsefulNotes/AcademyAward Best Picture-nominated]] {{biopic}} of the same name (without the exclamation point), was made in 1952, directed by Creator/JohnHuston and starring José Ferrer and Zsa Zsa Gabor. It's much less acid sequence and more TragicHero, showing the life and work of Creator/HenriDeToulouseLautrec in fin de siècle Paris, and the love he tries to find.

to:

Another film, a [[UsefulNotes/AcademyAward Best Picture-nominated]] {{biopic}} This movie has no relation to the biopic of the same name (without the exclamation point), was made in 1952, directed by Creator/JohnHuston and starring José Ferrer and Zsa Zsa Gabor. It's much less acid sequence and more TragicHero, showing the life and work of Creator/HenriDeToulouseLautrec in fin de siècle Paris, and the love he tries to find.same. If you're looking for that, you'll find it [[Film/MoulinRouge1952 here]].



!!The 2001 film provides examples of:

to:

!!The 2001 film provides examples of:




!!The 1952 film contains examples of:
* BookEnds: Toulouse-Lautrec falls down a staircase as a young man, crippling him; in the end, he [[spoiler:falls down a staircase in an absinthe-induced panic attack, and dies]].
* ChildhoodFriendRomance: Henri had a very good chance of marrying his childhood sweetheart until the accident which crippled him, at which point she couldn't stand the sight of him, which is sad, because he just looked like [[http://upload.wikimedia.org/wikipedia/commons/a/aa/Photolautrec.jpg this]].
** According to his Wikipedia article he also may have suffered from overgrown genitals. This could be a good thing or a bad thing depending on ''how'' overgrown they were.
* DarkReprise: Somewhat different, in that the song Jane Avril sings is lighter than her first one, [[spoiler: but is less emotionally resonant and more hollow. Even more appropriately, at the end, as Toulouse-Lautrec dies misunderstood, the dancers from his happy days at the Moulin reappear before him one last time to say goodbye--though they imply they'll meet again in heaven]].
* DeadpanSnarker: Henri, when he's not belligerently angry or full of {{Wangst}}.
-->'''Jane Avril''': Oh Henri, why couldn't you be tall and handsome?
-->'''Henri''': [[InVinoVeritas Two more of these and I shall be]].
* DownerEnding: [[spoiler:Toulouse-Lautrec dies, while his parents and his contemporaries don't understand his art, or anything he's ever done while alive, and he just misses--by HOURS--the love of his life, now gone forever.]] Sadly, this is TruthInTelevision, as it really did end this way for him.
* GayParee: Averted, in that the presented Paris is historically accurate, with the very real danger of being mugged, prostitutes being picked up by the police, and streets that stink to high heaven from the products manufactured there.
* GoodCostumeSwitch: Not 'good', per se, but when Jane Avril goes from singing in the Moulin to performing on stage, she wears a far more respectable outfit, much to the disappointment of those who want to remember her as the queen of the tease.
* IncestIsRelative: Henri's father laments that it's his fault Henri's system is so frail, as his wife is his first cousin in order to [[RoyallyScrewedUp keep the family line pure]].
* InterruptedSuicide: Interrupted by Toulouse-Lautrec himself, as he decides to devote himself to art, and in an uplifting scene, he shuts off the gas and throws open the window, letting the morning light stream in.
* IResembleThatRemark: "I do not have a nose like that! I submit it for anyone: do I have a nose like that?" (He does.)
* IronicEcho: "There's the most ''divine'' creature waiting for me..."
* IWasQuiteALooker: A very depressing scene in which [[spoiler:Toulouse-Lautrec meets La Goulue, now drunken and on the streets]].
* MauriceChevalierAccent: Toulouse-Lautrec speaks with a French accent, which is odd, considering none of the other characters in this Parisian setting speak with an audible French accent.
* {{Montages}}: Specifically, a TimePassesMontage, PhotoMontage and HardWorkMontage rolled into one, with Toulouse-Lautrec's paintings, and a DrunkenMontage once Toulouse-Lautrec goes on absinthe.
* RebelPrince: Henri refuses to take a title like his father, believing that they are out of style.
* SassyBlackWoman: Aicha, the Algerian, for the one or two scenes she's in; when kicked in the behind, she kicks right back, harder, and tells La Goulue "I hope you split your breeches, kid!"
* SnicketWarningLabel: It's possible to get a HappyEnding if you miss/ignore the very end... and beginning.
* ThematicThemeTune: "[[http://au.youtube.com/watch?v=oLyKbOtASHA It's April Again]]", sung by Jane Avril (the unforgettable Zsa Zsa Gabor).
* TheyChangedItNowItSucks: {{In-universe}}, with regards to the Moulin.
-->'''Zidler''': I know I'm making millions, but I liked the Moulin as she was: a little strumpet who thought only of tonight. Now she's grown up and knows better. She has money in her stocking, wears corsets, and never drinks a drop too much. Worst of all, she never sees her old friends anymore...she has gone into society.
* TragicHero: Toulouse-Lautrec, whose unwillingness to trust even those who try to help him brings about his downfall.
* TrueArtIsAngsty: {{In-universe}}; how people react to Toulouse-Lautrec's art, a bit of TruthInTelevision.
* WellDoneSonGuy: The Comte de Toulouse-Lautrec practically defines this trope, declaring for most of the movie what he thinks about Henri's art: "Work? A pretext to hang about cheap dance halls and drink all night. You call that pornographic trash work?" By the end, he changes his tune, but by then [[spoiler:not only is Henri dying, he's interpreted as good because it's now famous--Henri just wanted it to be liked because it was beautiful]].
* WillTheyOrWontThey: Marie Charlet and Toulouse-Lautrec. They don't. Also Henri and Myriamme Hyam. [[spoiler:They don't, either.]]
8th Jul '17 5:24:05 PM ironballs16
Is there an issue? Send a Message

Added DiffLines:

* CruelToBeKind: [[spoiler: Satine breaks up with Christian because if she doesn't, the Duke will kill him. Plus she's dying of consumption]].
1st Jun '17 6:40:07 PM wrestlingdog909
Is there an issue? Send a Message

Added DiffLines:

* MinorCharacterMajorSong: The Narcoleptic Argentinian, who is basically a walking joke for most of the film at this point, gets the absolutely epic arrangement of "El Tango de [[Music/ThePolice Roxanne]]." He doesn't do much afterwards, either.
21st May '17 8:03:29 PM LordArvidthe13th
Is there an issue? Send a Message

Added DiffLines:

**[[spoiler:Given the Duke and his manservant attempted murder of Christian in the middle of a performance, you would think one or both would under murder rep.]].
7th Apr '17 6:49:03 AM rainmakerrtv
Is there an issue? Send a Message

Added DiffLines:

* OOCIsSeriousBusiness: Zidler almost exclusively addresses Satine by various endearments such as "Cherub" or "My Little Strawberry". The first time he addresses her by her actual name, it is to say, "You're dying, Satine!"
25th Mar '17 4:09:44 AM Ingonyama
Is there an issue? Send a Message


* WorldHalfEmpty[=/=]WorldHalfFull: Aside from being an example of MoodWhiplash and FisherKingdom, the contrast between the opening of the movie and the flashback illustrates these tropes. First the audience is shown Montmarte as a bleak and desolate place, with its inhabitants doped up on absinthe and various other drugs, while a priest stands outside the entrance warning the viewer not to enter "this village of sin." Then when everything flips to the colorful, happy, lively Montmartre, some of the same characters are seen again dancing, singing, and playing music. An implication that can be drawn from this is that neither view is completely correct by itself, that the real Montmartre was a mix of the two, or at least depended on point of view and one's experiences there.

to:

* WorldHalfEmpty[=/=]WorldHalfFull: Aside from being an example of MoodWhiplash and FisherKingdom, the contrast between the opening of the movie and the flashback illustrates these tropes. First the audience is shown Montmarte as a bleak and desolate place, with its inhabitants doped up on absinthe and various other drugs, while a priest stands outside the entrance warning the viewer not to enter "this village of sin." Then when everything flips to the colorful, happy, lively Montmartre, some of the same characters are seen again dancing, singing, and playing music. music as "children of the revolution". An implication that can be drawn from this (beyond that the district's fortunes and happiness depend upon [[spoiler:Satine's life]]) is that neither view is completely correct by itself, that the real Montmartre was a mix of the two, or at least depended on point of view and one's experiences there.
25th Mar '17 4:07:30 AM Ingonyama
Is there an issue? Send a Message

Added DiffLines:

* WorldHalfEmpty[=/=]WorldHalfFull: Aside from being an example of MoodWhiplash and FisherKingdom, the contrast between the opening of the movie and the flashback illustrates these tropes. First the audience is shown Montmarte as a bleak and desolate place, with its inhabitants doped up on absinthe and various other drugs, while a priest stands outside the entrance warning the viewer not to enter "this village of sin." Then when everything flips to the colorful, happy, lively Montmartre, some of the same characters are seen again dancing, singing, and playing music. An implication that can be drawn from this is that neither view is completely correct by itself, that the real Montmartre was a mix of the two, or at least depended on point of view and one's experiences there.
This list shows the last 10 events of 88. Show all.
http://tvtropes.org/pmwiki/article_history.php?article=Film.MoulinRouge