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* EveryoneHasStandards: The main reason why the residents of the penthouse require Ted's services. While every single person in the room may be rip-roaring drunk and are doing a ''very'' dangerous bet out of sheer audaciousness, Chester explains that while they want to chop off Norman's finger if he loses the bet, nobody wants him to permanently lose it for good, hence why the bucket of ice exists so they can preserve it if things go south. Furthermore, they also want Ted to be the one to do the deed partly because they know he won't chicken out at the last second, and partly because he's actually sober enough to only chop off the finger, and not accidentally slice anything else off.

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* BerserkButton: Don't call Ted "Theodore" (unless you've got a loaded gun at his head).
** And don't call that ''whore'' a whore!

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* BerserkButton: BerserkButton:
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Don't call Ted "Theodore" (unless you've got a loaded gun at his head).
** And don't call that ''whore'' a whore!whore in front of the sister. Otherwise, you might get stabbed in the leg with a needle.


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* DidntThinkThisThrough: To get the kids in "The Misbehavers" to remain asleep, Ted puts an ointment on their eyelids that will sting their actual eyes if they open them, which he promises will wear off by tomorrow morning. He fails to consider that the kids could just get up and wash the ointment off in the bathroom at any moment, something the sister is quick to lampshade.


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* FromTheMouthsOfBabes: Both kids in the "The Misbehavers", but ''especially'' the sister swear like nobody's business despite being very young children.
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* NoodleImplements: The guests in "The Man from Hollywood" order a block of wood, a doughnut, a ball of twine, three nails, a club sandwich, a bucket of ice, and an extremely sharp hatchet. "As sharp as the devil himself." Unlike most examples of this trope, however, everything but the nails and twine gets explained: the doughnut is a snack for Chester, the club sandwich is Angela's, and the ice, hatchet and block of wood are for the bet that the segment is ''really'' about.
** The nails and the twine would probably have been used to restrain the hand that was going to have its pinky chopped off and prevent the one risking said limb from simply getting the hand out of the way if he lost or chickened out (like it was done on the ''Series/AlfredHitchcockPresents'' episode that the executives got the idea from). ''That'' becomes useless, however, pretty quickly.

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* NoodleImplements: The guests in "The Man from Hollywood" order a block of wood, a doughnut, a ball of twine, three nails, a club sandwich, a bucket of ice, and an extremely sharp hatchet. "As sharp as the devil himself." Unlike most examples of this trope, however, everything but the nails and twine gets explained: the doughnut is a snack for Chester, the club sandwich is Angela's, for Angela, and the ice, hatchet and block of wood are for the bet that the segment is ''really'' about.
** The nails and the twine would probably have been used to restrain the immobilize Norman's hand that was going to have its pinky chopped off and prevent the one risking said limb from simply getting the hand so he couldn't pull it out of the way if he lost or chickened out (like it out, as was done on in both the ''Series/AlfredHitchcockPresents'' episode that inspired the executives got bet and the idea from). ''That'' becomes useless, however, pretty quickly.story on which the episode was based.
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* TheBet: The Creator/RoaldDahl short story "Man from the South" is the basis for "The Man From Hollywood", Creator/QuentinTarantino's segment. The characters in this segment explicitly discuss the 1960 ''Series/AlfredHitchcockPresents'' Hitchcock episode adaptation. In this version, [[spoiler:the lighter fails on the first try and the referee--a bellhop who has been paid $1,000 for his trouble--chops off the finger and swiftly departs]].
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''Four Rooms'' is a 1995 BlackComedy RoundRobin {{Anthology}} film consisting of four segments, linked by a framing story: Ted (Creator/TimRoth) is a young [[{{Cloudcuckoolander}} and rather loopy]] bellhop working at a once famous Los Angeles hotel that has fallen from grace and become a haven for criminals and creeps. On New Year's Eve, he ends up with an interesting set of clientèle as the only employee on staff. HilarityEnsues.

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''Four Rooms'' is a 1995 BlackComedy RoundRobin {{Anthology}} film consisting of four segments, linked by a framing story: Ted (Creator/TimRoth) is a young [[{{Cloudcuckoolander}} and rather loopy]] bellhop working at a once famous Los Angeles hotel that has fallen from grace and become a haven for criminals and creeps. On New Year's Eve, he ends up with an interesting set of clientèle as the only employee on staff. HilarityEnsues.
staff.
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* AdvertisedExtra: Marisa Tomei features quite prominently on the movie poster, and looks her usual classy self. In reality, [[OneSceneWonder she appears briefly in one scene as a disheveled stoner]].

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* AdvertisedExtra: Marisa Tomei Creator/MarisaTomei features quite prominently on the movie poster, and looks her usual classy self. In reality, [[OneSceneWonder she appears briefly in one scene as a disheveled stoner]].
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** There's also one within a single segment, "The Misbehavers": the smell in the room...
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* HumiliationConga: After "The Misbehavers", Ted calls up his boss Betty to bring her up to speed (first having a conversation with [[TheStoner Margaret]]).

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* HumiliationConga: Heavily [[LampshadeHanging Lampshaded]]. After "The Misbehavers", Ted calls up his boss Betty to bring her up to speed (first having a conversation with [[TheStoner Margaret]]).

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* {{Beat}}: Ted's screaming reaction to a painful needle jab in the knee is made so much funnier by the fact that it took him a while to realize what'd just happened.


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* DelayedReaction: Ted's screaming reaction to a painful needle jab in the knee is made so much funnier by the {{Beat}} it took him to realize what'd just happened.
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* {{Beat}}: Ted's screaming reaction to a painful needle jab in the knee is made so much funnier by the fact that it took him a while to realize what'd just happened.
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** The nails and the twine would probably have been use to restrain the hand that was going to have its pinky chopped off and prevent the one risking said limb from simply getting the hand out of the way if he lost or chickened out (like it was done on the ''Series/AlfredHitchcockPresents'' episode that the executives got the idea from). ''That'' becomes useless, however, pretty quickly.

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** The nails and the twine would probably have been use used to restrain the hand that was going to have its pinky chopped off and prevent the one risking said limb from simply getting the hand out of the way if he lost or chickened out (like it was done on the ''Series/AlfredHitchcockPresents'' episode that the executives got the idea from). ''That'' becomes useless, however, pretty quickly.



* {{Oner}}: A 6 minutes long shot opens "The Man From Hollywood", immediately followed by an even longer 8 minute oner. And the start of the end credits, there's another, shorter 2 minute oner.

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* {{Oner}}: A 6 minutes long shot opens "The Man From Hollywood", immediately followed by an even longer 8 minute oner. And at the start of the end credits, there's another, shorter 2 minute oner.
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* ShoutOut: The aforementioned episode of ''Series/AlfredHitchcockPresents'', which in turn was an adaptation of a Creator/RoaldDahl story.

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* ShoutOut: The aforementioned episode of ''Series/AlfredHitchcockPresents'', ''Series/AlfredHitchcockPresents'' (specifically, it's "Man From The South"), which in turn was an adaptation of a Creator/RoaldDahl story.
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After some drunk people at an AmbiguouslyGay disco party ask for ice and screw up their room number, Ted ends up entering the room of a man holding his BoundAndGagged wife at gunpoint. Mistaking him for someone else, he gets forced to partake in a particularly odd S&M game because the man has a "big fucking gun".

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After some drunk people at an AmbiguouslyGay disco party ask for ice and screw up their room number, Ted ends up entering the room of a man (David Proval) holding his BoundAndGagged wife (Jennifer Beals) at gunpoint. Mistaking him for someone else, he gets forced to partake in a particularly odd S&M game because the man has a "big fucking gun".



A Mexican gangster and his wife decide to leave their kids at the room for the night while they go to a party. Rather than call a babysitter, they pay Ted five hundred dollars to tend to them and make sure they don't misbehave. FinaglesLaw immediately takes hold.

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A Mexican gangster (Creator/AntonioBanderas) and his wife (Creator/TamlynTomita) decide to leave their kids at the room for the night while they go to a party. Rather than call a babysitter, they pay Ted five hundred dollars to tend to them and make sure they don't misbehave. FinaglesLaw immediately takes hold.



After a brief phone call to his boss to be let off for the night, Ted ends up making one last stop. Chester Rush is a famous director (played by Creator/QuentinTarantino) holding a private party with some of his buddies from the business. After seeing an old episode of ''Series/AlfredHitchcockPresents'' where a man [[{{Yubitsume}} bets his little finger]] he can start a lighter ten times in a row, they decide to replicate it, and they have decided that they want Ted to join the festivities...

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After a brief phone call to his boss (Creator/KathyGriffin) to be let off for the night, Ted ends up making one last stop. Chester Rush is a famous director (played by Creator/QuentinTarantino) holding a private party with some of his buddies from the business. After seeing an old episode of ''Series/AlfredHitchcockPresents'' where a man [[{{Yubitsume}} bets his little finger]] he can start a lighter ten times in a row, they decide to replicate it, and they have decided that they want Ted to join the festivities...
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* {{Fanservice}}: In "The Missing Ingredient

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** In "The Missing Ingredient", he acts like a rather easily enamored CasanovaWannabe who doesn't seem to notice that the witches are trying to cast a spell on him.

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** In "The Missing Ingredient", he acts like a rather easily enamored CasanovaWannabe who doesn't seem to notice or care that the witches are trying to cast a spell on him. him.


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* {{Fanservice}}: In "The Missing Ingredient
* {{Fanservice}}: In "The Missing Ingredient", quite a few of the witches are topless during the ritual and all of them are very attractive as well.

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* DependingOnTheWriter: Ted's characterization changes quite a bit between segments.

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* DependingOnTheWriter: Ted's characterization changes quite a bit between segments. This is [[JustifiedTrope Justified]] though as the circumstances of each segment are all drastically different. The one consistent thing though is that he is a {{Cloudcuckoolander}} who tries his best to do his job only to keep getting sidetracked by the wacky antics going on at the hotel.
** In "The Missing Ingredient", he acts like a rather easily enamored CasanovaWannabe who doesn't seem to notice that the witches are trying to cast a spell on him.
** In "The Wrong Man", he's so scared out of his mind by Siegfried's homicidal behavior that he spends most of this segment as a total and complete trainwreck.
** In "The Misbehavers", he starts out as mildly smug and cocky and totally confident that he is in control only to be worn down by the children's wild behavior and develops a HairTriggerTemper as the segment goes on.
** In "The Man From Hollywood", he's so utterly desensitized to all of the insane things going on at the hotel that he throws all of his inhibitions out the window and embraces the madness. He doesn't even question or try to make sense of Chester's bet and instead just goes along with all of it as if he's finally lost his sanity.
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* ArmorPiercingQuestion: With a dash of either DareToBeBadass or BreakThemByTalking, depending upon your perspective; At the climax of "The Man From Hollywood", Chester lays an even $1000 on the bar and asks Ted if he wants to remember, for the rest of his life, if he ''refused'' a thousand dollars for one second's worth of work, or if he ''made'' a thousand dollars for one second's worth of work.


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* DoubleStandardRapeFemaleOnMale: During "The Missing Ingredient", Eva [[DoubleStandardRapeSciFi very clearly puts Ted under a spell]] in order to get him to have sex with her, before which he was staunchly refusing to do so while on the clock, and when Ted mentions that "Betty's gonna kill [him]", Eva [[TheUnfairSex has the nerve to act offended]] until being told that Betty is Ted's ''boss''.
** NotIfTheyEnjoyedItRationalization: When recounting the events of the night to Margaret, Ted is initially upset by the encounter, before relenting that it was "admittedly the best part of the evening"; though it's [[OverlyNarrowSuperlative not saying much]] considering that by this point he's at his wit's end having been repeatedly harassed, threatened (at gunpoint no less), terrified, and more mundanely put upon by having to run an entire hotel by himself on New Year's Eve.
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* AntiClimax: The actor in "The Man from Hollywood" beats that he can successfully start a lighter ''ten times in a row'' or else have his little finger cut off. There's a lot of build-up in suspense but he fails on the first try.

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* AntiClimax: The actor in "The Man from Hollywood" beats bets that he can successfully start a lighter ''ten times in a row'' or else have his little finger cut off. There's a lot of build-up in suspense but then he fails on the first try.
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* AntiClimax: The actor in "The Man from Hollywood" beats that he can successfully start a lighter ''ten times in a row'' or else have his little finger cut off. There's a lot of build-up in suspense but he fails on the first try.
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** He also, as a last point, advises Ted to keep his pecker in his pants. You can guess what happens during the first segment after the opening credits.
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* EarnYourHappyEnding: Quite literally. It definitely was "hell of a night" for Ted, but he managed to earn over 1550 dollars in the course of it.

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* EarnYourHappyEnding: Quite literally. It definitely was a "hell of a night" for Ted, but he managed to earn over 1550 dollars in the course of it.
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* {{Foreshadowing}}: In the opening scene an old retiring bellhop advises Ted to "stay clear of night clerks, kids, hookers and married arguments". Naturally, over the night Ted is going to encounter all of 'em.

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* {{Foreshadowing}}: In the opening scene an old retiring bellhop advises Ted to "stay clear of night clerks, cliques, kids, hookers and married arguments". Naturally, over the night Ted is going to encounter all of 'em.
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* DoNotTryThisAtHome: "The Man From Hollywood". The bet that makes up the story wasn't ''just'' a spur-of-the-moment thing; Chester, Norman and company were drunk on New Year's and happened to catch the specific episode of ''Series/AlfredHitchcockPresents'' where a similar bet made up ''that'' plotline. Chester has a CoolCar that Norman wants. Norman has a lighter and both pinkies. One quick call down to room service, [[HilarityEnsues and...]]

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* {{Cloudcuckoolander}}: Ted as a rule reacts to things in the goofiest manner possible.

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* CaptainObvious: Ted, twice, in "The Man From Hollywood":
-->'''Ted:''' You guys are drunk!
-->'''Leo:''' Of course! [[SuddenlyShouting OF COURSE WE'RE DRUNK TEDDY!]] That's why we're here but that does not mean that we don't know what the fuck we're talking about.
-->...
-->'''Ted:''' Well you guys wouldn't be doing something ''this'' stupid unless you were ''really'' fucking drunk.
-->'''Leo:''' [[LampshadeHanging We already told you we were drunk Teddy.]]
* {{Cloudcuckoolander}}: Ted as a rule reacts to things in the goofiest manner possible.possible, which is necessary both to keep a comedic tone during what would otherwise be horrifying circumstances (being taken advantage of by a witch, being threatened at gunpoint, ''finding a dead prostitute hidden in a mattress''), and to inform the audience that the shit has really hit the fan when he [[OOCIsSeriousBusiness drops the goofiness and becomes the sanest person in the room]] (reacting to Chester and Norman's bet by [[ScrewThisImOuttaHere running for the door]]).



* HowUnscientific: Evoked by "The Missing Ingredient", which includes what is definitely magic in an otherwise realistic film.
* HumiliationConga: After "The Misbehavers", Ted calls up his co-worker Betty to bring her up to speed (first having a conversation with [[TheStoner Margaret]]).

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* HowUnscientific: Evoked by "The Missing Ingredient", which includes what is definitely magic in an otherwise realistic (or at least non-magical) film.
* HumiliationConga: After "The Misbehavers", Ted calls up his co-worker boss Betty to bring her up to speed (first having a conversation with [[TheStoner Margaret]]).



* ImpossibleMissionCollapse: The whole segment "The Man From Hollywood" is this: ten or so minutes of Tarantino-style SeinfeldianConversation as the Hollywood execs (and girl) explain the backstory of the situation at hand and convince Ted to help them with the bet (''especially'' because they are all rip-roaring drunk and don't want to accidentally chop off more than what was wagered), followed by the bet lasting exactly one second as the lighter fails to work on its first flick and Ted immediately (and too quickly for someone to tell him to stop) performs his role as the "hatchet man".
* InsistentTerminology: It's not champagne; it's ''Cristal.'' And Cristal is not "good"--it's ''fucking good.'' Also, what is very clearly a meat cleaver is referred to repeatedly as a "hatchet".

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* ImpossibleMissionCollapse: ImpossibleMissionCollapse:
** What should've been a straightforward babysitting gig in "The Misbehavers" goes about as wrong as it possibly could, up to the discovery of a dead body.
**
The whole segment "The Man From Hollywood" is this: ten or so minutes of Tarantino-style SeinfeldianConversation as the Hollywood execs (and girl) explain the backstory of the situation at hand and convince Ted to help them with the bet (''especially'' because they are all rip-roaring drunk and don't want to accidentally chop off more than what was wagered), followed by the bet lasting exactly one second as the lighter fails to work on its first flick and Ted immediately (and too quickly for someone to tell him to stop) performs his role as the "hatchet man".
* InsaneTrollLogic: In fairness they're all drunk, but Chester supplies this "justification" for their bet;
-->'''Chester:''' We're all buddies here; nobody wants Norman to ''lose'' his finger, we just wanna ''chop it off''.
*
InsistentTerminology: It's In "The Man From Hollywood" Chester Rush insists that Ted refer to him as "Chester" instead of "Sir". Additionally, Chester's not drinking champagne; it's ''Cristal.'' And Cristal is not "good"--it's ''fucking good.'' Also, Finally, what is very clearly a meat cleaver is referred to repeatedly as a "hatchet".

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After a brief phone call to his boss to be let off for the night, Ted ends up making one last stop. Chester Rush is a famous director (played by Creator/QuentinTarantino) holding a private party with some of his buddies from the business. After seeing an old episode of ''Series/AlfredHitchcockPresents'' where a man [[{{Yubitsume}} bets his little finger]] he can start a lighter ten times in a row, they decide to replicate it. They want to pay Ted $1,000 to be the hatchet man.

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After a brief phone call to his boss to be let off for the night, Ted ends up making one last stop. Chester Rush is a famous director (played by Creator/QuentinTarantino) holding a private party with some of his buddies from the business. After seeing an old episode of ''Series/AlfredHitchcockPresents'' where a man [[{{Yubitsume}} bets his little finger]] he can start a lighter ten times in a row, they decide to replicate it. They it, and they have decided that they want to pay Ted $1,000 to be join the hatchet man.
festivities...



* MeaningfulBackgroundEvent: The shooting of "The Man From Hollywood" jumps between characters within the shot, drawing attention towards one or two and pushing the rest to the side, so there's always one or two characters puttering around just out of focus. Due to this, it's easy to miss things like Ted informing Chester that they can trash the place as far as he cares so long as they don't mess up the furniture (the unspoken implication being don't stuff any corpses in the mattress), Chester and Norman discussing their bet while Leo argues with his wife, Leo assuring Norman that they have a doctor in the emergency room "just in case", and more tellingly Angela interrupting Leo's phone call to [[spoiler:ask for a light, hinting that Norman's "lucky zippo" isn't so (forgive the pun) surefire]].

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* MeaningfulBackgroundEvent: The shooting [[{{Oner}} first long scene]] of "The Man From Hollywood" jumps between characters within the shot, drawing attention towards one or two and pushing the rest to the side, so there's always one or two characters puttering around just out of focus. Due to this, it's easy to miss things like Ted informing Chester that they can trash the place as far as he cares so long as they don't mess up the furniture (the unspoken implication being don't stuff any corpses in the mattress), Chester and Norman discussing their bet while Leo argues with his wife, Leo assuring Norman that they have a doctor in the emergency room "just in case", and more tellingly Angela interrupting Leo's phone call to [[spoiler:ask for a light, hinting that Norman's "lucky zippo" isn't so (forgive the pun) surefire]].



* NoodleImplements: The guests in "The Man from Hollywood" order a block of wood, a doughnut, a ball of twine, three nails, a club sandwich, a bucket of ice, and an extremely sharp hatchet. "As sharp as the devil himself." Unlike most examples of this trope, however, everything but the nails and twine gets explained: the doughnut is a snack for Chester, the club sandwich is Angela's, and the ice, hatchet and block of wood are for the bet that the segment is REALLY about.

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* NoodleImplements: The guests in "The Man from Hollywood" order a block of wood, a doughnut, a ball of twine, three nails, a club sandwich, a bucket of ice, and an extremely sharp hatchet. "As sharp as the devil himself." Unlike most examples of this trope, however, everything but the nails and twine gets explained: the doughnut is a snack for Chester, the club sandwich is Angela's, and the ice, hatchet and block of wood are for the bet that the segment is REALLY ''really'' about.



* OnlySaneMan: Ted clearly considers himself to be this...and considering the characters surrounding him, he might not be too wrong on that.

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* OnlySaneMan: Ted clearly considers himself to be this...and considering the characters surrounding him, he might not be too wrong on that. In "The Man From Hollywood", Chester and company want him to act as an impartial intermediary in their "little wager" specifically because he's the only one in the room who's still sober.
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tidying up the quote from the movie


'''Ted:''' ''[remaining calm]'' Well most recently, there's Room 309. There's this scary Mexican gangster dude poking his finger in my chest. There's his hooligan kids snapping their fingers at me. There's the putrid rotting corpse of a dead whore inside the mattress. There's a big fat needle, from God knows where, stuck in my leg, infecting me with God knows what. There's rooms blazing afire. And then there's me. Walking out the door. Right fucking now. Buenos noches!

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'''Ted:''' ''[remaining calm]'' Well most recently, there's Room 309. There's this scary Mexican gangster dude poking his finger in my chest. There's his hooligan kids snapping their fingers at me. There's the putrid rotting corpse of a dead whore inside stuffed in the mattress.springs of the bed. There's rooms blazing afire. There's a big fat needle, from God knows where, stuck in my leg, infecting me with God knows what. There's rooms blazing afire. And then finally there's me. Walking out the door. Right fucking now. Buenos noches!
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* TheCameo: BruceWillis refused payment for his role in "The Man From Hollywood" as a thank you to Tarantino for casting him in ''Film/PulpFiction''. He wasn't credited because he violated SAG rules by doing the gig for free.

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* TheCameo: BruceWillis Creator/BruceWillis refused payment for his role in "The Man From Hollywood" as a thank you to Tarantino for casting him in ''Film/PulpFiction''. He wasn't credited because he violated SAG rules by doing the gig for free.

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it only just occurred to me why Ted would give a damn about the furniture


* MeaningfulBackgroundEvent: The shooting of "The Man From Hollywood" jumps between characters within the take, drawing attention towards one or two and pushing the rest to the side, so there's always one or two characters puttering around just out of focus. Due to this, it's easy to miss things like Chester and Norman discussing their bet while Leo argues with his wife, Ted informing Chester that they can trash the place as far as he cares, Leo assuring Norman that they have a doctor in the emergency room "just in case", and more tellingly Angela interrupting Leo's phone call to [[spoiler:ask for a light, hinting that Norman's "lucky zippo" isn't so (forgive the pun) surefire]].

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* MeaningfulBackgroundEvent: The shooting of "The Man From Hollywood" jumps between characters within the take, shot, drawing attention towards one or two and pushing the rest to the side, so there's always one or two characters puttering around just out of focus. Due to this, it's easy to miss things like Ted informing Chester that they can trash the place as far as he cares so long as they don't mess up the furniture (the unspoken implication being don't stuff any corpses in the mattress), Chester and Norman discussing their bet while Leo argues with his wife, Ted informing Chester that they can trash the place as far as he cares, Leo assuring Norman that they have a doctor in the emergency room "just in case", and more tellingly Angela interrupting Leo's phone call to [[spoiler:ask for a light, hinting that Norman's "lucky zippo" isn't so (forgive the pun) surefire]].
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** SmallRoleBigImpact: ...And it's that few minutes of bothering Ted about unimportant details of his story that delays him long enough for the call to come down from the penthouse, setting the events of "The Man From Hollywood" into motion, leaving Ted with a thousand bucks in his pocket and one hell of a story to tell.

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