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Crosswicking. Everything else I planned to crosswick was already here, haha. XD This one was a breeze, and I'm not complaining!

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* CerebusSyndrome: The movie starts off with kid-friendly hijinks of Creator/RobinWilliams playing an android before gradually turning into a RomCom when the android tries to woo a human woman and then going full sci-fi drama by the end when the android has fully transcended into a human being.


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* GrewBeyondTheirProgramming: The eponymous character gains conscience, and eventually turns himself into a real human over the course of two hundred years.


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* SoUnfunnyItsFunny: The movie has Andrew's attempt at making the Martin family laugh. He's a robot who's only recently learned of the concept of humor, so his comedy routine consists of a {{rapid fire|comedy}} stream of lame jokes with no thought put into comedic timing, delivery, or even making sure the jokes are appropriate for the audience. Despite this, the Martins still end up laughing at his jokes (the laughter is genuine on the actors' part, as [[invoked]][[HarpoDoesSomethingFunny the jokes were unscripted]] and improvised by Creator/RobinWilliams).
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Rename


* HalfwayPlotSwitch: The film starts as a fairly straight adaptation of the ScienceFiction {{Drama}} "Literature/TheBicentennialMan", but around the start of Andrew's second century, he meets CanonForeigner Portia Charney, and falls in love. This changes to a RomanticComedy as he tries to make her happy, which reframes his drive to [[BecomeARealBoy become human]] as a demonstration of his love for her. Despite the change in plot, there is no ToneShift, as Creator/RobinWilliams does a good job creating levity whether he's acting as a RobotButler, in search for a soul, or when [[{{Robosexual}} romancing a human]].

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* HalfwayPlotSwitch: The film starts as a fairly straight adaptation of the ScienceFiction {{Drama}} {{Drama|tropes}} "Literature/TheBicentennialMan", but around the start of Andrew's second century, he meets CanonForeigner Portia Charney, and falls in love. This changes to a RomanticComedy as he tries to make her happy, which reframes his drive to [[BecomeARealBoy become human]] as a demonstration of his love for her. Despite the change in plot, there is no ToneShift, as Creator/RobinWilliams does a good job creating levity whether he's acting as a RobotButler, in search for a soul, or when [[{{Robosexual}} romancing a human]].
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* DiedInIgnorance: Left ambiguous. [[spoiler:Andrew is literally on his deathbed watching television with his wife waiting to hear if the UN will grant him personhood. The audience sees the announcement that he is in fact declared a human being, but then we and his wife turn to see that he died somewhere during the statement. She and the nurse wonder if he heard it, but are hopeful that he did.]]
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A 1999 {{Science Fiction Film|s}} directed by Creator/ChrisColumbus (with screenplay by Creator/NicholasKazan), adapting the {{Drama}} of Creator/IsaacAsimov's "Literature/TheBicentennialMan" while adding [[{{Dramedy}} comedy to develop Andrew's personality]]. The film also makes [[MythologyGag a number of references]] to ''Literature/ThePositronicMan'', by Creator/IsaacAsimov and Creator/RobertSilverberg.

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A 1999 {{Science Fiction Film|s}} directed by Creator/ChrisColumbus (with screenplay by Creator/NicholasKazan), adapting the {{Drama}} serious elements of Creator/IsaacAsimov's "Literature/TheBicentennialMan" while adding [[{{Dramedy}} comedy to develop Andrew's personality]]. The film also makes [[MythologyGag a number of references]] to ''Literature/ThePositronicMan'', by Creator/IsaacAsimov and Creator/RobertSilverberg.
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* TimeSkip: As the film takes place over the course of two centuries, there are a number of time skips throughout the film.
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* HalfwayPlotSwitch: The film starts as a fairly straight adaptation of the ScienceFiction {{Drama}} "Literature/TheBicentennialMan", but around the start of Andrew's second century, he meets CanonForeigner Portia Charney, and falls in love. This changes to a RomanticComedy as he tries to make her happy, which reframes his drive to [[PinocchioSyndrome become human]] as a demonstration of his love for her. Despite the change in plot, there is no ToneShift, as Creator/RobinWilliams does a good job creating levity whether he's acting as a RobotButler, in search for a soul, or when [[{{Robosexual}} romancing a human]].

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* HalfwayPlotSwitch: The film starts as a fairly straight adaptation of the ScienceFiction {{Drama}} "Literature/TheBicentennialMan", but around the start of Andrew's second century, he meets CanonForeigner Portia Charney, and falls in love. This changes to a RomanticComedy as he tries to make her happy, which reframes his drive to [[PinocchioSyndrome [[BecomeARealBoy become human]] as a demonstration of his love for her. Despite the change in plot, there is no ToneShift, as Creator/RobinWilliams does a good job creating levity whether he's acting as a RobotButler, in search for a soul, or when [[{{Robosexual}} romancing a human]].
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* PlayingGertrude: Creator/EmbethDavidtz (born 1965) plays Little Miss (Amanda Martin), while Creator/BradleyWhitford (born 1959) plays her unmarried son, Lloyd Charney. She's not wearing any aging prosthetics until she's [[DoubleVision onscreen with her granddaughter]].
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* IdenticalGrandson: The adult Amanda Martin (Little Miss) and her granddaughter, Portia Charney, were both played by Creator/EmbethDavidtz. Andrew is perturbed at this at first, but eventually warms up to it by [[DoppelgangerReplacementLoveInterest falling in love with Portia]].

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* IdenticalGrandson: The adult Amanda Martin (Little Miss) and her granddaughter, Portia Charney, were both played by Creator/EmbethDavidtz. In her introduction, Andrew starts talking to Portia as if she were Little Miss, and doesn't understand why she doesn't recognize him until the real Little Miss arrives to explain the situation. Andrew is perturbed at this at first, but eventually warms up to it by [[DoppelgangerReplacementLoveInterest falling in love with Portia]].
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'''Andrew:''' ''(to self, determined)'' There's only one thing to do.

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'''Andrew:''' ''(to ''[to self, determined)'' determined]'' There's only one thing to do.



--> '''Andrew:''' ''(to Rupert)'' Shut her off, or I ''will''.

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--> '''Andrew:''' ''(to Rupert)'' -->'''Andrew:''' ''[to Rupert]'' Shut her off, or I ''will''.



-->"It's cruel that you can cry and I cannot. There is a terrible pain I cannot express."

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-->"It's -->'''Andrew:''' It's cruel that you can cry and I cannot. There is a terrible pain I cannot express."



-->'''Andrew''': I've always tried to make sense of things. There must be some reason I am as I am. As you can see, Madam Chairman, I am no longer immortal.\\
'''President Bota''': You have arranged to ''die''?\\
'''Andrew''': In a sense, I have. I am growing old, and my body is deteriorating, and like all of you, will eventually cease to function. As a robot, I could have lived forever. But I tell you all today, that I would rather die a man, than live for all eternity as a machine.

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-->'''Andrew''': -->'''Andrew:''' I've always tried to make sense of things. There must be some reason I am as I am. As you can see, Madam Chairman, I am no longer immortal.\\
'''President Bota''': Bota:''' You have arranged to ''die''?\\
'''Andrew''': '''Andrew:''' In a sense, I have. I am growing old, and my body is deteriorating, and like all of you, will eventually cease to function. As a robot, I could have lived forever. But I tell you all today, that I would rather die a man, than live for all eternity as a machine.

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* TwentyMinutesIntoTheFuture, Andrew first shows up in "[[TitleIn the not too distant future...]]" (which the 1999 trailer and the climax identify as "2005"). However, the story still takes place over [[GenerationalSaga two hundred years and four generations of Martins]], so it doesn't stay "Next Sunday" for very long.



* TwentyMinutesIntoTheFuture, Andrew first shows up in "[[TitleIn the not too distant future...]]" (which the 1999 trailer and the climax identify as "2005"). However, the story still takes place over [[GenerationalSaga two hundred years and four generations of Martins]], so it doesn't stay "Next Sunday" for very long.
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* NamedByTheAdaptation: While [[AdaptationExpansion expanding]] from "Literature/TheBicentennialMan", more information about some of the character's names is added. In the original, Andrew was a model-serial number NDR-[[FogOfAges ?]] robot, and is now identified as an NDR-114 model with serial number 583625. Miss's first name is revealed to be Grace, although Ma'am real first name is still [[NoNameGiven unsaid]].

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* NamedByTheAdaptation: While [[AdaptationExpansion expanding]] from "Literature/TheBicentennialMan", more information about some of the character's names is added. In the original, Andrew was a model-serial number NDR-[[FogOfAges NDR-[[TheFogOfAges ?]] robot, and is now identified as an NDR-114 model with serial number 583625. Miss's first name is revealed to be Grace, although Ma'am real first name is still [[NoNameGiven unsaid]].
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* NamedByTheAdaptation: While [[AdaptationExpansion expanding]] from "Literature/TheBicentennialMan", more information about some of the character's names is added. In the original, Andrew was a model-serial number NDR-[[FogOfAge ?]] robot, and is now identified as an NDR-114 model with serial number 583625. Miss's first name is revealed to be Grace, although Ma'am real first name is still [[NoNameGiven unsaid]].

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* NamedByTheAdaptation: While [[AdaptationExpansion expanding]] from "Literature/TheBicentennialMan", more information about some of the character's names is added. In the original, Andrew was a model-serial number NDR-[[FogOfAge NDR-[[FogOfAges ?]] robot, and is now identified as an NDR-114 model with serial number 583625. Miss's first name is revealed to be Grace, although Ma'am real first name is still [[NoNameGiven unsaid]].
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* MeatSackRobot: Andrew starts as an ordinary housekeeping android who develops artificial intelligence. After finding the son of the roboticist who designed him, he starts to add organic components to his body. First it's just his skin, but then he replaces much of his inner circuitry with artificial organs. Eventually, he becomes so human that he even starts to age and decay, as a deliberate choice so he can die with his human wife, who becomes a cyborg herself thanks to Andrew's inventions.

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Next Sunday AD means that it's in the not too distant future but there's nothing futuristic about the setting. If there are robots then it's it's Twenty Minutes Into The Future.


* NextSundayAD: In a [[AdaptationDeviation change]] from "Literature/TheBicentennialMan" starting TwentyMinutesIntoTheFuture, Andrew first shows up in "[[TitleIn the not too distant future...]]" (which the 1999 trailer and the climax identify as "2005"). No mention of the original story's BanOnAI ever takes place. However, the story still takes place over [[GenerationalSaga two hundred years and four generations of Martins]], so it doesn't stay "Next Sunday" for very long.


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* TwentyMinutesIntoTheFuture, Andrew first shows up in "[[TitleIn the not too distant future...]]" (which the 1999 trailer and the climax identify as "2005"). However, the story still takes place over [[GenerationalSaga two hundred years and four generations of Martins]], so it doesn't stay "Next Sunday" for very long.

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I believe this makes the entry more readable.


* AdaptationDeviation: Major points changed from Creator/IsaacAsimov's "Literature/TheBicentennialMan", in chronological order... Andrew carves a horse instead of a necklace, Sir decides to personally tutor Andrew to encourage [[GrewBeyondTheirProgramming his ability to grow]], Little Miss [[{{Robosexual}} falls in love with Andrew]] but still marries Chaney instead, asking Andrew to [[AdaptationalEarlyAppearance wear a tuxedo]] and attend the wedding, Sir [[ShooTheDog banishes Andrew from the house]] after he asks for his freedom instead of taking Andrew to court for his first legal battle, Andrew goes on [[TravelMontage a decades-long journey]] to find another robot like himself instead of going to the library, and at this point the original plot almost entirely derails as the introduction of CanonForeigner Portia Charney causes a HalfwayPlotSwitch to RomanticComedy, causing his love for her to drive Andrew's drama of [[BecomeARealBoy legal arguments declaring him human]]. Creator/RobinWilliams loves his {{Bathos}}.

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* AdaptationDeviation: Creator/RobinWilliams loves his {{Bathos}}. Major points changed from Creator/IsaacAsimov's "Literature/TheBicentennialMan", in chronological order... order:
**
Andrew carves a horse instead of a necklace, necklace.
**
Sir decides to personally tutor Andrew to encourage [[GrewBeyondTheirProgramming his ability to grow]], grow]].
**
Little Miss [[{{Robosexual}} falls in love with Andrew]] but still marries Chaney instead, asking Andrew to [[AdaptationalEarlyAppearance wear a tuxedo]] and attend the wedding, wedding.
**
Sir [[ShooTheDog banishes Andrew from the house]] after he asks for his freedom instead of taking Andrew to court for his first legal battle, battle.
**
Andrew goes on [[TravelMontage a decades-long journey]] to find another robot like himself instead of going to the library, and at this point the original plot almost entirely derails as the introduction of CanonForeigner Portia Charney causes a HalfwayPlotSwitch to RomanticComedy, causing his love for her to drive Andrew's drama of [[BecomeARealBoy legal arguments declaring him human]]. Creator/RobinWilliams loves his {{Bathos}}.

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