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putting in the index; linking the one group that doesn't have a page so that the trope won't be caught in the indexing
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[[index]]
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* Youthquake (The Japanese "trash rock" act, NOT the American ChristianRock band)
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* Youthquake Music/{{Youthquake}} (The Japanese "trash rock" act, NOT the American ChristianRock band)
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[[/index]]
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One of the first bands signed was Music/DynamiteTommy's {{COLOR}}, which would soon break from the label along with its founder to create a rival label, itself very important to the foundation and development of VisualKei: Creator/FreeWillRecords.
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One of the first bands signed was Music/DynamiteTommy's {{COLOR}}, Music/{{COLOR}}, which would soon break from the label along with its founder to create a rival label, itself very important to the foundation and development of VisualKei: Creator/FreeWillRecords.
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* JapaneseDelinquents / {{Outlaw}}: The first round of bands signed was pretty much a roster of ex- or current ''bosozoku'' and ''yankii.'' Most had at least one member who was, X itself had three (hide and Pata were the two that didn't have that background but easily enough fell into it), Tokyo Yankees' name was a shoutout to yankii and all its members were yankii, and its bassist also played with Grand Slam, which itself heavily focused on the bosozoku/hashiriya theme in stage dress and PV and lyrics meant to appeal to the subcultures.
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* JapaneseDelinquents / {{Outlaw}}: The first round of bands signed was pretty much a roster of ex- or current ''bosozoku'' ''UsefulNotes/{{bosozoku}}'' and ''yankii.'' Most had at least one member who was, X itself had three (hide and Pata were the two that didn't have that background but easily enough fell into it), Tokyo Yankees' name was a shoutout to yankii and all its members were yankii, and its bassist also played with Grand Slam, which itself heavily focused on the bosozoku/hashiriya theme in stage dress and PV and lyrics meant to appeal to the subcultures.
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* KeepCirculatingTheTapes: If you like or support ANY band from the early era (or the early eras of X, Luna Sea, and the like themselves), sharing really IS caring. Due to everything from entirely unrelated news media outlets demanding removal of interviews and the like from YouTube to simple loss of fans via attrition and boredom, MUCH material related to the 86-93 era (the first round of bands, the Extasy Summits, etc...) is quickly disappearing from the internet. In a total aversion of DigitalPiracyIsEvil, pirating here is literally preserving history, especially when it involves materials that will likely never be released for money (interviews, TV lives, and the like)
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* KeepCirculatingTheTapes: If you like or support ANY band from the early era (or the early eras of X, Luna Sea, and the like themselves), sharing really IS caring. Due to everything from entirely unrelated news media outlets demanding removal of interviews and the like from YouTube Website/YouTube to simple loss of fans via attrition and boredom, MUCH material related to the 86-93 era (the first round of bands, the Extasy Summits, etc...) is quickly disappearing from the internet. In a total aversion of DigitalPiracyIsEvil, pirating here is literally preserving history, especially when it involves materials that will likely never be released for money (interviews, TV lives, and the like)
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The label was closed to bands other than XJapan starting around 1993, around which most of the bands signed had disbanded, gone on hiatus, otherwise failed, or found other labels or went indies once more. It would be reopened around 1996-97, with an attempt at internationalizing and signing non Visual rock bands - during this time, it signed KidneyThieves and AbandonedPools among others, while de facto signing one major VisualKei band out of Japan - Music/DirEnGrey, and one Korean rock band, Music/{{Trax}} (which had a drummer, No Min Woo, who, at the time, looked like a younger version of Yoshiki even enough to spawn -false- rumors about his being Yoshiki's son).
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The label was closed to bands other than XJapan Music/XJapan starting around 1993, around which most of the bands signed had disbanded, gone on hiatus, otherwise failed, or found other labels or went indies once more. It would be reopened around 1996-97, with an attempt at internationalizing and signing non Visual rock bands - during this time, it signed KidneyThieves and AbandonedPools among others, while de facto signing one major VisualKei band out of Japan - Music/DirEnGrey, and one Korean rock band, Music/{{Trax}} (which had a drummer, No Min Woo, who, at the time, looked like a younger version of Yoshiki even enough to spawn -false- rumors about his being Yoshiki's son).
