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History CelebrityParadox / Theatre

11th May '15 2:31:02 PM StFan
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* In ''Theatre/EvilDeadTheMusical'', Annie refers to the ''Film/SpiderMan'' film as being "[[Creator/SamRaimi poorly directed]]".

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* In ''Theatre/EvilDeadTheMusical'', Annie refers to the ''Film/SpiderMan'' ''Film/SpiderMan1'' film as being "[[Creator/SamRaimi poorly directed]]".
31st Dec '14 11:26:30 PM erforce
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* In ''Franchise/EvilDead: The Musical'', Annie refers to the ''Film/SpiderMan'' film as being "[[Creator/SamRaimi poorly directed]]".

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* In ''Franchise/EvilDead: The Musical'', ''Theatre/EvilDeadTheMusical'', Annie refers to the ''Film/SpiderMan'' film as being "[[Creator/SamRaimi poorly directed]]".
7th Oct '14 5:42:38 PM reconditarmonia
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* Theatre/GilbertAndSullivan: Interestingly, true in some cases but not others. ''HMS Pinafore'' exists as a fictional play in ''The Pirates of Penzance'' ("whistle every tune from that infernal nonsense ''Pinafore''), but King Paramount in ''Utopia Limited'' says that he's in touch with a certain Mikado of Japan with some interesting views on punishment.

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* Theatre/GilbertAndSullivan: Creator/GilbertAndSullivan: Interestingly, true in some cases but not others. ''HMS Pinafore'' exists as a fictional play in ''The Pirates of Penzance'' ("whistle every tune from that infernal nonsense ''Pinafore''), but King Paramount in ''Utopia Limited'' says that he's in touch with a certain Mikado of Japan with some interesting views on punishment.
7th Oct '14 5:41:58 PM reconditarmonia
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* In ''Franchise/EvilDead: The Musical'', Annie refers to the ''Film/SpiderMan'' film as being "[[Creator/SamRaimi poorly directed]]".

to:

* In ''Franchise/EvilDead: The Musical'', Annie refers to the ''Film/SpiderMan'' film as being "[[Creator/SamRaimi poorly directed]]".directed]]".
* Theatre/GilbertAndSullivan: Interestingly, true in some cases but not others. ''HMS Pinafore'' exists as a fictional play in ''The Pirates of Penzance'' ("whistle every tune from that infernal nonsense ''Pinafore''), but King Paramount in ''Utopia Limited'' says that he's in touch with a certain Mikado of Japan with some interesting views on punishment.
15th Apr '13 11:03:17 AM HersheleOstropoler
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* In a case of works, rather than actors, existing in-universe, ''Theatre/{{Rent}}'' is a 20th century adaptation of ''Theatre/LaBoheme''. In the show, Roger plays a strain of music on his guitar and Mark comments that it sounds like "Musetta's Waltz"... which is from ''La Boheme''. One wonders if the characters noticed how closely their lives reflected the opera.
** Well, there IS a song called "La Vie Bohême."

to:

* In a case of works, rather than actors, existing in-universe, ''Theatre/{{Rent}}'' is a 20th century adaptation of ''Theatre/LaBoheme''. In the show, Roger plays a strain of music on his guitar and Mark comments that it sounds like "Musetta's Waltz"... which is from ''La Boheme''.Bohème''. One wonders if the characters noticed how closely their lives reflected the opera.
** Well, there IS a song called "La Vie Bohême.Bohème."
23rd Dec '12 3:32:09 PM Prfnoff
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* In the 1939 play ''ArsenicAndOldLace'', one character is told repeatedly (and to his [[BerserkButton borderline homicidal annoyance]]) that he looks like Boris Karloff, who played the part in the original Broadway production. This is LampshadeHanging in the play, as the part was written specifically for Karloff.

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* In the 1939 play ''ArsenicAndOldLace'', ''Theatre/ArsenicAndOldLace'', one character is told repeatedly (and to his [[BerserkButton borderline homicidal annoyance]]) that he looks like Boris Karloff, who played the part in the original Broadway production. This is LampshadeHanging in the play, as the part was written specifically for Karloff.
13th Dec '12 12:05:58 PM RLNice
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* In ''Theatre/DonGiovanni'' by composer Wolfgang Amadeus Mozart and librettist Lorenzo da Ponte, Don Giovanni and his servant Leporello divert themselves by singing snippets of opera, first an aria from ''Una cosa rara'' by Vincenzo Martini, a colleague of Mozart's who frequently collaborated with da Ponte, then one from ''Fra i due littiganti'' by Sarti, and finally ''Non più andrai'' from ''The Marriage of Figaro'' by Mozart and da Ponte, at which Leporello notes that the tune sounds very familiar. It is believed that this was part also a nod to the audience in Prague (where ''Don Giovanni'' was first performed), because in Prague unlike Vienna the ''Marriage'' had been a huge success.

to:

* In ''Theatre/DonGiovanni'' by composer Wolfgang Amadeus Mozart and librettist Lorenzo da Ponte, Don Giovanni and his servant Leporello divert themselves by singing snippets of opera, first an aria from ''Una cosa rara'' by Vincenzo Martini, a colleague of Mozart's who frequently collaborated with da Ponte, then one from ''Fra i due littiganti'' by Sarti, and finally ''Non più andrai'' from ''The Marriage of Figaro'' by Mozart and da Ponte, at which Leporello notes that the tune sounds very familiar. It is believed that this was part also a nod to the audience in Prague (where ''Don Giovanni'' was first performed), because in Prague unlike Vienna the ''Marriage'' had been a huge success.success.
* In ''Franchise/EvilDead: The Musical'', Annie refers to the ''Film/SpiderMan'' film as being "[[Creator/SamRaimi poorly directed]]".
22nd Aug '12 6:32:24 PM Oreochan
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Added DiffLines:

* In the 1939 play ''ArsenicAndOldLace'', one character is told repeatedly (and to his [[BerserkButton borderline homicidal annoyance]]) that he looks like Boris Karloff, who played the part in the original Broadway production. This is LampshadeHanging in the play, as the part was written specifically for Karloff.
* In a case of works, rather than actors, existing in-universe, ''Theatre/{{Rent}}'' is a 20th century adaptation of ''Theatre/LaBoheme''. In the show, Roger plays a strain of music on his guitar and Mark comments that it sounds like "Musetta's Waltz"... which is from ''La Boheme''. One wonders if the characters noticed how closely their lives reflected the opera.
** Well, there IS a song called "La Vie Bohême."
* OlderThanSteam: In Creator/{{Moliere}}'s play ''The Imaginary Invalid'', which satirizes the medicine of the era, the brother of Argan (the hypochondriac main character) asks him if he would like to see a Moliére play. Argan angrily berates Moliére for making fun of doctors.
* ''Theatre/TitleOfShow''. A musical about writing a musical about writing a musical, the musical they're writing being ''[title of show]''. The main characters are all played by themselves, and the musical debuted at the theater festival the characters discuss debuting the musical at. Needless to say, there is a very small window in which this musical works as well as it was intended to.
** Which definitely passed by the time the play was performed by the Arizona Theatre Company.
** The possibility of who plays them after the initial run was addressed in [[http://www.youtube.com/watch?v=T5MgEwRytUU ''the [title of show] show'' episode 6.]]. Also, in other behind the scenes material, it can be seen that two standbys had been hired.
* In ''Theatre/DonGiovanni'' by composer Wolfgang Amadeus Mozart and librettist Lorenzo da Ponte, Don Giovanni and his servant Leporello divert themselves by singing snippets of opera, first an aria from ''Una cosa rara'' by Vincenzo Martini, a colleague of Mozart's who frequently collaborated with da Ponte, then one from ''Fra i due littiganti'' by Sarti, and finally ''Non più andrai'' from ''The Marriage of Figaro'' by Mozart and da Ponte, at which Leporello notes that the tune sounds very familiar. It is believed that this was part also a nod to the audience in Prague (where ''Don Giovanni'' was first performed), because in Prague unlike Vienna the ''Marriage'' had been a huge success.
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