Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
[[redirect:HorizonInTheMiddleOfNowhere]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,13 (click to see context) from:
* Heck, you can say that after the four-episode long introductory worldbuilding portion the series pretty much becomes a long, continuous CMOA with some heartwarming and funny moments sprinkled throughout.
* Episode 5: Muneshige's fight with Tadakatsu.
** And of course psychic ninja maid's battle with a humongous mecha. Yep, you read that right.
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to [[SerialEscalation go harnessing ''his'' power of impossibility to harness ''their'' power of possibility]]. '''JUDGE!'''
* Kimi taking on Futayo and her existence-erasing spear with nothing but eroticism and dance. And she ''wins''. Really. She also got in a couple of epic slaps to Futayo's face...
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.
* All of season 2 episode 10
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of Theatre/KingLear. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer {{Theatre/MacBeth}} [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
---> '''Neshinbara:''' Go, [[HeroWithBadPublicity usurper to the throne!]] [[spoiler: Save the king!]]
---> '''Neshinbara:''' [[TakeAThirdOption Stories are flexible.]] [[spoiler: You can even use that as the groundwork to make a different story.]]
* P.A. ODA's premier fighters, [[NamesToRunAwayFromReallyFast The Five Great Peaks]]; [[IHaveManyNames The Six Demon Army]], show up at the end of S1...to simply and subtly display that they ''have'' the power to take the Musashi down just by ''being there''. And if you know what they're capable of in Volume 3, [[CurbStompBattle you know they could have ended the series right then and there.]]
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.'''''
* Adele out maneuvering the San Martin by having the Musashi go into stealth and then perfectly executing an Immelman turn with a 4.5 mile long city ship in ep 13 of season 2 has to be seen to beleive
* Episode 5: Muneshige's fight with Tadakatsu.
** And of course psychic ninja maid's battle with a humongous mecha. Yep, you read that right.
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to [[SerialEscalation go harnessing ''his'' power of impossibility to harness ''their'' power of possibility]]. '''JUDGE!'''
* Kimi taking on Futayo and her existence-erasing spear with nothing but eroticism and dance. And she ''wins''. Really. She also got in a couple of epic slaps to Futayo's face...
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.
* All of season 2 episode 10
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of Theatre/KingLear. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer {{Theatre/MacBeth}} [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
---> '''Neshinbara:''' Go, [[HeroWithBadPublicity usurper to the throne!]] [[spoiler: Save the king!]]
---> '''Neshinbara:''' [[TakeAThirdOption Stories are flexible.]] [[spoiler: You can even use that as the groundwork to make a different story.]]
* P.A. ODA's premier fighters, [[NamesToRunAwayFromReallyFast The Five Great Peaks]]; [[IHaveManyNames The Six Demon Army]], show up at the end of S1...to simply and subtly display that they ''have'' the power to take the Musashi down just by ''being there''. And if you know what they're capable of in Volume 3, [[CurbStompBattle you know they could have ended the series right then and there.]]
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.'''''
* Adele out maneuvering the San Martin by having the Musashi go into stealth and then perfectly executing an Immelman turn with a 4.5 mile long city ship in ep 13 of season 2 has to be seen to beleive
to:
* Episode 5: Muneshige's fight with Tadakatsu.
** And of course psychic ninja maid's battle with a humongous mecha. Yep, you read that right.
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to [[SerialEscalation go harnessing ''his'' power of impossibility to harness ''their'' power of possibility]]. '''JUDGE!'''
* Kimi taking on Futayo and her existence-erasing spear with nothing but eroticism and dance. And she ''wins''. Really. She also got in a couple of epic slaps to Futayo's face...
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.
* All of season 2 episode 10
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of Theatre/KingLear. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer {{Theatre/MacBeth}} [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
---> '''Neshinbara:''' Go, [[HeroWithBadPublicity usurper to the throne!]] [[spoiler: Save the king!]]
---> '''Neshinbara:''' [[TakeAThirdOption Stories are flexible.]] [[spoiler: You can even use that as the groundwork to make a different story.]]
* P.A. ODA's premier fighters, [[NamesToRunAwayFromReallyFast The Five Great Peaks]]; [[IHaveManyNames The Six Demon Army]], show up at the end of S1...to simply and subtly display that they ''have'' the power to take the Musashi down just by ''being there''. And if you know what they're capable of in Volume 3, [[CurbStompBattle you know they could have ended the series right then and there.]]
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.'''''
* Adele out maneuvering the San Martin by having the Musashi go into stealth and then perfectly executing an Immelman turn with a 4.5 mile long city ship in ep 13 of season 2 has to be seen to beleive
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
* Kimi taking on Futayo and her existence-erasing spear with nothing but eroticism and dance. And she ''wins''. Really.
** To be fair, she also got in a couple of epic slaps to Futayo's face...
** To be fair, she also got in a couple of epic slaps to Futayo's face...
to:
* Kimi taking on Futayo and her existence-erasing spear with nothing but eroticism and dance. And she ''wins''. Really.
** To be fair, sheReally. She also got in a couple of epic slaps to Futayo's face...
** To be fair, she
Changed line(s) 9 (click to see context) from:
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of [[Theatre/KingLear King Lear]]. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer {{Theatre/MacBeth}} [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
to:
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of [[Theatre/KingLear King Lear]].Theatre/KingLear. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer {{Theatre/MacBeth}} [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
Is there an issue? Send a MessageReason:
None
Added line(s) 4 (click to see context) :
* Heck, you can say that after the four-episode long introductory worldbuilding portion the series pretty much becomes a long, continuous CMOA with some heartwarming and funny moments sprinkled throughout.
Deleted line(s) 4 (click to see context) :
** Heck, you can say that after the four-episode long introductory worldbuilding portion the series pretty much becomes a long, continuous CMOA with some heartwarming and funny moments sprinkled throughout.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of [[Theatre/KingLear]]. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer [[Theatre/MacBeth]] [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
to:
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of [[Theatre/KingLear]]. [[Theatre/KingLear King Lear]]. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer [[Theatre/MacBeth]] {{Theatre/MacBeth}} [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Most prominently the battle between England and Musashi's writers. Shakespeare summons a manifestation of [[AllYourPowersCombined the combined works of her namesake]] in the form of [[Theatre/KingLear]]. After ''divine intervention on Neshinbara's behalf'' fails, we are reminded once again that Shakespeare tagged Toussaint with a curse identifying him with the kingslayer [[Theatre/MacBeth]] [[ChekhovsGun earlier in the season,]] resulting in a capsule summary of Musashi's [[TakeOverTheWorld goals]] and its stance on the setting's "historical reenactment":
---> '''Neshinbara:''' Go, [[HeroWithBadPublicity usurper to the throne!]] [[spoiler: Save the king!]]
---> '''Neshinbara:''' [[TakeAThirdOption Stories are flexible.]] [[spoiler: You can even use that as the groundwork to make a different story.]]
---> '''Neshinbara:''' Go, [[HeroWithBadPublicity usurper to the throne!]] [[spoiler: Save the king!]]
---> '''Neshinbara:''' [[TakeAThirdOption Stories are flexible.]] [[spoiler: You can even use that as the groundwork to make a different story.]]
Is there an issue? Send a MessageReason:
Parses better
Changed line(s) 2 (click to see context) from:
** And of course ninja psychic maid's battle with a humongous mecha. Yep, you read that right.
to:
** And of course ninja psychic ninja maid's battle with a humongous mecha. Yep, you read that right.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** To be fair, she also got in a couple of epic slaps to Futayo's face...
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.'''''
to:
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.''''''''''
* Adele out maneuvering the San Martin by having the Musashi go into stealth and then perfectly executing an Immelman turn with a 4.5 mile long city ship in ep 13 of season 2 has to be seen to beleive
* Adele out maneuvering the San Martin by having the Musashi go into stealth and then perfectly executing an Immelman turn with a 4.5 mile long city ship in ep 13 of season 2 has to be seen to beleive
Is there an issue? Send a MessageReason:
None
Changed line(s) 7 (click to see context) from:
* All of season 2 episode 10
to:
* All of season 2 episode 1010
* P.A. ODA's premier fighters, [[NamesToRunAwayFromReallyFast The Five Great Peaks]]; [[IHaveManyNames The Six Demon Army]], show up at the end of S1...to simply and subtly display that they ''have'' the power to take the Musashi down just by ''being there''. And if you know what they're capable of in Volume 3, [[CurbStompBattle you know they could have ended the series right then and there.]]
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.'''''
* P.A. ODA's premier fighters, [[NamesToRunAwayFromReallyFast The Five Great Peaks]]; [[IHaveManyNames The Six Demon Army]], show up at the end of S1...to simply and subtly display that they ''have'' the power to take the Musashi down just by ''being there''. And if you know what they're capable of in Volume 3, [[CurbStompBattle you know they could have ended the series right then and there.]]
** As shown in V2/S2, [[ObviouslyEvil Toshiie Maeda]] can summon, at will, ''[[spoiler: a million undead soldiers]]''. '''''Anywhere. Anytime.'''''
Is there an issue? Send a MessageReason:
None
Changed line(s) 6 (click to see context) from:
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.
to:
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.stride.
* All of season 2 episode 10
* All of season 2 episode 10
Is there an issue? Send a MessageReason:
updating the name
Changed line(s) 3 (click to see context) from:
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to go BeyondTheImpossible harnessing ''his'' power of impossibility to harness ''their'' power of possibility. '''[[LetsGetDangerous JUDGE!]]'''
to:
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to [[SerialEscalation go BeyondTheImpossible harnessing ''his'' power of impossibility to harness ''their'' power of possibility. '''[[LetsGetDangerous JUDGE!]]'''possibility]]. '''JUDGE!'''
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Kimi taking on Futayo and her existence-erasing spear with nothing but eroticism and dance. And she ''wins''. Really.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to go BeyondTheImpossible harnessing ''his'' power of impossibility to harness ''their'' power of possibility. '''[[LetsGetDangerous JUDGE!]]'''
to:
* Episode 5: Muneshige's fight with Tadakatsu.
** And of course ninja psychic maid's battle with a humongous mecha. Yep, you read that right.
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to go BeyondTheImpossible harnessing ''his'' power of impossibility to harness ''their'' power of possibility. '''[[LetsGetDangerousJUDGE!]]'''JUDGE!]]'''
** Heck, you can say that after the four-episode long introductory worldbuilding portion the series pretty much becomes a long, continuous CMOA with some heartwarming and funny moments sprinkled throughout.
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.
** And of course ninja psychic maid's battle with a humongous mecha. Yep, you read that right.
* Episode 11. After everyone tells Toori that [[YouAreNotAlone he is]] ''[[YouAreNotAlone not]]'' [[YouAreNotAlone alone]] in his fight to save Horizon after he asks them whether they truly want to save her, he asks Tomo to [[DeadlyUpgrade authorize his contract]] with the Asama Shrine and proceeds to turn the tables on a battle that everyone thought was lost. And then, after everyone learns from Tomo that Toori's [[DangerousForbiddenTechnique new contract]] can ''possibly cost him his life'', he [[RousingSpeech gives a resounding speech]] that he will stand and live on together with his power of impossibility, and for everyone to go BeyondTheImpossible harnessing ''his'' power of impossibility to harness ''their'' power of possibility. '''[[LetsGetDangerous
** Heck, you can say that after the four-episode long introductory worldbuilding portion the series pretty much becomes a long, continuous CMOA with some heartwarming and funny moments sprinkled throughout.
* Episode 12: Toori deliberately activates a trap that the Pope President proclaims to be inescapable from. How so? It forces the victim to relive his/her most traumatic experience over and over, disintegrating him/her in the process. So what does Toori do? Take it in stride.