History Anime / FiveCentimetersPerSecond

17th Jan '18 2:56:18 PM GentlemensDame883
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** The rocket in the second arc is towed in a container with ''NASDA'' on the side.
17th Jan '18 9:25:09 AM Kigali
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** The rocket in the second arc is towed in a container with ''NASDA'' on the side.
11th Dec '17 8:50:47 AM GentlemensDame883
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* HeroicBSOD: In the manga, [[spoiler:Takaki takes Risa to Iwafune Station in an attempt to work out his issues regarding Akari, only to freeze up and be unable to follow her off the train. The train eventually moves off with him still on board.]]
9th Dec '17 7:45:04 PM GentlemensDame883
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* CherryBlossoms: First mentioned by Akari, the rate at which CherryBlossoms fall under normal circumstances acts as a metaphor for falling in love.

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* CherryBlossoms: First mentioned by Akari, the rate at which CherryBlossoms fall under normal circumstances acts as a metaphor for falling in love.love and also how people drift apart.
9th Dec '17 7:38:31 PM GentlemensDame883
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* EnvironmentalSymbolism: The snowstorm Takaki gets caught in during the first act mirrors not just his physical but also emotional distance from others. In the third act, it is also in the winter that he breaks up with his then girlfriend and falls into a fugue. Accordingly, it is in the bright, pleasant spring later that he finally manages to let go of his longing for Akari.
8th Dec '17 6:07:03 AM GentlemensDame883
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* AdaptationExpansion: The [[RevisedEnding manga adaptation]] further fleshes out the experiences and emotions of all three leads, including giving Akari more screentime for events that were glossed over in the film proper. Most importantly, it also breathes insight into Kanae's life following the events of the movie and parallels Takaki's experiences during his adulthood; with her life passing through the same cycle of entering and leaving relationships, she ultimately decides to confront her feelings head-on by trying to meet up with Takaki. Contrasting Takaki's implied meeting with Akari, Kanae [[spoiler:decides to pursue him when she appears to have found him again]].

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* AdaptationExpansion: The [[RevisedEnding manga adaptation]] further fleshes out the experiences and emotions of all three leads, including giving Akari more screentime for events that were glossed over in the film proper.proper and expanding on Takaki's relationship with Risa that only the end of is shown in the film. Most importantly, it also breathes insight into Kanae's life following the events of the movie and parallels Takaki's experiences during his adulthood; with her life passing through the same cycle of entering and leaving relationships, she ultimately decides to confront her feelings head-on by trying to meet up with Takaki. Contrasting Takaki's implied meeting with Akari, Kanae [[spoiler:decides to pursue him when she appears to have found him again]].
2nd Dec '17 6:07:12 AM GentlemensDame883
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* VehicleVanish: In the final shot of the film, Takaki walks through the train crossing from the first scene at the same time that a woman who might be Akari does so too. After they pass each other, he turns to check, but a train obstructs the view; by the time it's gone, so is she.

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* VehicleVanish: In the final shot of the film, Takaki walks through the train crossing from the first scene at the same time that a woman who might be Akari does so too. After they pass each other, he turns to check, but a train obstructs the view; by the time it's gone, so is she. Earlier on in the third act too, there is a shot where Takaki is on his computer at home, a wind causes a curtain to obscure him for a moment, and he's gone when it settles down.
1st Dec '17 7:52:21 AM GentlemensDame883
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* NextSundayAD: {{Freeze Frame Bonus}}es reveal the third act takes place in 2008, one year after the film's 2007 release. Nothing is noticeably different about the Tokyo depicted.
29th Nov '17 3:06:11 PM GentlemensDame883
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* AdaptationExpansion: The [[RevisedEnding manga adaptation]] breathes insight into Kanae's life following the events of the movie and parallels Takaki's experiences during his adulthood; with her life passing through the same cycle of entering and leaving relationships, she ultimately decides to confront her feelings head-on by trying to meet up with Takaki. Contrasting Takaki's implied meeting with Akari, Kanae [[spoiler:decides to pursue him when she appears to have found him again]].

to:

* AdaptationExpansion: The [[RevisedEnding manga adaptation]] further fleshes out the experiences and emotions of all three leads, including giving Akari more screentime for events that were glossed over in the film proper. Most importantly, it also breathes insight into Kanae's life following the events of the movie and parallels Takaki's experiences during his adulthood; with her life passing through the same cycle of entering and leaving relationships, she ultimately decides to confront her feelings head-on by trying to meet up with Takaki. Contrasting Takaki's implied meeting with Akari, Kanae [[spoiler:decides to pursue him when she appears to have found him again]].
22nd Oct '17 1:41:51 AM GentlemensDame883
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** The satellite belt in Takaki's recurring dreams bears resemblance to the Union's tower in Shinkai's previous work, ''Anime/ThePlacePromisedInOurEarlyDays.''
** The cover of the railway book that Takaki buys in the first act is an environment shot from ''Anime/ThePlacePromisedInOurEarlyDays''.

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** The satellite belt in Takaki's recurring dreams bears resemblance to the Union's tower in Shinkai's previous work, ''Anime/ThePlacePromisedInOurEarlyDays.''
**
'' The cover of the railway book that Takaki buys in the first act is an environment shot from ''Anime/ThePlacePromisedInOurEarlyDays''.the same.
** As in both ''Anime/VoicesOfADistantStar'' and ''Anime/ThePlacePromisedInOurEarlyDays'', there is an extended shot of two characters watching a long vehicle pass.
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http://tvtropes.org/pmwiki/article_history.php?article=Anime.FiveCentimetersPerSecond