History AccidentalInnuendo / Music

* French song "Dominique" by ''The Singing Nun'' is infamous for its refrain "Dominique -nique -nique". "Niquer" is also a slang meanig having sex.

* The Vapors' "Turning Japanese" is often thought to be about [[ThisIndexTouchesItself masturbation]], due to lines like "I've got your picture, I've got your picture / I'd like a million of ya over myself". But according to songwriter David Fenton, "Turning Japanese is all the clichés about [[GrowingUpSucks angst and youth and turning into something you didn't expect to]]."

* Music/LouisArmstrong's "A Kiss to Build a Dream On" is a sweet song about the singer remembering his lover while they're separated. Perhaps remembering her [[ADateWithRosiePalms a bit too much]].

* Music/KateBush's song "Egypt" memorably refers to what may or may not be the Great Sphynx of Giza as a "pussy queen".

*** According to a comment on Youtube, the band realized how bad the line is and actually changes it to ‘Guess you ain’t heard that we HOLLOW guys’ when playing the song at live shows.

* The use of the phrases "it's hard" and "it gets so hard" in the Dr Hook song ''When You're in Love With a Beautiful Woman'' comes across as this, especially when you consider ''what'' gets hard under such circumstances. At least if you're male.

** Let’s not forget the band’s other hit from that album, ‘Rockstar’, whose course contains the line ‘Guess you ain't heard that we swallow guys’. It’s meant as a (very badly executed) metaphor for eating MC s , but many interpret it as meaning something else...

** Their version of "All About That Bass" has this through a {{Mondegreen}} that results in an UnusualDysphemism: [[http://www.eonline.com/news/619533/kidz-bop-might-be-bringing-anal-back-listen-to-the-accidentally-r-rated-tune "I'M BRINGING ANAL BACK!"]][[note]]They're actually singing "bringing ''it all'' back." Blame AccentUponTheWrongSyllable here.[[/note]]

* Toni Basil was adamant that her OneHitWonder "Mickey" did ''not'' contain an innuendo more explicit than your standard IntercourseWithYou in the line "So come on and give it to me / Any way you can / Any way you want to do it / ''I'll take it like a man."'' Quite simply, the song was a TheCoverChangesTheGender version of the only moderately-racy [[{{Pun}} Racey]] song "Kitty," and the lyric wasn't changed to correspond with the GenderFlip.

* Toni Basil was adamant that her OneHitWonder "Mickey" did ''not'' contain an explicit innuendo with the line "So come on and give it to me / Any way you can / Any way you want to do it / ''I'll take it like a man."'' Quite simply, the song was a TheCoverChangesTheGender version of the only moderately-racy [[{{Pun}} Racey]] song "Kitty," and the lyric wasn't changed to correspond with the GenderFlip.

* Toni Basil was adamant that her OneHitWonder "Mickey" did ''not'' contain an explicit innuendo with the line "So come on and give it to me / Any way you can / Any way you want to do it / ''I'll take it like a man."'' Quite simply, the song was a TheCoverChangesTheGender version of the only moderately-racy [[{{Pun}} Racey]] song "Kitty," and the lyric wasn't changed with the PerspectiveFlip.

* Toni Basil was adamant that her OneHitWonder "Mickey" did ''not'' contain a sexual innuendo with the line "So come on and give it to me / Any way you can / Any way you want to do it / ''I'll take it like a man."'' Quite simply, the song was a TheCoverChangesTheGender version of the only moderately-racy [[{{Pun}} Racey]] song "Kitty," and the lyric wasn't changed with the PerspectiveFlip.